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The Mentor, Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

Play the Game

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Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

“Suppose,” said Thomas Huxley, “it were perfectly certain that the life and fortune of every one of us would, one day or other, depend upon his winning or losing a game of chess. Don’t you think that we should all consider it to be a primary duty to learn at least the names and the moves of the pieces? Do you not think that we should look with a disapprobation amounting to scorn upon the father who allowed his son, or the State which allowed its members, to grow up without knowing a pawn from a knight?”

Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

“Yet it is a very plain and elementary truth that the life, the fortune, and the happiness of every one of us, and more or less of those who are connected with us, do depend upon our knowing something of the rules of a game infinitely more difficult and complicated than chess. It is a game which has been played for untold ages, every man and woman of us being one of the two players in a game of his or her own. The chessboard is the world, the pieces are the phenomena of the universe, the rules of the game are what we call the laws of Nature.”

Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915
Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

“The player on the other side is hidden from us. We know that his play is always fair, just, and patient. But also we know to our cost that he never overlooks a mistake or makes the smallest allowance for ignorance. To the man who plays well the highest stakes are paid, with that sort of overflowing generosity which with the strong shows delight in strength. And one who plays ill is checkmated—without haste, but without remorse.”

Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

COURTESY KNOEDLER & CO.

THE LAST STAND. By Frederic Remington

Illustration from The Mentor: Painters of Western Life, Vol 3, Num. 9, Serial No. 85, June 15, 1915

“THE LAST STAND,” by Frederic Remington, a strong and stirring picture of a dramatic incident in army life, is the subject of one of the intaglio-gravure pictures illustrating “Painters of Western Life.”

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