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The Poetical Works of William Wordsworth — Volume 6 (of 8)

Volume 6 — 1816

Reading edition

Most of the poems belonging to 1816 were suggested by the stirring political events of that year on the Continent of Europe. Four odes, and a number of sonnets,—referring to the Fall of Napoleon, the French army in Russia, the battle of Waterloo, etc.,—a translation of part of Virgil's Æneid, and one or two smaller fragments, make up the series. Wordsworth had not been so much inspired by the political events of his time, since the years 1809 and 1810—when he wrote the Tyrolese Sonnets, and others, "Dedicated to Liberty," etc.—but, both before and during the year 1816, he spent some time in preparing his eldest son for the University. He read the Latin poets with him; and very probably it was this that led him to translate into English verse, the three first books of the Æneid, which he did at this time. Some fragments of his Translations will be found in the Appendix to vol. viii.—Ed.

ODE The Morning of the Day appointed for a General Thanksgiving. January 18, 1816

Composed 1816.—Published 1816.

[The first stanza of this Ode was composed almost extempore, in front of Rydal Mount, before church-time, and on such a morning and precisely with such objects before my eyes as are here described. The view taken of Napoleon's character and proceedings is little in accordance with that taken by some historians and critical philosophers. I am glad and proud of the difference, and trust that this series of poems, infinitely below the subject as they are, will survive to counteract, in unsophisticated minds, the pernicious and degrading tendency of those views and doctrines that lead to the idolatry of power, as power, and, in that false splendour, to lose sight of its real nature and constitution as it often acts for the gratification of its possessor without reference to a beneficial end—an infirmity that has characterised men of all ages, classes, and employments, since Nimrod became a mighty hunter before the Lord.—I. F.]

"It is not to bespeak favour or indulgence, but to guard against misapprehension, that the author presumes to state that the present publication owes its existence to a patriotism, anxious to exert itself in commemorating that course of action, by which Great Britain has, for some time past, distinguished herself above all other countries.

"Wholly unworthy of touching upon so momentous a subject would that Poet be, before whose eyes the present distresses under which this kingdom labours, could interpose a veil sufficiently thick to hide, or even to obscure, the splendour of this great moral triumph. If the author has given way to exultation, unchecked by these distresses, it might be sufficient to protect him from a charge of insensibility, should he state his own belief that these sufferings will be transitory. On the wisdom of a very large majority of the British nation, rested that generosity which poured out the treasures of this country for the deliverance of Europe: and in the same national wisdom, presiding in time of peace over an energy not inferior to that which has been displayed in war, they confide, who encourage a firm hope, that the cup of our wealth will be gradually replenished. There will, doubtless, be no few ready to indulge in regrets and repinings; and to feed a morbid satisfaction, by aggravating these burthens in imagination, in order that calamity so confidently prophesied, as it has not taken the shape which their sagacity allotted to it, may appear as grievous as possible under another. But the body of the nation will not quarrel with the gain, because it might have been purchased at a less price: and acknowledging in these sufferings, which they feel to have been in a great degree unavoidable, a consecration of their noble efforts, they will vigorously apply themselves to remedy the evil.

"Nor is it at the expense of rational patriotism, or in disregard of sound philosophy, that the author hath given vent to feelings tending to encourage a martial spirit in the bosoms of his countrymen, at a time when there is a general outcry against the prevalence of these dispositions. The British army, both by its skill and valour in the field, and by the discipline which has rendered it much less formidable than the armies of other powers, to the inhabitants of the several countries where its operations were carried on, has performed services for humanity too important and too obvious to allow any one to recommend, that the language of gratitude and admiration be suppressed, or restrained (whatever be the temper of the public mind), through a scrupulous dread, lest the tribute due to the past, should prove an injurious incentive for the future. Every man, deserving the name of Briton, adds his voice to the chorus which extols the exploits of his countrymen, with a consciousness, at times overpowering the effort, that they transcend all praise. But this particular sentiment, thus irresistibly excited, is not sufficient. The nation would err grievously, if she suffered the abuse which other states have made of military power, to prevent her from perceiving that no people ever was, or can be, independent, free, or secure, much less great, in any sane application of the word, without martial propensities, and an assiduous cultivation of military virtues[AO]. Nor let it be overlooked, that the benefits derivable from these sources, are placed within the reach of Great Britain, under conditions peculiarly favourable. The same insular position which, by rendering territorial incorporation impossible, utterly precludes the desire of conquest under the most seductive shape it can assume, enables her to rely, for her defence against foreign foes, chiefly upon a species of armed force from which her own liberties have nothing to fear. Such are the blessed privileges of her situation; and, by permitting, they invite her to give way to the courageous instincts of human nature, and to strengthen and to refine them by culture.

"But some have more than insinuated, that a design exists to subvert the civil character of the English people by unconstitutional applications and unnecessary increase of military power. The advisers and abettors of such a design, were it possible that it should exist, would be guilty of the most heinous crime, which, upon this planet, can be committed. The author, trusting that this apprehension arises from the delusive influences of an honourable jealousy, hopes that the martial qualities, which he venerates, will be fostered by adhering to those good old usages which experience has sanctioned; and by availing ourselves of new means of indisputable promise; particularly by applying, in its utmost possible extent, that system of tuition, of which the master-spring is a habit of gradually enlightened subordination; by imparting knowledge, civil, moral, and religious, in such measure that the mind, among all classes of the community, may love, admire, and be prepared and accomplished to defend that country, under whose protection its faculties have been unfolded, and its riches acquired; by just dealing towards all orders of the state, so that no members of it being trampled upon, courage may everywhere continue to rest immoveably upon its ancient English foundation, personal self-respect; by adequate rewards, and permanent honours, conferred upon the deserving; by encouraging athletic exercises and manly sports among the peasantry of the country; and by especial care to provide and support sufficient institutions, in which, during a time of peace, a reasonable proportion of the youth of the country may be instructed in military science.

"Bent upon instant savings, a member of the House of Commons lately recommended that the Military College should be suppressed as an unnecessary expense; for, said he, 'our best officers have been formed in the field.' More unwise advice has rarely been given! Admirable officers, indeed, have been formed in the field, but at how deplorable an expense of the lives of their surrounding brethren in arms, a history of the military operations in Spain, and particularly of the sieges, composed with thorough knowledge, and published without reserve, would irresistibly demonstrate.[AP]

"The author has only to add that he should feel little satisfaction in giving to the world these limited attempts to celebrate the virtues of his country, if he did not encourage a hope that a subject, which it has fallen within his province to treat only in the mass, will by other poets be illustrated in that detail which its importance calls for, and which will allow opportunities to give the merited applause to persons as well as to things."W. Wordsworth. "Rydal Mount, March 18, 1816."[AQ]

This Ode was originally published—along with the three that follow it, and some sonnets—in 1816, under the title, Thanksgiving Ode, January 18, 1816, with other short pieces, chiefly referring to recent public events, and with the prefatory announcement: "This Publication may be considered as a sequel to the Author's 'Sonnets dedicated to Liberty.'" To the whole there was prefixed an "Advertisement," beginning as at p. 75, "It is not," etc., and continuing to "W. Wordsworth," p. 77.—Ed.

I

Hail, orient Conqueror of gloomy Night![80] Thou that canst shed the bliss of gratitude On hearts howe'er insensible or rude; Whether thy punctual[81] visitations smite 5 The haughty towers where monarchs dwell; Or thou, impartial Sun, with presence bright Cheer'st the low threshold of the peasant's cell! Not unrejoiced I see thee climb the sky In naked splendour, clear from mist or haze, 10 Or cloud approaching to divert the rays, Which even in deepest winter testify Thy power and majesty, Dazzling the vision that presumes to gaze. —Well does thine aspect usher in this Day; 15 As aptly suits therewith that modest pace Submitted to the chains[82] That bind thee to the path which God ordains That thou shall trace, Till, with the heavens and earth, thou pass away! 20 Nor less, the stillness of these frosty plains, Their utter stillness, and the silent grace Of yon ethereal summits white with snow,[AR] (Whose tranquil pomp and spotless purity Report of storms gone by 25 To us who tread below) Do with the service of this Day accord. —Divinest Object which the uplifted eye Of mortal man is suffered to behold; Thou, who upon those[83] snow-clad Heights hast poured 30 Meek lustre,[84] nor forget'st the humble Vale; Thou who dost warm Earth's universal mould, And for thy bounty wert not unadored By pious men of old; Once more, heart-cheering Sun, I bid thee hail! Bright be thy course to-day, let not this promise fail!

II

36 'Mid the deep quiet of this morning hour, All nature seems to hear me while I speak, By feelings urged that do not vainly seek Apt language, ready as the tuneful notes 40 That stream in blithe succession from the throats Of birds, in leafy bower, Warbling a farewell to a vernal shower. —There is a radiant though[85] a short-lived flame, That burns for Poets in the dawning east; 45 And oft my soul hath kindled at the same, When the captivity of sleep had ceased; But He who fixed immoveably the frame Of the round world, and built, by laws as strong, A solid refuge for distress— 50 The towers of righteousness; He knows that from a holier altar came The quickening spark of this day's sacrifice; Knows that the source is nobler whence doth rise The current of this matin song; 55 That deeper far it lies Than aught dependent on the fickle skies.

III

Have we not conquered?—by the vengeful sword? Ah no, by dint of Magnanimity; That curbed the baser passions, and left free 60 A loyal band to follow their liege Lord, Clear-sighted Honour, and his staid Compeers, Along a track of most unnatural years;[AS] In execution of heroic deeds Whose memory, spotless as the crystal beads 65 Of morning dew upon the untrodden meads, Shall live enrolled above the starry spheres. He, who in concert with an earthly string[86] Of Britain's acts would sing, He with enraptured voice will tell 70 Of One whose spirit no reverse could quell; Of One that 'mid the failing never failed[AT]— Who paints how Britain struggled and prevailed Shall represent her labouring with an eye Of circumspect humanity; 75 Shall show her clothed with strength and skill, All martial duties to fulfil; Firm as a rock in stationary fight; In motion rapid as the lightning's gleam; Fierce as a flood-gate bursting at mid night[87] 80 To rouse the wicked from their giddy dream— Woe, woe to all that face her in the field! Appalled she may not be, and cannot yield.

IV

And thus is missed[88] the sole true glory That can belong to human story! 85 At which they[89] only shall arrive Who through the abyss of weakness dive. The very humblest are too proud of heart; And one brief day is rightly set apart For Him[90] who lifteth up and layeth low; 90 For that Almighty God to whom we owe, Say not that we have vanquished—but that we survive.

V

How dreadful the dominion of the impure! Why should the Song be tardy to proclaim That less than power unbounded[91] could not tame 95 That soul of Evil—which, from hell let loose, Had filled the astonished world with such abuse As boundless patience only could endure? —Wide-wasted regions—cities wrapt in flame— Who sees,[92] may lift a streaming eye To Heaven;—who never saw, may heave a sigh; 101 But the foundation of our nature shakes, And with an infinite pain the spirit aches, When desolated countries, towns on fire, Are but the avowed attire 105 Of warfare waged with desperate mind Against the life of virtue in mankind;[AU] Assaulting without ruth The citadels of truth; While the fair gardens of civility, 110 By ignorance defaced, By violence laid waste, Perish without reprieve for flower or tree![93]

VI

A crouching purpose—a distracted will— Opposed to hopes that battened upon scorn, 115 And to desires whose ever-waxing horn Not all the light of earthly power could fill; Opposed to dark, deep plots of patient skill, And to[94] celerities of lawless force; Which, spurning God, had flung away remorse— 120 What could they gain but shadows of redress? —So bad proceeded propagating worse; And discipline was passion's dire excess.[AV] Widens the fatal web, its lines extend, And deadlier poisons in the chalice blend. 125 When will your trials teach you to be wise? —O prostrate Lands, consult your agonies!

VII

No more—the guilt is banish'd, And, with the guilt, the shame is fled; And, with the guilt and shame, the Woe hath vanish'd, 130 Shaking the dust and ashes from her head! —No more—these lingerings of distress Sully the limpid stream of thankfulness. What robe can Gratitude employ So seemly as the radiant vest of Joy? 135 What steps so suitable as those that move In prompt obedience to spontaneous measures Of glory, and felicity, and love, Surrendering the whole heart to sacred pleasures?

VIII

O Britain! dearer far than life is dear,[AW] 140 If one there be Of all thy progeny[95] Who can forget thy prowess, never more Be that[96] ungrateful Son allowed to hear Thy green leaves rustle or thy torrents roar. 145 As springs the lion from his den, As from a forest-brake Upstarts a glistering snake, The bold Arch-despot re-appeared;[97][AX]—again Wide Europe heaves, impatient to be cast, 150 With all her armèd Powers, On that offensive soil, like waves upon a thousand shores.[98] The trumpet blew a universal blast![AY] But Thou art foremost in the field:[AZ]—there stand: Receive the triumph destined to thy hand! 155 All States have glorified themselves;—their claims Are weighed by Providence, in balance even; And now, in preference to the mightiest names, To Thee the exterminating sword[99] is given. Dread mark of approbation, justly gained! 160 Exalted office, worthily sustained!

IX

Preserve, O Lord! within our hearts The memory of thy favour, That else insensibly departs, And loses its sweet savour! 165 Lodge it within us!—as the power of light Lives inexhaustibly in precious gems, Fixed on the front of Eastern diadems, So shine our thankfulness for ever bright! What offering, what transcendent monument 170 Shall our sincerity to Thee present? —Not work of hands; but trophies that may reach To highest Heaven—the labour of the Soul; That builds, as thy unerring precepts teach, Upon the internal conquests made by each,[100] 175 Her hope of lasting glory for the whole. Yet will not heaven disown nor earth gainsay[101] The outward service of this day; Whether the worshippers entreat Forgiveness from God's mercy-seat; 180 Or thanks and praises to His throne ascend That He has[102] brought our warfare to an end, And that we need no second[103] victory!—[BA] Ha! what a ghastly sight for man to see; And to the heavenly saints in peace who dwell, 185 For a brief moment, terrible; But, to thy sovereign penetration, fair, Before whom all things are, that were, All judgments that have been, or e'er shall be; Links in the chain of thy tranquillity! 190 Along the bosom of this favoured Nation, Breathe Thou, this day, a vital undulation! Let all who do this land inherit Be conscious of thy moving spirit! Oh, 'tis a goodly Ordinance,—the sight, 195 Though sprung from bleeding war, is one of pure delight; Bless Thou the hour, or ere the hour arrive, When a whole people shall kneel down in prayer, And, at one moment, in one rapture,[104] strive With lip and heart to tell their gratitude 200 For thy protecting care, Their solemn joy—praising the Eternal Lord For tyranny subdued, And for the sway of equity renewed, 204 For liberty confirmed, and peace restored!

X

But hark—the summons!—down the placid lake Floats the soft cadence of the church-tower bells;[BB] Bright shines the Sun, as if his beams would wake[105] The tender insects sleeping in their cells; Bright shines the Sun—and not a breeze to shake 210 The drops that tip[106] the melting icicles. O, enter now his temple gate! Inviting words—perchance already flung (As the crowd press devoutly down the aisle Of some old Minster's venerable pile) 215 From voices into zealous passion stung, While the tubed engine feels the inspiring blast, And has begun—its clouds of sound to cast Forth towards[107] empyreal Heaven, As if the fretted roof were riven. 220 Us, humbler ceremonies now await; But in the bosom, with devout respect The banner of our joy we will erect, And strength of love our souls shall elevate: For to a few collected in his name, 225 Their heavenly Father will incline an ear Gracious to service hallowed by its aim;—[108] Awake! the majesty of God revere! Go—and with foreheads meekly bowed Present your prayers—go—and rejoice aloud— 230 The Holy One will hear! And what, 'mid silence deep, with faith sincere, Ye, in your low and undisturbed estate, Shall simply feel and purely meditate— Of warnings—from the unprecedented might, 235 Which, in our time, the impious have disclosed; And of more arduous duties thence imposed Upon the future advocates of right; Of mysteries revealed, And judgments unrepealed, 240 Of earthly revolution, And final retribution,— To his omniscience will appear An offering not unworthy to find place, On this high Day of Thanks, before the Throne of Grace!

Replying to some criticism on this Ode by Southey, Wordsworth wrote to his friend as follows:—"I am much of your mind in respect to my Ode. Had it been a hymn, uttering the sentiments of a multitude, a stanza would have been indispensable. But though I have called it a 'Thanksgiving Ode,' strictly speaking it is not so, but a poem, composed, or supposed to be composed, on the morning of the thanksgiving, uttering the sentiments of an individual upon that occasion. It is a dramatised ejaculation; and this, if anything can, must excuse the irregular frame of the metre. In respect to a stanza for a grand subject designed to be treated comprehensively, there are great objections. If the stanza be short, it will scarcely allow of fervour and importunity, unless so short, as that the sense is run perpetually from one stanza to another, as in Horace's Alcaics; and if it be long, it will be as apt to generate diffuseness as to check it. Of this we have innumerable instances in Spenser and the Italian poets. The sense required cannot be included in one given stanza, so that another whole stanza is added, not infrequently, for the sake of matter which would naturally include itself in a very few lines.

"If Gray's plan be adopted, there is not time to become acquainted with the arrangement, and to recognise with pleasure the recurrence of the movement.

"Be so good as let me know where you found most difficulty in following me. The passage which I most suspect of being misunderstood is

And thus is missed the sole true glory;

and the passage where I doubt most about the reasonableness of expecting that the reader should follow me in the luxuriance of the imagery and the language, is the one that describes, under so many metaphors, the spreading of the news of the Waterloo victory over the globe."

The last reference in this letter is to the lines in that part of the Ode, which follows—

Joyful annunciation!—it went forth— It pierced the caverns of the sluggish North, etc." Ed.

VARIANTS:

FOOTNOTES:

ODE

Composed 1816.—Published 1816

The first and the fourth stanzas of this Ode formed stanzas ix. and xii. of the Thanksgiving Ode from 1816 to 1842. In 1845 it was printed as number XLV. of the "Poems of the Imagination."—Ed.

I

Imagination—ne'er before content, But aye ascending, restless in her pride From all that martial feats could yield To her desires, or to her hopes present— 5 Stooped to the Victory, on that Belgic field Achieved, this closing deed magnificent,[109] And with the embrace was satisfied.[110] —Fly, ministers of Fame, With every help that ye from earth and heaven may claim![111] 10 Bear through the world these tidings of delight! —Hours, Days, and Months, have borne them in the sight Of mortals, hurrying like a sudden shower[112] That land-ward stretches from the sea, The morning's splendours to devour; 15 But this swift travel scorns the company Of irksome change, or threats from saddening power.[113] —The shock is given—the Adversaries bleed— Lo, Justice triumphs! Earth is freed! Joyful annunciation!—it went forth—[114] 20 It pierced the caverns of the sluggish North—[BC] It found no barrier on the ridge Of Andes—frozen gulphs became its bridge— The vast Pacific gladdens with the freight— Upon the Lakes of Asia 'tis bestowed— 25 The Arabian desert shapes a willing road Across her burning breast, For this refreshing incense from the West!—[BD] —Where snakes and lions breed, Where towns and cities thick as stars appear, 30 Wherever fruits are gathered, and where'er The upturned soil receives the hopeful seed— While the Sun rules, and cross the shades of night— The unwearied arrow hath pursued its flight! The eyes of good men thankfully give heed, 35 And in its sparkling progress read Of virtue crowned with glory's deathless meed:[115] Tyrants exult to hear of kingdoms won, And slaves are pleased to learn that mighty feats are done; Even the proud Realm, from whose distracted borders 40 This messenger of good was launched in air, France, humbled[116] France, amid her wild disorders, Feels, and hereafter shall the truth declare, That she too lacks not reason to rejoice, And utter England's name with sadly-plausive voice.

II

45 O genuine glory, pure renown! And well might it beseem that mighty Town[BE] Into whose bosom earth's best treasures flow,[117] To whom all persecuted men retreat; If a new Temple lift her[118] votive brow 50 High on[119] the shore of silver Thames—to greet The peaceful guest advancing from afar. Bright be the Fabric,[120] as a star Fresh risen, and beautiful within!—there meet Dependence infinite, proportion just; 55 A Pile that Grace approves, and Time can trust With his most sacred wealth, heroic dust.[121]

III

But if the valiant of this land In reverential modesty demand, That all observance, due to them, be paid 60 Where their serene progenitors are laid; Kings, warriors, high-souled poets, saint-like sages, England's illustrious sons of long, long ages; Be it not unordained that solemn rites, Within the circuit of those Gothic walls,[BF] 65 Shall be performed at pregnant intervals; Commemoration holy that unites The living generations with the dead; By the deep soul-moving sense Of religious eloquence,— 70 By visual pomp, and by the tie Of sweet and threatening harmony; Soft notes, awful as the omen Of destructive tempests coming, And escaping from that sadness 75 Into elevated gladness; While the white-rob'd choir attendant, Under mouldering banners pendant, Provoke all potent symphonies to raise Songs of victory and praise, 80 For them who bravely stood unhurt, or bled With medicable wounds, or found their graves Upon the battle field, or under ocean's waves; Or were conducted home in single state, And long procession—there to lie, 85 Where their sons' sons, and all posterity, Unheard by them, their deeds shall celebrate!

IV

Nor will the God of peace and love Such martial service disapprove. He guides the Pestilence—the cloud 90 Of locusts travels on his breath; The region that in hope was ploughed His drought consumes, his mildew taints with death; He springs the hushed Volcano's mine, He puts the Earthquake on her still design,[BG] 95 Darkens the sun, hath bade the forest sink, And, drinking towns and cities, still can drink Cities and towns—'tis Thou—the work is Thine!— The fierce Tornado sleeps within thy courts— He hears the word—he flies— 100 And navies perish in their ports; For Thou art angry with thine enemies! For these, and mourning for our errors,[122] And sins, that point their terrors, We bow our heads before Thee, and we laud 105 And magnify thy name, Almighty God! But Man is thy most awful instrument, In working out a pure intent;[123] Thou cloth'st the wicked in their dazzling mail, And for thy righteous purpose[124] they prevail; 110 Thine arm from peril guards the coasts Of them who in thy laws delight: Thy presence turns the scale of doubtful fight, Tremendous God of battles, Lord of Hosts![BH]

V

Forbear:—to Thee— 115 Father and Judge of all, with fervent tongue But in a gentler strain[125] Of contemplation, by no sense of wrong (Too quick and keen) incited to disdain Of pity pleading from the heart in vain—[126] 120 To Thee—To Thee Just God of christianised Humanity Shall praises be poured forth, and thanks ascend,[127] That thou hast brought our warfare to an end, And that we need no second[128] victory! 125 Blest, above measure blest, If on thy love our Land her hopes shall rest, And all the Nations labour to fulfil Thy law, and live henceforth in peace, in pure good will.[129]

In an early MS. copy of this Ode, it concludes thus, after the line "And that we need no further victory!"

Ha! what a ghastly sight for man to see; And to the heavenly saints in peace who dwell, For a brief moment, terrible; But to thy sovereign penetration fair, Before whom all things are that were, All judgments that have been, or e'er shall be, Links in the chain of thy tranquillity! Along the bosom of this favoured nation, Breathe thou, this day, a vital undulation! Let all who do this land inherit Be conscious of Thy moving spirit! Oh, 'tis a goodly Ordinance,—the sight, Though sprung from bleeding war, is one of pure delight; Bless thou the hour, or ere the hour arrive, When a whole people shall kneel down in prayer, And, at one moment, in one spirit, strive With lip and heart to tell their gratitude For thy protecting care, Their solemn joy—praising the Eternal Lord For tyranny subdued, And for the sway of equity renewed, For liberty confirmed, and peace restored!

VARIANTS:

FOOTNOTES:

INVOCATION TO THE EARTH[BI]

FEBRUARY, 1816

Composed 1816.—Published 1816

[Composed immediately after the Thanksgiving Ode, to which it may be considered as a second part.—I. F.]

One of the "Epitaphs and Elegiac Pieces."—Ed.

I

"Rest, rest, perturbèd Earth![BJ] O rest, thou doleful Mother of Mankind!" A Spirit sang in tones more plaintive than the wind: "From regions where no evil thing has birth 5 I come—thy stains to wash away, Thy cherished fetters to unbind, And open[130] thy sad eyes upon a milder day. The Heavens are thronged with martyrs that have risen From out thy noisome prison; 10 The penal caverns groan With tens of thousands rent from off the tree Of hopeful life,[BK]—by battle's whirlwind blown Into the deserts of Eternity. Unpitied havoc! Victims unlamented! 15 But not on high, where madness is resented, And murder causes some sad tears to flow, Though, from the widely-sweeping blow, The choirs of Angels spread, triumphantly augmented.

II

"False Parent of Mankind! 20 Obdurate, proud, and blind, I sprinkle thee with soft celestial dews, Thy lost, maternal heart to re-infuse! Scattering this far-fetched moisture from my wings, Upon the act a blessing I implore, 25 Of which the rivers in their secret springs, The rivers stained so oft with human gore, Are conscious;—may the like return no more! May Discord—for a Seraph's care Shall be attended with a bolder prayer— 30 May she, who once disturbed the seats of bliss These mortal spheres above, Be chained for ever to the black abyss! And thou, O rescued Earth, by peace and love, And merciful desires, thy sanctity approve!" 35 The Spirit ended his mysterious rite, And the pure vision closed in darkness infinite."

VARIANTS:

FOOTNOTES:

ODE[BL]

Composed January 1816.—Published 1816

Carmina possumus Donare, et pretium dicere muneri. Non incisa notis marmora publicis, Per quæ spiritus et vita redit bonis Post mortem ducibus clarius indicant Laudes, quam——Pierides; neque, Si chartæ sileant quod bene feceris, Mercedem tuleris. Hor. Car. 8, lib. 4.[BM]

This was one of the "Poems of the Imagination," in 1820. In 1827 it was placed among the "Sonnets dedicated to Liberty."—Ed.

I

When the soft hand of sleep had closed the latch On the tired household of corporeal sense, And Fancy, keeping unreluctant watch, Was free her choicest favours to dispense;[131] 5 I saw, in wondrous pérspective displayed, A landscape more august than happiest skill[132] Of pencil ever clothed with light and shade; An intermingled pomp of vale and hill, City, and naval stream, suburban grove,[133] 10 And stately forest where the wild deer rove; Nor wanted lurking hamlet, dusky towns, And scattered rural farms of aspect bright; And, here and there, between the pastoral downs, The azure sea upswelled upon the sight. 15 Fair prospect, such as Britain only shows! But not a living creature could be seen Through its wide circuit, that, in deep repose, And, even to sadness, lonely and serene, Lay hushed; till—through a portal in the sky 20 Brighter than brightest loop-hole, in a storm, Opening before the sun's triumphant eye— Issued, to sudden view, a glorious Form![134] Earthward it glided with a swift descent: Saint George himself this Visitant must be;[135] 25 And, ere a thought could ask on what intent He sought the regions of humanity, A thrilling voice was heard, that vivified City and field and flood;—aloud it cried— "Though from my celestial home, 30 Like a Champion, armed I come; On my helm the dragon crest, And the red cross on my breast; I, the Guardian of this Land,[136] Speak not now of toilsome duty; 35 Well obeyed was that command— Whence bright days of festive beauty;[137] Haste, Virgins, haste!—the flowers which summer gave Have perished in the field; But the green thickets plenteously shall yield[138] 40 Fit garlands for the brave, That will be welcome, if by you entwined; Haste, Virgins, haste; and you, ye Matrons grave, Go forth with rival youthfulness of mind, And gather what ye find 45 Of hardy laurel and wild holly boughs— To deck your stern Defenders' modest brows! Such simple gifts prepare, Though they have gained a worthier meed; And in due time shall share 50 Those palms and amaranthine wreaths Unto their martyred Countrymen decreed, In realms where everlasting freshness breathes!"

II

And lo! with crimson banners proudly streaming, And upright weapons innocently gleaming, 55 Along the surface of a spacious plain Advance in order the redoubted Bands, And there receive green chaplets from the hands Of a fair female train— Maids and Matrons, dight 60 In robes of dazzling white;[139] While from the crowd bursts[140] forth a rapturous noise By the cloud-capt hills retorted; And a throng of rosy boys In loose fashion tell their joys;[141] 65 And grey-haired sires, on staffs supported, Look[142] round, and by their smiling seem[143] to say, Thus strives a grateful Country to display The mighty debt which nothing can repay!

III

Anon before my sight a palace rose 70 Built of all precious substances,—so pure And exquisite, that sleep alone bestows Ability like splendour to endure: Entered, with streaming thousands, through the gate, I saw the banquet spread beneath a Dome of state, 75 A lofty Dome, that dared to emulate The heaven of sable night With starry lustre; yet had power to throw Solemn effulgence, clear as solar light, Upon a princely company below, 80 While the vault rang with choral harmony, Like some Nymph-haunted grot beneath the roaring sea, —No sooner ceased that peal, than on the verge Of exultation hung a dirge[144] Breathed from a soft and lonely instrument, 85 That kindled recollections Of agonised affections;[BN] And, though some tears the strain attended, The mournful passion ended In peace of spirit, and sublime content!

IV

90 But garlands wither; festal shows depart, Like dreams themselves; and sweetest sound— (Albeit of effect profound) It was—and it is gone! Victorious England! bid the silent Art 95 Reflect, in glowing hues that shall not fade, Those[145] high achievements;[BO] even as she arrayed With second life the deed of Marathon Upon Athenian walls;[BP] So may she labour for thy civic halls: 100 And be the guardian spaces Of consecrated places, As nobly graced by Sculpture's patient toil; And let imperishable Columns rise[146] Fixed in the depths of this courageous soil;[BQ] 105 Expressive signals[147] of a glorious strife, And competent to shed a spark divine Into the torpid breast of daily life;— Records on which, for pleasure of all eyes, The morning sun may shine[148] 110 With gratulation thoroughly benign![BR]

V

And ye, Pierian Sisters,[BS] sprung from Jove And sage Mnemosyne,—full long debarred[149] From your first mansions, exiled all too long[150] From many a hallowed stream and grove,[151] 115 Dear native regions[BT] where ye wont to rove, Chanting for patriot heroes the reward Of never-dying song! Now (for, though Truth descending from above The Olympian summit hath destroyed for aye 120 Your kindred Deities, Ye live and move,[BU] Spared for obeisance from perpetual love For privilege redeemed of god-like sway) Now,[152] on the margin of some spotless fountain, Or top serene of unmolested mountain, 125 Strike audibly the noblest of your lyres, And for a moment meet the soul's desires![153] That I, or some more favoured Bard, may hear What ye, celestial Maids! have often sung Of Britain's acts,—may catch it with rapt ear, 130 And give the treasure to our British tongue! So shall the characters of that proud page Support their mighty theme from age to age; And, in the desert places of the earth, When they to future empires have given birth, 135 So shall the people gather and believe The bold report, transferred to every clime; And the whole world, not envious but admiring, And to the like aspiring, Own—that the progeny of this fair Isle 140 Had power as lofty actions to achieve As were performed in man's heroic prime; Nor wanted, when their fortitude had held Its even tenor, and the foe was quelled, A corresponding virtue to beguile 145 The hostile purpose of wide-wasting Time— That not in vain they laboured to secure, For their great deeds, perpetual memory, And fame as largely spread as land and sea, By Works of spirit high and passion pure!

VARIANTS:

FOOTNOTES:

ODE

Composed 1816.—Published 1816

Included in 1820 among the "Poems of the Imagination," afterwards placed among the "Sonnets dedicated to Liberty."—Ed.

I

Who rises on the banks of Seine, And binds her temples with the civic wreath? What joy to read the promise of her mien! How sweet to rest her wide-spread wings beneath! 5 But they are ever playing, And twinkling in the light, And, if a breeze be straying, That breeze she will invite; And stands on tiptoe, conscious she is fair, 10 And calls a look of love into her face, And spreads her arms, as if the general air Alone could satisfy her wide embrace. —Melt, Principalities, before her melt! Her love ye hailed—her wrath have felt! 15 But She through many a change of form hath gone, And stands amidst you now an armèd creature, Whose panoply is not a thing put on, But the live scales of a portentous nature; 19 That, having forced[154] its way from birth to birth, Stalks round-abhorred by Heaven, a terror to the Earth!

II

I marked the breathings of her dragon crest; My Soul, a sorrowful interpreter, In many a midnight vision bowed Before the ominous aspect of her spear;[155] 25 Whether the mighty beam, in scorn upheld, Threatened her foes,—or, pompously at rest, Seemed to bisect her orbèd shield, As stretches a blue bar of solid cloud[156] Across the setting sun and all the fiery west.[157]

III

30 So did she daunt the Earth, and God defy! And, wheresoe'er she spread her sovereignty, Pollution tainted all that was most pure. —Have we not known—and live we not to tell— That Justice seemed to hear her final knell? 35 Faith buried deeper in her own deep breast Her stores, and sighed to find them insecure! And Hope was maddened by the drops that fell From shades, her chosen place of short-lived rest.[158] Shame followed shame, and woe supplanted woe— 40 Is this the only change that time can show? How long shall vengeance sleep? Ye patient Heavens, how long? —Infirm ejaculation! from the tongue Of Nations wanting virtue to be strong Up to the measure of accorded might, 45 And daring not to feel the majesty of right!

IV

Weak Spirits are there—who would ask, Upon the pressure of a painful thing, The lion's sinews, or the eagle's wing; Or let their wishes loose, in forest-glade, 50 Among the lurking powers Of herbs and lowly flowers, Or seek, from saints above, miraculous aid— That Man may be accomplished for a task Which his own nature hath enjoined;—and why? 55 If, when that interference hath relieved him, He must sink down to languish In worse than former helplessness—and lie Till the caves roar,—and, imbecility Again engendering anguish, 60 The same weak wish returns, that had before deceived him.

V

But Thou, supreme Disposer! may'st[159] not speed The course of things, and change the creed Which hath been held aloft before men's sight Since the first framing of societies, 65 Whether, as bards have told in ancient song, Built up by soft seducing harmonies; Or prest together by the appetite, And by the power, of wrong.

The date of the composition of this Ode is uncertain. Wordsworth himself gives no clue: but it seems to refer to the rise of the French Republic, with its illusive promises of Liberty: the freedom of the many being sacrificed to the despotism of one. The Republic passed "through many a change of form." It became both tyrannous and aggressive. The "Principalities" of Europe "melted" before it. It stood forth "an armèd creature," and "a terror to the Earth." It in turn put down "Justice," "Faith," and "Hope" throughout Europe; and the writer of the Ode says,

How long shall vengeance sleep? Ye patient Heavens, how long?

The allusions in stanza iv. suggest that this Ode was written before Waterloo, and the final overthrow of the power of Napoleon, but it is difficult, if not impossible, to determine the point with exactness from internal evidence.

The reference in the last stanza may be to the legend of Amphion moving stones, and building up the walls of Thebes, by the sound of his lyre; the stones advancing to their places, and being fitted together, as he played his instrument. Compare Tennyson's Amphion.—Ed.

VARIANTS:

THE FRENCH ARMY IN RUSSIA, 1812-13[160]

Composed 1816.—Published 1816

This was first published in 1816 in the "Miscellaneous Pieces, referring chiefly to recent public Events," in the volume entitled Thanksgiving Ode, January 18, 1816, with other short pieces, etc. In 1820 it was placed among the "Sonnets dedicated to Liberty, Part II."—Ed.

Humanity, delighting to behold A fond reflection of her own decay, Hath painted Winter like a traveller old, Propped on a staff, and, through the sullen day, 5 In hooded mantle, limping o'er the plain,[161] As though his weakness were disturbed by pain: Or, if a juster fancy should allow An undisputed symbol of command, The chosen sceptre is a withered bough, 10 Infirmly grasped within a palsied hand. These emblems suit the helpless and forlorn; But mighty Winter the device shall scorn. For he it was—dread Winter! who beset, Flinging round van and rear his ghastly net, 15 That host, when from the regions of the Pole They shrunk, insane ambition's barren goal— That host, as huge and strong as e'er defied Their God, and placed their trust in human pride! As fathers persecute rebellious sons, 20 He smote the blossoms of their warrior youth; He called on Frost's inexorable tooth Life to consume in Manhood's firmest hold; Nor spared the reverend blood that feebly runs; For why—unless for liberty enrolled 25 And sacred home—ah! why should hoary Age be bold? Fleet the Tartar's reinless steed, But fleeter far the pinions of the Wind, Which from Siberian caves the Monarch freed, And sent him forth, with squadrons of his kind, 30 And bade the Snow their ample backs bestride, And to the battle ride. No pitying voice commands a halt, No courage can repel the dire assault; Distracted, spiritless, benumbed, and blind, 35 Whole legions sink—and, in one instant, find Burial and death: look for them—and descry, When morn returns, beneath the clear blue sky, A soundless waste, a trackless vacancy!

The French "retreat from Moscow was perhaps the most disastrous on record since the days of Xerxes.... On the night of 6th November, the temperature suddenly fell to that of the most rigorous winter. In that dreadful night thousands of men perished, and nearly all the horses, which compelled the abandonment of the greater part of the convoys. From this point the road began to be strewn with corpses, presenting the aspect of one continuous battlefield.... At Smolensk the cold was at 20 degrees of Réaumur." (Dyer's History of Modern Europe, vol. iv. pp. 518, 519.)—Ed.

VARIANTS:

ON THE SAME OCCASION[162]

Composed 1816.—Published 1816

One of the "Sonnets dedicated to Liberty."—Ed.

Ye Storms, resound the praises of your King! And ye mild Seasons—in a sunny clime, Midway on some high hill, while father Time Looks on delighted—meet in festal ring, 5 And loud and long of Winter's triumph sing! Sing ye, with blossoms crowned, and fruits, and flowers, Of Winter's breath surcharged with sleety showers, And the dire flapping of his hoary wing! Knit the blithe dance upon the soft green grass; 10 With feet, hands, eyes, looks, lips, report your gain; Whisper it to the billows of the main, And to the aërial zephyrs as they pass, That old decrepit Winter—He hath slain That Host, which rendered all your bounties vain!

VARIANTS:

SIEGE OF VIENNA RAISED BY JOHN SOBIESKI[BV]

February, 1816

Composed February 4, 1816.—Published 1816

One of the "Sonnets dedicated to Liberty."—Ed.

O, for a kindling touch from that pure flame Which ministered, erewhile, to a sacrifice Of gratitude, beneath Italian skies, In words like these: "Up, Voice of Song! proclaim 5 Thy saintly rapture with celestial aim: For lo! the Imperial City stands released[163] From bondage threatened by the embattled East, And Christendom respires;[164] from guilt and shame Redeemed, from miserable fear set free 10 By one day's feat, one mighty victory. —Chant the Deliverer's praise in every tongue! The cross shall spread, the crescent hath waxed dim; He conquering, as in joyful Heaven is sung,[165] He conquering through God, and God by him." [BW]

VARIANTS:

FOOTNOTES:

OCCASIONED BY THE BATTLE OF WATERLOO[166]

(The last six lines intended for an Inscription.)

February, 1816

Composed February 4, 1816.—Published 1816

One of the "Sonnets dedicated to Liberty."—Ed.

Intrepid sons of Albion! not by you Is life despised; ah no, the spacious earth Ne'er saw a race who held, by right of birth, So many objects to which love is due: 5 Ye slight not life—to God and Nature true; But death, becoming death, is dearer far, When duty bids you bleed in open war: Hence hath your prowess quelled that impious crew. Heroes!—for instant sacrifice prepared; 10 Yet filled with ardour and on triumph bent 'Mid direst shocks of mortal accident— To you who fell, and you whom slaughter spared To guard the fallen, and consummate the event, Your Country rears this sacred Monument!

It need hardly be said that the intention of using the six last lines as an "Inscription" was never carried into effect. The infelicity of the second last line is fatal to its use on any "monument." The punctuation of the Sonnet as it appeared in The Champion, January 2, 1814, differs slightly from the above.—Ed.

VARIANTS:

OCCASIONED BY THE BATTLE OF WATERLOO[167]

February, 1816

Composed February 4, 1816.—Published 1816

One of the "Sonnets dedicated to Liberty."—Ed.

The Bard—whose soul is meek as dawning day, Yet trained to judgments righteously severe, Fervid, yet conversànt with holy fear, As recognising one Almighty sway: 5 He—whose experienced eye can pierce the array Of past events; to whom, in vision clear, The aspiring heads of future things appear, Like mountain-tops whose[168] mists have rolled away— Assoiled from all encumbrance of our time,[BX] 10 He only, if such breathe, in strains devout Shall comprehend this victory sublime; Shall[169] worthily rehearse the hideous rout, The triumph hail, which from their peaceful clime Angels might welcome with a choral shout![170]

VARIANTS:

FOOTNOTES:

"EMPERORS AND KINGS, HOW OFT HAVE TEMPLES RUNG"

Composed 1816.—Published 1827

One of the "Sonnets dedicated to Liberty."—Ed.

Emperors and Kings, how oft have temples rung With impious thanksgiving, the Almighty's scorn! How oft above their altars have been hung Trophies that led the good and wise to mourn 5 Triumphant wrong, battle of battle born, And sorrow that to fruitless sorrow clung! Now, from Heaven-sanctioned victory, Peace is sprung;[BY] In this firm hour Salvation lifts her horn. Glory to arms! But, conscious that the nerve 10 Of popular reason, long mistrusted, freed Your thrones, ye Powers, from duty fear to swerve![171] Be just, be grateful; nor, the oppressor's creed Reviving, heavier chastisement deserve Than ever forced unpitied hearts to bleed.

VARIANTS:

FOOTNOTES:

FEELINGS OF A FRENCH ROYALIST,[172]

On the Disinterment of the Remains of The Duke D'Enghien

Composed 1816.—Published 1816.

One of the "Sonnets dedicated to Liberty."—Ed.

Dear Reliques! from a pit of vilest mould Uprisen—to lodge among ancestral kings; And to inflict shame's salutary stings On the remorseless hearts of men grown old 5 In a blind worship; men perversely bold Even to this hour,—yet, some shall now forsake Their monstrous Idol if the dead e'er spake, To warn the living; if truth were ever told By aught redeemed out of the hollow grave:[173] 10 O murdered Prince! meek, loyal, pious, brave! The power of retribution once was given: But 'tis a rueful thought that willow bands So often tie the thunder-wielding hands Of Justice sent to earth from highest Heaven!

The Duc d'Enghien, grandson of the Prince de Condé, and only son of the Duc de Bourbon, born at Chantilly in 1772, commanded the corps of Emigrés gathered on the Rhine by his grandfather. After the peace of Luneville, he retired to Ettenheim, near Strasburg, in German territory. There he married the Princess Charlotte of Rohan-Rochefort, and lived peacefully as a private citizen. He was, though wholly innocent, suspected by Napoleon of complicity in the plot of Pichegru, Cadoudal (one of the Chouans), Moreau, and others, to overthrow him as first Consul, and to restore the Bourbon dynasty. "The Duke was residing at Ettenheim, in the neutral territory of Baden, when Bonaparte, in violation of international law and the rights of the German Empire, caused him to be seized on the night of 15th March by a party of French gens d'armes, and to be carried to the castle of Vincennes, where, after a sort of mock trial, he was shot in the fosse of the fortress, March 21st" (1804).—Dyer's Modern Europe (vol. iv. p. 378). The whole of the proceedings against the Duc d'Enghien were illegal (as was confessed by the presiding judge), and his execution was one of the blackest stains on the character of Napoleon. After the Restoration, in 1814, his remains were disinterred by order of Louis XVIII., and buried in the chapel of the castle at Vincennes, where the restored king erected a monument to his memory. The "pit of vilest mould" mentioned in the sonnet, is, of course, the moat of the castle, and the phrase "to lodge among ancestral kings," refers to Vincennes having been a royal residence, where many princes died and were buried, e.g. Queen Jeanne (wife of Philippe le Bel), Louis le Hutin, and Charles le Bel. Vincennes is close to Paris, the fortress being only about five miles south-east of the Louvre. The chapel, which has a fine Gothic front, was begun in 1248, and was finished in 1552. The monument to the Duc d'Enghien is in the old Sacristy. It consists of four figures in marble, representing the Duke, supported by Religion and bewailed by France, while Vengeance waits behind. It was executed by Deseine.—Ed.

VARIANTS:

DION

(See Plutarch)

Composed 1816.—Published 1820

[This poem was first introduced by a stanza that I have since transferred to the Notes, for reasons there given,[BZ] and I cannot comply with the request expressed by some of my friends that the rejected stanza should be restored. I hope they will be content if it be, hereafter, immediately attached to the poem, instead of its being degraded to a place in the Notes.—I. F.]

FOOTNOTE:

From 1820 to 1843 Dion was classed among the "Poems of Sentiment and Reflection." In the edition of 1845 it was placed next to Laodamia among the "Poems of the Imagination."—Ed.

VARIANT:

I

Serene, and fitted to embrace, Where'er he turned, a swan-like grace[175] Of haughtiness without pretence, And to unfold a still magnificence, 5 Was princely Dion, in the power And beauty of his happier hour. And what pure homage then did wait On Dion's virtues, while the lunar beam[176] Of Plato's genius, from its lofty sphere, 10 Fell round him in the grove of Academe, Softening their inbred dignity austere— That he, not too elate With self-sufficing solitude, But with majestic lowliness endued, 15 Might in the universal bosom reign, And from affectionate observance gain Help, under every change of adverse fate.[177]

II

Five thousand warriors—O the rapturous day![178] Each crowned with flowers, and armed with spear and shield, 20 Or ruder weapon which their course might yield,[179] To Syracuse advance[180] in bright array. Who leads them on?—The anxious people see Long-exiled Dion marching at their head, He also crowned with flowers of Sicily, 25 And in a white, far-beaming, corselet clad! Pure transport undisturbed by doubt or fear The gazers feel; and, rushing to the plain, Salute those strangers as a holy train Or blest procession (to the Immortals dear) 30 That brought their precious liberty again. Lo! when the gates are entered, on each hand, Down the long street, rich goblets filled with wine In seemly order stand, On tables set, as if for rites divine;— 35 And, as the great Deliverer marches by, He looks on festal ground with fruits bestrown; And flowers are on his person thrown[181] In boundless prodigality; Nor doth[182] the general voice abstain from prayer, 40 Invoking Dion's tutelary care, As if a very Deity he were!

III[CA]

Mourn, hills and groves of Attica! and mourn Ilissus, bending o'er thy classic urn! 44 Mourn, and lament for him whose spirit dreads Your once sweet memory, studious walks and shades! For him who to divinity aspired, Not on the breath[183] of popular applause, But through dependence on the sacred laws Framed in the schools where Wisdom dwelt retired, 50 Intent to trace the ideal path of right (More fair than heaven's broad causeway paved with stars) Which Dion learned to measure with sublime delight;—[184] But He hath overleaped[185] the eternal bars; And, following guides whose craft holds no consent 55 With aught that breathes the ethereal element, Hath stained the robes of civil power with blood, Unjustly shed, though for the public good. Whence doubts that came too late, and wishes vain, Hollow excuses, and triumphant pain; 60 And oft his cogitations sink as low As, through the abysses of a joyless heart, The heaviest plummet of despair can go— But whence that sudden check? that fearful start! He hears an uncouth sound— 65 Anon his lifted eyes Saw, at a long-drawn gallery's dusky bound, A Shape[186] of more than mortal size And hideous aspect, stalking round and round! A woman's garb the Phantom wore, 70 And fiercely swept the marble floor,— Like Auster whirling to and fro,[187] His force on Caspian foam to try; Or Boreas when he scours the snow That skins the plains of Thessaly, 75 Or when aloft on Mænalus he stops His flight, 'mid eddying pine-tree tops!

IV

So, but from toil less sign of profit reaping, The sullen Spectre to her purpose bowed, Sweeping—vehemently sweeping— 80 No pause admitted, no design avowed! "Avaunt, inexplicable Guest!—avaunt," Exclaimed the Chieftain[188]—"let me rather see The coronal that coiling vipers make; The torch that flames with many a lurid flake, 85 And the long train of doleful pageantry Which they behold,[189] whom vengeful Furies haunt; Who, while they struggle from the scourge to flee, Move where the blasted[190] soil is not unworn, And, in their anguish, bear what other minds have borne!"

V

90 But Shapes that come not at an earthly call, Will not depart when mortal voices bid; Lords of the visionary eye whose lid, Once raised, remains aghast, and will not fall! Ye Gods, thought He, that servile Implement 95 Obeys a mystical intent! Your Minister would brush away The spots that to my soul adhere; But should she labour night and day, They will not, cannot disappear; 100 Whence angry perturbations,—and that look Which no philosophy can brook!

VI

Ill-fated Chief! there are[191] whose hopes are built Upon the ruins of thy glorious name;[192] Who, through the portal of one moment's guilt, 105 Pursue thee with their deadly aim![193] O matchless perfidy![194] portentous lust Of monstrous crime!—that horror-striking blade, Drawn in defiance of the Gods, hath laid The noble Syracusan low in dust! 110 Shudder'd[195] the walls—the marble city wept— And sylvan places heaved a pensive sigh; But[196] in calm peace the appointed Victim slept, As he had fallen in magnanimity; Of spirit too capacious to require 115 That Destiny her course should change; too just To his own native greatness[197] to desire That wretched boon, days lengthened by mistrust. So[198] were the hopeless troubles, that involved The soul of Dion, instantly dissolved. 120 Released from life and cares of princely state, He left this moral grafted on his Fate; "Him only pleasure leads, and peace attends, Him, only him, the shield of Jove defends, Whose means are fair and spotless as his ends."

VARIANTS:

The following suggested variations of text also exist in MS.—Ed.

Mourn, olive bowers of Attica! and Thou, Partake the sadness of the groves, Famed hill Hymettus, round whose fragrant brow, Industrious bees, each seeking what she loves, Or fraught with treasure which she best approves, Their murmurs blend { in choral elevation } { with choral animation } Not wholly lost upon the abstracted ear Of unambitious men who wander near Immersed in lonely contemplation. Mourn, sunny Hill, and shady Grove! and mourn Ilyssus, bending o'er thy classic urn! Lament the fall of him whose spirit dreads Your once sweet memory, studious walks and shades! For He, who to divinity aspired, Not on the wings of popular applause, But through dependence on the sacred laws Framed in the schools where Wisdom dwelt retired, Meek Wisdom tracing with a steady hand The path which she alone hath scann'd— The ideal path of right— More fair than heaven's broad causeway paved with stars, Which Dion learned to gaze on with delight;— But he hath overleap'd the eternal bars, And following guides whose craft holds no consent With aught that breathes the ethereal element, Hath stained the robes of civil power with blood, Unjustly shed, though for the public good. Blind choice—for since that day, the chief, the sage, Prime boast and envy of a glorious age, Droops, the slave of fear and sorrow; For since that hour the studious walks and shades, Whose once sweet memory her Spirit dreads, Depress'd to-day, and unrelieved to-morrow, Hath Dion pined with sharp regret and sorrow. Lament, ye studious walks and shades, The fall of Him whose spirit dreads Your once sweet memory—and mourn Ilyssus, bending o'er thy classic urn, For him who . . . . . . Mourn, { sunny hills and groves } of Attica! and mourn { olive bowers } Ilyssus, bending o'er thy classic urn! Mourn, and lament for him whose spirit dreads Your once sweet memory, studious walks and shades, For him who . . . . . . . . . where Wisdom dwelt retired { Tracing with steady hand the path of right } { Intent to trace the ideal path of right }

. . . where Wisdom dwelt retired Tracing assiduously the path of right. That path which Dion travelled { in } delight. {with} Which Dion learned to travel with delight. Ever since that hour, ye studious walks and shades, Whose once sweet Memory now his spirit dreads, Hath Dion pined with sharp regret and sorrow. Blind choice—for since that word was given, the Sage, Prime boast and envy of a glorious age, {Hath droop'd and pined with sharp regret and sorrow, } {Droops with a burthen of repentant sorrow, } Depress'd to-day, and unrelieved to-morrow. Hath stained the robes of civil power with blood, Unjustly shed—albeit to prevent Manifold tumults and incessant strife, That seemed to hang upon a single life To whom the calm of general content, The stedfastness of public good, Was tiresome as the weight That presses down the minds of mariners, When not a billow stirs On the wide surface of the ocean flood. { Untractable disturber of the State, } { Strong is he—and concessions have proved vain, } { And pardon { only makes } him more elate, } { doth but make }} { And bolder to transgress again. } { Untractable disturber of the State,} { Of popularity the giddy thrall,} { Ever aspiring to the topmost height, } { His ears he shuts against the call } { Of reason—therefore let him fall. } Infirm decision, slowly won From Dion's mind—to authorize a deed Which when the word was uttered—with the speed Of lightning hurrying through the heav'ns—is done. {But} since that fatal hour—the chief, the sage, {For} That hung upon a single life {Presumptuous, } {Bold, } fickle, envious, turbulent, {Ambitious, } Ever aspiring to the topmost height; To whom the calm of general content, Diffused when order reigned for public good, Was tiresome ... Repeated pardons make him more elate, And bolder to offend again. He hath provoked his fate; Deliberative sadness ratifies The offender's doom, and solemn be his obsequies! Yes, let him fall, decision slowly won From Dion's mind, to authorize a deed Which when the word was uttered—with the speed Of lightning hurrying through the heav'ns—is done. But since that fated word the {princely } sage, {chief—the} Prime boast and envy of a glorious age, Droops, under burthen of repentant sorrow, Depress'd to-day, and unrelieved to-morrow. He hath provoked his fate: Ever aspiring to the topmost height, He shuts his ear against the call Of Reason, therefore let him fall. ms.

Some years ago I was inclined to assign this poem to the year 1814, because Wordsworth himself gave it that date in one of the notes which he dictated to Miss Fenwick in 1843. I now assign it to the year 1816. Wordsworth gave it that date in the year 1837, and if written in 1814, I think it would have been included in the edition of 1815.

Dion, the Ode to Lycoris, and the translation of part of Virgil's Æneid, belong to a time when Wordsworth had reverted to the subjects of ancient classical literature while preparing his eldest son for the University.

Charles Lamb wrote thus to Dorothy Wordsworth in 1820:—"The story of Dion is divine—the genius of Plato falling on him like moonlight—the finest thing ever expressed." (The Letters of Charles Lamb, edited by Alfred Ainger, vol. ii. p. 56.)

I am indebted to the Headmaster of Fettes College, the Rev. W. A. Heard, for the following notes on the poem, with special reference to Plutarch. They reveal, as Mr. Heard remarks, "Wordsworth's method of work upon the authors he had read and studied, and show upon what a solid structure of fact he always wrote." It will be observed that he invariably appended to the title of this poem "(See Plutarch)."

"When Dion, the pupil of Plato, became the autocrat of Syracuse, it seemed as if the moment had come for the rule of a philosopher. But the gardens of the Academy knew nothing of the methods by which alone intrigue could be met and unscrupulousness baffled. The murder of Heracleides became a political necessity; but when this was conceded, the charm was once and for ever broken—the career was done. Plutarch's biography deals mainly with the external conditions, and is overlaid with so much historical detail that the personality of Dion stands out in insufficient relief. Wordsworth gives us a study of the internal struggle, showing us the failure of an ideal, not in its external aspect, but as closing the aspirations, and desolating the conscience, of a truly noble mind. He accepts Plutarch's general conception of the life, incorporating much of the details and adopting some of the language, but over and above the fresh emphasis he gives to critical moments, the imaginative insight with which all the detail is treated makes the poem an original presentation.

. . . . a swan-like grace Of haughtiness without pretence.

ὑψηλὀς τῷ ἠθει καὶ μεγαλόφρων.—'He was lofty in his disposition and large-minded.' Again, Plutarch speaks of the "σεμνότης"—the 'still magnificence' of his nature, coupled with "τὸ γενναίον καἰ ἁπλότης," nobility and simplicity.

Softening their inbred dignity austere.

βουλομένου τοῡ Πλάτωνος ὁμιλἰα χάριν ἐχούση καὶ παιδιᾱς εμμελοῡς κατὰ καιρὸν ἁπτομένη κεραννύυμενον ἀφηδύνεσθαι τοῡ Δίωνος τὸ ἦθος. Plato tried to soften the harshness of his disposition by the delights of intercourse, and the grace of seasonable wit.

That he, not too elate With self-sufficing solitude.

This refers to a warning of Plato, ἡ αὐθάδεια ὲρημία σύνοικος—Arrogance is the house-mate of solitude.

Each crowned with flowers ...

και θεασἁμενοι τὸν Δίωνα διὰ τἡν θυσίαν ἐστεφανωμένον οι παρόντες ἀπὸ μιᾶς ὁρμῆς ἐστεφανοῦντο πάντες.—And seeing Dion wearing a garland on account of the sacrifice, those that were present with one impulse put on garlands one and all.

Or ruder weapon which their course might yield.

ὡπλισμένοι δὲ φαυλως ἐκ τοῦ προστυχόντος.—Poorly armed, as chance enabled them.

Who leads them on? ...

Δίων προσερχόμενος ῆδη καταφανἡς ἡν πρῶτος αὐτὸς ὡπλισμένος λαμπρῶς ... ἐστεφανωμένος.—Dion himself was already in sight, advancing at their head, clad in gleaming armour and wearing a garland.

Salute those strangers as a holy train Or blest procession (to the Immortals dear) That brought their precious liberty again.

τῶν Συρακουσίων δεχομένων ὥσπερ ἱεράν τινα καὶ θεοπρεπῆ πομπὴν ἐλευθερίας καὶ δημοκρατίας δι' ἐτῶν ὀκτὼ καὶ τεσσαράκοντα κατιούσης εἰς τὴν πόλιν.—The Syracusans receiving them as a holy procession beseeming the Gods ('to the Immortals dear'), escorting freedom and democracy back to the city after an exile of forty-seven years.

Down the long street, rich goblets filled with wine In seemly order stand.

ἑκατέρωθεν παρὰ τὴν ὁδὸν τῶν Συρακουσίων ἱερεῖά τινα καὶ τραπέζας καὶ κρατῆρας ἱστάντων καὶ καθ' ὁῧς γένοιτο προχύταις τε βαλλόντων καὶ προστρεπομένων ὡσπερ θεὸν κατευχαῖις.—The people setting, on either side the way, victims and tables and bowls of wine, and as he came opposite, casting flowers upon him, and supplicating him with prayers as though he were a God.

Mourn, hills and groves of Attica! and mourn Ilissus, bending o'er thy classic urn!

Cf. Milton, Paradise Regained, iv. 244:—

See there the olive-grove of Academe, Plato's retirement, where the Attic bird Trills her thick-warbled notes the summer long.

Perhaps the idea of Ilissus bending over the urn is taken from the western pediment of the Parthenon. At one angle there is a recumbent figure of the Kephissus, at the other of the llissus; originally there seems to have been a ὑδρια attached to one of them. See Guide to Sculptures of the Parthenon, published at the British Museum.[CB]

And, following guides whose craft holds no consent With aught that breathes the ethereal element, Hath stained the robes of civil power with blood, Unjustly shed, though for the public good.

Dion was anxious to give Syracuse a constitution, but he found Heracleides an incessant opponent in spite of the long forbearance he had shown him. Feeling that the one obstacle to a settlement must at all costs be removed, he yielded to advisers whom he had long withstood, and allowed them to put Heracleides to death. He gave him, however, a public funeral, and persuaded the people that it was impossible for the State to have peace on any other conditions.

But whence that sudden check?...

ἐτύγχανε μὲν γὰρ ὀψὲ τῆς ἡμέρας καθεζόμενος ἐν παστάδι τῆς οἰκίας μόνος ὥν πρὸς ἑαυτῷ τὴν διάνοιαν' ἐξαίφνης δὲ ψόφου γενομένου πρὸς θατέρῳ πέρατι τῆς στοᾶς, ἀποβλέψας ἕτι φωτὸς ὅντὸς εἶδε γυναῖκα μεγάλην στολῇ μὲν καὶ προσώπῳ μηδὲν Ἑριννύος τραγικῆς παραλλάττουσαν, σαίρουσαν δὲ καλλύντρω τινὶ τὴν οἰκίαν.—He happened to be sitting late in the evening in a corridor of the house in solitary meditation: suddenly a sound was heard in the further end of the portico, and looking up, he saw in the lingering light the form of a majestic woman, in dress and face like the Fury as she appears in tragedy—sweeping the house with a brush.

In Plutarch, the apparition is simply ominous of coming evil, his son, a few days afterwards, throwing himself in a fit of petulance from the roof of the palace, and his own death shortly following: the moral significance assigned to it in the poem is Wordsworth's own interpretation.

And, in their anguish, bear what other minds have borne!

In Plutarch, Dion calls his attendants, dreading to be left alone for fear the spectre should return (παντἀπασιν ἐκστατικῶς ἕχων καὶ δεδοικὼς μὴ πάλιν εἰς ὅψιν αὐτῷ μονωθέν τὸ τέρας ἀφίκηται). Wordsworth seems to have taken a hint from this passage, and to have added a tragic intensity by representing the horror as one which he could share with no one, a supernatural doom in which he must be absolutely solitary.

Ill-fated Chief! there are whose hopes are built Upon the ruins of thy glorious name.

Callippus, an early friend of Dion's in Athens, and bound to him by a sacred association as he had initiated him into the mysteries, was now in Syracuse, and for selfish ends was plotting his friend's ruin, ἐλπίσας Σικελίαν ἆθλον ἕξειν τῆς ξενοκτονίας, 'hoping to get Sicily as the prize of his treachery.'

O matchless perfidy! portentous lust Of monstrous crime!...

Not only was this Callippus his friend, not only had he initiated him into the mysteries at Athens, a bond of peculiar sanctity, but there was even a worse perfidy: to allay the suspicions of Dion's household he had taken 'the awful oath'. Descending into the sacred enclosure of Demeter, he had put on the purple robe of the goddess, and taking a burning torch in his hand, had disowned upon oath any thought of treachery. Yet in spite of this awful oath, he chose the very festival of the goddess as the moment for perpetrating the crime.

... The marble city wept.

cities of the ancient world, and contained a large number of splendid buildings built from the quarries adjacent to the city. Perhaps the most famous was the great theatre, the seats of which were formed with slabs of white marble.

... too just To his own native greatness to desire That wretched boon, days lengthened by mistrust.

ὁ μὲν Δίων, ὡς ἔοικεν, ἐπὶ τοῖς κατὰ τὸν Ἡρακλείδην ἀχθόμενος καὶ τὸν φόνον ἐκεῖνον ὥς τινα τοῦ βίου καὶ τῶν πράξεων αὐτῷ κηλῖδα περικειμένην, δυσχεραίνων ἀεὶ καὶ βαρυνόμενος εἶπεν ὅτι πολλάκις ἤδη θνήσκειν ἕτοιμός ἐστι καὶ παρέχειν τῷ βουλομένῳ σφάττειν αὑτόν, εἰ ζῆν δεήσει μὴ μόνον τοὺς ἐχθρούς, ἀλλὰ καὶ τοὺς φίλους φυλαττόμενον. His relations had been cautioning him against Callippus; but 'Dion, grieved at heart, it would seem, at the fate of Heracleides, and ever chafing at and brooding over the murder as a stain upon his life and conduct, was willing, he said, to die a thousand deaths and yield his neck to any who would strike the blow, if life was only to be had by guarding against friends as well as foes.'"—Ed.

FOOTNOTES:

A FACT, AND AN IMAGINATION;

Or, Canute and Alfred, on the Sea-shore[199]

Composed 1816.—Published 1820

[The first and last fourteen lines of this poem each make a sonnet, and were composed as such; but I thought that by intermediate lines they might be connected so as to make a whole. One or two expressions are taken from Milton's History of England.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Danish Conqueror, on his royal chair, Mustering a face of haughty[200] sovereignty, To aid a covert purpose, cried—"O ye Approaching Waters of the deep, that share 5 With this green isle my fortunes, come not where Your Master's throne is set."—Deaf was the Sea; Her waves rolled on, respecting his decree Less than they heed a breath of wanton air.[201] —Then Canute, rising from the invaded throne, 10 Said to his servile Courtiers,—"Poor the reach,[202] The undisguised extent, of mortal sway! He only is a King, and he alone Deserves the name (this truth the billows preach) Whose everlasting laws, sea, earth, and heaven, obey." 15 This just reproof the prosperous Dane Drew from the influx of the main, For some whose rugged northern mouths would strain At oriental flattery; And Canute (fact more worthy to be known)[203] 20 From that time forth did for his brows disown The ostentatious symbol of a crown; Esteeming earthly royalty Contemptible as vain.[204] Now hear what one of elder days, 25 Rich theme of England's fondest praise, Her darling Alfred, might have spoken;[205] To cheer the remnant of his host When he was driven from coast to coast, Distressed and harassed, but with mind unbroken:[206] 30 "My faithful followers, lo! the tide is spent That rose, and steadily advanced to fill The shores and channels, working Nature's will Among the mazy streams that backward went, 34 And in the sluggish pools where ships are pent: And now, his[207] task performed, the flood stands still, At the green base of many an inland hill,[CC] In placid beauty and sublime content![208] Such the repose that sage and hero find; Such measured rest the sedulous and good 40 Of humbler name; whose souls do, like the flood Of Ocean, press right on; or gently wind, Neither to be diverted nor withstood, Until they reach the bounds by Heaven assigned."

The passage from Milton's History of England (book vi.), referred to in the Fenwick note, relates an incident, "which" (as Milton justly says), "unless to Court-Parasites, needed no such laborious demonstration." There is only one expression borrowed by Wordsworth: "The Sea, as before, came rolling on, ... whereat the King, quickly rising, wished all about him to behold and consider the weak and frivolous form of a King, and that none indeed deserved the name of a King, but he whose Eternal Laws both Heaven, Earth, and Sea obey."—Ed.

VARIANTS:

FOOTNOTE:

"A LITTLE ONWARD LEND THY GUIDING HAND"

Composed 1816.—Published 1820

[The complaint in my eyes, which gave occasion to this address to my daughter, first showed itself as a consequence of inflammation, caught at the top of Kirkstone, when I was over-heated by having carried up the ascent my eldest son, a lusty infant. Frequently has the disease recurred since, leaving my eyes in a state which has often prevented my reading for months, and makes me at this day incapable of bearing without injury any strong light by day or night. My acquaintance with books has therefore been far short of my wishes; and on this account, to acknowledge the services daily and hourly done me by my family and friends, this note is written.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

"A little onward lend thy guiding hand To these dark steps, a little further on!"[CD] —What trick of memory to my voice hath brought 4 This mournful iteration? For though Time, The Conqueror, crowns the Conquered, on this brow Planting his favourite silver diadem, Nor he, nor minister of his—intent To run before him, hath enrolled me yet, Though not unmenaced, among those who lean 10 Upon a living staff, with borrowed sight. —O my own Dora, my belovèd child![209][CE] Should that day come—but hark! the birds salute The cheerful dawn, brightening for me the east; For me, thy natural leader, once again 15 Impatient to conduct thee, not as erst A tottering infant, with compliant stoop From flower to flower supported; but to curb Thy nymph-like step swift bounding o'er the lawn,[CF] Along the loose rocks, or the slippery verge 20 Of foaming torrents.[210]—From thy orisons Come forth; and, while the morning air is yet Transparent as the soul of innocent youth, Let me, thy happy guide, now point thy way, And now precede thee, winding to and fro, 25 Till we by perseverance gain the top Of some smooth ridge, whose brink precipitous Kindles intense desire for powers withheld From this corporeal frame; whereon who stands, Is seized with strong incitement to push forth His arms, as swimmers use, and plunge—dread thought, 31 For pastime plunge—into the "abrupt abyss,"[CG] Where ravens spread their plumy vans, at ease! And yet more gladly thee would I conduct Through woods and spacious forests,—to behold 35 There, how the Original of human art, Heaven-prompted Nature, measures and erects Her temples, fearless for the stately work, Though waves, to every breeze,[211] its high-arched roof, And storms the pillars rock. But we such schools 40 Of reverential awe will chiefly seek In the still summer noon, while beams of light, Reposing here, and in the aisles beyond Traceably gliding through the dusk, recal To mind the living presences of nuns; 45 A gentle, pensive, white-robed sisterhood, Whose saintly radiance mitigates the gloom Of those terrestrial fabrics, where they serve, To Christ, the Sun of righteousness, espoused. Now also shall the page of classic lore, 50 To these glad eyes from bondage freed, again Lie open; and the book of Holy Writ, Again unfolded, passage clear shall yield To heights more glorious still, and into shades More awful, where, advancing hand in hand, 55 We may be taught, O Darling of my care! To calm the affections, elevate the soul, And consecrate our lives to truth and love.[212]

VARIANTS:

FOOTNOTES:

TO ——,

On her first Ascent to the Summit of Helvellyn

Composed 1816.—Published 1820.

[Written at Rydal Mount. The lady was Miss Blackett, then residing with Mr. Montagu Burgoyne at Fox-Ghyll. We were tempted to remain too long upon the mountain; and I, imprudently, with the hope of shortening the way led her among the crags and down a steep slope which entangled us in difficulties that were met by her with much spirit and courage.—I. F.]

One of the "Poems of the Imagination."—Ed.

Inmate of a mountain-dwelling, Thou hast clomb aloft, and gazed From the watch-towers of Helvellyn; Awed, delighted, and amazed! 5 Potent was the spell that bound thee Not unwilling to obey:[213] For[214] blue Ether's arms, flung round thee, Stilled the pantings of dismay. Lo! the dwindled woods and meadows; 10 What a vast abyss is there! Lo! the clouds, the solemn shadows, And the glistenings—heavenly fair! And a record of commotion Which a thousand ridges yield; 15 Ridge, and gulf, and distant ocean Gleaming like a silver shield! Maiden! now take flight;—inherit[215] Alps or Andes—they are thine! With the morning's roseate Spirit, 20 Sweep their length of snowy line; Or survey their[216] bright dominions In the gorgeous colours drest Flung from off the purple pinions, Evening spreads throughout the west![217] 25 Thine are all the coral[218] fountains Warbling in each sparry vault[219] Of the untrodden lunar mountains; Listen to their songs!—or halt, To Niphates' top invited,[CH] 30 Whither spiteful Satan steered; Or descend where the ark alighted, When the green earth re-appeared; For the power of hills is on thee, As was witnessed through thine eye 35 Then, when old Helvellyn won thee To confess their majesty!

With these stanzas to Miss Blackett, compare those addressed by Wordsworth to his sister, published in 1807, under the title To a Young Lady, who had been reproached for taking Long Walks in the Country; and the poem entitled Louisa, after accompanying her on a Mountain Excursion, also referring to his sister (vol. ii. pp. 362, 365).—Ed.

VARIANTS:

FOOTNOTE:

Notes in this chapter

Note 1 · "Without a cultivation of military virtues."—W. W. 1845.Note 2 · In all editions subsequent to that of 1816, this paragraph was omitted.—Ed.Note 3 · This "Advertisement" was prefixed to the poem, in all editions from 1816 to 1843. In 1845, when part of the Ode, beginning Imagination—ne'erNote 4 · 1837. 1816. Hail, universal Source of pure delight!Note 5 · 1837. 1816. Whether thy orient . . .Note 6 · 1837. . . . that timid pace, 1816. Framed in subjection to the chains . . . that timid pace 1827. Submitted to the chainsNote 7 · The heights of Wansfell and Loughrigg.—Ed.Note 8 · 1850. 1816. . . . yon . . .Note 9 · 1837. 1816. . . . splendour, . . .Note 10 · 1837. 1816. . . . but . . .Note 11 · The whole period of the Peninsular and Continental wars with Napoleon.—Ed.Note 12 · 1837. 1816. —Who to the murmurs of an earthly stringNote 13 · Wellington.—Ed.Note 14 · 1837. 1816. . . . in the nightNote 15 · "Missed" italicised in 1837 and subsequent editions.Note 16 · "They" italicised in the editions from 1816 to 1832.Note 17 · 1837. 1816. To Him. . .Note 18 · 1816. c. . . . power eternal . . .Note 19 · 1837. 1816. Who sees, and feels,. . .Note 20 · The outcome of Napoleonic ambition.—Ed.Note 21 · 1837. While the old forest of civility 1816. Is doomed to perish, to the last fair tree. While the whole forest of civility 1827. Is doNote 22 · 1827. 1816. And the. . .Note 23 · "A discipline the rule whereof is passion" (Lord Brooke).—W. W. 1816.Note 24 · Compare the lines beginning O dearer far than light and life are dear, addressed to Mrs. Wordsworth in 1824.—Ed.Note 25 · 1816. c. From shore to shoreNote 26 · 1845. Land of our fathers! precious unto me Since the first joys of thinking infancy; When of thy gallant chivalry I read, And hugged theNote 27 · 1816 c. . . . reappears . . .Note 28 · Napoleon escaped from Elba in February 1815.—Ed.Note 29 · 1845. . . . . . . . torrents roar! But how can He be faithless to the past, Whose soul, intolerant of base decline, Saw in thy virtue a cNote 30 · The Allied Sovereigns declared against Napoleon, March 1815.—Ed.Note 31 · Wellington took the command in April 1815.—Ed.Note 32 · The words "exterminating sword" were italicised in 1816 only. In Lord Coleridge's copy the MS. reading "vindicating sword" is given.Note 33 · 1845. 1816. Upon the inward victories of each,Note 34 · 1816. c. Yet no one shall gainsayNote 35 · 1820. 1816. That Thou hast . . .Note 36 · 1820. 1816. . . . further . . .Note 37 · Napoleon's power being finally broken at Waterloo.—Ed.Note 38 · 1827. 1816. . . . spirit, . . .Note 39 · From Grasmere Church, over Rydal Mere.—Ed.Note 40 · 1837. 1816. . . . might wakeNote 41 · 1827. 1816. . . . point . . .Note 42 · 1837. 1816. Towards the . . .Note 43 · 1827. . . . incline his ear, 1816. Hallowing himself the service which they frame;—Note 44 · 1845. From all that man's performance could present, 1816. Stoops to that closing deed magnificent,Note 45 · 1845. 1816. . . . is satisfied.Note 46 · 1845. 1816. Whate'er your means, whatever help ye claim,Note 47 · 1837. 1816. . . . travelling faster than the shower,Note 48 · 1845. . . . to devour; But this appearance scattered extacy,— 1816. And heart-sick Europe blessed the healing power. . . . to devour, INote 49 · 1837. 1816. Such glad assurance suddenly went forth—Note 50 · Compare this description of the news of Waterloo spreading over the nations with the effect of the lady's laugh in To Joanna. See "Poems on Note 51 · See note A on preceding page.—Ed.Note 52 · 1837. 1816. How virtue triumphs, from her bondage freed!Note 53 · 1845. 1816. . . . conquered . . .Note 54 · London.—Ed.Note 55 · 1845. —Yet might it well become that City now, 1816. Into whose breast the tides of grandeur flow,Note 56 · 1820. 1816. . . . its . . .Note 57 · 1837. 1819. Upon . . .Note 58 · 1850. 1816. Bright be the distant fabric, . . . 1845. Bright be the peaceful Fabric, . . .Note 59 · 1827. 1816. . . . and time can trust. The next line was omitted in 1816.Note 60 · In Westminster Abbey.—Ed.Note 61 · Compare the Psalter, civ. 32.—Ed.Note 62 · 1845. 1816. . . . and for our errors,Note 63 · 1845. But thy most dreaded instrument, In working out a pure intent, Is Man—arrayed for mutual slaughter,— 1816. Yea, Carnage is thy dauNote 64 · 1837. 1816. And by thy just permission . . .Note 65 · Compare the Psalter, passim, e.g. xlvi., lxvi., cvi., and Shakespeare, Henry V. act IV. scene i.: "If these men have defeated the law and ouNote 66 · 1845. . . . to Thee— 1837. With fervent thoughts, but in a gentler strainNote 67 · The above six lines were added in 1837.Note 68 · 1845. . . . to Thee— 1816. On this appointed Day shall thanks ascend, . . . Humanity, 1837. On this appointed day shall thanks ascend,Note 69 · 1845. 1816. . . . further . . .Note 70 · The last four lines were added in 1845, but another version of the last two lines was written by Wordsworth in MS. on his edition of 1837— ANote 71 · The title which this Invocation to the Earth bore when first published in the Thanksgiving Ode, with other short pieces chiefly referring toNote 72 · Compare Hamlet, act I. scene V., l. 183— Rest, rest, perturbed spirit! Ed.Note 73 · 1837. 1816. To open . . .Note 74 · "The loss of human life, on the French side alone, in the wars consequent on the Revolution, was estimated (in 1815) to have been 4,556,000.Note 75 · The title of this Ode, when first published along with the Thanksgiving Ode, was Ode, composed in January 1816. In 1845 the date 1814 was giNote 76 · These lines were first inserted in the edition of 1827.—Ed.Note 77 · 1827. And Fancy in her airy bower kept watch, Free to exert some kindly influence; I saw—but little boots it that my verse A shadowy visiNote 78 · 1827. 1816. A landscape richer than the happiest skillNote 79 · 1827. 1816. Tower, town, and city—and suburban grove,Note 80 · 1832. . . . wild deer rove; And, in a clouded quarter of the sky, Through such a portal as with chearful eye The traveller greets in timeNote 81 · 1845 1816. . . . may be;Note 82 · 1827 A thrilling voice was heard, that vivified My patriotic heart;—aloud it cried, 1816. "I, the Guardian of this Land,Note 83 · 1837. 1816. "Days are come of festive beauty; 1827. Hence bright days of festive beauty;Note 84 · 1820. 1816. . . . . . . will yieldNote 85 · 1827. 1816. . . . of purest white,—Note 86 · 1827. 1816. . . . burst . . .Note 87 · 1827. 1816. . . . told their joys,—Note 88 · 1827. 1816. Looked . . .Note 89 · 1827. 1816. . . . seemed . . .Note 90 · 1837. Anon, I saw, beneath a dome of state, The feast dealt forth with bounty unconfined; And while the vaulted roof did emulate The starNote 91 · Compare Ode, Intimations of Immortality, etc., stanza ix.— But for those first affections, Ed. Those shadowy recollections.Note 92 · 1837. 1816. These . . .Note 93 · Haydon painted Wellington on the field of Waterloo. Compare the sonnet which Wordsworth wrote on that picture, in 1840, beginning— Ed. By ANote 94 · The allusion is to the picture of the battle of Marathon, on the walls of the Stoa Poecile, in Athens. Compare the Effusion, in presence of Note 95 · 1845. Graced with such gifts as Sculpture can bestow, When inspiration guides her patient toil; 1816. And let imperishable trophies grow Note 96 · In many places throughout Britain this was carried out. Statues to the memory of Wellington were erected in many towns, and buildings were nNote 97 · 1827. 1816. . . . records . . .Note 98 · 1845. Trophies on which the morning sun may shine, 1816. As changeful ages flow, Records on which the morning sun may shine, 1827. As cNote 99 · In many places throughout Britain this was carried out. Statues to the memory of Wellington were erected in many towns, and buildings were nNote 100 · The nine Muses, called the Pierides, from Pieria, near Olympus, where they were said to have been born, or first worshipped by the ThraciansNote 101 · 1816. c. . . . Ye muses long debarredNote 102 · 1816. . . . As mythic lore c. For not unwise belief proclaimed of yoreNote 103 · 1827. 1816. . . . consecrated stream and grove,Note 104 · Compare the first line of the Extract from the conclusion of a poem, composed in anticipation of leaving school (vol. i. p. 2)— . Ed. Dear Note 105 · Compare Schiller's Piccolomini, in S. T. Coleridge's version (act II. scene 4)— The intelligible forms of ancient poets, The fair humanitieNote 106 · 1845. . . . . . . and move, And exercise unblamed a generous sway,) 1816. Now, . . . . . . 1837. And exercise unblamed a god-like sway)Note 107 · 1837. 1816. . . . my soul's desires!Note 108 · 1845. 1816. That, having wrought . . .Note 109 · 1827. My soul in many a midnight vision bowed 1816. Before the meanings which her spear expressed;Note 110 · 1827. Seemed to bisect the orbit of her shield, 1816. Like to a long blue bar of solid cloudNote 111 · 1845. 1816. At evening stretched across the fiery West. 1827. Across the setting sun, and through the fiery west. 1837. Across the settNote 112 · 1827. . . . short-lived rest, 1816. Which, when they first received her, she had blest:Note 113 · 1827. 1816. . . . . . might'st . . .Note 114 · 1827. The original title was Composed in Recollection of the Expedition of the French into Russia. 1816. February 1816.Note 115 · 1820. Hath painted Winter like a shrunken, old, And close-wrapt Traveller—through the weary day— 1816. Propped on a staff, and limping o'Note 116 · 1820. The title in 1816 was Sonnet on the same occasion. February 1816.Note 117 · 1816. The title at first was February 1816.—Ed.Note 118 · 1837. . . . touch of that pure flame Which taught the offering of song to rise From thy lone bower, beneath Italian skies, Great FilicaiaNote 119 · 1837. 1816. . . . respired; . . .Note 120 · 1837. 1816. . . . —as in Earth and Heaven was sung—Note 121 · Ond' è ch' Io grido e griderò: giugnesti, Guerregiasti, e vincesti; Si, si, vincesti, o Campion forte e pio, Per Dio vincesti, e per te Note 122 · 1820. 1816. The full title in 1816 was Inscription for a national monument in commemoration of the Battle of Waterloo.Note 123 · 1837. 1816. The title in 1816 was Occasioned by the same battle, February 1816Note 124 · 1820. 1816. Like mountain-tops whence . . .Note 125 · "From all this world's encumbrance did himself assoil."—Spenser. W. W. 1816. In a MS. copy of the sonnet, Wordsworth wrote it thus: "In the Note 126 · 1837. 1816. And . . .Note 127 · 1837. Which the blest Angels, from their peaceful clime 1816. Beholding, welcomed with a choral shout.Note 128 · From the position of this sonnet in the edition of 1827, as well as from manifest internal evidence, it refers, like the two previous ones, Note 129 · 1832. 1827. Your Thrones, from duty, Princes! fear to swerve;Note 130 · The first line of the title was added in the edition of 1836, and continued afterwards.Note 131 · 1840. Even to this hour; yet at this hour they quake; And some their monstrous Idol shall forsake, If to the living truth was ever told 1Note 132 · To the edition of 1837, and subsequent ones, Wordsworth appended the following note:— This poem began with the following stanza, which has bNote 133 · 1820. ms. Vanish the dusky hill, . . .Note 134 · 1837. So pure, so bright, so fitted to embrace, ms. and 1820. Where'er he turn'd, a natural graceNote 135 · 1837. Nor less the homage that was seen to wait ms. and 1820. On Dion's virtues, when the lunar beamNote 136 · 1820. Softening his inbred dignity austere. If on thy path the world delight to gaze, Pride of the world—beware! for thou may'st live, LiNote 137 · 1820. ms. . . . joyful day!Note 138 · 1820. ms. . . . such as chance might yield,Note 139 · 1820. ms. . . . advanc'd . . .Note 140 · 1827. And, wheresoe'er the great Deliverer passed, Fruits were strewn before his eye, ms. and 1820. And flowers upon his person castNote 141 · 1827. 1820. . . . did . . .Note 142 · See, at the close of the poem (p. 122), several experimental renderings of this stanza, printed from MS.—Ed.Note 143 · 1820. ms. . . . wings . . .Note 144 · 1837. 1820. . . . to measure with delight; ms. . . . to gaze on with delight;Note 145 · 1820. 1837. Now hath he overleaped . . . The edition of 1840 returns to the text of 1820.Note 146 · 1820. . . . gallery's farthest bound, ms. A formidable shape . . .Note 147 · 1820. ms. Like winged Auster stooping low,Note 148 · 1827. 1820. Intrusive Presence!— . . .Note 149 · 1820. Sweeping—vehemently sweeping— Long gazed the chieftain—ere he spake—aloud— With even voice and stern composure wrought Into his broNote 150 · 1820. ms. . . . wretched . . .Note 151 · 1820. ms. Ill-fated Lord! O, there are . . . ms. Afflicted chief! . . .Note 152 · 1820. ms. Upon the basis of thy ruined name;Note 153 · 1820. . . . name; Away—for hark a rushing sound, ms. A conflict—and a groan profound!Note 154 · 1820. ms. O monstrous perfidy! . . .Note 155 · 1832. 1820. Shudder . . .Note 156 · 1820. ms. While . . .Note 157 · 1820. ms. To his inborn greatness . . .Note 158 · 1820. ms. Thus . . .Note 159 · That Wordsworth knew the Elgin marbles—where the half-recumbent Ilissus, a torso, is one of the finest pieces of the pediment—is certain. ThNote 160 · 1820. ms. . . . by the sea-side.Note 161 · 1820. ms. . . . haughtiest . . .Note 162 · 1840. Your Master's throne is set!"—Absurd decree! A mandate uttered to the foaming sea, ms. and 1820. Is to its motions less than wantonNote 163 · 1820. ms. Said to his Courtiers, Scanty is the reach,Note 164 · 1845. ms. and 1820. And Canute (truth . . . ms. And Canute, which is worthiest to be known, ms. . . . what . . . ms. And in the selfNote 165 · 1857. ms. and 1820. Contemptible and vain.Note 166 · 1820. . . . have taught The Sea, the prompter of his thought, ms. Such words as these methinks he might have spokenNote 167 · 1820. ms. Distressed but not down broken:Note 168 · 1837. ms. and 1820. . . . its . . .Note 169 · Compare Tennyson, In Memoriam, stanza xix.— There twice a day the Severn fills; The salt sea-water passes by, And hushes half the babblingNote 170 · 1820. ms. . . . entire content.Note 171 · The opening lines of Milton's Samson Agonistes. Compare also The Wanderings of Cain (canto ii. l. 1), by S. T. Coleridge: "A little farther,Note 172 · 1850. 1820. —O my Antigone, beloved child!Note 173 · Dora Wordsworth died in 1847, a loss which cast a gloom over her father's remaining years; and it is not without interest that in the last rNote 174 · Compare in the lines on Lucy, beginning, "Three years she grew in sun and shower" (vol. ii. p. 81)— She shall be sportive as the fawn That Note 175 · 1837. 1827. . . . torrent . . .Note 176 · Compare Paradise Lost, book ii. l. 409.—Ed.Note 177 · 1837. 1820. Though waves in every breeze . . .Note 178 · 1827. Re-open now thy everlasting gates, Thou Fane of Holy Writ! ye classic Domes, To these glad orbs from darksome bondage freed, UnfoldNote 179 · 1827. ms. and 1820. In the moment of dismay,Note 180 · 1832. 1820. While . . .Note 181 · 1845. ms. and 1820. —Take thy flight;—possess, inherit 1836. Now—take flight;—possess, inheritNote 182 · 1836. 1820. . . . the . . . ms. . . . thy . . .Note 183 · 1820. Or adopt the purple pinions Evening spreads throughout the west, And survey thy new dominions ms. In that bright reflection drest.Note 184 · 1832. 1820. . . . choral . . .Note 185 · 1820. ms. . . . sparkling vaultNote 186 · A mountain in Asia, dividing Armenia from Assyria, whence the river Tigris has its source. Satan, bowing low, . . . . . . Throws his steep
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