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The Daguerreian Journal, Vol. II, No. 2, June 1, 1851

THE DAGUERREIAN JOURNAL

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NEW YORK, JUNE 1, 1851.

Illustration from The Daguerreian Journal, Vol. II, No. 2, June 1, 1851

The metal which the Daguerreotypists have most to deal with is silver. To obtain plates of this perfectly clean and keep them so is one of the most difficult parts of his art; in order to accomplish it he is obliged to have resource to circuitous mechanical processes, or to some chemical means whereby the old surface may be removed, or a new surface deposited. He uses tripoli and rotten stone, rouge and buffing, fatty matters, alcohol, ammonia, and nitric acid, for the first purpose; and electro-plating for the second. The operator must not mistake the object he has in view. By all his mechanical operations, where friction is concerned, he obtains a polished surface; but it is not to polish the plate that he uses the buff, and the other materials; the object is to clean the plate, and the polish of the surface follows as a natural result. That a polished surface is not necessary for the formation of an image is evident from photography on paper, and Hyalotype. In these cases the surfaces do not reflect light; they are not polished; they are merely clean. The fact of a plate freshly taken out of a cell where silver has been deposited on it receiving beautiful images, is another proof that polish is unnecessary for success. What is wanted is a surface of pure silver, one not coated with the slightest trace of oxide, carbonate, or sulphuret of silver, or with any impurity derived by contact with foreign matter. The Daguerreotypist has, then, two objects in view.—1st, to get a clean surface on his plate; and 2nd, this once obtained, to keep it so without further alteration. Although silver is classed with gold and platinum, as one of those metals which do not tarnish or oxidize readily on exposure to the air, yet it is now well known in practice what a difference exists in the character of the picture brought out on a plate recently polished and one set aside even for a few hours. It is true that the atmosphere alone will not affect or oxidize a plate of polished silver, but that is only true of a very dry atmosphere; for an atmosphere which contains even a small amount of moisture in it, will in a short time dull the surface of the plate. In this instance the moisture is deposited first, and brings the air into closer contact with the surface of the metal, promoting the union of the latter with the oxygen of the air. This is exemplified every day in the case of iron, which does not rust in dry weather, but when the air begins to deposit its moisture it rapidly oxydizes. So is it with lead and zinc, but in a less degree. Pure water has no effect in tarnishing the surface of a silver plate, but if it contains even a very small quantity of animal or vegetable matter it darkens the surface in consequence of the presence of sulphur. The ordinary tarnish of silver is due to the fastening upon the surface of sulfurous vapors, which are constantly floating in the air. We are scarcely yet in possession of sufficient facts to justify the statement that sun-light materially aids in this alteration. We do know that oxidizement in any substance goes on much more rapidly in sunshine than under any other circumstances. In the vegetable kingdom it is of hourly occurrence; but the different effects of shade and shine upon the oxidizement of plates of metal has not been minutely studied. However this may be, after a time the silver surface does get coated with a film, of partly sulphuret, partly oxide, and a complete layer of air, which so closely attaches itself to the plate that water when poured on it rolls off and does not wet the surface. It is this film, of air which mechanical friction and bulling are so serviceable in removing. The tarnish of a sulphuret is not so readily removed by friction as by ammonia, for the sulphuret of silver is, to some extent, soluble in ammonia; but as the sulphuret when present gives a yellowish brown tint to the surface, it is only then that it is needful, and even a weak solution of commom salt or hydrodate of potash cleans the surface much quicker.

As nitric acid is the best solvent of silver, so is it the best agent to remove films of oxide and carbonate from the surface; it does so readily, effectually, and leaves a clean new surface of silver, similar to a plate newly prepared, or one which has received a new coating in the electrotype cell. The acid, however, must be very much diluted, otherwise its local action is so immediate as to eat down the surface of the plate faster than it spreads, producing inequalities,—even when left long on, although diluted, it produces roughness; hence its use has not been happy in many hands. To such, the longer, but less failing processes of mechanical action are to be recommended in preference.

Illustration from The Daguerreian Journal, Vol. II, No. 2, June 1, 1851

Friend Humphrey:—

I have thought for some time past that I would furnish a few thoughts for the Daguerreian Journal, under the head of General Rumors. A fear of injuring the Daguerreian business, by giving an additional publicity to my discovery, for the present has kept me from this, as well as from furnishing several other articles.

A very few persons (for the honor of humanity, I am glad the number is small) have made statements which reflect seriously upon the integrity and motives of myself and friends. By means of certain legal processes, of which I am not wholly ignorant, I could do these gentry more simple justice than by dignifying them by a notice in our Journal, yet I bear them no ill will, and for the present shall act on the principle that it is better to suffer wrong than to engage in a quarrel, especially with men who have so little regard for the feelings and reputation of their fellows, as to condemn, denounce, and accuse, without discrimination, and without the slightest knowledge of facts.

The "head and front of my offending" is this—that I have, by dint of unwearied pains and perseverance, succeeded in imprinting the colors of nature, in all their inimitable glory, upon the metallic surface. The process, when brought out, it is believed, by the best of judges, will be an astonishment to, the world, and a delight to our nation; and I have felt, from the first, that I am but an instrument in the hands of the Almighty, and am therefore bound in duty, as well as by inclination, to dispose of the secret in a way to accomplish the greatest amount of good. In this spirit I have frequently published my unalterable resolve that my process shall never be monopolized, or used for the purposes of extortion. If I had no other reason for this course, the fact that there are great numbers of worthy persons engaged in our art, who, like myself, are poor, this would be sufficient. Various plans have been suggested to me, for the best possible method of disposing of my discovery. Numerous gentlemen of high standing, have honored me with personal intercourse and friendly advice. I have even suffered the claims of courtesy to interfere with my experiments, and, I believe I have the good will and confidence of those who have honored me with their visits; but I have never swerved from my original determination, and have given no person the slightest reason to think otherwise.

In view of these facts, it is not strange that I should feel annoyed at the various rumors to which I refer, and some of the intimations which have been thrown out, I feel are but poor pay for my having nearly, if not quite, ruined my health, by laboring from morn till midnight for the good of others. More especially have I been grieved that some of my best friends, and the best friends of the fraternity, should be accused of having outwitted me, and drawn me into obligations to them which would compel me to pursue a grasping course. Now, it is true that certain gentlemen have, from the most honorable motives, made me very liberal offers of aid, and it is also true that my mind is about settled in regard to the parties with whom I shall act; but it is not true that I am under obligations to give notoriety to my business affairs, and it is certain that I shall not do so until I see fit. Neither is there the least foundation for the assertion that I am committed to any person. There confidence in me is not based on paper, but on a much surer foundation.

The process which I have been so fortunate as to discover, is my property. No man on earth has any claim, upon it, and I have a perfect right to dispose of it as I please, in case I do not interfere with the rights of others. This, I think, is the philosophy of Professor Morse, so admirably and clearly expressed in the last number of the Journal. This distinguished man recently favored me with a visit, and, in the course of the interview, shed much light on this subject for which I feel truly thankful.

My intention has been, and is, to do right, and I believe the majority approve of the course I have pursued thus far. The many marks of approbation I have received from eminent men, both in this profession and others, is truly encouraging to me in my poor health and arduous labors, and will never be forgotten. Those who seem to possess a different spirit, and who have apparently endeavored to hedge up my way by means of "rumors," "new discoveries," "threats," &c., have my forgiveness, and I trust that, in future, if they are not disposed to aid, they will do nothing to hinder me.

The brotherhood have nobly aided me, by purchasing my book. My sales are exceeding my most sanguine expectations, and are placing me on a footing to make me feel that I am free. All may be assured that I shall not use my freedom "as a cloak," but to serve their interests, of which both myself and friends hope to give them full proof hereafter.

Now that I have been compelled to close my doors against visitors, I would state that I am doing my utmost to bring out my process in a short time, and I will hereafter give, in the Daguerreian Journal, such notices of my success as will meet the wishes of the public, as well as the interest of our fraternity,

I am yours &c., L. L. Hill.

Westkill, Greene Co., N. Y., May 30, 1851.

The foregoing letter was addressed to me privately, and as it contains some of Mr. Hill's views in relation to the various rumors afloat, I have thought it best to insert it for the public.

Hand
Hand

S. D. H.

Illustration from The Daguerreian Journal, Vol. II, No. 2, June 1, 1851

We take pleasure in saying to our friends that, through the kindness of John Johnson, Esq., of this city, we have received many of the valuable letters and papers written by Mr. S. A. Wolcott, a former partner of the first named gentleman. Mr. W. is well and favorably known as one of our early and most successful investigators in the Photogenic Art. Many of the most valuable improvements had their origin in his hands. We were surprised to find so great an amount of information as is here presented.

Our Daguerreotypists of the present day may consider themselves fortunate, when looking back upon the difficulties experienced by those early engaged in putting a shadow on the silver plate. We find here many a mystery unravelled, and set forth in a light heretofore unexplained. As these letters, written by Mr. W. to his partner, Mr. J., (at the time they were written) were many of them confidential, and some few contain business matter of a foreign character, it will require some little time to prepare them for the press in the order in which they were written. We shall make no alteration in the manuscript, and exclude such matter only as relates to business of a foreign character. They present a team of investigation and research worthy the first in the scientific circle.

We would here take occasion to speak of a curious specimen of our art, which we saw while recently spending an evening with Mr. Johnson. This specimen is a profile view of a gentleman, and if not the first likeness from life, it is said to claim age with the oldest Daguerreotype ever produced, and is no less interesting for its antiquity than for its size, it being on a plate less than one quarter of an inch square. To produce an impression on such a plate it would require the superior skill of the most successful operator of the present day. The outline is distinctly marked, the features remarkably well delineated, being in fact, one of the most interesting curiosities we have ever witnessed. The plate is cemented by means of Canada Balsam to a piece of plate glass about three-fourths of an inch square, and thus it has been preserved in its present state.

We saw many other specimens of Daguerreian antiquity, but as we intend to speak more fully of our evening visit at Mr. Johnson's, we will defer further notice for the present.

We would here say to such as may have Mr. Walcott's letters relative to the art, that we would consider ourselves especially favored if we could be allowed the perusal of them.

Illustration from The Daguerreian Journal, Vol. II, No. 2, June 1, 1851
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