"Good Heavens!—what does the man mean?—or is he talking of another church?" said Ashe, raising his head and looking in bewilderment, first at the magnificent Tintoret in front of him, and then at the lines he had just been reading.

"William!" cried Kitty, "do put that fool down and come here; one sees it splendidly!"

She was standing in one of the choir-stalls of San Giorgio Maggiore, somewhat raised above the point where Ashe had been studying his German hand-book.

"My dear, if this man doesn't know, who does!" cried Ashe, flourishing his volume in front of him as he obeyed her.

"'Dans le royaume des aveugles,'" said Kitty, contemptuously. "As if any German could even begin to understand Tintoret! But—don't talk!"

And clasping both hands round Ashe's arm, she stood leaning heavily upon him, her whole soul gazing from the eyes she turned upon the picture, her lips quivering, as though, from some physical weakness, she could only just hold back the tears with which, indeed, the face was charged.

She and Ashe were looking at that "Last Supper" of Tintoret's which hangs in the choir of San Giorgio Maggiore at Venice.

It is a picture dear to all lovers of Tintoret, breathing in every line and group the passionate and mystical fancy of the master.

The scene passes, it will be remembered, in what seems to be the spacious guest-chamber of an inn. The Lord and His disciples are gathered round the last sacred meal of the Old Covenant, the first of the New. On the left, a long table stretches from the spectator into the depths of the picture; the disciples are ranged along one side of it; and on the other sits Judas, solitary and accursed. The young Christ has risen; He holds the bread in His lifted hands and is about to give it to the beloved disciple, while Peter beyond, rising from his seat in his eagerness, presses forward to claim his own part in the Lord's body.

The action of the Christ has in it a very ecstasy of giving; the bending form, indeed, is love itself, yearning and triumphant. This is further expressed in the light which streams from the head of the Lord, playing upon the long line of faces, illuminating the vehement gesture of Peter, the adoring and radiant silence of St. John—and striking even to the farthest corners of the room, upon a woman, a child, a playing dog. Meanwhile, from the hanging lamps above the supper-party there glows another and more earthly light, mingled with fumes of smoke which darken the upper air. But such is the power of the divine figure that from this very darkness breaks adoration. The smoke-wreaths change under the gazer's eye into hovering angels, who float round the head of the Saviour, and look down with awe upon the first Eucharist; while the lamp-light, interpenetrated by the glory which issues from the Lord, searches every face and fold and surface, displays the figures of the serving men and women in the background, shines on the household stuff, the vases and plates, the black and white of the marble floor, the beams of the old Venetian ceiling. Everywhere the double ray, the two-fold magic! Steeped in these "majesties of light," the immortal scene lives upon the quiet wall. Year after year the slender, thought-worn Christ raises His hands of blessing; the disciples strain towards Him; the angels issue from the darkness; the friendly domestic life, happy, natural, unconscious, frames the divine mystery. And among those who come to look there are, from time to time, men and women who draw from it that restlessness of vague emotion which Kitty felt as she hung now, gazing, on Ashe's arm.

For there is in it an appeal which torments them—like the winding of a mystic horn, on purple heights, by some approaching and unseen messenger. Ineffable beauty, offering itself—and in the human soul, the eternal human discord: what else makes the poignancy of art—the passion of poetry?

"That's enough!" said Kitty, at last, turning abruptly away.

"You like it?" said Ashe, softly, detaining her, while he pressed the little hand upon his arm. His heart was filled with a great pity for his wife in these days.

"Oh, I don't know!" was Kitty's impatient reply.

"It haunts me. There's still another to see—in a chapel. The sacristan's making signs to us."

"Is there?" Ashe stifled a yawn. He asked Margaret French, who had come up with them, whether Kitty had not had quite enough sight-seeing. He himself must go to the Piazza, and get the news before dinner. As an English cabinet minister, he had been admitted to the best club of the Venice residents. Telegrams were to be seen there; and there was anxious news from the Balkans.

Kitty merely insisted that she could not and would not go without her remaining Tintoret, and the others yielded to her at once, with that indulgent tenderness one shows to the wilfulness of a sick child. She and Margaret followed the sacristan. Ashe lingered behind in a passage of the church, surreptitiously reading an Italian newspaper. He had the ordinary cultivated pleasure in pictures; but this ardor which Kitty was throwing into her pursuit of Tintoret—the Wagner of painting—left him cold. He did not attempt to keep up with her.

Two ladies were already in the cloister chapel, with a gentleman. As Kitty and her friend entered, these persons had just finished their inspection of the damaged but most beautiful "Pietà" which hangs over the altar, and their faces were towards the entrance.

"Maman!" cried Kitty, in amazement.

The lady addressed started, put up a gold-rimmed eye-glass, exclaimed, and hurried forward.

Kitty and she embraced, amid a torrent of laughter and interjections from the elder lady, and then Kitty, whose pale cheeks had put on scarlet, turned to Margaret French.

"Margaret!—my mother, Madame d'Estrées."

Miss French, who found herself greeted with effusion by the strange lady, saw before her a woman of fifty, marvellously preserved. Madame d'Estrées had grown stout; so much time had claimed; but the elegant gray dress with its floating chiffon and lace skilfully concealed the fact; and for the rest, complexion, eyes, lips were still defiant of the years. If it were art that had achieved it, nature still took the credit; it was so finely done, the spectator could only lend himself and admire. Under the pretty hat of gray tulle, whereof the strings were tied bonnet-fashion under the plump chin, there looked out, indeed, a face gay, happy, unconcerned, proof one might have thought of an innocent past and a good conscience.

Kitty, who had drawn back a little, eyed her mother oddly.

"I thought you were in Paris. Your letter said you wouldn't be able to move for weeks—"

"Ma chère!—un miracle!" cried Madame d'Estrées, blushing, however, under her thin white veil. "When I wrote to you, I was at death's door—wasn't I?" She appealed to her companion, without waiting for an answer. "Then some one told me of a new doctor, and in ten days, me voici! They insisted on my going away—this dear woman—Donna Laura Vercelli—my daughter, Lady Kitty Ashe!—knew of an apartment here belonging to some relations of hers. And here we are—charmingly installées!—and really nothing to pay!"—Madame d'Estrées whispered, smiling, in Kitty's ear—"nothing, compared to the hotels. I'm economizing splendidly. Laura looks after every sou. Ah! my dear William!"

For Ashe, puzzled by the voices within, had entered the chapel, and stood in his turn, open-mouthed.

"Why, we thought you were an invalid."

For, some three weeks before, a letter had reached him at Haggart, so full of melancholy details as to Madame d'Estrées' health and circumstances that even Kitty had been moved. Money had been sent; inquiries had been made by telegraph; and but for a hasty message of a more cheerful character, received just before they started, the Ashes, instead of journeying by Brussels and Cologne, would have gone by Paris that Kitty might see her mother. They had intended to stop there on their way back. Ashe was not minded that Kitty should see more of Madame d'Estrées than necessity demanded; but on this occasion he would have felt it positively brutal to make difficulties.

And now here was this moribund lady, this forsaken of gods and men, disporting herself at Venice, evidently in the pink of health and attired in the freshest of Paris toilettes! As he coldly shook hands, Ashe registered an inner vow that Madame d'Estrées' letters henceforward should receive the attention they deserved.

And beside her was her somewhat mysterious friend of London days, the Colonel Warington who had been so familiar a figure in the gatherings of St. James's Place—grown much older, almost white-haired, and as gentlemanly as ever. Who was the lady? Ashe was introduced, was aware of a somewhat dark and Jewish cast of face, noticed some fine jewels, and could only suppose that his mother-in-law had picked up some one to finance her, and provide her with creature comforts in return for the social talents that Madame d'Estrées still possessed in some abundance. He had more than once noticed her skill in similar devices; but, indeed, they were indispensable, for while he allowed Madame d'Estrées one thousand a year, she was, it seemed, firmly determined to spend a minimum of three.

He and Warington looked at each other with curiosity. The bronzed face and honest eyes of the soldier betrayed nothing. "Are you going to marry her at last?" thought Ashe. "Poor devil!"

Meanwhile Madame d'Estrées chattered away as though nothing could be more natural than their meeting, or more perfect than the relations between herself and her daughter and son-in-law.

As they all strolled down the church she looked keenly at Kitty.

"My dear child, how ill you look!—and your mourning! Ah, yes, of course!"—she bit her lip—"I remember—the poor, poor boy—"

"Thank you!" said Kitty, hastily. "I got your letter—thank you very much. Where are you staying? We've got rooms on the Grand Canal."

"Oh, but, Kitty!" cried Madame d'Estrées—"I was so sorry for you!"

"Were you?" said Kitty, under her breath. "Then, please, never speak of him to me again!"

Startled and offended, Madame d'Estrées looked at her daughter. But what she saw disarmed her. For once even she felt something like the pang of a mother. "You're dreadfully thin, Kitty!"

Kitty frowned with annoyance.

"It's not my fault," she said, pettishly. "I live on cream, and it's no good. Of course, I know I'm an object and a scarecrow; but I'd rather people didn't tell me."

"What nonsense, chére enfant! You're much prettier than you ever were."

A wild and fugitive radiance swept across the face beside her.

"Am I?" said Kitty, smiling. "That's all right! If I had died it wouldn't matter, of course. But—"

"Died! What do you mean, Kitty?" said Madame d'Estrées, in bewilderment. "When William wrote to me I thought he meant you had overtired yourself."

"Oh, well, the doctors said it was touch and go," said Kitty, indifferently. "But, of course, it wasn't. I'm much too tough. And then they fussed about one's heart. And that's all nonsense, too. I couldn't die if I tried."

But Madame d'Estrées pondered—the bright, intermittent color, the emaciation, the hollowness of the eyes. The effect, so far, was to add to Kitty's natural distinction, to give, rather, a touch of pathos to a face which even in its wildest mirth had in it something alien and remote. But she, too, reflected that a little more, a very little more, and—in a night—the face would have dropped its beauty, as a rose its petals.

The group stood talking awhile on the steps outside the church. Kitty and her mother exchanged addresses, Donna Laura opened her mouth once or twice, and produced a few contorted smiles for Kitty's benefit, while Colonel Warington tipped the sacristan, found the gondolier, and studied the guide-book.

As Madame d'Estrées stepped into her gondola, assisted by him, she tapped him on the arm.

"Are you coming, Markham?"

The low voice was pitched in a very intimate note. Kitty turned with a start.

"A casa!" said Madame d'Estrées, and she and her friend made for one of the canals that pierce the Zattere, while Colonel Warington went off for a walk along the Giudecca.

Kitty and Ashe bade their gondoliers take them to the Piazzetta, and presently they were gliding across waters of flame and silver, where the white front and red campanile of San Giorgio—now blazing under the sunset—mirrored themselves in the lagoon. The autumn evening was fresh and gay. A light breeze was on the water; lights that only Venice knows shone on the tawny sails of fishing-boats making for the Lido, on the white sides of an English yacht, on the burnished prows of the gondolas, on the warm reddish-white of the Ducal Palace. The air blowing from the Adriatic breathed into their faces the strength of the sea; and in the far distance, above that line of buildings where lies the heart of Venice, the high ghosts of the Friulian Alps glimmered amid the sweeping regiments and purple shadows of the land-hurrying clouds.

"This does you good, darling!" said Ashe, stooping down to look into his wife's face, as she nestled beside him on the soft cushions of the gondola.

Kitty gave him a slight smile, then said, with a furrowed brow:

"Who could ever have thought we should find maman here!"

"Don't have her on your mind!" said Ashe, with some sharpness. "I can't have anything worrying you."

She slipped her hand into his.

"Is that man going to marry her—at last? She called him 'Markham.' That's new."

"Looks rather like it," said Ashe. "Then he'll have to look after the debts!"

They began to piece together what they knew of Colonel Warington and his relation to Madame d'Estrées. It was not much. But Ashe believed that originally Warington had not been in love with her at all. There had been a love-affair between her and Warington's younger brother, a smart artillery officer, when she was the widowed Lady Blackwater. She had behaved with more heart and scruple than she had generally been known to do in these matters, and the young officer adored her—hoped, indeed, to marry her. But he was called on—in Paris—to fight a duel on her account, and was killed. Before fighting, he had commended Lady Blackwater to the care of his much older brother, also a soldier, between whom and himself there existed a rare and passionate devotion; and ever since the poor lad's death, Markham Warington had been the friend and quasi-guardian of the lady—through her second marriage, through the checkered years of her existence in London, and now through the later years of her residence on the Continent, a residence forced upon her by her agreement with the Tranmores. Again and again he had saved her from bankruptcy, or from some worse scandal which would have wrecked the last remnants of her fame.

But, all the time, he was himself bound by strong ties of gratitude and affection to an elder sister who had brought him up, with whom he lived in Scotland during half the year. And this stout Puritan lady detested the very name of Madame d'Estrées.

"But she's dead," said Ashe. "I remember noticing her death in the Times some three months ago. That, of course, explains it. Now he's free to marry."

"And so maman will settle down, and be happy ever afterwards!" said Kitty, with a sarcastic lifting of the brow. "Why should anybody be good?"

The bitterness of her look struck Ashe disagreeably. That any child should speak so of a mother was a tragic and sinister thing. But he was well aware of the causes.

"Were you very unhappy when you were a child, Kitty?" He pressed the hand he held.

"No," said Kitty, shortly. "I'm too like maman. I suppose, really, at bottom, I liked all the debts, and the excitement, and the shady people!"

"That wasn't the impression you gave me, in the first days of our acquaintance!" said Ashe, laughing.

"Oh, then I was grown up—and there were drawbacks. But I'm made of the same stuff as maman," she said, obstinately—"except that I can't tell so many fibs. That's really why we didn't get on."

Her brown eyes held him with that strange, unspoken defiance it seemed so often beyond her power to hide. It was like the fluttering of some caged thing hungering for it knows not what. Then, as they scanned the patient good-temper of his face, they melted; and her little fingers squeezed his; while Margaret French kept her eyes fixed on the two columns of the Piazzetta.

"How strange to find her here!" said Kitty, under her breath. "Now, if it had been Alice—my sister Alice!"

William nodded. It had been known to them for some time that Lady Alice Wensleydale, to whom Italy had become a second country, had settled in a villa near Treviso, where she occupied herself with a lace school for women and girls.

The mention of her sister threw Kitty into what seemed to be a disagreeable reverie. The flush brought by the sea-wind faded. Ashe looked at her with anxiety.

"You have done too much, Kitty—as usual!"

His voice was almost angry.

She shrugged her shoulders.

"What does it matter? You know very well it would be much better for you if—"

"If what?"

"If I followed Harry." The words were just breathed, and her eyes shrank from meeting his. Ashe, on the other hand, turned and looked at her steadily.

"Are you quite determined I sha'n't get any joy out of my holiday?"

She shook her head uncertainly. Then, almost immediately, she began to chatter to Margaret French about the sights of the lagoon, with her natural trenchancy and fun. But her hand, hidden under the folds of her black cloak, still clung to William's.

"It is her illness," he said to himself, "and the loss of the child."

And at the remembrance of his little son, a wave of sore yearning filled his own heart. Deep under the occupations and interests of the mind lay this passionate regret, and at any moment of pause or silence its "buried life" arose and seized him. But he was a busy politician, absorbed even in these days of holiday by the questions and problems of the hour. And Kitty was a delicate woman—with no defence against the torture of grief.

He thought of those first days after the child's death, when in spite of the urgency of the doctors it had been impossible to keep the news from Kitty; of the ghastly effect of it upon nerves and brain already imperilled by causes only half intelligible; of those sudden flights from her nurses, when the days of convalescence began, to the child's room, and, later, to his grave. There was stinging pain in these recollections. Nor was he, in truth, much reassured by his wife's more recent state. It was impossible, indeed, that he should give it the same constant thought as a woman might—or a man of another and more emotional type. At this moment, perhaps, he had literally no time for the subtleties of introspective feeling, even had his temperament inclined him to them, which was, in truth, not the case. He knew that Kitty had suddenly and resolutely ceased to talk about the boy, had thrown herself with the old energy into new pursuits, and, since she came to Venice in particular, had shown a feverish desire to fill every hour with movement and sight-seeing.

But was she, in truth, much better—in body or soul?—poor child! The doctors had explained her illness as nervous collapse, pointing back to a long preceding period of overstrain and excitement. There had been suspicions of tubercular mischief, but no precise test was then at command; and as Kitty had improved with rest and feeding the idea had been abandoned. But Ashe was still haunted by it, though quite ready—being a natural optimist—to escape from it, and all other incurable anxieties, as soon as Kitty herself should give the signal.

As to the moral difficulties and worries of those months at Haggart, Ashe remembered them as little as might be. Kitty's illness, indeed, had shown itself in more directions than one, as an amending and appeasing fact. Even Lord Parham had been moved to compassion and kindness by the immediate results of that horrible scene on the terrace. His leave-taking from Ashe on the morning afterwards had been almost cordial—almost intimate. And as to Lady Tranmore, whenever she had been able to leave her paralyzed husband she had been with Kitty, nursing her with affectionate wisdom night and day. While on the other members of the Haggart party the sheer pity of Kitty's condition had worked with surprising force. Lord Grosville had actually made his wife offer Grosville Park for Kitty's convalescence—Kitty got her first laugh out of the proposal. The Dean had journeyed several times from his distant cathedral town, to see and sit with Kitty; Eddie Helston's flowers had been almost a nuisance; Mrs. Alcot had shown herself quite soft and human.

The effect, indeed, of this general sympathy on Lord Parham's relations to the chief member of his cabinet had been but small and passing. Ashe disliked and distrusted him more than ever; and whatever might have happened to the Premier's resentment of a particular offence, there could be no doubt that a visit from which Ashe had hoped much had ended in complete failure, that Parham was disposed to cross his powerful henchman where he could, and that intrigue was busy in the cabinet itself against the reforming party of which Ashe was the head Ashe, indeed, felt his own official position, outwardly so strong, by no means secure. But the game of politics was none the less exhilarating for that.

As to Kitty's relation to himself—and life's most intimate and tender things—in these days, did he probe his own consciousness much concerning them? Probably not. Was he aware that, when all was said and done, in spite of her misdoings, in spite of his passion of anxiety during her illness, in spite of the pity and affection of his daily attitude, Kitty occupied, in truth, much less of his mind than she had ever yet occupied?—that a certain magic—primal, incommunicable—had ceased to clothe her image in his thoughts?

Again—probably not. For these slow changes in a man's inmost personality are like the ebb and flow of summer tides over estuary sands. Silent, the main creeps in, or out; and while we dream, the great basin fills, and the fishing-boats come in—or the gentle, pitiless waters draw back into the bosom of ocean, and the sea-birds run over the wide, untenanted flats.

They landed at the Piazzetta as the lamps were being lit. The soft October darkness was falling fast, and on the ledges of St. Mark's and the Ducal Palace the pigeons had begun to roost. An animated crowd was walking up and down in the Piazza where a band was playing; and on the golden horses of St. Mark's there shone a pale and mystical light, the last reflection from the western sky. Under the colonnades the jewellers and glass-shops blazed and sparkled, and the warm sea-wind fluttered the Italian flags on the great flag-staffs that but so recently had borne the Austrian eagle.

Ashe walked with his head thrown back, thinking absently, in this centre of Venice, of English politics, and of a phrase of Metternich's he had come across in a volume of memoirs he had been lately reading on the journey:

"Le jour qui court n'a aucune valeur pour moi, excepté comme la veille du lendemain. C'est toujours avec le lendemain que mon esprit lutte."

The phrase pleased him particularly.

He, too, was wrestling with the morrow, though in another sense than Metternich's. His mind was alive with projects; an exultant consciousness both of capacity and opportunity possessed him.

"Why, you've passed the club, William!" said Kitty.

Ashe awoke with a start, smiled at her, and with a wave of the hand disappeared in a stairway to the right.

Margaret French lingered in a bead-shop to make some purchases. Kitty walked home alone, and Margaret, whose watchful affection never failed, knew that she preferred it, and let her go her way.

The Ashes had rooms on the first bend of the Grand Canal looking south. To reach them by land from the Piazza, Kitty had to pass through a series of narrow streets, or calles, broken by campos, or small squares, in which stood churches. As she passed one of these churches she was attracted by the sound of gay music and by the crowd about the entrance. Pushing aside the leathern curtain over the door, she found herself in a great rococo nave, which blazed with lights and decorations. Lines of huge wax candles were fixed in temporary holders along the floor. The pillars were swathed in rose-colored damask, and the choir was ablaze with flowers, and even more brilliantly lit, if possible, than the rest of the church.

Kitty's Catholic training told her that an exposition of the Blessed Sacrament was going on. Mechanically she dipped her fingers into the holy water, she made her genuflection to the altar, and knelt down in one of the back rows.

How rich and sparkling it was—the lights, the bright colors, the dancing music! "Dolce Sacramento! Santo Sacramento!" these words of an Italian hymn or litany recurred again and again, with endless iteration. Kitty's sensuous, excitable nature was stirred with delight. Then, suddenly, she remembered her child, and the little face she had seen for the last time in the coffin. She began to cry softly, hiding her face in her black veil. An unbearable longing possessed her. "I shall never have another child," she thought. "That's all over."

Then her thoughts wandered back to the party at Haggart, to the scene on the terrace, and to that rush of excitement which had mastered her, she scarcely knew how or why. She could still hear the Dean's voice—see the lamp wavering above her head. "What possessed me! I didn't care a straw whether the lamp set me on fire—whether I lived or died. I wanted to die."

Was it because of that short conversation with William in the afternoon?—because of the calmness with which he had taken that word "separation," which she had thrown at him merely as a child boasts and threatens, never expecting for one moment to be taken at its word? She had proposed it to him before, after the night at Hamel Weir; she had been serious then, it had been an impulse of remorse, and he had laughed at her. But at Haggart it had been an impulse of temper, and he had taken it seriously. How the wound had rankled, all the afternoon, while she was chattering to the Royalties! And as she jumped on the pedestal, and saw his face of horror, there was the typical womanish triumph that she had made him feel—would make him feel yet more.

How good, how tender he had been to her in her illness! And yet—yet?

"He cares for politics, for his plans—not for me. He will never trust me again—as he did once. He'll never ask me to help him—he'll find ways not to—though he'll be very sweet to me all the time."

And the thought of her nullity with him in the future, her insignificance in his life, tortured her.

Why had she treated Lord Parham so? "I can be a lady when I choose," she said, mockingly, to herself. "I wasn't even a lady."

Then suddenly there flashed on her memory a little picture of Lord Parham, standing spectacled and bewildered, peering into her slip of paper. She bent her head on her hands and laughed, a stifled, hysterical laugh, which scandalized the woman kneeling beside her.

But the laugh was soon quenched again in restless pain. William's affection had been her only refuge in those weeks of moral and physical misery she had just passed through.

"But it's only because he's so terribly sorry for me. It's all quite different. And I can't ever make him love me again in the old way.... It wasn't my fault. It's something born in me—that catches me by the throat."

And she had the actual physical sense of some one strangled by a possessing force.

"Dolce Sacramento! Santo Sacramento!"... The music swayed and echoed through the church. Kitty uncovered her eyes and felt a sudden exhilaration in the blaze of light. It reminded her of the bending Christ in the picture of San Giorgio. Awe and beauty flowed in upon her, in spite of the poor music and the tawdry church. What if she tried religion?—recalled what she had been taught in the convent?—gave herself up to a director?

She shivered and recoiled. How would she ever maintain her faith against William—William, who knew so much more than she?

Then, into the emptiness of her heart there stole the inevitable temptations of memory. Where was Geoffrey? She knew well that he was a violent and selfish man; but he understood much in her that William would never understand. With a morbid eagerness she recalled the play of feeling between them, before that mad evening at Hamel Weir. What perpetual excitement—no time to think—or regret!

During her weeks of illness she had lost all count of his movements. Had he been still writing during the summer for the newspaper which had sent him out? Had there not been rumors of his being wounded—or attacked by fever? Her memory, still vague and weak, struggled painfully with memories it could not recapture.

The Italian paper of that morning—she had spelled it out for herself at breakfast—had spoken of a defeat of the insurrectionary forces, and of their withdrawal into the highlands of Bosnia. There would be a lull in the fighting. Would he come home? And all this time had he been the mere spectator and reporter, or fighting, himself? Her pulses leaped as she thought of him leading down-trodden peasants against the Turk.

But she knew nothing. Surely during the last few months he had purposely made a mystery of his doings and his whereabouts. The only sign of him which seemed to have reached England had been that volume of poems—with those hateful lines! Her lip quivered. She was like a weak child—unable to bear the thought of anything hostile and unkind.

If he had already turned homeward? Perhaps he would come through Venice! Anyway, he was not far off. The day before she and Margaret had made their first visit to the Lido. And as Kitty stood fronting the Adriatic waves, she had dreamed that somewhere, beyond the farther coast, were those Bosnian mountains in which Geoffrey had passed the winter.

Then she started at her own thoughts, rose—loathing herself—drew down her veil, and moved towards the door.

As she reached the leathern curtain which hung over the doorway, a lady in front who was passing through held the curtain aside that Kitty might follow. Kitty stepped into the street and looked up to say a mechanical "Thank you."

But the word died on her lips. She gave a stifled cry, which was echoed by the woman before her.

Both stood motionless, staring at each other.

Kitty recovered herself first.

"It's not my fault that we've met," she said, panting a little. "Don't look at me so—so unkindly. I know you don't want to see me. Why—why should we speak at all? I'm going away." And she turned with a gesture of farewell.

Alice Wensleydale laid a detaining hand on Kitty's arm.

"No! stay a moment. You are in black. You look ill."

Kitty turned towards her. They had moved on instinctively into the shelter of one of the narrow streets.

"My boy died—two months ago," she said, holding herself proudly aloof.

Lady Alice started.

"I hadn't heard. I'm very sorry for you. How old was he?"

"Three years old."

"Poor baby!" The words were very low and soft. "My boy—was fourteen. But you have other children?"

"No—and I don't want them. They might die, too."

Lady Alice paused. She still held her half-sister by the arm, towering above her. She was quite as thin as Kitty, but much taller and more largely built; and, beside the elaborate elegance of Kitty's mourning, Alice's black veil and dress had a severe, conventual air. They were almost the dress of a religious.

"How are you?" she said, gently. "I often think of you. Are you happy in your marriage?"

Kitty laughed.

"We're such a happy lot, aren't we? We understand it so well. Oh, don't trouble about me. You know you said you couldn't have anything to do with me. Are you staying in Venice?"

"I came in from Treviso for a day or two, to see a friend—"

"You had better not stay," said Kitty, hastily. "Maman is here. At least, if you don't want to run across her."

Lady Alice let go her hold.

"I shall go home to-morrow morning."

They moved on a few steps in silence, then Alice paused. Kitty's delicate face and cloud of hair made a pale, luminous spot in the darkness of the calle. Alice looked at her with emotion.

"I want to say something to you."

"Yes?"

"If you are ever in trouble—if you ever want me, send for me. Address Treviso, and it will always find me."

Kitty made no reply. They had reached a bridge over a side canal, and she stopped, leaning on the parapet.

"Did you hear what I said?" asked her companion.

"Yes. I'll remember. I suppose you think it your duty. What do you do with yourself?"

"I have two orphan children I bring up. And there is my lace-school. It doesn't get on much; but it occupies me."

"Are you a Catholic?"

"Yes."

"Wish I was!" said Kitty. She hung over the marble balustrade in silence, looking at the crescent moon that was just peering over the eastern palaces of the canal. "My husband is in politics, you know. He's Home Secretary."

"Yes, I heard. Do you help him?"

"No—just the other thing."

Kitty lifted up a pebble and let it drop into the water.

"I don't know what you mean by that," said Alice Wensleydale, coldly. "If you don't help him you'll be sorry—when it's too late to be sorry."

"Oh, I know!" said Kitty. Then she moved restlessly. "I must go in. Good-night." She held out her hand.

Lady Alice took it.

"Good-night. And remember!"

"I sha'n't want anybody," said Kitty. "Addio!" She waved her hand, and Alice Wensleydale, whose way lay towards the Piazza, saw her disappear, a small tripping shadow, between the high, close-piled houses.

Kitty was in so much excitement after this conversation that when she reached the Campo San Maurizio, where she should have turned abruptly to the left, she wandered awhile up and down the campo, looking at the gondolas on the Traghetto between it and the Accademia, at the Church of San Maurizio, at the rising moon, and the bright lights in some of the shop windows of the small streets to the north. The sea-wind was still warm and gusty, and the waves in the Grand Canal beat against the marble feet of its palaces.

At last she found her way through narrow passages, past hidden and historic buildings, to the back of the palace on the Grand Canal in which their rooms were. A door in a small court opened to her ring. She found herself in a dark ground-floor—empty except for the felze or black top of a gondola—of which the farther doors opened on the canal. A cheerful Italian servant brought lights, and on the marble stairs was her maid waiting for her. In a few minutes she was on her sofa by a bright wood fire, while Blanche hovered round her with many small attentions.

"Have you seen your letters, my lady?" and Blanche handed her a pile. Upon a parcel lying uppermost Kitty pounced at once with avidity. She tore it open—pausing once, with scarlet cheeks, to look round her at the door, as though she were afraid of being seen.

A book—fresh and new—emerged. Politics and the Country Houses; so ran the title on the back. Kitty looked at it frowning. "He might have found a better name!" Then she opened it—looked at a page here and a page there—laughed, shivered—and at last bethought her to read the note from the publisher which accompanied it.

"'Much pleasure—the first printed copy—three more to follow—sure to make a sensation'—hateful wretch!—'if your ladyship will let us know how many presentation copies—' Goodness!—not one! Oh—well!—Madeleine, perhaps—and, of course, Mr. Darrell."

She opened a little despatch-box in which she kept her letters, and slipped the book in.

"I won't show it to William to-night—not—not till next week." The book was to be out on the 20th, a week ahead—three months from the day when she had given the MS. into Darrell's hands. She had been spared all the trouble of correcting proofs, which had been done for her by the publisher's reader, on the plea of her illness. She had received and destroyed various letters from him—almost without reading them—during a short absence of William's in the north.

Suddenly a start of terror ran through her. "No, no!" she said, wrestling with herself—"he'll scold me, perhaps—at first; of course I know he'll do that. And then, I'll make him laugh! He can't—he can't help laughing. I know it'll amuse him. He'll see how I meant it, too. And nobody need ever find out."

She heard his step outside, hastily locked her despatch-box, threw a shawl over it, and lay back languidly on her pillows, awaiting him.