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The philosophical and mathematical commentaries of Proclus on the first book of Euclid's elements (Vol. 1 of 2)

CHAP. IX.

Thomas Taylor translation

Concerning the Design of the first Book,—its Division,—and a previous Admonition to the Reader.

But, after these considerations, when we have determined the design of the first book, and have exhibited its division, we shall enter upon the treatise of the definitions. The design, then, of this book, is to deliver the principles of the contemplation of right lines. For though a circle, and its consideration, is more excellent than the essence and knowledge of right lines, yet the doctrine concerning these is more adapted to us, who are hastening to transfer our cogitation from more imperfect and sensible natures, to such as are intelligible. For, indeed, right lined figures are proper to sensibles, but a circle to intelligibles. Because that which is simple, uniform, and definite, is proper to the nature of the things which are: but that which is various, and which increases indefinitely from the number of its containing sides, regards the fluctuating essence of sensible particulars. Hence, in this book, the first and most principal of right lined figures are delivered; I mean the triangle and parallelogram. For in these, as under their proper genus, the causes of the elements are contained: viz. the isosceles and scalene, and those which are formed from these, the equilateral triangle, and the quadrangle, from which the four figures of the elements are composed. We shall find, therefore, as well the origin of the equilateral triangle as of the quadrangle; of the last, indeed, upon, but of the first from a given right line. [[123]An equilateral triangle, therefore, is the proximate cause of the three elements, fire, air, and water: but a quadrangle is annexed to earth.] And lastly, the design of the first book is adapted to the whole treatise, and confers to the universal knowledge of the mundane elements. Besides, it instructs learners in the science concerning right-lined figures; since it rightly invents, and accurately collects, the first principles of these.

But this book is divided into three greatest parts, of which the first declares the origin and properties of triangles, as well according to angles, as also according to sides. Besides, it makes mutual comparisons of these, and beholds every one by itself. For receiving one triangle, sometimes it considers the angles from the sides; but sometimes the sides from the angles: and this according to equality and inequality. And supposing two triangles, it discovers the same property again, by various methods. But the second part combines the contemplation of parallelograms, describing their properties and generations. And the third part shews the communication of triangles and parallelograms, both in symptoms and mutual comparisons. For it shews that triangles and parallelograms constituted on the same and on equal bases, are affected with the same passions; and by complication, when both stand upon one base: and again, after what manner a parallelogram may be made equal to a triangle; and lastly, concerning the proportion which in right angled triangles, the square made from the side subtending, has to the squares containing the right angle. And such is the division of the first Book.

But, previous to our enquiry into each of these parts, we think it requisite to admonish the reader, that he must not require of us, those small assumptions, and cases, and whatever else there may be of that kind, which has been divulged by our predecessors. For we are satiated with these, and shall, therefore, but rarely adopt them in our discourse. But whatever has a more difficult contemplation, and regards universal philosophy, of this we shall make a particular relation: imitating the Pythagoreans, with whom this ænigma was common, “a[124] figure and a step: but not a figure and three oboli,” shewing by this, that it is requisite to pursue that philosophy which ascends every theorem by a step, and raises the soul on high; but does not suffer it to remain among sensibles, to fill up the use attendant on mortals, and, consulting for this, to neglect the elevation which rises from hence to an intelligible essence.

DEFINITIONS.

DEFINITION I.

A Point is that which has no Parts.

That geometry, according to the transition which takes place from things more composite to such as are more simple, runs from body, which is diffused into distance by three dimensions, to a superficies by which it is bounded; but from superficies to a line, the boundary of superficies; and from a line to a point destitute of all dimension, has been often said, and is perfectly manifest. But because these terms, in many places, on account of their simplicity, appear to be more excellent than the nature of composites; but in many, as when they subsist in things which they terminate, they are similar to accidents, it is necessary to determine in what genera of beings each of these may be beheld[125]. I say then, that such things as are destitute of matter, which subsist in separate reasons, and in those forms which are placed under themselves, are always allotted a subsistence of more simple essences, superior to the subsistence of such as are more composite. On this account, both in intellect, and in the ornaments, as well of the middle kind as among those peculiar to the soul, and in natures themselves, the terms which proximately vivify bodies, excel according to essence the things which are terminated; and are more impartible, more uniform, and more primary than these. For in immaterial forms, unity is more perfect than multitude; that which is impartible, than that which is endued with unbounded progression; and that which terminates, than that which receives bound from another. But such things as are indigent of matter, and abide in others, and degenerate from the perfection of their essence, which are scattered about subjects, and have an unnatural union, are allotted more composite reasons, prior to such as are more simple. Hence, things which appear in the phantasy invested with form, and the matter of the figures which the phantasy contains, and whatever in sensibles is generated by nature, have, in a preceding order, the reasons of the things terminated; but the reasons which terminate, in a following and adventitious rank[126].] For lest that which is distributed into three dimensions, should be extended into infinite magnitude, either according to intelligence or sense, it was every way terminated by superficies. And lest a plane superficies should conceal itself in an infinite progression, a line approaching opposed its diffusion, and gave bound to its indefinite extension. And, in like manner, a point limited the progressions of a line; composite natures deriving their subsistence from such as are simple. For this also is again manifest, that in separate forms the reasons of terms subsist in themselves, but not in those which are terminated; and abiding such as they are in reality, possess a power of constituting secondary natures. But, in inseparable forms they give themselves up to things which are terminated, reside in them, become, as it were, their parts, and are replenished with baser natures. On which account, that which is impartible is there endued with a partible essence, and that which is void of latitude is diffused into breadth. And terms are no longer able to preserve their simplicity and purity. For since they abide in another, they necessarily change their own nature into the matter of their containing subject. Matter, indeed, disturbs the perfection of these, and causes the reason of a plane to become a profound plane; but obscuring the one dimension of a line, causes it to be every way partible; and gives corporeity to the indivisibility of a point, and separates it together with the natures which it terminates. For all these reasons falling into matter, the one kind from cogitation into intelligible matter, but the other from nature into that which is sensible, are replenished with their containing subjects; and depart from their own simplicity, into foreign compositions and intervals. But here a doubt arises how all these, existing in intellect and soul in an impartible manner, and without any dimension, are distributed into matter, some indeed, principally, but others on account of its nature? Shall we say that there is a certain order in immaterial forms, so that some are allotted the first, some the middle, and others the last place; and that of forms some are more uniform, but that others are more multiplied; and that some have their powers collected together, but others tending into interval; and that some, again, border upon bound, but that others are proximate to infinity? For though all participate of these two principles, yet some originate from bound, but others from infinity, of which they more largely participate. Hence, a point is entirely impartible, since it subsists according to bound, yet it occultly contains an infinite power, by which it produces every interval, and the progression of all intervals, unfolds its infinite power. But body, and the reason of body, participates more of an infinite nature; on which account it is among the number of things terminated by another, and divisible in infinitum, according to all dimensions. But the mediums between these, according to the distance of the extremes, are either among the number of things which have an abundance of bound; or among such as have an affluence of infinity: on which account they both terminate and are terminated. For, indeed, so far as they consist from bound, they are able to terminate others; but so far as they participate of infinity, they are indigent of termination from others, Hence, since a point is also a bound, it preserves its proper power in participation: but since it likewise contains infinity occultly, and is compelled to be every where present with the natures which it terminates, it resides with them infinitely. And, because among immaterial forms there was a certain infinite power capable of producing things distant from each other by intervals, a point is present with its participants in capacity. For infinity in intelligibles is the primary cause and prolific power of the universe; but in material natures it is imperfect, and is alone all things in dormant capacity. And in short, those forms which, on account of their simplicity and impartibility, hold a superior rank among principles, preserve, indeed, (in conformity to their nature,) their own property in their participations, but become worse than more composite reasons. For matter is able to participate these more clearly, and to be prepared for their reception, rather than that of the most simple causes of beings. On which account, the vestigies of separate principles descend into matter; but the participations of those in a second and third order, become more conspicuous. Hence, matter participates more of the cause of body, than of a plane; and of this more than the form of a line; and of this still more than that of a point, which contains all these, and is the boundary of them all. For the reason of a point presides over this whole series, unites and contains all partible natures, terminates their progressions, produces them all by its infinite power, and comprehends them in its indivisible bound. On which account also, in the images of immaterial forms, some are the boundaries of others; but a point is the limit of them all. But that we must not think with the Stoics, that these boundaries of bodies alone subsist from cogitation; but that there are certain natures of this kind among beings, which previously contain the demiurgical reasons of things, we shall be enabled to remember, if we regard the whole world, the convolutions of its parts, the centres of those convolutions, and the axes which penetrate through the whole of these revolving circles. For the centres subsist in energy, since they contain the spheres, preserve them in their proper state, unite their intervals, and bind and establish to themselves the powers which they possess. But the axes themselves being in an immoveable position, evolve the spheres, give them a circular motion, and a revolution round their own abiding nature. And the poles of the spheres, which both terminate the axes, and bind in themselves the other convolutions, do they not perspicuously evince, that points are endued with demiurgical and capacious powers, that they are perfective of every thing distant by intervals, and are the sources of union, and an unceasing motion? From whence, indeed, Plato[127] also says, that they have an adamantine subsistence; shewing by this, the immutable, eternal, and stable power of their essence, ever preserving itself in the same uniform mode of existence. He adds too, that the whole spindle of the Fates, is turned about these, and leaps round their coercive union. But other more recondite and abstruse discourses affirm, that the demiurgus presides over the world, seated in the poles, and, by his divine love, converting the universe to himself. But the Pythagoreans thought that the pole should be called the Seal of Rhea[128]; because the zoogonic, or vivific goddess, pours through these into the universe, an inexplicable and efficacious power. And the centre they called the prison of Jupiter; because, since Jupiter has placed a demiurgical guard in the bosom of the world, he has firmly established it in the midst. For, indeed, the centre abiding, the universe possesses its immoveable ornament, and unceasing convolution: and the gods who preside over the poles, obtain a power collective of divisible natures, and unific of such as are multiplied: and those who are allotted the government of the axes, restrain and eternally evolve their perpetual convolutions. And, if it is lawful to offer our own opinion on this subject, the centres and poles of all the spheres are the symbols of the conciliating gods, shadowing forth their imperceptible and unifying composition. But the axes express the coherencies of the universal ornaments; and are endued with a power of comprehending the mundane integrities and periods, in the same manner as their presiding deities, of such as are intellectual. But the spheres themselves are images of the gods, called perfectors of works, copulating the principle with the end, and excelling all figures in simplicity, similitude, and perfection. But we have been thus prolix, that we might evince the power of impartibles, and of the terms which the world contains, and that so far as they bear an image of primary and most principal causes, they are allotted the most excellent order in the universe. For centres and poles are not of the same kind with things which are terminated; but they subsist in energy, and possess an essence, and perfect power, which pervades through all partible natures. But many beholding those terms which imperfectly subsist in terminated essences, consider them as endued with a slender subsistence; and some indeed say, that they are alone separated from sensibles by thought; but others, that they have an essence no where but in our thoughts. However, since the forms of all these are found both in the nature of intellect, in the ornaments of soul, in the nature of things, and in inferior bodies, let us consider how, according to the order they contain, they subsist in the genera of beings. And indeed, all of them pre-exist in intellect, but in an impartible and uniform manner: so that they all subsist according to one form, the reason of a point, which exists occultly and impartibly. But they all subsist in soul according to the form of a line: on which account Timæus also composes the soul from right and circular lines: for every circle is a line alone[129]. But they all subsist in natures, according to the reason of a plane; and on this account, Plato commands us to manifest those natural reasons, which are endued with a power of constituting bodies by a plane. And the resolution of bodies into planes leads us to the proximate cause of appearances. Lastly, they all subsist in bodies, but in a corporeal manner; since all forms have their being in these, according to the partible nature of bodies. Hence, all of them appear every where, and each according to its proper order; and diversity arises from pre-dominating power. The point, indeed, is every where impartible, and when that which is divisible into parts, excels according to the diminution of beings, it vindicates to itself, an illustrious subsistence of partible natures. And sometimes the point is entirely superior, according to the excellence of cause; but sometimes it is connected with divisibles, and sometimes it is allotted in them an adventitious existence; and, as if swallowed up by the partition of the lowest natures, loses its own proper impartibility. As, therefore, with respect to the monad, one[130] is the mother of number, but the other is as matter spread under, and the receptacle of numbers; and each of them a principle, (yet neither of them is number), but in a different respect: in the same manner a point also, is partly the parent and author of magnitudes; but is partly a principle in another respect, and not according to a generative cause. But is a point, then, the only impartible? Or may we affirm this of the now in time, and of unity in numbers? Shall we not say, that to the philosopher, indeed, discoursing concerning the universality of things, it is proper to behold every thing, however falling under distribution; but that to him who is endued with the science of particulars, who produces his contemplation from certain definite principles, and runs back even to these, but very little scrutinizes the progressions of beings, it is requisite to attempt, consider, and treat concerning that impartible nature alone, which regards his first principles; and to behold that simplicity which presides over all the particular subjects of his knowledge? In consequence of this reasoning, therefore, a point alone, according to the geometric matter, is destitute of partition; but unity according to that which is arithmetical. And the reason of a point, however in some other respects it may be imperfect, yet is perfect in the present science. For, indeed, the physician also says, that the elements of bodies are fire and water, and things similar to these; and as far as to these the resolution of bodies proceeds. But the natural philosopher passes on to more simple elements; and the one defines an element simple as to sense, but the other simple as to reason; and both of them properly as to their peculiar science. We must not, therefore, think that the definition of a point is faulty, nor determine it as imperfect; for so far as pertains to the geometric matter, and its principles, it is sufficiently delivered. This alone, indeed, is wanting to its completion, that the definition does not clearly say, that which is impartible with me is a point; and my principle, and that which I contain as most simple, is nothing else than this. And after this manner it is proper to hear the geometrician addressing us. Euclid, therefore, from a negation of parts, declares to us a principle, leading to the theory of its whole subject nature. For negative discourses are proper to principles, as Parmenides teaches us, who delivers the doctrine concerning the first and last cause, by negations alone. Since every principle consists of an essence different from its flowing consequents; and the negations of these exhibit to us the property of their source. For that it is, indeed, the cause of these, yet at the same time has nothing in common with these, becomes perspicuous from a doctrine of this kind. But here a doubt may arise, how, since the phantasy receives all things invested with forms, and in a partible manner, the geometrician beholds in it the point destitute of parts? For it is not because they are reasons existing in cogitation, but the phantasy receives the resemblances of intellectual and divine forms according to its own proper nature, exhibiting in its shadowy bosom the forms of formless natures, and clothing with figure things entirely free from the affections of figure. To this ambiguity we must say, that the species of imaginative motion is neither alone partible, nor impartible; but that it proceeds from the impartible to the partible, and from the formless nature to that which is expressed by form. For if it was partible alone, it could not preserve in itself many impressions of forms, since the subsequent would obscure the pre-existent figures: for no body can contain at once, and according to the same situation, a multitude of figures; but the former will be blotted out by the succession of the latter. But if it was alone impartible, it would not be inferior to cogitation, and to soul, which surveys all things in an impartible manner. Hence, it is necessary that it should indeed begin from an impartible according to its motion, and from thence draw forth the folded and scattered form of every thing falling under cogitation, and penetrating to its shadowy receptacle: but, that it should at length end in form, figure, and interval. And if it be allotted a nature of this kind, it will, after a certain manner, contain an impartible essence: and a point, according to this, must be said to have its principal subsistence: for the form of a line is contracted in the phantasy according to this. Hence, because it possesses a twofold power, impartible and partible, it will indeed contain a point in an impartible, and intervals in a partible manner. But as the Pythagoreans define a point to be unity having position, let us consider what they mean. That numbers, indeed, are more immaterial and more pure than magnitudes, and that the principle of numbers is more simple than the principle of magnitudes, is manifest to every one: but when they say that a point is unity endued with position, they appear to me to evince that unity and number subsist in opinion: I mean monadic number[131]. On which account, every number, as the pentad and the heptad, is one in every soul, and not many; and they are destitute of figure and adventitious form. But a point openly presents itself in the phantasy, subsists, as it were, in place, and is material according to intelligible matter. Unity, therefore, has no position, so far as it is immaterial, and free from all interval and place: but a point has position, so far as it appears seated in the bosom of the phantasy, and has a material subsistence. But unity is still more simple than a point, on account of the community of principles. Since a point exceeds unity according to position; but appositions in incorporeals produce diminutions of those natures, by which the appositions are received.

DEFINITION II.

A Line is a Length without Breadth.

A Line obtains the second place in the Definitions, as it is by far the first and most simple interval, which the geometrician calls a length, adding also without breadth; since a line, in respect of a superficies, ranks as a principle. For he defines a point, as it is the principle of all magnitudes, by negation alone; but a line, as well by affirmation as by negation. Hence it is a length, and by this exceeds the impartibility of a point; but it is without breadth, because it is separated from other dimensions. For, indeed, every thing which is void of breadth, is also destitute of bulk, but the contrary is not true, that every thing void of bulk is also destitute of breadth. Since, therefore, he has removed breadth from a line, he has also removed at the same time bulk. On which account he does not add, that a line also has no thickness, because this property is consequent to the notion of being without breadth. But it is defined by others in various ways: for some call it the flux of a point, but others a magnitude contained by one interval. And this definition, indeed; is perfect, and sufficiently explains the essence of a line; but that which calls it the flux of a point, appears to manifest its nature from its producing cause; and does not express every line, but alone that which is immaterial. For this is produced by a point, which though impartible itself, is the cause of being to partible natures. But the flux of a point, shews its progression and prolific power, approaching to every interval, receiving no detriment, perpetually abiding the same, and affording essence to all partible magnitudes. However, these observations are known, and manifest to every one. But we shall recall into our memory, discourses more Pythagorical, which determine a point as analogous to unity, a line to the duad, a superficies to the triad, and body to the tetrad. [[132]Yet when we compare those which receive interval together, we shall find a line monadic; but a superficies dyadic, and a solid body triadic.] From whence also, Aristotle[133] says; that body is perfected by the ternary number. And, indeed, this is not wonderful, that a point, on account of its impartibility, should be assimilated to unity; but that things subsequent to a point, should subsist according to numbers proceeding from unity, and should preserve the same proportion to a point, as numbers to unity; and that every one should participate of its proximate superior, and have the same proportion to its kindred, and following degree, as the superior to this, which is the immediate consequent. [[134]For example, that a line has the order of the duad with respect to the point, but of unity to a superficies; and that this last has the relation of a triad to the point, but of the duad to a solid.] And on this account, body is tetradic, with respect to a point, but triadic as to a line. Each order, therefore, has its proportion; but the order of the Pythagoreans is the more principal, which receives its commencement from an exalted source, and follows the nature of beings. For a point is indeed twofold; since it either subsists by itself, or in a line; in which last respect also, since as a boundary it is alone and one, neither having a whole nor parts, it imitates the supreme nature of beings. On which account too, it was placed in a correspondent proportion to unity. [135]For as the oracle says, Unity is there first, where the paternal unity abides. But a line is the first endued with parts and a whole, and it is monadic because it is distant by one interval only; and dyadic on account of its progression: for if it be infinite, it participates of the indefinite duad; but if finite, it requires two terms, from whence and to what place; since, on account of these it imitates totality, and is allotted an order among totals. For unity, according to the oracle, is extended[136], and generates two; and this produces a progression into longitude, together with that which is distant extendedly, and with one interval, and the matter of the duad. But superficies, since it is both a triad and duad, as also the receptacle of the primary figures, and that which receives the first form and species, is in a certain respect similar to the triadic nature, which first terminates beings; and to the duad, by which they are divided and dispersed. But a solid, since it has a triple distance, and is distinguished by the tetrad, which is endued with a power of comprehending all reasons, is reduced to that order in which the distinction of corporeal ornaments appears; as also the division of the universe into three parts, together with the tetradic property, which is generative and female. And these observations, indeed, might be more largely discussed, but for the present, must be omitted. Again, the discourse of the Pythagoreans, not undeservedly, calls a line, which is the second in order, and is constituted according to the first motion from an impartible nature, dyadic. And that a point is posterior to unity, a line to the duad, and a superficies to the triad, Parmenides himself shews, by first of all taking away multitude from one by negation, and afterwards the whole. Because, if multitude is before that which is a whole, number also will be prior to that which is continuous, and the duad to the line, and unity to the point: since the epithet not many, belongs to unity which generates multitude, but to the point, the term not a whole, is proper, because it produces a whole; for this is said to have no part. And these things are affirmed of a line, while we more accurately contemplate its nature. But we should also admit the followers of Apollonius, who say, that we obtain a notion of a line, when we are ordered to measure the lengths alone, either of ways or walls; for we do not then subjoin either breadth or bulk, but only make one distance the object of our consideration. In the same manner we perceive superficies, when we measure fields; and a solid, when we take the dimensions of wells. For then, collecting all the distances together, we say, that the space of the well is so much, according to length, breadth, and depth. But a line may become the object of our sensation, if we behold the divisions of lucid places from those which are dark, and survey the moon when dichotomized: for this medium has no distance with respect to latitude; but is endued with longitude, which is extended together with the light and shadow.

DEFINITION III.

But the Extremities of a Line are Points.

Every composite receives its bound from that which is simple, and every thing partible from that which is impartible; and the images of these openly present themselves in mathematical principles. For when it is said that a line is terminated by points, it seems manifestly to make it of itself infinite, because, on account of its proper progression, it has no extremity. As, therefore, the duad is terminated by unity, and reduces its own intolerable boldness under bound, when it is restrained in its comprehensive embrace: so a line also is limited by the points which it contains. For, since it is similar to the duad, it participates of a point having the relation of unity, according to the nature of the duad. Indeed, in imaginative, as well as in sensible forms, the points themselves terminate the lines in which they reside. But in immaterial forms, the reason of the impartible point pre-exists separate and apart; but when proceeding from thence by far the first of all, by determining itself with interval, moving itself, and flowing in infinite progression, and imitating the indefinite duad, it is restrained indeed, by its proper principle, is united by its power, and on every side seized by its coercive bound. Hence it is, at the same time, both infinite and finite: infinite, indeed, according to its progression; but finite according to its participation of a terminating cause. So that, when it approaches to this cause, it is detained in its comprehension, and is terminated according to its union. Hence too, in the images of incorporeal forms, a point is said to terminate a line, by occupying its beginning and end. Bound, therefore, in immaterials, is separated from that which is bounded: but here it is twofold; for it subsists in that which is terminated. And this affords a wonderful symptom, that forms; indeed, abiding in themselves, precede their participants according to cause; but when giving themselves up to their subordinate natures, subsist according to their diversified properties: since they are multiplied and distributed together with these, and receive the division of their subjects. Besides, this also must be previously received concerning a line, that our geometrician uses it in a threefold acceptation. As terminated on both sides, and finite; as in the problem[137] which says, Upon a given terminated right line to construct an equilateral triangle. And as partly infinite and partly finite; as in the problem which commands us from three right lines, which are equal to three given right lines, to construct a triangle; for in the construction of the problem, he says, Let there be placed a certain right line, on one part finite, but on the other part infinite. And again, a line is received by Euclid as on both sides infinite; as in the problem which says, Upon a given infinite right line, from a given point, which is not in that line, to let fall a perpendicular. But, besides this, the following doubts, since they are worthy of solution, must not be omitted. How are points called the extremities of a line? and of what line, since they can neither be the bounds of one that is infinite, nor of every finite? For there is a certain line, which is both finite, and has not points for its extremities. And such is a circular line, which returns into itself, and is not bounded by points, like a right line. And such also is the ellipsis, or line like a shield. Is it therefore requisite to behold a line, considered as a line? for we must receive a certain circumference, which is terminated by points, and a part of the elliptic line; having, in like manner, its extremities bounded by points. But every circular and elliptic line, assumes to itself another certain property, by which it is not line alone, but is also endued with a power of perfecting figure[138]. Lines, themselves, therefore, have their extremities terminated by points; but those which are effective of such like figures, return into themselves. And, indeed, if you conceive them to be described, you will also find how they are bounded by points; but if you receive them already described, and connect the end with the beginning, you can no longer behold their extremes.

DEFINITION IV.

A Right Line, is that which is equally situated between its bounding Points.

Plato establishing two most simple and principal species of lines, the right and the circular, composes all the rest from the mixture of these; I mean such as are called curve lines, some of which are formed from planes; but others subsist about solids; and whatever species of curve lines are produced by the sections of solids. And it seems, indeed, that a point (if it be lawful so to speak) bears an image of the one itself, according to Plato: for unity has no part, as he also shews in the Parmenides. But, because after unity itself there are three hypostases, or substances, bound, infinite, and that which is mixed from these, the species of lines, angles, and figures, which subsist in the nature of things originate from thence. And, indeed, a circumference and a circular angle, and a circle among plane figures, and a sphere among solids, are analogous to bound. But a right line corresponds to infinity, according to all these; for it properly belongs to all, if it is beheld as existing in each. But that which is mixed in all these, is analogous to the mixt which subsists among intelligibles. For lines are mixed, as those which are called spirals. And angles, as the semi-circular and cornicular[139]. And plane figures, as segments and apsides; but solids, as cones and cylinders, and others of that kind. Bound, therefore, infinite, and that which is mixed, are participated by all these. But Aristotle[140] likewise assents to Plato; for every species of lines, says he, is either right or circular, or mixed from these two. From whence also there are three motions, one according to a right line; the other circular; and the third mixed. But some oppose this division, and say that there are not two simple lines alone, but that there is a certain third line given, i. e. a helix or spiral, which is described about a cylinder[141], when, whilst a right line is moved round the superficies of the cylinder, a point in the line is carried along with an equal celerity. For by this means, a helix, or circumvolute line, is produced, which adapts all the parts of itself to all, according to a similitude of parts, as Apollonius shews in his book concerning the Cochlea; which passion, among all spirals, agrees to this alone. For the parts of a plane helix are dissimilar among themselves; as also of those which are described about a cone and sphere. But the cylindric spiral alone, consists of similar parts in the same manner as a right and circular line. Are there, then, three simple lines, and not two only? To which doubt we reply, that a helix of this kind is, indeed, of similar parts, as Apollonius teaches, but is by no means simple; since among natural productions, gold and silver are composed of similar parts, but are not simple bodies. But the generation of the cylindric helix evinces that its mixture is from things simple; for it originates while a right line is circularly moved round the axis of the cylinder, a point at the same time flowing along in the right line. Two simple motions, therefore, compose its nature; and, on this account, it is among the number of mixt lines, and not among such as are simple: for that which is composed from dissimilars is not simple, but mixt. Hence, Geminus, with great propriety, when he admits that some simple lines may be produced from many motions, does not grant that every such line is mixt; but that alone, which arises from dissimilar motions. For if you conceive a square, and two motions which are performed with an equal celerity, one according to the length, but the other according to the breadth, a right line or the diameter will be produced; but the right line will not, on this account, be mixed: for no other line precedes it, formed by a simple motion, as we asserted of the cylindric helix. Nor yet, if you suppose a right line, moving in a right angle, and by a bisection to describe a circle[142], is the circular line, on this account, produced with mixture: for the extremities of that which is moved after this manner, since they are equally moved, will describe a right line; and the bisection, since it is unequally devolved, will delineate a circle; but the other points will describe an ellipsis. On which account, the generation of a circular line is the consequence of that inequality of lation arising from the bisection; because a right line was supposed to be moved in a right angle, but not in a natural manner. And thus much concerning the generation of lines. But it seems, that of the two simple lines, the right and the circular, the right line is the more simple; for in this, dissimilitude cannot be conceived, even in opinion. But in the circular line, the concave and the convex, indicate dissimilitude. And a right line, indeed, does not infer a circumference according to thought; but a circumference brings with it a right line, though not according to its generation, yet with respect to its centre. But what if it should be said that a circumference requires a right line to its construction! For if either extreme of a right line remains fixt, but the other is moved, it will doubtless describe a circle, whose centre will be the abiding extreme of the right line. Shall we say that the generator of the circle is the point which is carried about the abiding point, but not the right line itself? For the line only determines the distance, but the point composes the circular line, while it is moved in a circular manner: but of this enough. Again, a circumference appears to be proximate to bound, and to have the same proportion to other lines, as bound to the universality of things. For it is finite, and is alone among simple lines perfective of figure. But a right line is proximate to infinity; for its capacity of infinite extension never fails: and as all the rest are produced from bound and infinite, in the same manner from the circular and right line, every mixt genus of lines is composed, as well of planes as of those which consist in solid bodies. And on this account, the soul also[143] previously assumed into herself the right and circular according to her essence, that she might moderate all the co-ordination of infinite, and all the nature of bound, which the world contains. By a right line, indeed, constituting the progression of these principles into the universe; but by a circular line, their return to their original source: and by the one, producing all things into multitude; but by the other, collecting them into one. And not only the soul, but he also who produced the soul, and endued her with these powers, contains in himself both these primary causes. For when he previously assumed the beginning, middle, and end of all things, he terminated right lines (says Plato[144]), by a circular progression according to nature. And proceeding to all things by provident energies, and returning to himself, he established himself, says Timæus, after his own peculiar manner. But a right line is the mark or symbol of a providence, indeclinable, incapable of perversion, immaculate, never-failing, omnipotent, and present to all beings, and to every part of the universe. But a circumference, and that which environs, is the symbol of an energy retiring into union with itself, and which rules over all things according to one intellectual bound. When, therefore, the demiurgus of the universe had established in himself these two principles, the right and the circular line, and had given them dominion, he produced from himself two unities; the one, indeed, energizing according to the circular line, and being effective of intellectual essences; but the other according to the right line, and affording an origin to sensible natures. But because the soul is allotted a middle situation between intellectuals and sensibles, so far, indeed, as she adheres to an intellectual nature, she energizes according to the circle; but so far as she presides over sensibles, she provides for their welfare according to the right line: and thus much concerning the similitude of these forms to the universality of things. But Euclid, indeed, has properly delivered the present definition of a line; by which he shews that a right line alone occupies a space equal to that which is situated between its points: for as much as is the distance of one point from another, so great is the magnitude of the lines terminated by the points. And this is the meaning of being equally situated between its extremes. For if you take two points in a circumference, or in any other certain line, the space of line which is included between these, exceeds their distance from each other; and every line, besides a right one, appears to suffer this property. Hence, according to a common conception, the vulgar also say, that he who walks by a right line, performs only a necessary journey: but that they necessarily wander much, who do not proceed in a right line. But Plato thus defines it; a right line is that whose middle parts darken its extremes. For this passion necessarily attends things which have a direct position; but it is not necessary that things situated in the circumference of a circle, or in another interval, should be endued with this property. Hence, the astrologers also say, that the sun then suffers an eclipse when that luminary, the moon, and our eye are in one right line; for it is then darkened through the middle position of the moon between us and its orb. And perhaps, the passion of a right line will evince, that in the things which are, according to processions emanating from causes, the mediums are endued with a power of dividing the distance of the extremes, and their mutual communication with each other. As also, according to regressions, such things as are distant from the extremes, are converted by mediums to their primary causes. But Archimedes defines a right line the least of things having the same bounds. For since, according to Euclid, a right line is equally situated between its points, it is on this account, the least of things having the same bounds: for if a less line could be given, it would not lie equally between its extremes: but all the other definitions of a right line, fall into the same conclusions; as for instance, that it is constituted in its extremities, and that one part of it is not in its subject plane, but another, in one more sublime: and that all its parts similarly agree to all: and that its extremes abiding, it also abides. Lastly, that it does not perfect figure, with one line similar in species to itself: for all these definitions express the property of a right line, which it possesses from the simplicity of its essence, and from its having one progression the shortest of all from one extremity to another. And thus much concerning the definitions of a right line. But again, Geminus divides a line first into an incomposite and composite; calling a composite, that which is refracted, and forms an angle; but all the rest of them, he denominates incomposites. Afterwards, he divides a composite line into that which produces figure, and that which may be infinitely extended. And he calls that which produces figure, a circular line, and the line of a shield[145], and that which is similar to an ivy leaf[146]; but that which is not effective of figure, the section of a rectangular and obtuse angular cone, the line similar to a shell[147], the right line, and all of that kind. And again, after another manner, of the incomposite line, one sort is simple, but the other mixt. And of the simple, one produces figure, as the circular; but the other is indefinite, as the right line. But of the mixt, one subsists in planes, but the other in solids. And of that which is in planes, one coincides in itself, as the figure of the ivy leaf, which is called the cissoid; but the other may be produced in infinitum, as the helix. But of that which is in solids, one may be considered in the sections of solids; but the other as consisting about the solids themselves. For the helix, indeed, which is described about a sphere or a cone, consists about solids; but conic, or spirical sections are generated from a particular section of solids. But, with respect to these sections, the conic were invented by Mænechmus, which also Eratosthenes relating, says,

“Nor in a cone Mænechmian ternaries divide.”

But the spiric by Perseus, who composed an epigram on their invention, to this purpose, “When Perseus had invented three spiral lines in five sections, he sacrificed to the gods on the occasion.” And the three sections of a cone, are the parabola, hyperbola, and ellipsis: but of spiral sections, one kind is twisted and involved, like the fetlock of a horse; but another is dilated in the middle, and deficient in each extremity: and another which is oblong, has less space in the middle, but is dilated on each side. But the multitude of the other mixt lines is infinite. For there is an innumerable multitude of solid figures, from which there are constituted multiform sections. For a right line, while it is circularly moved[148], does not make a certain determinate superficies, nor yet conical, nor conchoidal lines, nor circumferences themselves. Hence, if these solids are multifariously cut, they will exhibit various species of lines. Lastly, of those lines which consist about solids, some are of similar parts, as the helixes about a cylinder; but others of dissimilar parts, as all the rest. From these divisions, therefore, we may collect, that there are only three lines of similar parts, the right, the circular, and the cylindric helix. The two simple ones, indeed, existing in a plane, but the one mixt, about a solid. And this Geminus evidently demonstrates, when he shews, that if two right lines are extended from one point, to a line of similar parts, so as to make equal angles upon that line, they shall be equal to each other. And the demonstrations of this may be received by the studious, from his volumes; since in these he delivers the origin of spiral, conchoidal, and cissoidal lines. But we have barely related the names and divisions of these lines, for the purpose of exciting the ingenious to their investigation; as we think, that an accurate enquiry after the method of detecting the properties of each, would be superfluous in the present undertaking: since the geometrician only unfolds to us in this work, simple and primary lines, i.e. the right line, in the present definition; but a circular line, in the tradition of a circle. For he then says, that the line terminating the circle, is the circumference. But he makes no mention of mixt lines, though he was well acquainted with mixt angles, I mean, the semi-circular and cornicular: as also with plane mixt figures, i.e. segments and sectors; and with solids, viz. cones and cylinders. Of each of the rest, therefore, he delivers three species; but of lines only two, i. e. the right and circular: for he thought it requisite in discourses concerning things simple, to assume simple species; and all the rest are more composite than lines. Hence, in imitation of the geometrician, we also shall terminate their explanation with simple lines.

DEFINITION V.

A Superficies is that which has only Length and Breadth.

After a point and a line, a superficies is placed, which is distant by a twofold interval, length and breadth. But this also remaining destitute of thickness or bulk, possesses a nature more simple than body, which is distant by a triple dimension. On which account the geometrician adds to the two intervals the particle only, because the third interval does not exist in superficies. And this is equivalent to a negation of bulk, as here also he shews the excellency of superficies compared to a solid with respect to simplicity, by negation, or by an addition equivalent to negation: but the diminution which it possesses, if compared with the preceding terms, by the affirmations themselves. But others define a superficies to be the boundary of body, which is almost affirming the same as the definition of Euclid; since that which terminates is exceeded in one dimension, by that which is terminated. And others, a magnitude different by two intervals. Lastly, others declaring the same affection, form its assignation in a somewhat different manner. But they say we have a knowledge of superficies when we measure fields, and distinguish their extremities according to length and breadth; but that we receive a certain sensation of it, when we behold shadows. For as they are without bulk, because they cannot penetrate into the interior part of the earth, they have only length and breadth. But the Pythagoreans say, that it is assimilated to the triad; because the ternary is by far the first cause to all the figures; which a superficies contains. For a circle, which is the principle of orbicular figures, occultly possesses the ternary, by its centre, interval, and circumference. But a triangle, which ranks as the first among all right-lined figures, on every side evinces that it is enclosed by the triad, and receives its form from its perfect nature.

DEFINITION VI.

The Extremities of a Superficies are Lines.

From these also, as images, we may understand, that things more simple procure bound and an end to every one of their proximate natures: for soul perfects and determines the operations of nature; and nature the motion of bodies. And prior to these, intellect measures the convolutions of soul; and unity the life of intellect; for that is the measure of all. Just as in these also, a solid is terminated by a superficies; but a superficies by a line; and a line by a point; for that is the boundary of them all. Hence, the line existing uniformly in immaterial forms and impartible reasons, terminates and restrains the various motion of a superficies in its progression, and proximately unites its infinity. But in the images of these, when that which bounds supervenes that which is bounded, it causes, by this means, its limitation and bound. But if it should be enquired how lines are the extremities of every superficies, since they are not the extremes of every finite figure; for the superficies of a sphere is terminated indeed, yet not by lines, but by itself? In answer to this, we must say, that by receiving a superficies so far as it is distant by a twofold interval, we shall find it terminated by lines according to length and breadth. But if we behold a spherical superficies, we must receive it as that which is endued with figure; which possesses another quality, and conjoins the end with the beginning; and loses its two extremities in the comprehensive embraces of one: and this one extremity subsists in capacity only, and not in energy.

DEFINITION VII.

A Plane Superficies is that which is equally situated between its bounding Lines.

It was not agreeable to the ancient philosophers to establish a plane species of superficies; but they considered superficies in general, as the representative of magnitude, which is distant by a twofold interval. For thus the divine Plato[149] says, that geometry is contemplative of planes, opposing it in division to stereometry, as if a plane and a superficies were the same. And this was likewise the opinion of the demoniacal Aristotle[150]. But Euclid and his followers consider superficies as a genus, but a plane as its species, in the same manner as rectitude of a line. And on this account he defines a plane separate from a superficies, after the similitude of a right line. For he defines this last as equal to the space, placed between its points. And in like manner, he says, that two right lines being given, a plane superficies occupies a place equal to the space situated between those two lines. For this is equally situated between its lines; and others also explaining the same boundary, assert that it is constituted in its extremities. But others define it as that to all the parts of which a right line may be adapted[151]. But perhaps others will say, that it is the shortest of superficies, having the same boundaries; and that its middle parts darken its extremities; and that all the definitions of a right line may be transferred into a plane superficies, by only changing the genus: since a right, circular, and mixt line, commencing from lines, arrive even at solids, as we have asserted above; for they are proportionally, both in superficies and solids. Hence also, Parmenides says, that every figure is either right, or circular, or mixt. But if you wish to consider the right in superficies, take a plane, to which a right line agrees in various ways; but if a circular receive a spherical superficies; and if a mixt, a conic or cylindric, or some one of that genus. But it is requisite (says Geminus) since a line, and also a superficies is called mixt, to know the measure of mixture, because it is various. For mixture in lines, is neither by composition, nor by temperament only: since, indeed, a helix is mixed, yet one part of it is not straight, and another part circular, like those things which are mixed by composition: nor if a helix is cut after any manner, does it exhibit an image of things simple, such as those which are mixed through temperament; but in these the extremes are, at the same time, corrupted and confused. Hence, Theodorus the mathematician, does not rightly perceive, in thinking that this mixture is in lines. But mixture in superficies, is neither by composition, nor by confusion; but subsists rather by a certain temperament. For conceiving a circle in a subject plane, and a point on high, and producing a right line from the point to the circumference of the circle, the revolution of this line will produce a conical superficies which is mixt. And we again resolve it into its simple elements, by a parallel section: for by drawing a section between the vertex and the base, which shall cut the plane of the generative right line, we effect a circular line. But the idea of lines, shews that the mode of mixture is not by temperament; for neither does it send us back to the simple nature of elements: on the contrary, when superficies are cut, they immediately exhibit to us their producing lines. The mode of mixture, therefore, is not the same in lines and superficies. But as among lines there were some simple, that is, the right and circular, of which the vulgar also possess an anticipated knowledge without any previous instruction; but the species of mixt lines require a more artificial apprehension: so among superficies, we possess an innate notion of those which are especially elementary, the plane and spherical; but science and its reason investigates the variety of those which are composed through mixture. But this is an admirable property of superficies, that their mixture in generation is oftentimes produced from a circular line; and this also happens to a spiral superficies. For this is understood by the revolution of a circle remaining erect, and turning itself about the same point which is not its centre. And on this account, a spiral also is threefold; for its centre is either in a circumference, or within, or external to a circumference. If the centre is in the circumference, a continued spiral is produced: if within the circumference, an intangled one; if without, a divided one. And there are three spiral sections corresponding to these three differences. But every spiral line is mixt, although the motion from which it is produced is one and circular. And mixt superficies are produced as well from simple lines, (as we have said,) while they are moved with a motion of this kind, as from mixt lines. Since, therefore, there are three conic lines, they produce four mixt superficies, which they call conoids. For a rectangular conoid, is produced from the revolution of the parabola about its axis: but that which is formed by the ellipsis, is called a spheroid; and is the revolution is made about the greater axis, it is an oblong; but if about the lesser a broad spheroid. Lastly, an obtuse-angled conoid is generated from the revolution of the hyperbola. But it is requisite to know, that sometimes we arrive at the knowledge of superficies from lines, and sometimes the contrary; for from conical and spiral superficies, we apprehend conical and spiral lines. Besides, this also must be previously received concerning the difference of lines and superficies, that there are three lines of similar parts (as we have already observed), but only two superficies, the plane and the spherical. For this is not true of the cylindric, since all parts of the cylindric superficies cannot agree to all. And thus much concerning the differences of superficies, one of which the geometrician having chosen (I mean the plane), this also he has defined; and in this, as a subject, he contemplates figures, and their attendant passions: for his discourse is more copious in this than in other superficies: since, indeed, we may understand right lines, and circles, and helixes in a plane; also the sections of circles and right lines, contacts, and applications, and the constructions of angles of every kind. But in other superficies, all these cannot be beheld. For how in one that is spherical, can we apprehend a right line, or a right-lined angle? How, lastly, in a conic or cylindric superficies, can we behold sections of circles or right lines? Not undeservedly, therefore, does he both define this superficies, and discuss his geometrical concerns, by exhibiting every thing in this as in a subject; for from hence he calls the present treatise plane. And, after this manner, it is requisite to understand that which is plane, as projected and constituted before the eyes: but cogitation as describing all things in this, the phantasy corresponding to a plane mirror, and the reasons resident in cogitation as dropping their images[152] into its shadowy receptacle.

DEFINITION VIII.

[153]A Plane Angle, is the inclination of two Lines to each other in a Plane, which meet together, but are not in the same direction.

Some of the ancient philosophers, placing an angle in the predicament of relation, have said, that it is the mutual inclination of lines or planes to each other. But others, including this in quality, as well as rectitude and obliquity, say, that it is a certain passion of a superficies or a solid. And others, referring it to quantity, confess that it is superficies or a solid. For the angle which subsists in superficies is divided by a line; but that which is in solids, by a superficies. But (say they) that which is divided by these, is no other than magnitude, and this is not linear, since a line is divided by a point; and therefore it follows that it must be either a superficies or a solid. But if it is magnitude, and all finite magnitudes of the same kind have a mutual proportion; all angles of the same kind, i. e. which subsist in superficies, will have a mutual proportion. And hence, the cornicular will be proportionable to a right-lined angle. But things which have a mutual proportion, may, by multiplication, exceed each other; and therefore it may be possible for the cornicular to exceed a right-lined angle, which, it is well known, is impossible, since it is shewn to be less than every right-lined angle. But if it is quality alone, like heat and cold, how is it divisible into equal parts? For equality, inequality, and divisibility, are not less resident in angles than in magnitudes; but they are, in like manner, essential. But if the things in which these are essentially inherent, are quantities, and not qualities, it is manifest that angles also are not qualities. Since the more and the less are the proper passions of quality[154], but not equal and unequal. On this hypothesis, therefore, angles ought not to be called unequal, and this greater, but the other less; but they ought to be denominated dissimilars, and one more an angle, but the other less. But that these appellations are foreign from the essence of mathematical concerns, is obvious to every one: for every angle receives the same definition, nor is this more an angle, but that less. Thirdly, if an angle is inclination, and belongs to the category of relation, it must follow, that from the existence of one inclination, there will also be one angle, and not more than one. For if it is nothing else than the relation of lines or planes, how is it possible there can be one relation of lines or planes, but many angles? If, therefore, we conceive a cone cut by a triangle from the vertex to the base, we shall behold one inclination of the triangular lines in the semicone to the vertex; but two distinct angles: one of which is plane, I mean that of the triangle; but the other subsists in the mixt superficies of the cone, and both are comprehended by the two triangular lines. The relation, therefore, of these, do not make the angle. Again, if is necessary to call an angle either quality or quantity, or relation; for figures, indeed, are qualities, but their mutual proportions belong to relation. It is necessary, therefore, that an angle should be reduced under one of these three genera. Such doubts, then, arising concerning an angle, and Euclid calling it inclination, but Apollonius the collection of a superficies, or a solid in one point, under a refracted line or superficies (for he seems to define every angle universally), we shall affirm, agreeable to the sentiments of our preceptor Syrianus, that an angle is of itself none of the aforesaid; but is constituted from the concurrence of them all. And that, on this account, a doubt arises among those who regard one category alone. But this is not peculiar to an angle, but is likewise the property of a triangle. For this, too, participates of quantity, and is called equal and unequal; because it has to quantity the proportion of matter. But quality also, is present with this, in consequence of its figure (since triangles are called as well similar as equal); but it possesses this from one category, and that from another. Hence, an angle is perfectly indigent of quantity, the subject of magnitude. But it is also indigent of quality, by which it possesses, as it were, its proper form and figure, Lastly, it is indigent of the relation of lines terminating, or of superficies comprehending its form. So that an angle consists from all these, yet is not any one of them in particular. And it is indeed divisible, and capable of receiving equality and inequality, according to the quantity which it contains. But it is not compelled to admit the proportion of magnitudes of the same kind, since it has also a peculiar quantity, by which angles are also incapable of a comparison with each other. Nor can one inclination perfect one angle: since the quantity also, which is placed between the inclined lines, completes its essence. If then we regard these distinctions, we shall dissolve all absurdities, and discover that the property of an angle is not the collection of a superficies or solid, according to Apollonius (since these also complete its essence,) but that it is nothing else than a superficies itself, collected into one point, and comprehended by inclined lines, or by one line inclined to itself: and that a solid angle is the collection of superficies mutually inclined to each other. Hence, we shall find that a formed quantum, constituted in a certain relation, supplies its perfect definition. And thus much we have thought requisite to assert concerning the substance of angles, previously contemplating the common essence of every triangle, before we divide it into species. But since there are three opinions of an angle, Eudemus the Peripatetic, who composed a book concerning an angle, affirms that it is quality. For, considering the origin of an angle, he says that it is nothing else than the fraction of lines: because, if rectitude is quality, fraction also will be quality. And hence, since its generation is in quality, an angle will be entirely quality. But Euclid, and those who call it inclination, place it in the category of relation. But they call it quantity, who say that it is the first interval under a point, that is immediately subsisting after a point. In the number of which is Plutarch, who constrains Apollonius also into the same opinion. For it is requisite (says he) there should be some first interval, under the inclination of containing lines or superficies. But since the interval, which is under a point, is continuous, it is not possible that a first interval can be assumed; since every interval is divisible in infinitum. Besides, if we any how distinguish a first interval, and through it draw a right line, a triangle is produced, and not one angle. But Carpus Antiochenus says, that an angle is quantity, and is the distance of its comprehending lines, or superficies; and that this is distant by one interval, and yet an angle is not on that account a line: since it is not true that every thing which is distant by only one interval, is a line. But this surely is the most absurd of all, that there should be any magnitude except a line, which is distant only by one interval. And thus much concerning the nature of an angle. But with respect to the division of angles, some consist in superficies, but others in solids. And of those which are in superficies, some are in simple ones, but others in such as are mixt. For an angle may be produced in a cylindric, conic, spherical, and plane superficies. But of those which consist in simple superficies, some are constituted in the spherical; but others in the plane. For the zodiac itself forms angles, dividing the equinoctial in two parts, at the vertex of the cutting superficies. And angles of this kind subsist in a spherical superficies. But of those which are in planes, some are comprehended by simple lines, others by mixt ones; and others, again, by both. For in the shield-like figure[155], an angle is comprehended by the axis, and the line of the shield: but one of these lines is mixt, and the other simple. But if a circle cuts the shield, the angle will be comprehended by the circumference, and the ellipsis. And when cissoids, or lines similar to an ivy leaf, closing in one point like the leaves of ivy (from whence they derive their appellation) make an angle, such an angle is comprehended by mixt lines. Also, when the hippopede, or line familiar to the foot of a mare, which is one of the spirals, inclining to another line, forms an angle, it is comprehended by mixt lines. Lastly, the angles contained by a circumference and a right line, are comprehended by simple lines. But of these again, some are contained by such as are similar in species, but others by such as are dissimilar. For two circumferences, mutually cutting, or touching each other, produce angles: and these triple, for they are either on both sides convex, when the convexities of the circumferences are external: or on both sides concave, when both the concavities are external; which they call sistroides; or mixt from convex and concave lines, as the lines called lunulas. But besides this, angles are contained in a twofold manner, by a right line and a circumference: for they are either contained by a right line, and a concave circumference, as the semi-circular angle; or by a right line and a convex circumference, as the cornicular angle. But all those which are comprehended by two right lines, are called rectilinear angles, which have likewise a triple difference[156]. The geometrician, therefore, in the present hypothesis, defines all those angles which are constituted in plane superficies, and gives them the common name of a plane angle. And the genus of these he denominates inclination: but the place, the plane itself, for angles have position: but their origin such, that it is requisite there should be two lines at least, and not three as in a solid. And that these should touch each other, and by touching, must not lie in a right line, as an angle is the inclination and comprehension of lines: but is not distance only, according to one interval. But if we examine this definition, in the first place it appears that it does not admit, an angle can be perfected by one line; though a cissoid, which is but one, perfects an angle. And, in like manner, the hippopede. For we call the whole a cissoid, and not its portions (lest any one should say, that the conjunction of these forms an angle) and the whole a spiral, but not its parts. Each, therefore, since it is one, forms an angle to itself, and not to another. But after this, he is faulty, in defining an angle to be inclination. For how, on this hypothesis, will there be two angles, from one inclination? How can we call angles equal and unequal? And whatever else is usually objected against this opinion. Thirdly, and lastly, that part of the definition, which says, and not placed in a right line, is superfluous in certain angles, as in those which are formed from orbicular lines. For without the assistance of this part, the definition is perfect; since the inclination of one of the lines to the other, forms the angle. And it is not possible that orbicular angles should be placed in a right line. And thus much we have thought proper to say concerning the definition of Euclid; partly, indeed, interpreting, and partly doubting its truth.

DEFINITION IX.

But when the Lines containing the Angle, are right, the Angle is called Rectilinear.

An angle is the symbol and image of the connection and compression, which subsists in the divine genera, and of that order which collects divisibles into one, particles into an impartible nature, and the many into conciliating community. For it is the bond of a multitude of lines and superficies, the collector of magnitude into the impartibility of points, and the comprehender of every figure which is composed by its confining nature. On which account, the oracles[157] call the angular junctions of figures, knots, so far as they bring with them an image of connecting union, and divine conjunctions, by which discrete natures mutually cohere with each other. The angles, therefore, subsisting in superficies, express the more immaterial, simple, and perfect unions which superficies contain: but those which are in solids, represent the unions, which proceed even to inferiors, and supply a community to things disjunct, and a construction of the same nature, to things which on every side receive a perfect partition. But of the angles in superficies, some shadow forth primary and unmixt unions; but others, such as comprehend in themselves, an infinity of progressions. And some, indeed, are the sources of union to intellectual forms; but others, to sensible reasons; and others, again, are copulative of those forms which obtain between these, a middle situation. Hence, the angles which are made from circumferences, imitate those causes which envelop intellectual variety in coercive union; for circumferences, hastening to coalesce with each other, are images of intellect, and intellectual forms. On the contrary, rectilineal angles, are the symbols of those unions which preside over sensibles, and afford a conjunction of the reasons subsisting in these: but mixt angles represent the preservers of the communion, as well of sensible, as of intellectual forms, according to one immoveable union. It is requisite, therefore, by regarding these paradigms, or exemplars, to render the causes of each. For among the Pythagoreans we shall find various angles dedicated to various gods. Thus, Philolaus, consecrates to some a triangular, but to others a quadrangular angle; and to others, again, different angles. Likewise, he permits the same to many gods, and many to the same god, according to the different powers which they contain. And with a view to this, and to the demiurgic triangle, which is the primary cause of all the ornament of the elements, it appears to me, that Theodorus Asinæus the philosopher, constitutes some of the gods, according to sides; but others, according to angles. The first, indeed, supplying progression and power; but the second, the conjunction of the universe, and the collection of progressive natures again into one. But these, indeed, direct us to the knowledge of the things which are. And we must not wonder that lines are here said to contain an angle. For the one and impartible nature which is found in these, is adventitious: but in the gods themselves, and in true beings, the whole, and impartible good, precedes things many, and divided.

DEFINITION X.

When a Right Line standing on a Right Line, makes the successive Angles on each side equal to one another, each of the equal Angles, is a Right Angle; and the insisting Right Line, is called a Perpendicular to that upon which it stands.

DEFINITION XI.

An Obtuse Angle is that which is greater than a Right Angle.

DEFINITION XII.

But an Acute Angle, is that which is less than a Right Angle.

These are the triple species of angles, which Socrates speaks of in the Republic, and which are received by geometricians from hypothesis; a right-line constituting these angles, according to a division into species; I mean, the right, the obtuse, and the acute. The first of these being defined by equality, identity and similitude; but the others being composed through the nature of the greater and the lesser; and lastly, through inequality and diversity, and through the more and the less, indeterminately assumed. But many geometricians, are unable to render a reason of this division, and use the assertion, that there are three angles, as an hypothesis[158]. So that, when we interrogate them concerning its cause, they answer, this is not to be required of them as geometricians. However, the Pythagoreans, referring the solution of this triple distribution to principles, are not wanting in rendering the causes of this difference of right-lined angles. For, since one of the principles subsists according to bound, and is the cause of limitation, identity, and equality, and lastly, of the whole of a better co-ordination: but the other is of an infinite nature, and confers on its progeny, a progression to infinity, increase, and decrease, inequality, and diversity of every kind, and entirely presides over the worse series; hence, with great propriety, since the principles of a right-lined angle are constituted by these, the reason proceeding from bound, produces a right angle, one, with respect to the equality of every right angle, endued with similitude, always finite and determinate, ever abiding the same, and neither receiving increment nor decrease. But the reason proceeding from infinity, since it is the second in order, and of a dyadic nature, produces twofold angles about the right angle, distinguished by inequality, according to the nature of the greater and the lesser, and possessing an infinite motion, according to the more and the less, since the one becomes more or less obtuse; but the other more or less acute. Hence, in consequence of this reason, they ascribe right angles to the pure and immaculate gods of the divine ornaments, and divine powers which proceed into the universe, as the authors of the invariable providence of inferiors; for rectitude, and an inflexibility and immutability to subordinate natures accords with these gods: but they affirm, that the obtuse and acute angles should be ascribed to the gods, who afford progression, and motion, and a variety of powers. Since obtuseness is the image of an expanded progression of forms; but acuteness possesses a similitude to the cause dividing and moving the universe. But likewise, among the things which are, rectitude is, indeed, similar to essence, preserving the same bound of its being; but the obtuse and acute, shadow forth the nature of accidents. For these receive the more and the less, and are indefinitely changed without ceasing. Hence, with great propriety, they exhort the soul to make her descent into generation, according to this invariable species of the right angle, by not verging to this part more than to that; and by not affecting some things more, and others less. For the distribution of a certain convenience and sympathy of nature, draws it down into material error, and indefinite variety[159]. A perpendicular line is, therefore, the symbol of inflexibility, purity, immaculate, and invariable power, and every thing of this kind. But it is likewise the symbol of divine and intellectual measure: since we measure the altitudes of figures by a perpendicular, and define other rectilineal angles by their relation to a right angle, as by themselves they are indefinite and indeterminate. For they are beheld subsisting in excess and defect, each of which is, by itself, indefinite. Hence they say, that virtue also stands according to rectitude; but that vice subsists according to the infinity of the obtuse and acute, that it produces excesses and defects, and that the more and the less exhibit its immoderation, and inordinate nature. Of rectilineal angles, therefore, we must establish the right angle, as the image of perfection, and invariable energy, of limitation, intellectual bound, and the like; but the obtuse and acute, as shadowing forth infinite motion, unceasing progression, division, partition and infinity. And thus much for the theological speculation of angles. But here we must take notice, that the genus is to be added to the definitions of an obtuse and acute angle; for each is right-lined, and the one is greater, but the other less than a right-angle. But it is not absolutely true, that every angle which is less than a right one, is acute. For the cornicular is less than every right-angle, because less than an acute one, yet is not on this account an acute angle. Also, a semi-circular is less than any right-angle, yet is not acute. And the cause of this property is because they are mixt, and not rectilineal angles. Besides, many curve-lined angles appear greater than right-lined angles, yet are not on this account obtuse; because it is requisite that an obtuse should be a right-lined angle. Secondly, as it was the intention of Euclid, to define a right-angle, he considers a right-line standing upon another right-line, and making the angles on each side equal. But he defines an obtuse and acute angle, not from the inclination of a right line to either part, but from their relation to a right-angle. For this is the measure of angles deviating from the right, in the same manner as equality of things unequal. But lines inclined to either part, are innumerable, and not one alone, like a perpendicular. But after this, when he says, (the angles equal to one another) he exhibits to us a specimen of the greatest geometrical diligence; since it is possible that angles may be equal to others, without being right. But when they are equal to one another, it is necessary they should be right. Besides, the word successive appears to me not to be added superfluously, as some have improperly considered it; since it exhibits the reason of rectitude. For it is on this account that each of the angles is right; because, when they are successive, they are equal. And, indeed, the insisting right-line, on account of its inflexibility to either part, is the cause of equality to both, and of rectitude to each. The cause, therefore, of the rectitude of angles, is not absolutely mutual equality, but position in a consequent order, together with equality. But, besides all this, I think it here necessary to call to mind, the purpose of our author; I mean, that he discourses in this place, concerning the angles consisting in one plane. And hence, this definition is not of every perpendicular; but of that which is in one and the same plane. For it is not his present design to define a solid angle. As, therefore, he defines, in this place, a plane angle, so likewise a perpendicular of this kind. Because a solid perpendicular ought not to make right angles to one right-line only; but to all which touch it, and are contained in its subject plane: for this is its necessary peculiarity.

DEFINITION XIII.

A Bound is that which is the Extremity of any thing[160].

A Bound, in this place, is not to be referred to all magnitudes, for there is a bound and extremity of a line; but to the spaces which are contained in superficies, and to solid bodies. For he now calls a bound, the ambit which terminates and distinguishes every space. And a bound of this kind, he defines to be an extremity: but not after the manner in which a point is called the extremity of a line, but according to its property of including and excluding from circumjacent figures. But this name is proper to geometry in its infant state, by which they measured fields, and preserved their boundaries distinct and without confusion, and from which they arrived at the knowledge of the present science. Since, therefore, Euclid calls the external ambit, a bound, it is not without propriety that he, by this means, defines the extremity of spaces. For by this, every thing comprehended is circumscribed. I say, for example, in a circle, its bound and extremity is the circumference; but itself, a certain plane space: and so of the rest.

DEFINITION XIV.

A Figure is that which is comprehended by one or more Boundaries.

Because figure is predicated in various ways, and is divided into different species, it is requisite, in the first place, to behold its differences; and afterwards to discourse concerning that figure which is proposed in this Definition. There is, then a certain figure which is constituted by mutation, and is produced from passion, while the recipients of the figure are disturbed, divided, or taken away; while they receive additions, or are altered, or suffer other various affections. There is also a figure, which is produced by the potter’s, or statuary’s art, according to the pre-existent reason, which art itself contains: art, indeed, producing the form, but matter receiving from thence, form, and beauty, and elegance. But there are still more noble and more illustrious figures than these, the skilful operations of nature. Some, indeed, existing in the elements under the moon[161], and having a power of comprehending the reasons those elements contain: but others are situated in the celestial regions, distinguishing their powers, and endless revolutions. For the heavenly bodies, both when considered by themselves, and with relation to each other, exhibit an abundant and admirable variety of figures; and at different times they present to our view different forms, bringing with them a splendid image of intellectual species; and, by their elegant and harmonious revolutions, describing the incorporeal and immaterial powers of figures. But there are, again, besides all these, most pure and perfect beauties, the figures of souls, which, because they are full of life, and self-motive, have an existence prior to things moved by another; and which, because they subsist immaterially, and without any dimension, excel the forms which are endued with dimension and matter. In the nature of which we are instructed by Timæus, who has explained to us the demiurgic, and essential figure of souls[162]. But again, the figures of intellects are by far more divine than the figures of souls; for these, on every side, excel partible essences; are every where resplendent with impartible and intellectual light; are prolific, effective, and perfective of the universe; are equally present, and firmly abide in all things; and procure union to the figures of souls; but recall the mutation of sensible figures to the limitation of their proper bound. Lastly, there are, separate from all these, those perfect, uniform, unknown, and ineffable figures of the gods, which are resident, indeed, in the figures of intellects; but jointly terminate all figures, and comprehend all things in their unifying boundaries. The properties of which the theurgic art, also expressing, surrounds various resemblances of the gods, with various figures. And some, indeed, it fashions by characters, in an ineffable manner; for characters of this kind, manifest the unknown powers of the gods: but others it imitates by forms and images; fashioning some of them erect, and others fitting; and some similar to a heart, but others spherical, and others expressed by different figures. And again, some it fabricates of a simple form; but others it composes from a multitude of forms; and some are sacred and venerable; but others are domestic, exhibiting the peculiar gentleness of the gods. And some it constructs of a severe aspect; and lastly, attributes to others, different symbols, according to the similitude and sympathy pertaining to the gods[163]. Since, therefore, figure derives its origin from the gods themselves, it arrives, by a gradual progression, even to inferiors, in these also appearing from primary causes. Since it is requisite to suppose the perfect before the imperfect, and things situated in the stability of their own essence, prior to those which subsist in others, and previous to things full of their own privation, such as preserve their proper nature sincere. Such figures, therefore, as are material, participate of material inelegance, and do not possess a purity convenient to their nature. But the celestial figures are divisible, and subsist in others. And the figures of souls are endued with division, and variety, and involution of every kind; but the figures of intellects, together with immaterial union, possess a progression into multitude. And lastly, the figures of the gods are free, uniform, simple, and generative; they subsist before all things, containing all perfection in themselves, and extending from themselves to all things, the completion of forms. We must not, therefore, listen to, and endure the opinions of many, who affirm, that certain additions, ablations, and alterations, produce sensible figures, (for motions, since they are imperfect, cannot possess the principle and primary cause of effects; nor could the same figures often be produced from contrary motions; for the same form is sometimes generated from addition and detraction,) but we must consider operations of this kind as subservient to other purposes in generation, and derive the perfection of figure from other primogenial causes. Nor must we subscribe to their opinion, who assert that figures destitute of matter can have no subsistence; but those only which appear in matter. Nor to theirs, who acknowledge, indeed, that they are external to matter, but consider them as subsisting alone, according to thought and abstraction. For where shall we preserve in safety, the certainty, beauty, and order of figures, among things which subsist by abstraction? For, since they are of the same kind with sensibles, they are far distant from indubitable and pure certainty. But from whence do they derive the certainty, order, and perfection which they receive? For they either derive it from sensibles (but they have no subsistence in these), or from intelligibles (but in these they are more perfect), since, to say from that which is not, is the most absurd of all. For nature does not produce imperfect figures, and leave the perfect without any subsistence. Nor is it lawful, that our soul should fabricate more certain, perfect, and orderly figures, than intellect and the gods themselves. There are, therefore, prior to sensible figures, self-moving, intellectual, and divine reasons of figures. And we are excited, indeed, from the obscurity of sensible forms, but we produce internal reasons, which are the lucid images of others. And we possess a knowledge of sensible figures, by their exemplars resident in soul (παραδειγματικῶς), but we comprehend by images (εἰκονικῶς) such as are intellectual and divine. For the reasons we contain, emerging from the dark night of oblivion, and propagating themselves in sciential variety, exhibit the forms of the gods, and the uniform bounds of the universe, by which they ineffably convert all things into themselves. In the gods, therefore, there is both an egregious knowledge of universal figures, and a power of generating and constituting all inferiors. But in natures, figures are endued with a power generative of apparent forms; but are destitute of cognition and intellectual perception. And, in particular souls, there is, indeed, an immaterial intellection, and a self-energizing knowledge; but there is wanting a prolific, and efficacious cause. As, therefore, nature, by her forming power presides over sensible figures, in the same manner, soul, by her gnostic energy, drops in the phantasy as in a mirror, the reasons of figures. But the phantasy receiving these in her shadowy forms, and possessing images of the inherent reasons of the soul, affords by these the means of inward conversion to the soul, and of an energy directed to herself, from the spectres of imagination. Just as if any one beholding his image in a mirror, and admiring the power of nature, and his own beauty, should desire to see himself in perfection, and should receive a power of becoming, at the same time, the perceiver, and the thing perceived. For the soul, after this manner, looking abroad into the bright mirror of the phantasy, and surveying the shadowy figures it contains, and admiring their beauty and order, pursues, in consequence of her admiration, the reasons from which these images proceed; and being wonderfully delighted, dismisses their beauty, as conversant about spectres alone; but afterwards seeks her own purer beauty, and desires to pass into her own profound retreats, and there to perceive the circle and the triangle, and all things subsisting together, in an impartible manner, and to insert herself in the objects, to contract her multitude into one; and lastly, to behold the occult and ineffable figures of the gods, seated in the most sacred and divine recesses of her nature. She is likewise desirous of bringing into light, from its awful concealment, the solitary beauty, of the gods, and of perceiving the circle, subsisting in its true perfection, more impartible than any centre, and the triangle without interval; and lastly, by ascending into an union with herself, of surveying every object which is subject to the power of cognition. The figure, therefore, which is self-motive, precedes that which is moved by another; and the impartible that which is self-motive: but that which is the same with one, precedes the impartible itself. For all things are bounded, when they return to the unities of their nature; since all things pass through these as a divine entrance into being. And thus much for this long digression, which we have delivered according to the sentiments of the Pythagoreans. But the geometrician, contemplating that figure which is seated in the phantasy, and defining this, in the first place, (since this definition agrees with sensibles, in the second place) says, that figure is that which is comprehended by one or more boundaries. For, since he receives it together with matter, and conceives of it as distant with intervals, he does not improperly call it finite and terminated[164]. [Since every thing which contains either intelligible or feasible matter, is allotted an adventitious bound; and is not itself bound, but that which is bounded.] Nor is it the bound of itself; but one of its powers is terminating, and the other terminated. Nor does it subsist in bound itself, but is contained by bound. For figure is joined to quantity, and subsists together with it; and, at the same time, quantity is subjected to figure; but the reason and aspect of that quantity is nothing else than figure and form. Since, indeed, reason terminates quantity, and adds to it a particular character and bound, either simple or composite. For, since this also exhibits the twofold progression of bound and infinite in its proper forms, (in the same manner as the reason of an angle,) it invests the objects of its comprehension with one boundary and simple form, according to bound, but with many, according to infinity[165]. Hence, every thing figured, vindicates to itself either one boundary, or a many. Euclid, therefore, denominating that which is figured and material, and annexed to quantity figure, does not improperly say, that it is contained by one or more terms. But Possidonius defines figure to be concluding bound, separating the reason of figure from quantity; and considering it as the cause of terminating, defining, and comprehending quantity. For that which encloses, is different from that which is enclosed; and bound from that which is bounded. And Possidonius, indeed, seems to regard the external surrounding bound; but Euclid, the whole subject. Hence, the one calls a circle a figure, with relation to its whole plane, and exterior ambit; but the other with relation to its circumference only. And the one defines that which is figured, and which is beheld together with its subject: but the other desires to define the reason of the circle; I mean that which terminates and concludes its quantity. But if any logician, and captious person, should blame the definition of Euclid, because he defines genus from species (for things contained by one or more terms, are the species of figure,) we shall assert, in opposition to such an objection, that genera also pre-occupy in themselves the powers of species. And when men of ancient authority, were willing to manifest genera themselves, from those powers which genera contain, they appeared, indeed, to enter on their design from species, but, in reality, they explained genera from themselves, and from the powers which they contain. The reason of figure, therefore, since it is one, comprehends the differences of many figures, according to the bound and infinity residing in its nature. And he who defined this reason, was not void of understanding, whilst he comprehended in a definition, the differences of the powers it contained. But you will ask, From whence does the reason of figure originate, and by what causes is it perfected? I answer, that it first arises from bound and infinite, and that which is mixed from these. Hence it produces some species from bound, others from infinite, and others from the mixt. And this it accomplishes by bringing the form of bound to circles; but that of infinite, to right lines: and that of the mixt to figures composed from right and circular lines. But, in the second place, this reason is perfected from that totality, which is separated into dissimilar parts. From whence, indeed, it occasions a whole to every form, and each figure is cut into different species. For a circle, and every right-lined figure may be divided, by reason or proportion, into dissimilar figures; which is the business of Euclid in his book of divisions, where he divides one figure into figures similar to each as are given; but another into such as are dissimilar. In the third place, it is invigorated from accumulated multitude, and, on account of this, extends forms of every kind, and produces the multiform reasons of figures. Hence, in propagating itself, it does not cease till it arrives at something last, and has unfolded all the variety of forms. And, as in the intelligible world, one is shewn to abide in that which is; and, at the same time, that which is in one, so likewise, reason exhibits circular in right-lined figures; and on the contrary, rectilinear comprehended in circular figures. And it peculiarly manifests its whole nature in each, and all these in all. Since the whole subsists in all collectively, and in each separate and apart. From that order, therefore, it is endued with this power. In the fourth place, it receives from the first of numbers[166], the measures of the progression of forms. From whence it constitutes all figures according to numbers; some, indeed, according to the more simple, but others according to the more composite. For triangles, quadrangles, quinquangles, and all multangles, proceed in infinitum, together with the mutations of numbers. But the cause of this is, indeed, unknown to the vulgar, though, to those who understand where number and figure subsist, the reason is manifest. Fifthly, it is replete with that division of forms, which divides forms into other similar forms, from another second totality, which is also distributed into similar parts. And by this, a triangular reason is divided into triangles, and a quadrangular reason into quadrangles. And hence, exercising our inward powers, we effect what I have said in images, since it pre-existed by far the first in its principles. But by regarding these distributions, we may render many causes of figures, reducing them to their first principles. And the more common, or geometrical figure, is allotted an order of this kind, and from so many causes, receives the perfection of its nature. But, from hence it advances to the genera of the gods, and is variously attributed according to its various forms, and energizes differently in different gods. To some, indeed, affording more simple figures; but to others, such as are more composite. And to some, again, assigning primary figures, and those which are produced in superficies; but to others (entering the tumor of solid bodies) such figures, as in solids are convenient to themselves. For all figures, indeed, subsist in all, since the forms of the gods are accumulated, and full of universal powers: but, by their peculiarity, they produce one thing according to another. For one possesses all things circularly, another in a triangular manner, but another according to a quadrangular reason. And in a similar manner in solids.

Notes in this chapter

Note 1 · That part of this work enclosed within the brackets, is wanting in the original; which I have restored from the excellent version of BarociuNote 2 · I do not find this ænigma among the Pythagoric symbols which are extant; so that it is probably no where mentioned but in the present work. Note 3 · The present Comment, and indeed most of the following, eminently evinces the truth of Kepler’s observation, in his excellent work, De HarmonNote 4 · That is, the reason of a triangular figure (for instance) in the phantasy, or triangle itself, is superior to the triangular nature participNote 5 · In the tenth book of his Republic.Note 6 · See the Hymn to the Mother of the Gods, in my translation of the Orphic Initiations.Note 7 · The philosopher here seems to contradict what he asserts in the end of his comment on the 13th Definition: for there he asserts, that the ciNote 8 · That is, the essential one of the soul is the mother of number; but that which subsists in opinion is nothing more than the receptacle of thNote 9 · That is, number composed from units.Note 10 · This sentence within the brackets, is wholly omitted in the printed Greek.Note 11 · In i. De Cælo.Note 12 · This sentence within the brackets, which is very imperfect in the Greek, I have supplied from the excellent translation of Barocius. In the Note 13 · In the Greek, γὰρ ἡ μονὰς ἐκεῖ πρῶτον, ὅπου πατρικὴ μονάς ἐστι φησὶ τὸ λόγιον. The latter part only of this oracle, is to be found in all thNote 14 · The word τανάη, is omitted in the Greek.Note 15 · This and the following problems, are the 1st, 22d, and 12th propositions of the first book. But in the two last, instead of the word ἄπειροςNote 16 · This is doubtless the reason why the proportion between a right and circular line, cannot be exactly obtained in numbers; for on this hypothNote 17 · The cornicular angle is that which is made from the periphery of a circle and its tangent; that is, the angle comprehended by the arch L ANote 18 · In i. De Cælo.Note 19 · It is from this cylindric spiral that the screw is formed.Note 20 · The present very obscure passage, may be explained by the following figure. Let A B C, be a right angle, and D E the line to be moved, whiNote 21 · That is, the soul of the world.Note 22 · In Timæo.Note 23 · The ellipsis.Note 24 · The cissoid. For the properties of this curve, see Dr. Wallis’s treatise on the cycloid, p. 81.Note 25 · The conchoid.Note 26 · Thus, a right line, when considered as the side of a parallelogram, moving circularly, generates a cylindrical superficies: when moving circNote 27 · Inv ii. De Rep.Note 28 · In multis locis.Note 29 · This definition is the same with that which Mr. Simson has adopted instead of Euclid’s, expressed in different words: for he says, “a plane Note 30 · In the Greek ἐννοιὰς, but it should doubtless be read εἰκόνας, images, as in the translation of Barocius.Note 31 · Mr. Simson, in his note on this definition, supposes it to be the addition of some less skilful editor; on which account, and because it is Note 32 · For a philosophical discussion of the nature of quality and quantity, consult the Commentaries of Ammonius, and Simplicius on Aristotle’s CaNote 33 · That is, the ellipsis.Note 34 · That is, they are either right, acute, or obtuse.Note 35 · This oracle is not mentioned by any of the collectors of the Zoroastrian oracles.Note 36 · This, indeed, must always be the case with those geometricians, who are not at the same time, philosophers; a conjunction no less valuable tNote 37 · Concerning the soul’s descent into body, see lib. ix., Ennead iv. of Plotinus; and for the method by which she may again return to her pristNote 38 · This Definition too, is marked by Mr. Simson with inverted commas, as a symbol of its being interpolated. But for what reason I know not, unNote 39 · That is, the various species of forms, with which the four elements are replete.Note 40 · That is, the circle.Note 41 · An admirer of the moderns, and their pursuits, will doubtless consider all this as the relics of heathen superstition and ignorance; and wilNote 42 · The sentence within the brackets is omitted in the Greek.Note 43 · That is, the circular form proceeds from bound, but right-lined figures from infinity.Note 44 · That is, the number three.
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