Front matter (continued 4)

"All right," he muttered.

They rose; he took both her hands into his and looked intently into her grey eyes:

"I won't spoil life for you," he said. "I'll be near you, now. The old intimacy must be strengthened. I've failed wretchedly in my responsibilities; I'll try to make up for my selfishness——"

"Oh, Jim! I don't think that way——"

"You are too generous. You are too loyal. You are quite the most charming woman I ever knew, Steve—the sweetest, the most adorable. I've been a fool—blind and stupid."

"You mustn't say such ridiculous things! But it is dear of you to find me attractive! It really thrills me, Jim. I'm about the happiest girl in New York, I think! Tell me, do you like Helen?"

"Yes, she's nice. Where are you dining, Steve? Could you——"

"Oh, dear! Helen and I are dining out! It's a party. We all go to the ball. But, Jim—do get a costume of some sort and come to the Caricaturists' Ball! Will you? Helen and I are going. It's the Ball of the Gods—the last costume ball of the season, and it is sure to be amusing. Will you come?"

He didn't seem to think he could, but she insisted so eagerly and promised to have an invitation at his hotel for him by nine o'clock, that he laughed and said he'd go.

"Everybody artistic will be there," she explained, delighted. "You'll meet a lot of men you know. And the pageant will be wonderful. I shall be in it. So will Helen. Then, after the pageant, we'll find each other—you and I!——" She sighed: "I am too happy, Jim. I don't want to arouse the anger of the gods."

She linked her arm in his and entered the studio.

"Helen!" she called. "Jim is coming to the dance! Isn't it delightful?"

"It is, indeed," said Helen, opening her door a little and looking through the crack. "You'd better tell him what you're wearing, because he will never know you."

"Oh, yes, indeed! Helen and I are going as a pair of Burmese idols—just gold all over—you know——?"

She took the stiff attitude of the wonderful Burmese idol, and threw back her slender hands—"This sort of thing, Jim? Tiny gold bells on our ankles and that wonderful golden filigree head dress."

She was in wonderful spirits; she caught his arm and hand and persuaded him into a two-step, humming the air. "You dance nicely, Jim. You can have me whenever you like——"

Helen called through the door:

"You're quite mad, Steve! You've scarcely time to dress."

"Oh, I must run!" she cried, turned to Cleland, audaciously, offered her lips, almost defiantly.

"We're quite safe, Jim, if we can do this so innocently." She laughed. "You adorable boy! Oh, Jim, you're mine now, and I'll never let you go away again!"

As he went out, he met Grismer, face to face. The blood leaped hotly in his cheeks; Grismer's golden eyes opened in astonishment:

"Cleland! By all the gods!" he said, offering his hand.

Cleland took it, looked into Grismer's handsome face:

"How are you, Grismer?" he said pleasantly. And passed on out of the front door.

CHAPTER XVIII

Cleland dined by himself in the lively, crowded café of the Hotel Rochambeau—a sombre, taciturn young man, still upset by his encounter with Grismer, still brooding impotent resentment against what Stephanie had done. Yet, in spite of this the thrill of seeing her again persisted, filling him with subdued excitement.

He realized that the pretty, engaging college girl he had left three years ago had developed into an amazingly lovely being with a delicately vigorous and decisive beauty of her own, quite unexpected by him. But there was absolutely no shyness, no awkwardness, no self-consciousness in her undisguised affection for him; the years had neither altered nor subdued her innocent acceptance of their relationship, nor made her less frank, less confident, or less certain of it and of the happy security it meant for both.

In spite of her twenty-one years, her education, her hospital experience, Stephanie, in this regard, was a little girl still. For her the glamour of the school-boy had never departed from Cleland with the advent of his manhood. He was still, to her, the wonderful and desirable playmate, the miraculous new brother, the exalted youth of her girlhood; the beloved and ideal of their long separation—all she had on earth that represented a substitute for kin and family ties and home. That her loyal heart was still the tender, impulsive, youthful heart of a girl was plain enough to him. The frankness of her ardour, her instant happy surrender, her clinging to him in a passion of gratitude and delight, all told him her story. But it made what she had done with Grismer the more maddening and inexplicable; and at every thought of it a gust of jealousy swept him.

He ate his dinner scarcely conscious of the jolly tumult around him, and presently went upstairs to his rooms to rummage in one of his trunks for a costume;—souvenir of some ancient Latin Quarter revelry—Closerie des Lilas or Quat'z Arts, perhaps.

Under his door had been thrust an envelope containing a card bearing his invitation, and Stephanie had written on it: "It will all be spoiled if you are not there. Don't forget that you'll have to dress as a god of sorts. All other costumes are barred."

What he had would do excellently. His costume of a blessed companion of Mahomet in white, green and silver, with its jeweled scimitar, its close-fitted body dress, gorget, and light silver head-piece, represented acceptably the ideal garb of the Lion of God militant.

Toward eleven o'clock, regarding himself rather gloomily in the mirror, the reflected image of an exceedingly good-looking Fourth Caliph, with the faint line of a mustache darkening his short upper lip and the green gems of a true believer glittering on casque and girdle and hilt, cheered the young man considerably.

"If I'm not a god," he thought, "I'm henchman to one." And he twisted the pale green turban around his helmet and sent for a taxicab.

The streets around the Garden were jammed. Mounted and foot-police laboured to keep back the curious crowds and to direct the crush of arriving vehicles laden with fantastic figures in silks and jewels. Arcades, portico, and the broad lobby leading to the amphitheatre were thronged with animated merrymakers in brilliant costumes; and Cleland received his cab-call number from the uniformed starter and joined the glittering stream which carried him resistlessly with it through the gates and presently landed him somewhere in a seat, set amid a solidly packed tier of gaily-costumed people.

An immense sound of chatter and laughter filled the vast place, scarcely subdued by the magic of a huge massed orchestra.

The Garden had been set to represent Mount Olympus; white pigeons were flying everywhere amid flowers and foliage; the backdrop was painted like a blue horizon full of rosy clouds, and the two entrances were divided by a marble-edged pool in which white swans sailed unconcerned and big scarlet gold-fish swam in the limpid water among floating blossoms.

But he had little time to gaze about through the lilac-haze of tobacco smoke hanging like an Ægean mist across the dancing floor, for already boy trumpeters, in white tunics and crowned with roses, were sounding the flourish and were dragging back the iris-hued hangings at either entrance.

The opening pageant had begun.

From the right entrance came the Greek gods and heroes—Zeus aloft in a chariot, shaking his brazen thunder bolts; Athene in helmet and tunic, clutching a stuffed owl; Astarte very obvious, long-legged and pretty; Mars with drawn sword and fiery copper armour; Hermes wearing wings on temples and ankles and skilfully juggling the caduceus, Aphrodite most casually garbed in gauze, perfectly fashioned by her Maker and rather too visible in lovely detail.

Eros, very feminine too, lacked sartorial protection except for a pair of wings and a merciful sash from which hung quiver and bow. In fact, it was becoming startlingly apparent that the artists responsible for the Ball of All the Gods scorned to conceal or mitigate the classical and accepted legends concerning them and their costumes—or lack of costumes.

Fauns, dryads, nymphs, satyrs, naiads, bacchantes poured out from the right entrance, eddying in snowy whirlpools around the chariots of the Grecian gods; and the influence of the Russian ballet was visible in every lithely leaping figure.

Contemporaneously, from the left entrance, emerged the old Norse gods: Odin, shaggy and fully armed; Loki, all a-glitter with dancing flames; Baldin the Beautiful, smirking; Fenris the Wolf; Frija, blond and fiercely beautiful—the entire Norse galaxy surrounded by skin-clad warriors and their blond, half-naked mates.

The two processions, moving in parallel lines along the north and south tiers of boxes, were overlapping and passing each other now, led in a winding march by trumpeters; and all the while, from either entrance new bevies of gods and immortals were emerging—the deities of Ancient Egypt moving stiffly in their splendid panoply; the gods of the ancient Western World led by the Holder of Heaven and Hiawatha, and followed by the Eight Thunders plumed in white escorting the Lake Serpent—a young girl, lithe and sinuous as a snake and glittering from head to foot, with the serpent spot on her forehead.

Ancient China, in bewildering silks, entered like a moving garden of flowers; then India came in gemmed magnificence led by the divine son of Suddhodana.

He bore the bow of black steel with gold tendrils—the Bow of Sinhahânu. He was dressed as the Prince Siddhartha, in the garb of a warrior of Oudh. Bow and sabre betrayed the period—the epoch of his trial against all comers to win the Sâkya girl Yasôdhara.

As he passed, Cleland, leaning forward, scanned the splendid and militant figure intently; and recognized Oswald Grismer under the glimmering dress of the young Buddha militant.

To left and right of the youthful god advanced two girls, all in relieved stiff gold from the soles of their up-turned sandals to the fantastic pagoda peak of their head-dresses.

They wore golden Burmese masks; their bodies to the girdles were covered with open-work golden filigree; from the fantastic pagoda-like shoulder-pieces gold gauze swept away like the folded golden wings of dragon-flies; golden bangles and bells tinkled on wrist and ankle.

With slim hands uplifted like the gilded idols they represented, the open eye painted in the middle of each palm became visible. Around them swirled a dazzling throng of Nautch girls.

Suddenly they flung up their arms: the stiff gold masks and body-encasements cracked like gilded mummy cases and fell down clashing around their naked feet, and from the cold, glittering chrysalids stepped out two warm, living, enchantingly youthful figures, lithe and supple, saluting the Prince Siddhartha with bare arms crossed above their breasts.

To one, representing his mother, Maya, he turned, laying the emblems of temporal power at her feet. And, in her, Cleland recognized Helen Davis.

But his eyes were for the other—the Sâkya girl Yasôdhara in gold sari and chuddah, her body clasped with a belt of emeralds and a girdle of the same gems tied below her breasts.

The young Lord Buddha laid the living Rose of the World in her hands. She bent her head and drew it through her breast-girdle. Then, silk-soft, exquisite, the Sâkya maid lifted her satin-lidded eyes, sweeping the massed audience above as though seeking some one. And Cleland saw that her eyes were lilac-grey; and that the girl was Stephanie.

Suddenly the massed orchestras burst into an anachronistic two-step. The illusion was shattered; the ball was on! Assistants ran up and gathered together the glittering débris and pushed chariot, papier maché elephant and camel and palanquin through the two entrances; god seized goddess, heroes nabbed nymphs; all Olympus and the outlying suburban heavens began to foot it madly to the magic summons of George Cohan.

Under the blaze of lights the throng on the dancing floor swirled into glittering whirlpools and ripples, brilliant as sunset on a restless sea. The gaily costumed audience, too, was rising everywhere and leaving seats and stalls and boxes to join the dancing multitudes below.

Before he descended, Cleland saw Grismer and Stephanie dancing together, the girl looking up over her shoulder as though still searching the tiers of seats above for somebody expected.

Before he reached the floor he began to meet old friends and acquaintances, more or less recognizable under strange head-dresses and in stranger raiment.

He ran into Badger Spink, as a fawn in the spotted skin of a pard, his thick hair on end and two little horns projecting.

"Hello," he said briefly; "you back? Glad to see you—excuse me, but I'm chasing a little devil of a dryad——"

He caught sight of her as he spoke; the girl shrieked and fled and after her galloped the fawn, intent on capture.

Clarence Verne, colourless of skin in his sombrely magnificent Egyptian dress, extended an Egyptian hand to him—the hand he remembered so well, with its deep, pictographic cleft between forefinger and thumb.

"When did you come back, Cleland?" he inquired in that listless, drugged voice of his. "To-day? Hope we'll see something of you now.... Do you know that Nautch girl—the one in orange and silver? She's Claudia Gwynn, the actress. She hasn't got much on, has she? Can the Ball des Quat'z beat this for an unconcerned revelation of form divine?"

"I don't think it can," said Cleland, looking at a bacchante whose raiment seemed to be voluminous enough. The only trouble was that it was also transparent.

"Nobody cares any more," remarked Verne in his drowsy voice. "The restless sex has had its way. It always has been mad to shed its clothes in public. First it danced barefooted, then it capered barelegged. Loie, Isadora and Ruth St. Denis between 'em started the fashion; Bakst went 'em one better; then society tore off its shoulder-straps and shortened its petticoats; and the Australian swimming Venus stripped for the screen. It's all right; I don't care. Only it's a bore to have one's imagination become atrophied from disuse.... If I can find a girl thoroughly covered I'd be interested."

He sauntered away to search, and Cleland edged around the shore of the dancing floor, where the flotsam from the glittering maelstrom in the centre had been cast up.

Threading his way amid god and goddess, nymph and hero, he met and recognized Philip Grayson, one of his youthful masters at school—a tall, handsome figure in Greek armour.

"This is nice, Cleland," he said cordially. "Didn't know you were back. Quite a number of your old school fellows here!"

"Who?"

"Oswald Grismer——"

"I saw him."

"Did you run across Harry Belter?"

"No," exclaimed Cleland, "is he here?"

"Very much so. Harry is always in the thick of things artistic. How goes literature with you?"

"I came back to start things," said Cleland. "How does it pan out with you?"

"Well," said Grayson, "I write things that are taken by what people call the 'better class' magazines. It doesn't seem to advance me much."

"Cheer up. Try a human magazine and become a best seller," said Cleland, laughing.

And he continued his search for Stephanie.

There was a crush on the floor—too many dancing in the beginning—and all he could do was to prowl along the side lines. In a lower-tier box he noticed a fat youth, easily recognizable as Bacchus. His wreath of wax grapes he wore rakishly over one eye; he sat at a table with several thirsty dryads and bestowed impartial caresses and champagne. Occasionally he burst into throaty song in praise of the grape.

"Harry Belter!" cried Cleland.

"Hey! Who?" demanded Bacchus, leaning over the edge of the box, his glass suspended. "No! It isn't Jim Cleland! I won't believe it! It's only a yearned-for vision come to plague and torment me in my old age——!" He got up, leaned over and seized Cleland by his silken sabre-belt:

"Jim! It is you! To my arms, old scout——!" embracing him vociferously. "Welcome, dear argonaut! Ladies! Prepare to blush and tremble with pleasurable emotion!" he cried, turning to his attendant dryads. "This is my alter ego, James Cleland—my beloved comrade in villainy—my incomparable breaker of feminine hearts! You all shall adore him. You shall dote upon him. Ready! Attention! Dote!"

"I'm doting like mad," said a bright-eyed dryad, looking down invitingly at the handsome young fellow. "Only if he's a Turk I simply won't stand for a harem!"

"In the Prophet's Paradise," said Cleland, laughing, "there's no marriage or giving in marriage. Will you take a chance, pretty dryad? All the girls are on an equal footing in the Paradise of Mahomet, and we Caliphs just saunter from houri to houri and tell each that she's the only one!"

"Saunter this way, please," cried another youthful dryad, adjusting the wreath of water-lilies so that she could more effectively use her big dark eyes on him.

Belter whispered:

"They're from the new show—'Can You Beat It!'—just opened to record business. Better pick one while the picking's good. Come on up!"

But Cleland merely lingered to pay his compliments a few moments longer, then, declining to enter the box and join Belter in vocal praise of the grape, and eluding that gentleman's fond clutch, he dodged and slipped away to continue his quest of the silken, slender Sâkya girl somewhere engulfed amid all this glitter, surging, beating noisily around him.

Frequently, as he made his devious way forward, men and women of the more fashionable and philistine world recognized and greeted him; he was constantly stopping to speak to acquaintances of what used to be the saner sets, renew half-forgotten friendships, exchange lively compliments and gay civilities.

But he failed to detect any vast and radical difference between the world and the three-quarter world. The area in square inches of bare skin displayed by a young matron of his own sort matched the satin nakedness of some animated ornament from the Follies.

As he stood surveying the gorgeous throng he seemed to be subtlely aware of a tension, an occult strain keying to the breaking point each eager, laughing woman he looked at. The scented atmosphere was heavy with it; the rushing outpour of the violins was charged with it; it was something more than temporary excitement, more than the reckless gaiety of the moment; it was something that had become part of these women—a vast, deep-bitten restlessness possessing them soul and body.

The aspiring quest for the hitherto unattainable, the headlong hunt for happiness, these were human and definite and to be comprehended: but this immense, aimless, objectless restlessness, mental or spiritual, whichever it might be, seemed totally different.

It was like a blind, crab-like, purposeless, sidling migration in mass of the prehistoric female race—before it had created the male for its convenience—wandering out into and over-running the primeval wastes of the world, swarming, crawling at random—not conscious of what it desired, not knowing what it might be seeking, aware only of the imperative urge within it which set it in universal motion. Only to weary, after a few million years of subdivision and self-fertilization, and casually extemporize the sterner sex. And settle again into primeval lethargy and the somnolent inertia of automatic reproduction.

Watching the golden human butterflies whirling around him swept into eddies by thunderous gusts of music, he thought, involuntarily of those filmy winged creatures that dance madly in millions and millions over northern rivers and are swept in sparkling clouds amid the rainbow spray of cataracts out into the evening splendour of annihilation.

He met a pretty woman he knew—had thought that he had known once—and reddened slightly at the audacity of her Grecian raiment. Her husband—a Harvard man he had known—was with her, in eye-glasses and a Grecian helmet—Ajax the Greater, he explained.

They lingered to exchange a word; she beat time to the music with sandalled foot, a feverish brilliancy in eyes and cheeks.

"The whole world," said Cleland, "seems strung too tightly. I noticed it abroad, too. There's a tension that's bound to break; the skies of the whole earth are full of lightning. Something is going to blow up."

"Hope it won't be the stock market," said the man. "I don't get you, Cleland—you always were literary."

"He means war," said his wife, restlessly fanning her flushed cheeks. "Or suffrage. Which do you mean, Mr. Cleland?"

"You've got all you want—practically—haven't you?" he asked.

"Practically. It's a matter of a year or so—the vote."

"What will you do next?" he inquired, smiling.

"Heaven knows, but we've simply got to keep doing something," she said. "What a ghastly bore to attain everything! If you men really love us, for goodness' sake keep on tyrannizing over us and giving us something to fight for!"

She laughed and blew him a kiss as her husband encircled her Grecian waist and steered her out into the fox-trotting throng, her flimsy draperies fluttering like the wind-blown tunic of a Tanagra dancing figure.

The stamp and jingling din of Nautch girls rang in his ears as he turned away and looked out over the shifting crowd.

Everywhere he recognized people he had met or heard about, men eminent or notorious in their vocations, actors, painters, writers, architects, musicians—men of science, lawyers, promoters, officers of industry commissioned and non-commissioned, the gayer element of the stage were radiantly in evidence, usually in the dancing embrace of Broad and Wall Streets; artistic masculine worth and youth pranced proudly with femininity of social attainment; the beautiful unplaced were there in daring deshabille, captivating solid domestic character which had come there wifeless and receptive.

Suddenly he saw Stephanie. She was leaning back against the side of the arena, besieged by a ring of men. Gales of laughter swept her brilliant entourage of gods and demons, fauns and heroes, all crowding about to pay their eager court. And Stephanie, laughing back at them from the centre of the three-fold circle, her arms crossed behind her, stood leaning against the side of the amphitheatre under a steady rain of rose petals dropped on her by some young fellows in the box above her.

Through this rosy rain, through the three-fold ring of glittering gods, she caught sight of Cleland—met his gaze with a soft, quick cry of delight.

Out through the circle of chagrined Olympians she sprang on sandalled feet, not noticing these protesting suitors; and with both lovely, rounded arms outstretched, her jewelled hands fell into Cleland's, clasping them tightly in an ecstacy of possession.

"I couldn't find you," she explained breathlessly. "I was so dreadfully afraid you hadn't come! Isn't it all magnificent! Isn't it wonderful! Did you see the pageant? Did you ever see anything as splendid? Slip your arm around me; we can walk better together in this crush——" passing her own bare arm confidently over his shoulder and falling into step with him.

"I saw you in the pageant," he said, encircling with his arm the silken body-vestment of her slender waist.

"Did you? Did you see Helen and me come out of our golden chrysalids? Was it pretty?"

"Charming and unexpected. You are quite the most beautiful thing on the floor to-night."

"Really, Jim, do you think so? You darling boy, to say it! I'm having a wonderful time. How handsome you are in your dress of a young oriental warrior!"

"I'm the fourth Caliph, Ali," he explained. "I had this costume made in Paris."

"It's bewitching, Jim. You are good looking!—you adorable brother of mine. Do you like my paste emeralds? You don't think I'm too scantily clad, do you?"

"That seems to be the general fashion——"

"Oh, Jim! There are lots of others much more undressed. Besides, one simply has to be historical and accurate or one is taken for an ignoramus. If I'm to to impersonate the Sâkya girl, Yassôdhara, before she became Lord Buddha's wife, I must wear what she probably wore. Don't you see?"

"Perfectly," he said, laughing. "But you of the artistic and unconventional guilds ought to leave the audacious costumes to your models. But, of course, that's too much to ask of you."

"Indeed it is!" she said gaily. "If some of us think we're rather nicely made why shouldn't we dare a little artistically—in the name of beauty and of art? ... Oh, Jim!—it's the tango they're beginning. Will you!—with me?"

They danced the exquisitely graceful measure together, her little golden-sandalled feet flashing noiselessly through the intricate steps, lingering, swaying, gliding faultlessly in unison with his as though part of his own body.

The fascinating rhythm of the Argentine music throbbed through the perfumed air; a bright, whispering wilderness of silk and jewels swayed rustling all around them; bare arms and shoulders, brilliant lips and eyes floated through their line of dreary vision; figures like phantoms passed in an endless rosy chain through the lustrous haze of motion.

They danced together whatever came; Stephanie, like a child fearful of being abandoned, kept one slim jewelled hand fast hold of his sleeve or girdle when they were not dancing. To one and all who came to argue or present fancied prior claims she turned a deaf ear and laughing lips, listening to no pleading, no claims.

She threatened Harry Belter with the flat of her palm, warning him indignantly when he attempted a two-step, by violence; she closed her ears to Badger Spink, who danced with rage in his goat-skins; she waved away Verne in all his Egyptian splendour; she let her grey eyes rest in an insolent stare at two of Belter's dryads who encircled Cleland's waist with avowed intent to make him their prisoner and dedicate him to vocal praise of the vine.

Then there was a faint clash and flash of iridescence, and the Prince Siddhartha confronted her, golden-eyed, golden-skinned, golden-haired, magnificent in his golden vestments.

"Oswald!" she cried. "Oh, I am glad. Jim! You and Oswald will be friends, won't you? You're such dears—you simply must like each other!"

They shook hands, looking with curious intentness at each other.

"I've always liked you, Cleland," said Grismer gracefully. "I don't think you ever cared for me very much, but I wish you might."

"I have found you—agreeable, Grismer. We were friendly at school and college together——"

"I hope our friendliness may continue."

"I—hope so."

Grismer smiled:

"Drop in whenever you care to, Cleland, and talk things over. We've a lot to say to each other, I think."

"Thanks." ... He looked hard at Grismer. "All right; I'll do it."

Grismer nodded:

"I've a kennel of sorts in Bleecker Street. But you might be interested in one or two things I'm working on. You see," he added with careless good humour, "I'm obliged to work, now."

Cleland said in a low voice:

"I'm sorry things went wrong with you."

"Oh, they didn't. It was quite all right, Cleland. I really don't mind. Will you really drop in some day soon?"

"Yes."

Dancing began again. Grismer stepped back with the easy, graceful courtesy that became him, conceding Stephanie to Cleland as a matter of course; and the latter, who had been ready to claim her, found himself disarmed in advance.

"Is it Grismer's dance, Steve?" he asked.

"I promised him. But, Jim, I'm afraid to let you go——"

They all laughed, and she added:

"When a girl gets a man back after three long years, is it astonishing that she keeps tight hold of him?"

"You'd better dance with her, Cleland," said Grismer, smiling.

But Cleland could not accept a gift from this man, and he surrendered her with sufficient grace.

"Jim!" she said frankly. "You're not going after that dryad, are you? She's exceedingly common and quite shamelessly under-dressed. Shall I introduce you to a nice girl—or do you know a sufficient number?"

"You know," he said, laughing, "that I ought to play my part of Fourth Caliph and go and capture a pretty widow——"

"What!"

"Certainly," he said tranquilly; "didn't Ali take prisoner Ayesha, the youthful widow of Mohammed? I'll look about while you're dancing——"

"I don't wish you to!" she exclaimed, half vexed, half laughing. "Oswald, does he mean it?"

"He looks as though he does," replied Grismer, amused. "There's a Goddess of Night over there, Cleland—very pretty and very unconcealed under a cloud of spangled stars——"

"Oswald! I don't wish him to! Jim! Listen to me, please——!" for he had already started toward the little brunette Goddess of Night. "We have box seven! Please remember. I shall wait for you!"

"Right!" he nodded, now intently bent on displeasing her; a little excited, too, by her solicitude, yet sullenly understanding that it sprang from no deeper emotion than her youthful heart had yet betrayed for him. No woman ever let a man go willingly, whether kin or lover—whether she had use for him or not.

Stephanie, managing to keep him in view among the dancers, saw the little Goddess of Night, with her impudent up-tilted nose, floating amid her scandalously diaphanous draperies in his arms through a dreamy tango, farther and farther away from her.

Things went wrong with her, too; she dropped her emerald girdle and several of the paste stones rolled away; the silk of her body-vest ripped, revealing the snowy skin, and she had to knot her gold sari higher. Then the jewelled thong of her left sandal snapped and she lost it for a moment.

"The devil!" she said, slipping her bare foot into it and half skating toward the nearest lower-tier box.

"There he is over there," remarked Grismer, indicating a regulation Mephistopheles, wearing a blood-red jerkin laced with a wealth of superfluous points. "Wait; I'll borrow a lace of him."

The devil was polite and had no objection to being despoiled; and Grismer came back with a chamois thong and mended her sandal for her while she sat in their box and watched the tumult surging below.

He chatted gaily with her for a while, leaning there on the box's edge beside her, but Stephanie had become smilingly inattentive and preoccupied, and he watched her in silence, now, curiously, a little perplexed by her preoccupation. For it was most unusual for her to betray inattention when with him. It was not like her. He could not remember her ever being visibly uninterested in him—ever displaying preoccupation or indifference when in his company.

However, the excitement of seeing her brother again so unexpectedly accounted for it no doubt.

The excitement and pleasure of seeing her—brother! ... A slight consciousness of the fact that there was no actual kinship between this girl and Cleland passed through his mind without disturbing his tranquillity. He merely happened to think of it.... He happened to recollect it; that was all.

"Stephanie?"

"Yes."

"Shall we sit out this dance? Your sandal string will hold."

"I don't know," she said. "Who is that dancing with Helen? Over there to the left——"

"I see her. I don't know—oh, yes—it's Phil Grayson."

"Is it? I wonder where Jim went with that woman! ... I'm horribly thirsty, Oswald."

"Shall we have some supper?"

"Where is it? Oh, down there! What a stuffy place! It's too awful. Couldn't you get something here?"

He managed to bribe one perspiring and distracted waiter, and after a long while he brought a tray towering with salads, ices and bottles.

Helen and Philip Grayson came back and the former immediately revealed a healthy appetite.

"Don't you want anything to eat, Steve?" she inquired. "This shrimp salad isn't bad."

"I'm not hungry."

"You seem to be thirsty," remarked Helen, looking at the girl's flushed face and her half-filled wine glass. "Where is Jim?"

"Dancing."

"With whom?"

"Some girl of sorts whom he picked up," said Stephanie; and the pink flush in her face deepened angrily.

"Was she worth it?" inquired Helen, frankly amused.

Stephanie's cheeks cooled; she replied carelessly:

"She had button eyes and a snub nose and her attire was transparent—if that interests you." She rested her elbow on the edge of the box, supporting her chin on her cupped palm.

They were dancing again. Grayson came and took out Helen; a number of men arrived clamouring for Stephanie. She finally went out with Verne, but not liking the way he held her left him planted and returned to the box where a number of hilarious young men had gathered.

Harry Belter said:

"What's the trouble, Steve? I never saw you glum before in all my life!"

"I'm not glum," she said with a forced little laugh, "I'm thirsty, Senior Bacchus! Isn't that enough to sadden any girl?"

Later Helen, returning from the floor, paused beside Stephanie to bend over her and whisper:

"Harry Belter is behaving like a fool. Don't take anything more, Steve."

The girl lifted her flushed face and laughed:

"I feel like flinging discretion into the 'fire of spring,'" she said. "That's where most of these people's clothing has disappeared, I fancy." Excitement burned in her pink cheeks and wide grey eyes, and she stood up in the box looking about her, poised lightly as some slim winged thine on the verge of taking flight.

Grismer rose too and whispered to her, but she made a slight, impatient movement with her shoulders.

"Won't you dance this with me?" he repeated, touching her arm.

"No," she said under her breath. "You annoy me, Oswald."

"What!"

"Please don't be quite so devoted.... I'm restless."

She turned and started to leave the box. The others were leaving too, for dancing had begun again. But at the steps she parted with the jolly little company, they descending to the floor, she turning to mount the steps alone.

"Where on earth are you going, Steve?" called back Helen, halting on the steps below.

"I want to see the floor from the top gallery!" replied Stephanie, without turning her head; and she ran lightly upward, her bells and bangles jingling.

Half way up she turned her head. She had not been followed, but she saw Grismer below looking up, watching her flight. And she made no sign of recognition, no gay gesture of amity and adieu; she turned her back and sped upward through the clamour and hazy brilliancy, turned into the first corridor, and vanished like a firefly in a misty thicket.

CHAPTER XIX

At three in the morning the Ball of the Gods was in full and terrific blast and still gathering momentum. A vast musical uproar filled the Garden; the myriad lights glittered like jewels through a fog; the dancing floor was a bewildering, turbulent whirlpool of colour.

Few if any of the dancers had reached the point of satiation; a number, however, had attained the state of saturation.

As far as Cleland could see the only difference between this and a more miscellaneous assemblage seemed to be that the majority of people here knew how to ignore unpleasant lapses in others and how to efface themselves if surprised into accidental indiscretion.

With Lady Button-eyes on his arm he had threaded his way into the supper-room, where the gods, demi-gods and heroes were banqueting most riotously.

It was becoming very rapidly a dubiously mixed affair; Bacchus, with his noisy crew, invaded the supper-room and pronounced Cleland's snub-nosed, button-eyed goddess "tray chick," and there arose immediately a terrific tumult around her—gods and satyrs doing battle for her; but she persisted in her capricious fancy for Cleland. He, however, remained in two minds; one was to abandon Button-eyes, retire and find Stephanie again, in spite of the ever-smoldering resentment he felt for Grismer; the other was to teach himself without loss of time to keep away from her; school himself to do without her; preoccupy himself casually and recklessly with anything that might aid in obliterating his desire for her companionship—with this snub-nosed one, for example.

The desire to see Stephanie remained, nevertheless, sometimes fiercely importunate, sometimes sullenly persistent—seemingly out of all proportion to any sentiment he had ever admittedly entertained for her—out of proportion, also, to his sulky resentment at the folly she had committed with Oswald Grismer.

For, after all, if she ultimately married Grismer in the orthodox way her eccentric pre-nuptial behaviour was nothing more serious than eccentric. And if she didn't, then it meant annulment or divorce; and he realised that nobody outside of the provinces paid any attention to such episodes nowadays. And nobody cared what clod-hoppers thought about anything.

His button-eyed goddess had a pretty good soprano voice and she was using it now, persuaded into a duet by Belter. Cleland looked at her sideways without enthusiasm, undecided, irritated and gloomy. She was Broadway vulgarity personified.

Badger Spink dropped onto a chair on the other side of him:

"Who's your transparent lady friend?" he inquired lazily. "She looks like a gutter-angel. Who is the depraved little beast?"

"I don't know—some actress, I believe—Sonia something-or-other. Do you want her?"

"Thanks. What does she represent? A Kewpie behind a pane of glass?"

"She's a goddess of sorts, I believe. This is getting rather raw, isn't it, Spink?"

Spink yawned and gazed leisurely about him, the satyr's horn emerging from his thick, wavy pompadour hair, accentuating his clever, saturnine features. His expression was slightly Satanic always.

"Yes," he said, "it's turning out rather rough. What do you think of this sort of thing in New York, Cleland? We're drifting toward Babylon. That's the trend since the dance craze swept this moral nation off its moral feet into a million tango joints."

"There's something the matter with us, that's sure," said Cleland. "This sort of thing doesn't belong in the new world."

"It's up to our over-rated American women," sneered Spink. "Only a few years ago we were slobbering over them, worshipping them, painting pictures of 'em—pictures influenced by the French naturalistic school—a lot of cow-faced American females suckling their young. Everybody was yelling for the simple life, summoning the nation back to nature, demanding that babies be produced in every family by the dozen, extolling procreation and lauding the American woman. That's the sort of female we celebrated and pretended to want. Now, look what we've got!—a nation of dancing dolls! A herd of restless, brainless, aggressive, impudent women proclaiming defiance and snapping their fingers at us!

"I tell you there burns here in the Garden to-night something more than the irresponsible gaiety of a lot of artists and Philistine pleasure-seekers. The world is on the verge of something terrifying; the restlessness of a universal fever is in its veins. Our entire human social structure is throbbing with it; every symptom is ominous of social collapse and a complete disintegration of the old order of civilization!"

"What's your other name, Spink?—Jeremiah?" asked Cleland, laughing.

"No. I'm merely on my favourite topic. Listen to me, my young friend; all England faces strikes and political anarchy in Ireland and India; the restless sex is demanding its rights in London and menacing the Empire. France, betrayed by one of the restless ones, strangling in the clutch of scandal, is standing bewildered by the roar of the proletariat; Russia seethes internally, watching the restless Empress and her accursed priest out of millions of snaky, Asiatic eyes; Portugal has just fallen crashing into fragments around a terrified Queen; China splits open from end to end and vomits forth its dynasty on the tomb of the dead Dowager; Austria watches for the death of an old, old widower—an Imperial mummy long since dead in mind and spirit. Germany, who uses the lesser sex for breeding only, stares stolidly out of pig-like eyes at the Imperial litter of degenerates and defectives dropped with stolid regularity to keep the sty-supply of Hohenzollerns unimpaired. Only radicals like myself feel the cataclysmic waves deep under the earth, symptomatic, ominous of profound and vital readjustments already under way.

"And here in our once great Republic of the West, the fever of universal unrest is becoming apparent in this nation-wide movement for suffrage. State after state becomes a battle-ground and surrenders; accepted standards are shattered, the old social order and balance between the sexes—all the established formalism and belief of a man-constructed status—totters as door and gate and avenue and byway are insanely flung open to the mindless invasion of the restless sex! Don't stop me, Cleland; I am magnificent to-night. Listen! I tell you that political equality, equal opportunity, absolute personal liberty are practically in sight for women! What more is left? Conscious of the itching urge of its constitutional inclination to fuss and fidget, the restless sex, fundamentally gallinaceous, continues to wander on into bournes beyond its ken, hen-like, errant, pensively picking at the transcendentally unattainable, but always in motion—motion as mechanical and meaningless as the negative essence of cosmic inertia! ... Now, I'm through with you, Cleland. Thanks for listening. I don't think I want your goddess, after all. She looks too much like a tip-up snipe!"

And he took himself off, yawning.

The rushing din of the orchestra far below came up softened to Stephanie's ears, where she stood at the rail of the topmost gallery and looked down into the glimmering depths of the Ball of all the Gods.

Her jewelled fingers rested on the rail, her slender body pressed against it; she stood with bent head, gazing down into the vortex, pensive, sombrely preoccupied with an indefinable anger that possessed her.

The corridor behind her was full of shadowy figures scurrying to hazardous rendezvous. She was vaguely aware of encounters and pursuits; stifled laughter, sudden gusts of whispering, hurried adieux, hasty footfalls and the ghostly rustle of silks in flight.

She turned restlessly and went up into the corridor. A dryad was performing flip-flaps there and a gale of laughter and applause arose from her comrades watching her in a semi-circle.

The Olympians, too, all seemed to have gathered there for a frolic—Zeus, Hermes, the long-legged Astarte, the amazingly realistic Aphrodite, and Eros, more realistic still—all clasping hands and dancing a ring-around-a-rosy while Bacchus and Ariadne in the centre performed a breakdown which drew frantic shouts of approval from the whirling ring.

Then, in this hilarious circle, Stephanie caught sight of the snub-nose and transparent raiment of the button-eyed Goddess of Night, and next her, hand clasping hand, she recognized Cleland as another link in the rapidly rotating ring.

Aphrodite and Eros, hand locked in hand, were singing the song they had made so popular in "The Prince of Argolis" early in the winter:

"Mrs. Aphrodite

Gave her pretty sonny

Lots of golden curls

But little golden money,

Dressed him in a nightie!—

(Listen to me, girls!)

Love of golden curls

Leads the world astray!

(Listen to me, honey!)

Love of golden money

Acts the selfsame way!"

Breathless with laughter the Grecian gods galloped round and round in a dizzy circle, flushed faces flashed past Stephanie, flying draperies and loosened hair fluttered and streamed and glimmered in confused sequence before her angry eyes.

Suddenly the mad dance broke up and flew into fragments, scattering its reeling, panting devotees into prancing couples in every direction.

And straight into this wild confusion stepped Stephanie, her pretty eyes brilliant with wrath, her face a trifle pale.

"Jim!"

He let go of Lady Button-eyes in astonishment and turned around.

Stephanie said very coolly:

"If you're going to raise the devil, raise him with me, please!"

Lady Button-eyes was not pleased and she showed it by stamping, which alone had sufficiently fixed her level if she had not also placed both hands on her hips and laughed scornfully when Cleland took leave of her and walked over to Stephanie.

"Where are the others?" he inquired, rather red at being discovered with such a crew. "You're not alone, are you, Steve?"

"Not now," she said sweetly; and passed her left arm through his and clasped her right hand over it. "Now," she said with an excited little laugh, "I am ready to raise the devil with you. Take me wherever you like, Jim."

The insulted gods gazed upon her with astonishment as she lifted her small head and sent an indifferent glance like an arrow at random among them. Then, not further noticing them, and absolutely indifferent to the button-eyed one, she strolled leisurely out of Olympus with her slightly disconcerted captive and disappeared from their view along the southern corridor. But once out of their range of vision her hot wrath returned.

"It was abominable," she said in a low, tense voice, "—your going off that way, when I told you the whole evening would be spoiled for me without you! I am hurt and angry, Jim."

But his smouldering wrath also flickered into flame now.

"You had Grismer, didn't you!" he said. "What do you care whether I am with you or not?"

"What do you mean? Yes, of course I had him. What has that to do with you?"

He replied with light insolence:

"Nothing. I'm not your husband."

His words fell like a blow: she caught her breath with the hurt of them; then:

"Is that why you have avoided me?" she demanded in a tone of such concentrated passion that the unexpected flare-up startled him. It surprised her, too: for, all at once, in her heart something contracted agonizingly, and a surge of furious resentment flooded her, almost strangling speech.

"Why are you indifferent? Why are—are you unkind?" she stammered. "I've just found you again after all these years, haven't I? What do other people matter to us? Why should Oswald interfere between you and me? You and I haven't had each other for years! I—I can't stand it—to have you unkind—indifferent—to have you leave me this way when I want you—so desperately——"

"I didn't leave you," he retorted sullenly. "You went away with—the man you married——"

"Don't speak of him that way!" she interrupted hotly. "Nobody speaks of that affair at all!"

"Why not? You did marry him, didn't you?"

"What of it!" she flamed back. "What has that to do with you and me! Why do you refer to it? It's my personal affair, anyway!"

He turned toward her, exasperated:

"If you think," he said, "that your behaviour with Grismer means nothing to me, you'd better undeceive yourself! ... Or I'll do it for you in a way you can't mistake!"

"Undeceive me?" she repeated uneasily. "How do you mean?"

"By making a fight for you myself," he said, "by doing my best to get you back!"

"I don't know what you mean, Jim," she repeated, her grey eyes intent on his flushed face.... "Do you believe you have been insulted by what I did? Is that what you mean?"

He did not answer. They walked on, slowly pacing the deserted corridor. Her head was lowered now; her lips a trifle tremulous.

"I—didn't suppose you'd take—what I did—that way," she said unsteadily. "I—respect and love you.... I supposed I was at liberty—to dispose of—myself. I didn't imagine you cared—very much——"

Suddenly he freed his arm from her clasped fingers and passed it around her waist; and she caught her breath and placed her hand tightly over his to hold it there.

"You adorable boy," she whispered, "am I forgiven? And you do care for me, don't you, Jim?"

"Care for you!" he repeated in a low, menacing voice. "I care for nobody else in the world, Steve!"

She laughed happily, yielding confidently to his embrace, responding swiftly and adorably and with a frank unreserve that told a more innocent story than his close caress and boyish heart on fire confirmed.

And, for the moment, she let him have his way, gaily enduring and humorously content with a reconciliation somewhat exaggerated and over-demonstrative on his part.

But presently his lips on her flushed face, on her hair, on her throat, disconcerted her, and her own lips parted in dismayed and laughing protest at an ardour entirely new to her.

He merely kissed her fragrant mouth into silence, looking steadily into her grey eyes now widening with perplexed and troubled inquiry.

"I love you," he said. "I want you back. Now, do you understand, Steve? I love you! I love you!"

Confused, crushed hotly in his embrace, she stared blankly at him for one dizzy instant; then, in silence, she twisted her supple body backward and aside, and with both nervous hands broke loose the circle of his arms.

They were both rather white now; her breath came and went irregularly, checked in her throat with a little sob at intervals. She leaned back against the wall, one jewelled hand against her breast, looking aside and away from where he stood.

"I told you," he said, unsteadily.

She remained silent, keeping her gaze resolutely averted.

"You understand now, don't you?" he asked.

She nodded.

Then he caught her in his arms again, and she threw back her lovely head, looking at him with frightened eyes, defending her lips with a bare, jewelled arm across them.

He laughed breathlessly and kissed the partly clenched fingers.

"Don't," she whispered, her grey eyes brilliant with fear.

"Do you understand that I am in love with you, Steve?"

"Let me go, Jim——"

"Do you?"

"Don't kiss me—that way——"

"Do you believe me?"

"I don't want to!——" Suddenly she turned terribly white in his arms, swayed a moment against him. He released her, steadied her; she passed one arm through his, leaning heavily on him.

"Are you faint, Steve?" he whispered.

"A—little. It's nothing. The air here is stifling.... I'm tired." ... She dropped her head against his shoulder. Her lids were half closed as they descended the steps, he guiding her.

It seemed to her an interminable descent. She felt as though she were falling through space into a glittering, roaring abyss. In their box sat Helen and Grayson, gossiping gaily together and waiting for another dance to begin. Cleland warned Stephanie in a whisper, and she lifted her head and straightened up with an effort.

She said mechanically:

"I'm going home; I'm very tired."

Helen and Grayson rose and the former came toward her inquiringly.

Stephanie smiled:

"Jim will take me back," she said. "Don't let me disturb your pleasure. And tell Oswald I was very sleepy.... And not to come to the studio for a day or two. Good night, dear."

She made a humorously tired little gesture of farewell to Grayson also, and, taking Cleland's arm again, sauntered with him toward the lobby.

"Get your overcoat and my wraps," she said in a colourless, even voice. "I have a car outside. Here's the call-check. I'll wait over there for you."

Her car, a toy limousine, was ultimately found. Cleland redeemed his overcoat and her wrap. When he came back for her she smiled at him, suffered him to swathe her in the white silk cloak, and, laying her dainty hand lightly on his sleeve, went out with him into the lamp-lit grey of dawn.

"You are feeling better," he said as they seated themselves in the limousine and the little car rolled away southward.

"Yes. It was the stifling atmosphere there, I suppose."

"It was horribly close," he assented.

They remained silent for a while. Then, abruptly:

"Have I made you angry, Steve?" he asked.

She looked up and laughed:

"You adorable boy," she said.

"You don't mind if I'm in love with you?" he asked.

"I haven't any mind. I can't seem to think.... But I don't think you'd better kiss me until I collect my senses again.... Please don't, Jim."

They became silent again until the car drew up before her door. She had two keys in her cloak pocket; she paused to give the chauffeur an order, turning to ask Cleland whether he didn't want the car to take him to the Hotel Rochambeau.

"Thanks; it's only a step. I had rather walk."

So the car drove away; Cleland opened the front door for her, then her own studio door. She felt around the corner in the darkness and switched on the electric bulb in a standing lamp.

"Good night, Steve," he said, taking her hand in both of his.

"Good night.... Unless you care to talk to me for a little while."

"It's four o'clock in the morning."

"I can't sleep—I know that."

He said in a low voice:

"Besides, I am very much in love with you. I think I had better go back."

"Oh.... Do you think so?"

"Don't you?"

"I told you that I haven't recovered enough sense to think."

She crossed the threshold and walked into the studio, dropping her cloak across a chair; and presently halted before the empty fireplace, gazing into its smoke-blackened depths.

For a few moments she stood there in a brown study—a glittering, exquisite figure in the subdued light which fell in tiny points of fire on gem and ring, bracelet and girdle, and tipped the gilded sandals on her little naked feet with sparks of living flame.

Then she turned her charming young head and looked across at him where he stood on the threshold.

"What do you think?" she said. "Ought you to go?"

"I ought to. But I don't think I shall."

"No, don't go," she said with a little laugh. "After all, if we're not to remain brother and sister any longer, there's a most fascinating novelty in your being here."

He came in and closed the door. She made room for him on the sofa and he flung his coat across her cloak and seated himself.

"Now," she said, dropping one silken knee over the other and clasping her hands around it, "how much can we care for each other without being silly? You know I have a dreadful intuition that I'd better not kiss you any more. Not that I don't adore you as much as I always did——"

She turned squarely around and looked at him out of her lovely eyes:

"You took me by surprise. I didn't understand. Then, suddenly I lost my senses and became panicky. I was scared stiff, Jim—you kissed me so many times——"

He reddened and looked down. Under his eyes her bare foot hung in its golden sandal—an exquisite, snowy little foot, quite perfectly fashioned to match her hands' soft symmetry.

"If you loved me," he said, "you would not care how many times I kissed you."

"But you kept on—and you kissed my eyes and throat——"

"You wouldn't care what I did if you loved me."

"But they were unusual places to be kissed. I was scared. Did you think me ridiculous? It was rather startling, you know. It was such a complete novelty."

She admitted it so naïvely that he laughed in spite of his chagrin.

"Steve," he said, "I don't know what to do about it. I'm falling more deeply in love with you every moment; and you are merely kind and sweet and friendly about it——"

"I'm intensely interested!" she said.

"Interested," he repeated; "yes, that describes it."

"A girl couldn't help being interested when a man she had always adored as a brother suddenly takes her into his arms and kisses her in unusual places," she said, "—and does it a great number of times——"

"Probably you kept count," he said with boyish sarcasm.

She laughed outright:

"I wish I had. It was a perfectly shameless performance. If you ever do it again I shall keep count—out loud!"

"Is that all you'll do?"

"What else is there to do?" she inquired, smiling a trifle uneasily.

"You might find it in your heart to respond."

"How can my heart hold any more of you than it does and always has?" she asked with pretty impatience.

"Can't you love me?"

"I don't know how to any more than I do."

"But you did not find it agreeable when I kissed you."

"I—don't know what I felt.... We always kissed." She began to laugh. "I enjoyed that; but I don't think you did, always. You sometimes looked rather bored, Jim."

"I'm getting well paid back," he said.

This seemed to afford her infinite delight; there was malice in her grey eyes now, and a hint of pretty mockery in her laughter.

"To think," she said, "that James Cleland should ever become sentimental with poor little Stephanie Quest! What an unbending! What condescension! What a come-down! Oh, Jim, if I've really got you at last I'm going to raise the very devil with you!"

"You're doing it."

"Am I? I hope I am! I mean to torment you! Why, when I think of the long, long years of childish adoration and awe—of the days when I tagged after you, grateful to be noticed, thankful when you found time for me——" She clapped her hands together delightedly, enchanted with his glum and reddening face. For what she said was the truth; he knew it, though she did not realize how true it had been—and meant merely to exaggerate.

"Also," she said, "you leave me quite alone for three whole years when you could have come back at the end of two!"

His face darkened and he bit his lip.

"You're quite right," he said in a quiet voice. "A girl couldn't very well fall in love with that sort of man."

There was a silence. She had been enjoying her revenge, but she had not expected him to take it so seriously.

He sat there with lowered head, considering, gnawing at his under-lip in silence. She had not intended to hurt him. She was inexperienced enough with him to be worried. His features seemed older, leaner, full of unfamiliar shadows—disturbingly aloof and stern.

She hesitated—the swift, confused memory of an hour before checking her for an instant, then she leaned toward him, quite certain of what would happen—silent and curious as he drew her into his arms.

She was very silent, too, listening to his impetuous, broken avowal—suffering his close embrace, his lips on her eyes and mouth and throat once more. The enormous novelty of it preoccupied her; the intense interest in his state of mind. Her curiosity held her spellbound, too, and unresponsive but fascinated.

She lay very quietly in his arms, her lovely head resting on his shoulder, sometimes with eyes closed, sometimes watching him, meeting his eyes with a faint smile.

Contact with him no longer frightened her. Her mind was clear, busy with this enormous novelty, searching for the reason of it, striving to understand his passion which she shyly recognized with an odd feeling of pride and tenderness, but to which there was nothing in her that responded—nothing more than tender loyalty and the old love she had always given him.

The grey tranquillity of her eyes, virginal and clear—the pulseless quiet of the girl chilled him.

"You don't love me, Steve, do you?"

"Not—as you—wish me to."

"Can't you?"

"I don't know."

"Is there any chance?"

She looked out across the studio, considering, and her grey eyes grew vague and remote.

"I don't know, Jim.... I think that something has been left out of me.... Whatever it is. I don't know how to love—fall in love—as you wish me to. I don't know how to go about it. Perhaps it's because I've never thought about it. It's never occupied my mind."

"Then," he burst out, "how in God's name did you ever come to marry!"

She looked up at him gravely:

"That is very different," she said.

"Then you are in love with him!"

"I told you that he fascinates me."

"Is it love?" he asked violently.

"I don't know."

"You must know! You've got a mind!"

"It doesn't explain what I feel for him. I can't put it into words."

He drew her roughly to him, bent over her, looked into her eyes, and kissed her lips again and again.

"Can't you love me, Steve? Can't you?" he stammered.

"I—want to. I wish I did—the way you want me to."

"Will you try?"

"I don't know how to try."

"Do your lips on mine mean nothing to you?"

"Yes.... You are so dear.... I am wonderfully contented—and not afraid."

After a moment she released herself, laughed, and sat up, adjusting her hair with one hand and resting against his shoulder.

"A fine scandal if Helen should come in," she remarked. "It's odd to think of myself as married. And that's another thing, Jim. It never occurred to me until now, but I've no business to give myself up to you as I have to-night." She leaned forward on one elbow, musing for a while, then, lifting her head with a troubled smile: "But what is a girl to do when her brother suddenly turns into her lover? Must she forbid him to kiss her? And refrain from kissing him?——" She flung one arm around his neck impulsively. "I won't forbid you! I would have to if I were in love with you in the same way. But I'm not and I don't care what you do. And whatever you do, I adore anyway."

A key rattled in the lock; she sprang to her feet and went toward the door. Helen came in, and she saw Grayson and Grismer standing in the hallway.

"Come in everybody!" she cried. "Shall we all have breakfast before we part? Don't you think it would be delightful, Phil? Don't you, Oswald? And you know we could take up the rugs and dance while the coffee is boiling. Wait! I'll turn on the music-box!——"

Helen and Grayson deliberately began a tango; Grismer came over to where Cleland was standing:

"They're still dancing in the Garden," he said pleasantly. "Did you and Stephanie get enough of it?"

CHAPTER XX

Cleland, being young, required sleep, and it was not until noon that he awoke.

Cool-headed retrospection during tubbing and dressing increased his astonishment at the manner in which he had spent his first day in New York after the years of absence. For into that one day had been crowded a whole gamut of experience and of sensations that seemed incredible when he thought them over.

Every emotion that a young man could experience seemed to have been called into play during that bewildering day and night—curiosity, resentment, apprehension, anger, jealousy, love, passion. And their swift and unexpected sequence had confused him, wrought him up to a pitch of excitement which set every nerve on edge.

He could not comprehend what had happened, what he had experienced and said and done as he stood at his window looking out into the sunshine of the quiet street; and yet, just around the corner the girl who was the cause and reason of it all lay still asleep, in all probability.

Breakfast was served in his room and he ate it with a perfectly healthy appetite. Then he lighted a cigarette and walked to the window again to stare silently put across the sunny street and marshall his thoughts into some semblance of order.

The aromatic smoke from his cigarette curled against the window pane and he gazed absently through it at the vague phantom of a girl's face which memory evoked unbidden.

What had happened? Was it really love? Was it anger, wounded amour-propre, jealousy? Was it resentment and disgust at the silly, meaningless thing that one whom he had considered as his own kinswoman had done in his absence? Was it a determination to tear her loose that had started the thing—an unreasoning, impulsive attempt at vengeance, born of hurt pride that incited him to get her back? For the bond between her and Grismer seemed to him intolerable, hateful—a thing he would not endure if he could shatter it.

Why? Was it because he himself had fallen in love with a girl whom, heretofore, he had regarded with the tranquil, tolerant affection of a brother? Was it love? Was there any other name for the impulse which had suddenly overmastered him when he caught this girl in his arms, confused, frightened, stunned her with hot, incoherent declarations? Had he even really meant what he had said—not in the swift hurricane of passion which had enveloped him like a flame when he held her waist enlaced and the sweetness of her face and throat and hair blinded him to everything else—but in the cold after-light of retrospection did he now mean what he had said last night?

Or had it all been due to the place and the hour—the relaxing of convention in the shattering din of music and laughter—the whirlwind of gaiety and excitement—the girl's beauty—the sudden thrill of his contact with her? Was that what had accounted for what he had done and said?—brute impulse loosed by passion born out of nothing more noble than the moment's mental intoxication—nothing more real than ephemeral emotion, excitement, sheer physical sensation?

It was not like him. He realized that. Hitherto his brain had been in control of his emotions. His was a clear mind, normally. Impulse seldom tripped him.

He had never been in love—never even tried to persuade himself that he had been, even when he had, in his boyish loneliness in Paris, built for himself a bewitching ideal out of a very familiar Stephanie and had addressed to this ideal several reams of romantic nonsense. That had been merely the safety valve working in the very full and lonely heart of a boy.

Even in the gay, ephemeral, irresponsible affairs that occurred from time to time during his career abroad—even when in the full tide of romantic adoration for his mundane Countess, and fairly wallowing in flattered gratitude for her daintily amused condescension, did he ever deceive himself into believing he was in love.

And now, in the lurid light of the exaggerated, bewildering, disquieting events of the preceding day and night, he was trying to think clearly and honestly—trying to reconcile his deeds and words with what he had known of himself—trying to find out what really was the matter with him.

He did not know. He knew that Stephanie had exasperated him—exasperated him to reckless passion—exasperated him even more by not responding to that passion. He had declared his love for her; he had attempted to drive the declaration into her comprehension by the very violence of reiteration. The tranquil, happy loyalty, which always had been his, was all he evoked in her for all the impulsive vows he made, for all his reckless emotion loosened with the touch of her lips—so hotly ungoverned when her grey eyes looked into his, honestly perplexed, sweetly searching to comprehend the source of these fierce flames which merely warmed her with their breath.

"It's a curious thing," he thought, "that a man, part of whose profession is to write about love and analyze it, doesn't know whether he's in love or not."

It was quite true. He didn't know. Accepted symptoms were lacking. He had not awakened thrilled with happiness at the memory of the night before. He awoke dazed and doubtful that all these things had happened, worried, searching in his mind for some reason for his behaviour.

And, except that a man had taken her out of his keeping, and that resentment and jealousy had incited him to recover her, and, further, in the excitement of the attempt, that he had suddenly found himself involved in deeper, fiercer emotions than he had bargained for, he could come to no conclusion concerning his actual feeling for Stephanie.

He spent the day hunting for a studio-apartment.

About five o'clock he called her on the telephone; and heard her voice presently:

"Have you quite recovered, Jim? I feel splendid!"

"Recovered? I was all right this morning when I woke up."

"I mean your senses?"

"Oh. Did you think I lost them last night, Steve?"

"Didn't you?"

Her voice was very sweet but there was in it a hint of hidden laughter.

"No," he said shortly.

"Oh. Then you really were in your right senses last night?" she inquired.

"Certainly. Were you?"

"Well, for a little while I seemed to have lost the power of thinking. But after that I was intensely, consciously, deeply interested and profoundly curious." He could hear her laughing.

"Curious about what?" he demanded.

"About your state of mind, Jim. The situation was such a novelty, too. I was trying to comprehend it—trying to consider what a girl should do in such a curious emergency."

"Emergency?" he repeated.

"Certainly. Do you fancy I'm accustomed to such novelties as you introduced me to last night?"

"What do you think about them now?"

"I'm slightly ashamed of us both. We were rather silly, you know——"

"You were not," he interrupted drily.

"Is that a tribute or a reproach?" came her gay voice over the wire. "I don't quite know how to take it!"

"Reassure yourself, Steve. You were most circumspect and emotionless——"

"Jim! That is brutal and untrue! I was not circumspect!"

"You were the other, then."

"What a perfectly cruel and outrageous slander! You've made me unhappy, now. And all day I've been so absolutely happy in thinking of what happened."

"Is that true?" he asked in an altered voice.

"Of course it's true!"

"You just said you were ashamed——"

"I was, very, very slightly; but I've been too happy to be very much ashamed!"

"You darling!——"

"Oh! The gentleman bestows praise! Such a kind gentleman to perceive merit and confer his distinguished approval. Any girl ought to endeavour to earn further marks of consideration and applause from so gracious a gentleman——"

"Steve, you tormenting little wretch, can't you be serious with me?"

"I am," she said, laughing. "Tell me what you've been doing to-day?"

"Hunting for lodgings. What have you been doing?"

"Watching Helen make a study of a horse out in the covered court. Then we had tea. Then Oswald dropped in and played the piano divinely, as he always does. Then Helen and I started to dress for dinner. Then you called. Where did you look for lodgings?"

"Oh, I went to about all the studio buildings——"

"Aren't you going to open the house?"

"No. It's too lonely."

"Yes," she said, "it would be too lonely. You and I couldn't very well live there together unless we had an older woman."

"No."

"So it's better not to open it until"—she laughed gaily—"you marry some nice girl. Then it will be safe enough for me to call on the Cleland family, I fancy. Won't it, Jim?"

"Quite," he replied drily. "But when I marry that nice girl, you won't have far to go when you call on the Cleland family."

"Oh, how kind! You mean to board me, Jim?"

"You know what I do mean," he said.

"I wonder! Is it really a declaration of serious and respectable intentions? But you're quite safe. And I'm afraid you know it. Tell me, did you find an apartment to suit you?"

"No."

"Why not come here? There's a studio and apartment which will be free May first. Oh, Jim, please take it! If you say so I'll telephone the agent now! Shall I? It would be too heavenly if we were under the same roof again!"

"Do you want me, Steve? After—and in spite of everything?"

"Want you?" He heard her happy, scornful laughter. Then: "We're dining out, Jim; but come to-morrow. I'll telephone now that you'll take the studio. May I, Jim dear?"

"Yes," he said. "And I'll come to you to-morrow."

"You angel boy! I wish I weren't going out to-night. Thank you, Jim, dear, for making me happy again."

"Are you?"

"Indescribably. I don't think you know what your kindness to me means. It makes a different person of me. It fills and thrills and inspires me. Why, Jim, it actually is health and life to me. And when you are unkind—it seems to paralyze me—check something in my mind. I can't explain——"

"Steve!"

"Yes?"

"Could I come in for a moment now?"

"I'm dressing. Oh, Jim, I'm sorry, but I'm late as it is. You know I want you, don't you?"

"All right; to-morrow, then," he said in happy voice.

He had been sitting in his room for an hour, thinking—letting his mind wander unchecked.

If he were not really in love with Stephanie, how could a mere conversation over the wire with her give him such pleasure?

The day, drawing to its close without his seeing her, had seemed colourless and commonplace; but the sound of her gay voice over the wire had changed that—had made the day complete.

"I believe I am in love," he said aloud. He rose and paced the room in the dusk, questioning, considering his own uncertainty.

For the "novelty"—as Stephanie called it—of last night's fever had not been a novelty to her alone. Never before had he been so deeply moved, so swept off his feet, so regardless of a self-control habitual to him.

Perhaps anger and jealousy had started it. But these ignoble emotions could not seem to account for the happiness that hearing her voice had just given him.

Even the voice of a beloved sister doesn't stir a young man to such earnest and profound reflection as that in which he was now immersed, indifferent even to the dinner hour, which had long been over.

"I believe," he said aloud to himself, "that I'm falling very seriously in love with Steve.... And if I am, it's a rather desperate outlook.... She seems to be in love with Grismer—damn him! ... I don't know how to face such a thing.... She's married him and she doesn't live with him.... She admits frankly that he fascinates her.... There are women who never love.... I seem to want her, anyway.... I think I do.... It's a mess! ... Why in God's name did she do such a thing if she wasn't in love with him—or if she didn't expect to be? Is she in love with him? She isn't with me.... I'm certainly drifting into love with Steve.... Can I stop myself? ... I ought to be able to.... Hadn't I better?"

He stood still, thinking, the street lamps' rays outside illuminating his room with a dull radiance.

Presently he switched on the light, seated himself at the desk, and wrote:

STEVE, DEAR:

I am falling in love with you very seriously and very deeply. I don't know what to do about it.

JIM.

He was about to undress and retire late that night when a letter was slipped under his door:

You sentimental and adorable boy! What is there to do? The happiest girl in New York, very sleepy and quite ready for bed, bids you good night, enchanted by your note.

STEVIE.

CHAPTER XXI

To have returned after three years abroad and to have slipped back into the conventional life of the circles to which he had been accustomed in the city of his birth might not have been very easy for Cleland. To readjust himself among what was unfamiliar proved easier, perhaps. For his family circle existed no longer; the old servants were gone; the house had been closed for a long time now.

At his college club unfamiliar faces were already in the majority, men of his own time having moved on to the University, Union, Racquet and Knickerbocker, leaving the usual residue of undesirables and a fresh influx from his college. And he was too young in letters to be identified yet with any club which meant anything except the conveniences of a hotel.

Among friend and acquaintances of his age there had been many changes, too; much shifting and readjustment of groups and circles incident to marriages and deaths and the scattering migration ever in progress from New York.

It was an effort for him to pick up the threads again; and he did not make the effort. It was much simpler to settle down here in these quiet, old-time streets within stone's throw of the artists' quarter of the city where Stephanie lived—where a few boyhood friends of artistic proclivities had taken up quarters, where acquaintances were easily made, easily avoided; and where the informalities of existence made life more easy, more direct, and, alas, much more irresponsible. Chelsea, with a conscious effort and a lurking smirk, mirrored the Latin Quarter to the best of its ability.

It did pretty well. There were more exaggerations, more eccentricities, less spontaneity and less work in Chelsea than in the Latin Quarter. Too many of its nomadic denizens were playing a self-conscious part; too few of them possessed the intelligence and training necessary for self-expression in any creative profession. Otherwise, they were as emotional, as casual, as unkempt, as vain, and as improvident as any rapin of the original Latin Quarter.

Cleland met many of the elect even before he had settled down in his new studio-apartment on the top floor of the same building where Stephanie and Helen lived.

The quarter was peppered with tea-rooms and cafés and restaurants sufficiently cheap to attract artistic youth. Also, there reigned in that section of the city a general and resolute determination to be bohemian; a number of damsels errant and transplanted, shock-headed youths cooked in their own quarters, strolled about the streets in bed-room slippers, or visited one another bare-headed and adorned with paint-smeared smocks.

And there was, of course, much deviltry with cigarettes and cheap claret in restaurant and café—frequent outbursts of horse-play and song, especially if Philistine visitors were detected in the vicinity. And New York French was frequently though briefly employed as the limited medium for exchanging views on matters important only to the inmates of Chelsea and its purlieus.

"But Washington Square bohemians are a harmless, friendly people," remarked Helen to Cleland one morning late in May, when he stopped on his way out to breakfast to watch her modelling a horse in clay. "They're like actor-folk; they live in a world entirely self-created which marvels at and admires and watches them; they pose for its benefit, playing as faithfully as they know how their chosen rôles—painter, writer, critic, sculptor, composer. Nobody in the outside real and busy world notices them; but they think they're under incessant and envious observation and they strut happily through the little painted comedy of life, living an unreal existence, dying undeceived. The real tragedy of it all they mercifully never suspect—the utter lack of interest in them taken by real people."

She went on modelling, apparently amused by her own analysis.

"Where is Stephanie?" he inquired, after a slight pause.

"Out somewhere with Oswald, I believe."

"It's rather early."

"They sometimes get up early and breakfast together at Claremont," remarked Helen, working serenely away. The freckled livery-stable lad who held the horse for her and occasionally backed him into the pose again continued to chew gum and watch the pretty sculptor with absorbed interest.

"I've got such an interesting commission," she said, wetting down her clay with a huge and dripping sponge. "It's for the new Academy of Arts and Letters to be built uptown, and my equestrian figure is to be cast in silver bronze for the great marble court."

"What is the subject?" he asked, preoccupied by what she had told him about Stephanie, yet watching this busy and efficient young girl who, with the sleeves of her blue blouse rolled up, displaying her superb young arms, stood vigorously kneading a double handful of clay and studying the restless horse with clear and very beautiful brown eyes.

"The subject? 'Aspiration.' I made some sketches—a winged horse taking flight upward. A nude female figure, breathless, with dishevelled hair, has just flung itself upon the rearing, wide-winged Pegasus and is sticking there like a cat to the back fence—hanging on tooth and nail with one leg just over and the other close against the beast's ribs, and her desperate fingers in the horse's mane.... I don't know. It sounds interesting but it may be too violent. But I've had that idea—hope, aspiration, fear and determination clinging to a furious winged animal that is just starting upward like a roaring sky-rocket——"

She turned her head, laughing:

"Is it a rotten idea?"

"I don't know," he said absently. "It's worth trying out, anyway."

She nodded; and he went on about the business of breakfast. But had now no appetite.

There was one thing, Cleland soon found out, against which he was helpless. Stephanie frequented Grismer at any hour of the day and evening that her fancy prompted.

This perplexed him and made him sullen; but when he incautiously started to remonstrate with her one evening her surprise and anger flashed like a clear little flame, and she explained very clearly what was the essence of personal liberty, and that the one thing she would not tolerate from him or anybody else was any invasion of her freedom of thought and action.

Silenced, enraged, and humiliated at the rebuke he had retired to his studio to sulk like Achilles—a sullen mourner at the bier of love. For he fully and firmly determined to eradicate this girl from his life and devote it to scourging the exasperating sex of which she was a beautiful but baffling member.

The trouble with Stephanie, however, was that she could not seem to see the tragedy in his life or understand that a young man desired to suffer nobly and haughtily and at his own leisure and convenience.

For there came a knock at his door after his second day of absenting himself, and when he incautiously opened it, she marched in and took him gaily into her unembarrassed arms and bestowed upon his astonished countenance a hearty, wholesome and vigorous smack. Moreover, she laughed and jeered and tormented and poked merciless fun at him until she had badgered and worried and hectored and beaten the sulkiness out of him. Then she admonished him:

"Don't ever do it again!" she said. "We are free, you and I. What we are to each other alone concerns us, not what we may choose to do or be to others."

"You don't care what I do, Steve," he said.

"I care what you do to me!"

"How I behave otherwise doesn't concern you?"

"No. It would be an impertinence for me to meddle. For," she added in smiling paraphrase:

"If you are not nice to me

What care I how nice you be—

to other girls?"

"Do you really mean that it wouldn't make any difference to you what I do? Suppose I take you at your word and become enamoured of some girl and devote myself to her?"

"You mean a nice girl, don't you?" she inquired.

"Any old kind."

She considered the matter, surprised.

"I couldn't interfere with your personal liberty," she concluded, "—whatever you choose to do."

"How would you feel about my frequenting some pretty studio model, for example?"

"I haven't the least idea."

"It wouldn't affect you one way or the other, then?"

"It ought not to—provided you are always nice to me."

"That," he exclaimed, "is a cold-blooded, fishy creed!"

"That's the creed of tolerance, Jim."

"All right. Live up to it, then. And I'll try to, too," he added drily. "Because, sometimes when you're off, God knows where, with Grismer, I feel lonely enough to drift with the first attractive girl I come across."

"Why don't you?" she asked, flushing slightly.

"The reason I haven't," he said, "is because I'm in love with you."

She was standing with head bent, but now she looked up quickly.

"You adorable infant," she laughed. "What a child you really are, after all! Come," she added mischievously, "let's kiss like good children and let the gods occupy themselves with our future. It's their business, not ours. I'm glad you think you're in love with me. But, Jim, I'm in love with life. And you're such an important part of life that, naturally, I include you!"

She bent forward and touched his lips with hers, daintily, deftly avoiding his arms, her eyes gay with malice.

"No," she laughed, "not that, if you please, dear friend! It rumples and raises the deuce with my hair and gown. But we are friends again, aren't we, Jim?"

"Yes," he said in a low voice, "—if you can give me no more than friendship."

"It's the most wonderful thing in the world!" she insisted.

"You've read that somewhere."

"You annoy me, Jim! It is my own conclusion. There's nothing finer for anybody—unless they want children. And I don't."

Neither did he. No young man does. But what she said struck him as unpleasantly modern.

He met Grismer here and there in the artistic channels of the city; often in Stephanie's studio, frequently in other studios, and occasionally amid gatherings at restaurants, theatres, art galleries.

At first he had been civil but cool, avoiding any tête-à-tête with his old school-fellow. But, little by little, he became aware of several things which slightly influenced his attitude toward Grismer.

One thing became plain; the man had no intimates. There was not a man Cleland met who seemed to care very much for Grismer; he seemed to have no frank and cordial friendships among men, no pals. Yet, he was considered clever and amusing where people gathered; he interested men without evoking their personal sympathy; he interested women intensely with his unusual good looks and the light, elusive quality of his intelligence.

Always amiably suave, graceful of movement, alert and considerate of feminine fancies, moods and caprices, he was welcomed everywhere by them in the circles which he sauntered into. But he was merely accepted by men.

So, in spite of his resentment at what Grismer had done, Cleland felt slightly sorry for this friendless man. For Grismer's was a solitary soul, and Cleland, who had suffered from loneliness enough to understand it, gradually became conscious of the intense loneliness of this man, even amid his popularity with women and their sympathetic and sentimental curiosity concerning him.

But no man seemed to care for closer intimacy with Grismer than a friendly acquaintanceship offered. There was something about him that did not seem to attract or invite men's careless comradeship or confidence.

"It's those floating golden specks in his eyes," said Belter, discussing him one day with Cleland. "He's altogether too auriferous and graceful to be entirely genuine, Cleland—too easy and too damned bland. Poor beggar; have you noticed how shabby and shiny he's getting? I guess he's down and out for fair financially."

Cleland had noticed it. The man's linen was visibly frayed. His clothes, too, betrayed his meagre circumstances, yet he wore them so well, and there was such a courtly indifference in the man, that the shabby effect seemed due to a sort of noble carelessness.

Cleland had never called on Grismer. He had no inclination to do so, no particular reason except that Grismer had invited him several times. Yet, an uneasy curiosity lurked within him concerning Grismer's abode and whether Stephanie, always serenely unconventional, ever went there.

He didn't care to think she did, yet, after all, the girl was this man's legal wife, and there was no moral law to prevent her going there and taking up her abode if she were so inclined.

Cleland never asked her if she went there, perhaps dreading her reply.

As far as that was concerned, he could not find any of his friends or acquaintances who had ever been in Grismer's lodgings. Nobody even seemed to know exactly where they were, except that Grismer lived somewhere in Bleecker Street and never entertained.

At times, when Stephanie was not to be found, and his unhappy inference placed her in Grismer's company, he felt an unworthy inclination to call on Grismer and find out whether the girl was there. But the impulse was a low one, and made him ashamed, and his envy and jealousy disgusted him with himself.

Besides, his state of mind was painfully confused and uncertain in regard to Stephanie. He was in love with her, evidently. But the utter lack of sentimental response on her part afforded his love for her no nourishment.

He traversed the entire scale of emotions. When he was not with her he often came to the exasperated conclusion that he could learn to forget her; when he was with her the idea seemed rather hopeless.

The unfortunate part of it seemed to be that, like his father's, his was a single-track heart. He'd never been in love, unless this was love. Anyway, Stephanie occupied the single track, and there seemed to be no switches, no sidings, nothing to clear that track.

He was exceedingly miserable at times.

However, his mind was equipped with a whole terminal full of tracks and every one was busy in the service of his profession.

For a month, now, he had been installed in his studio-apartment on the top floor. He picked up on Fourth and on Madison Avenues enough preciously rickety furniture to make him comfortable and drive friends to distraction when they ventured to trust themselves to chair or sofa.

But his writing table and corner-chair were solid and modern, and he had half a dozen things under construction—a novel, some short stories, some poems which he modestly mentioned as verses.

Except for the unexplored mazes in which first love had involved him he was happy—exceedingly happy. But, to a creative mind, happiness born of self-expression is a weird, uncanny, composite emotion, made up of ecstatic hope and dolorous despair and well peppered with dread and confidence, cowardice and courage, rage and tranquillity; and further seasoned with every devilish doubt and celestial satisfaction that the heart of a writer is heir to.

In the morning he was certain of himself. He was the captain of his destiny; he was the dictator of his inspiration, equipped with the technical mastery that his obedient thoughts dare not disobey.

By afternoon the demon Doubt had shaken his self-confidence, and Fear peered at him between every line of his manuscript, and it was a case of Childe Roland from that time on until the pencil fell from his unnerved fingers and he rose from his work satiated, half-stunned, not knowing whether he had done well or meanly. Vaguely he realized at such moments that, for such as he, a just appraisal of his own work would never be possible for him—that he himself would never know; and that what men said of it—if, indeed, they ever said anything about his work—would never wholly convince him, never entirely enlighten him as to its value or its worthlessness.

That is one of the penalties imposed upon the creative mind. It goes on producing because it must. Praise stimulates it, blame depresses; but it never knows the truth.

Toward the end of May, one afternoon, Stephanie came into his studio, seated herself calmly in his chair, and picked up his manuscript.

"It's no good," he said, throwing himself on an antique sofa which just endured the strain and no more.

She read for an hour, her grey eyes never leaving the written pages, her pretty brows bent inward with the strain of concentration.

He watched her, chin on hand, lying there on the sofa.

But the air was mild and languorous with the promise of the coming summer; sunshine fell across the wall; the boy dozed, presently, and after a while lay fast asleep.

She had been gone for some time when he awoke. As he sat up, blinking through the late afternoon sunshine, a pencilled sheet of yellow manuscript paper fluttered from his breast to the floor.

Jim, it is fine! I mean it! It is a splendid, virile, honest piece of work. And it is intensely interesting. I'm quite mad about it—quite thrilled that you can do such things. It's so masterly, so mature—and I don't know where you got your knowledge of that woman, because she is perfectly feminine and women think and do such things, and her motives are the motives that animate that sort of woman.

As you lie there asleep you look about eighteen—not much older than when I used to see you when you came home from school and lay on your sofa and read Kipling aloud to me. Then I was awed; you were a grown man to me. Now you are just a boy again, and I love you dearly, and I'm going to kiss your hair, very cautiously, before I go downstairs.

I've done it. I'm going now.

STEVE.

CHAPTER XXII

It happened one day late in May that Cleland, desiring local accuracy of detail in a chapter of his brand new novel, put on his hat and walked to Washington Square and across it, south, into the slums.

New leaves graced the trees in the park; spring flowers bloomed around the fountain, and the grass was rankly fragrant where it had just been mowed.

But he left the spring freshness behind him when he entered that sad, dingy, swarming region to the south, where the only clean creature seemed to be the occasional policeman in his new summer tunic, sauntering aloof amid the noise and wretchedness and the foul odours made fouler by the sunshine.

Cleland presently found the squalid street which he wished to describe in convincing detail, and stood there on the corner in the shelter of a tobacconist's awning making preliminary mental notes. Then, as he fished out note-book and pencil, intent on professional memoranda, he saw Grismer.

The man wore shabbier clothes than Cleland had ever before seen him wear; he was crossing the filthy street at his usual graceful and leisurely saunter, and he did not see Cleland under the awning.

There was a chop-suey restaurant opposite, a shabby, disreputable, odoriferous place, doubly repulsive in the pitiless sunshine. And into this sauntered Grismer and disappeared.

The slight shock of the episode remained to bother Cleland all the morning. He kept thinking of it while trying to work; he could not seem to put it from his mind and finally threw aside his manuscript, took his hat and stick, and went out with the intention of lunching.

It was nearly lunch time, but he did not walk toward the cream-coloured Hotel Rochambeau, with its green awnings and its French flag flying. He took the other way, scarcely realizing what he meant to do until he turned the corner into Bleecker Street.

He found the basement he was in search of presently; two steps down, an area gate and bell encrusted with rust, and a diseased and homeless cat dozing there in patient misery.

"You poor devil," he said, offering a cautious caress; but the gaunt creature struck at him and fled.

He rang. Jangling echoes resounded from within. Two negro wenches and a Chinaman surveyed him from adjoining houses. He could smell a sour stench from the beer saloon opposite, where a fat German beast was washing down the sidewalk with a mop.

"Hello, Cleland. This is very nice of you. Come in!" said a pleasant voice behind him, and, as he turned, Grismer, in shabby slippers and faded dressing-gown, opened the iron wicket.

"I hadn't called," said Cleland a little stiffly, "—so I thought I'd drop in for a moment and take you out somewhere to lunch."

Grismer smiled his curious, non-committal smile and ushered him into a big, whitewashed basement, with a screen barring the further end and quite bare except for a few bits of furniture, some plaster casts, and half a dozen revolving tables on which stood unfinished studies in clay and wax.

Cleland involuntarily glanced about him, then went over and politely examined the studies in clay.

"I've a back yard, too," said Grismer, "where I work in good weather. The light in here isn't particularly good."

For the wretchedness of his quarters he made no further apology; he spoke in his easy, amiable way and entirely without embarrassment, standing beside Cleland and moving with him from one study to another.