The Plays of W. E. Henley and R. L. Stevenson

Act 4 — ACT IV.

Reading edition

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All chapters and sections (133)

Opening pages

Front matter

Other sections

DEACON BRODIE OR THE DOUBLE LIFE A MELODRAMA IN FIVE ACTS AND EIGHT TABLEAUX

Acts

Act 1 · Scenes

1 2 3 4 5 6 7 8 9 1 2 3 4 1 2 3

Acts

Act 2 · Scenes

1 2 3 4 5 6 7 8 9 10

Acts

Act 3 · Scenes

1 2 3 4 1 2 3 4 5 6 7

Acts

Act 4 · Scenes

1 2 3 4

Acts

Act 5 · Scenes

1 2 3 4 5 6 7

Act 5 · Other sections

BEAU AUSTIN

Act 1 · Acts

Act 1 · Scenes

1 2 3 4

Act 2 · Acts

Act 2 · Scenes

1 2 3 4 5 6

Act 3 · Acts

Act 3 · Scenes

1 2 3 4 5 6 7 8

Act 4 · Acts

Act 4 · Scenes

1 2 3 4 5

Act 4 · Other sections

ADMIRAL GUINEA

Act 1 · Acts

Act 1 · Scenes

1 2 3 4 5 6 7 8

Act 2 · Acts

Act 2 · Scenes

1 2 3 4 5 6

Act 3 · Acts

Act 3 · Scenes

1 2 3 4 5 6

Act 4 · Acts

Act 4 · Scenes

1 2 3 4

Act 4 · Other sections

MACAIRE A MELODRAMATIC FARCE IN THREE ACTS

Act 1 · Acts

Act 1 · Scenes

1 2 3 4 5 6 7 8

Act 2 · Acts

Act 2 · Scenes

1 2 3 4 5 6

Act 3 · Scenes

1 2 3 4

Musical Induction: ‘Gavotte;’ ‘Iphigénie en Aulide.’

Gluck

The Stage represents the Pantiles: the alleys fronting the spectators in parallel lines. At the back, a stand of musicians, from which the ‘Gavotte’ is repeated on muted strings. The music continues nearly through Scene I. Visitors walking to and fro beneath the lines. A seat in front, L.