The Modes of Ancient Greek Music
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Table of contents
1. THE MODES2. ANCIENT GREEK MUSIC3. The Modes4. Ancient Greek Music5. PREFACE6. § 1. Introductory.7. § 2. Statement of the question.8. § 3. The Authorities.9. § 4. The Early Poets.10. § 5. Plato.11. § 6. Heraclides Ponticus.12. § 7. Aristotle—the Politics.13. § 8. The Aristotelian Problems.14. § 9. The Rhetoric.15. § 10. Aristoxenus.16. § 11. Names of Keys (hypo-).17. § 12. Plutarch's Dialogue on Music.18. § 13. Modes employed on different Instruments.19. § 14. Recapitulation— harmonia and tonos.20. § 15. The Systems of Greek Music.21. § 16. The Standard Octachord System.22. § 17. Earlier Heptachord Scales.23. § 18. The Perfect System.24. § 19. Relation of System and Key.25. § 20. Tonality of the Greek musical scale.26. § 21. The Species of a Scale.27. § 22. The Scales as treated by Aristoxenus.28. § 23. The Seven Species.29. § 24. Relation of the Species to the Keys.30. § 25. The Ethos of Music.31. § 26. The Ethos of the Genera and Species.32. § 27. The Musical Notation.33. § 28. Traces of the Species in the Notation.34. § 29. Ptolemy's Scheme of Modes.35. § 30. Nomenclature by Position.36. § 31. Scales of the Lyre and Cithara.37. § 32. Remains of Greek Music.38. § 33. Modes of Aristides Quintilianus.39. § 34. Credibility of Aristides Quintilianus.40. § 35. Evidence for Scales of different species.41. § 36. Conclusion.42. § 37. Epilogue—Speech and Song.43. APPENDIX44. INDEX45. THE END46. e f♯ g a b c♯ d e