INDEX
Reading edition
OF PASSAGES DISCUSSED OR REFERRED TO.
AUTHOR PAGE
Anonymi Scriptio de Musica, § 28 (the modes employed on different instruments), 27
Aristides Quintilianus (ed. Meib.):
p. 10 (Lichanos), 31
p. 13 (ethos of music), 63, 66
p. 15 (kata dieseis harmonia), 53, 98
p. 21 (Modes in Plato's Republic), 94 - 100
p. 28 (topoi tês phônês), 63
Aristophanes, Eq. 985-996 (Dorian Mode), 7, 42
Aristotle:
Metaphysics, iv. 11, p. 1018 b 26 (archê), 46
Politics, iv. 3, p. 1290 a 20 (Dorian and Phrygian), 105
viii. 5-7, pp. 1340-1342 (ethos of music), 9, 12, 13,107
viii. 7, p. 1342 a 32 (Phrygian Mode), 12, 13,107
Problems, xix. 20, p. 919 a 13 (Mesê), 43, 82,102,107
26, p. 919 b 21 (harmonia=System), 55
33, p. 920 a 19 (Hypatê), 44
36, p. 920 b 7 (Mesê), 44
47, p. 922 b 3 (heptachord scales), 33
48, p. 922 b 10 (modes used by chorus), 14
49, p. 922 b 31 (high and low pitch), 15
Rhetoric, iii. 1, p. 1403 b 27 (tonos and harmonia), 15
Aristoxenus (ed. Meib.):
Harm. p. 2, l. 15 (diagrams of harmoniai), 49
p. 3 (melody of speech), 115
p. 6 (nomenclature by thesis or position), 81
p. 6, l. 20 (species of the Octave), 50
p. 8 (speaking and singing), 115
p. 8, l. 12 (perfect System), 36
p. 18 (melody of speech), 90, 115
p. 23 (Chromatic and Enharmonic), 110
p. 26, l. 14 (Lichanos indefinite), 110
p. 27, l. 34 (diagrams), 52
p. 36, l. 29 (seven harmoniai), 51, 54
p. 37 (tonoi or keys), 17 - 19
p. 48, l. 13 (Lichanos indefinite), 110
p. 69, l. 6 (nomenclature by position), 81
ibid. (indefinite element in music), 111
Bacchius (ed. Meib.), p. 11 (topoi tês phônês), 65
p. 19 (theseis tetrachordôn), 82
Dionysius Hal.:
c. 11, p. 58 Reisk. (accent and melody), 90,115
c. 11, p. 64 Reisk. (rhythm and quantity), 115
Euclid (ed. Meib.):
Introductio, p. 19 (ten-stringed lyre), 38
p. 20 (modulation), 104
Sectio Canonis, Prop. xvii, xviii, 23
Euripides, Orest. 338-343 (musical setting), 92,130
Heraclides Ponticus ap. Athen. xiv. pp. 624-626 (modes), 9 - 11, 76
Lasus ap. Athen. xiv. p. 624 e (Aiolis harmonia), 6
Nicomachus (ed. Meib), p. 4 (speaking and singing), 115
p. 7 (heptachord scales), 76
Pausanias, iv. 27, 4 (Sacadas and Pronomus), 75
Pherecrates ap. Plut. de Mus. c. 30, 38
Pindar, Nem. iv. 45 (Lydian), 7
Plato:
Phileb. p. 17 (harmonia = System), 55
Laches, p. 188 (Dorian, Ionian, Phrygian, Lydian), 8
Repub. p. 398 (use of modes in education), 7 - 8
p. 399 (aulos—poluchordia)., 39, 41
p. 531 A (study of music), 53,123
Laws, p. 669 (instrumental music), 120
p. 812 D (harmony), 122
Plutarch:
De Musica, c. 6 (harmoniai), 25
cc. 15-17 (Platonic modes), 21 - 25,103
c. 19 (tonos, harmonia), 26
De gener. Mundi, p. 1029 c (Proslambanomenos), 39
Pollux, Onom. iv. 78 (harmoniai aulêtikai), 22, 28
Pratinas ap. Athen. xiv. p. 624 f (mête syntonon k.t.l.), 5
Ptolemy:
Harm. i. 13 (musical ratios of Archytas), 123
i. 16 (hêgemôn=highest note), 45
ibid. (scales of the cithara), 84 - 86,102,123
ibid. (Pythagorean division), 87
ii. 6 (modulation), 67
ii. 7 (pitch of scales), 80
ii. 16 (scales of the cithara), 84,102
Seikelos inscription, 89,132
Telestes ap. Athen. xiv. p. 625 f (Phrygian and Lydian), 6
Theon Smyrnaeus, c. 8 (enlargement of scale), 37