Chapter III

The old man sits upon the ancient bed of state, in the room which had been occupied by his father before him, in which his grandfathers and great-grandfathers had lived and died. Careless of repose for his tired and aged body, he has not undressed, but motioning off his attendants with impatient gesture, ungirding his sabre, and throwing off the chain of gold to which the royal medal was attached, his head sinks weariedly and sadly upon the oaken table before him. Beyond the bedstead, a gothic archway vaults through the wall into his private chapel, the antique lamp of gold still burns upon its altar. He turns not there, as is his custom, to say his prayers before he goes to rest—he knows no sleep to-night will close his heavy eyelids. Raising his head, he looks slowly round at the pictures of his ancestors hung about him; with their fixed, immovable pupils they return his gaze; but when he would again run round the circle of the faces of the dead, his eyelids fall, his sight is veiled by swimming tears.

Have you ever thought, young men, sons of the growing light and lovers of the storm, how it must be in the souls of the old when all their plans of life fail, when their last loves on earth are blighted? Ah, you cannot imagine this, you have not yet tasted the bitter gall of age! Willing slaves, Time bears you forward on his mighty wings, cleaving space with arrowy, unceasing motion, and though the stars die out behind you as he bears you on, yet new ones ever burst upon you as you advance.

'On! on! the infinite is before us!' you cry as you fly. But the old have no to-morrows! the coffin lies across their threshold, and but one single star shines down upon them. They kneel to it, and pray: 'Thou art pure and steadfast. Thou fallest not like the meteor bursting in the warm summer sky, nor settest like the moon in the far-off lakes of youth. After our long and restless journey, we bask in thy serene light. Be faithful to us, shine benignly upon us, that our House may live, that our descendants may enjoy the earth!'

But even while they pray, the truth creeps into their courtyards, glides like a serpent on their castle walls, writhes over the threshold, and, seating herself upon a coffin, chants the death song of delusion, and as she sings, the last star falls from the sky, and eternal night becomes the name of the world.

Behold! No glittering haze or golden woof remains in the hands of the old man from the dying glow of his long Indian summer. Hearken! his daughter's tears are falling fast on the burning embers of his soul. The laughter of the careless husband blasts his ear. He starts from the bed, stalking up and down the room with rapid strides. The snows of seventy winters have in vain blanched his head; he has been proud of his accumulated wisdom, but has not divined the secret of life! The whirlpool of terror, vengeance, vacillation, resolution, engulfs him in its giddy flow; his soul is on the wheel of torture, his old heart throbs on the rack of passion. He curses the King of the South—the prince, his son-in-law—himself; but his heart will not break until a new day dawns upon the earth!

Completely worn out at last with his restless striding to and fro, he falls into the old state chair with its broidered blazonry and gilt escutcheons. His arms hang loosely at his side, his legs fall listlessly down, his wide open eye is fixed unconsciously on the opposite wall; his lips are motionless, and yet the tones of his own voice are ringing through his ears; he lies in immovable and rigid torpor, and yet it seems to himself that he is rapidly traversing the long galleries of the castle. He enters the hall of feasting, sees the prince seated among the throng of revellers, to whom he hears himself cry: 'Away! away, prince, from an alien soil! My ancestors have risen from the grave to drive thee hence! Black hetman man, long since buried, strike the foaming cup from his reckless hands! Roman cardinal, dying in sanctity, pronounce upon him the thunders of excommunication, and let the church divorce him from the daughter of our line!'

The great doors are thrown open, the muffled steps of the dead are heard as they advance from their graves in the Chapel of the Castle, and the spirits evoked glide solemnly in. The bridegroom, seizing his sword with one hand, and lifting the cup to his lips with the other, drinks gayly to the health of the illustrious dead! The old man looks round for a sword, strives to reach the bright blade hanging on the distant wall, prays to God to help him to grasp it more speedily, falls to the floor, drags himself forward on his knees until he meets the Roman cardinal, whose scarlet robes are bleached and dim with the damp, mould, and stains of the grave. The church dignitary, laying his icy hand upon his forehead, says:

'What the holy priest of God has joined together, that may man not put asunder!'

The dead vanish, the hall of festival is riven in twain, the walls crumble, he sees himself again in his own chamber, sleeping in the escutcheoned chair of his ancestors. Silence, horror, and remorse are around him—and at this moment the great clock of the palatines strikes two!

Horrible and still more horrible grows the vision. The lamp is still burning in bluish flame, sending a mystic light through the vaulted archway of the chapel beyond the state bed. 0 God! a white figure kneels and groans upon the steps of the altar, then, drawing back, approaches his chair; her bands are meekly crossed upon her breast; like the marble drapery of a statue, her robe falls in countless snowy folds, none of which are broken in the onward-gliding motion of the shrouded form. O God! he knows that lovely face, he has loved it well; it is the sweet countenance of his young wife: the lips open, but the voice is not as of old, tender and confiding; it is reproachful—commanding. He tries to answer, but cannot force a word through his eager lips; he cannot stretch forth his hand to greet her, but feels himself forced to follow her wheresoever she may choose to lead him. Down, down through the dark and narrow vaults of the castle, through the sepulchre where she was buried, passing by her own coffin without stopping, up through the old armory, through coats of mail, helmets, and swords, on—on—she reaches the western tower—passes through the treasury—ascends the staircase—bolts draw, and locked doors, like silent lips, open noiselessly before. She beckons the old man on—on, to the arched door, up to the loophole in the wall looking into the bridal chamber of the ladies of the castle—there the dead form stops, and beckons him to draw near and look within.

O God! close by the wedding bed and before the great mirror, he sees his daughter in the arms of an armed man; he knows the flashing eye and broad brow of the exile; he hears her familiar voice, sweet, sonorous, and penetrating as the tones of the harmonica. A glittering blade is in the hand of the man; his daughter speaks in clear, full tones:

'Strike! strike boldly! it is not thou who dealest the blow—my father has already killed me!' She rises to meet the stroke of the keen steel of the chieftain, as if she welcomed a deliverer. The old man tries to tear asunder the loophole with his hands, but the cold granite does not move—then it seems to him he falls upon his knees, and shouts to his kinsman:

'Stop thy rash hand! I will give her to thee as wife. I will fight with thee the King of the South; do not kill her, my good daughter, my only child!'

They hear him not; a darkish light is creeping along the walls, the lamps are dying out, loud talking is heard on the gallery, the half-drunken bridegroom comes leaping and reeling on, rushes into the chamber, suddenly seems transfixed to the floor, puts his hand to his sword, but not finding it at his side, looks back, calls aloud, but no one follows him. Horror, like living death, paralyzes the old man. The bridegroom throws himself upon the exile, who exclaims solemnly, as he thrusts him aside:

'Why do you profane the peace of the dead?'

Something glitters—flashes through the air—once—twice—thrice—a faint cry—the lamps die out one after the other—a single one still burns over the great mirror, and by its flickering light the old man sees the figures of the armed man and the snowy maiden, drenched in gore, reel, totter, heave, whirl in strange confusion—grow to enormous height, mount, sink, fall. At this very moment the great clock of the palatines strikes three—and awakes the old man in the sleeping chamber of his ancestors, stretched at the foot of the escutcheoned chair.

His attendants, hearing a noise, throng into his room with hurrying steps and flaming torches; they find their lord lying prostrate on the floor with bleeding hands and agitated air. He starts to his feet, crying:

'Save my child! Kill my brother's son!' They crowd around him. 'Is it still night, or does the day really dawn?'

He staggers to the oaken table, seizes his sword, draws it from the sheath; the handle turns in his trembling hands, the blade falls to the ground; again he grasps it, while great tears rain down from his haggard eyes. The attendants cluster round him, kneel before him, and entreat him to tell them clearly what he would have them do.

'Follow me! follow me!' he pants in broken voice. He hurries to the door, half borne on by his people; passes along the corridor, wrestling with faintness and giddiness as a strong swimmer battles with the waves. The attendants gaze from one to the other, making the sign of the cross.

The swooning and delirium of the old man over, the retainers follow him as he totters on to the wedding chamber. Profound repose seems to rest upon the castle; through the wide range of open double doors the grand saloon of festival is clearly seen; the tables are deserted, and the lights dying in their sockets. The morning twilight is already stealing in through the open windows. Strange! the pages bearing the torches before the old lord come to a sudden halt; a man runs toward them round the sharp angle of the gallery; his hair is in confusion, his robe soiled and torn; no dagger in his belt nor sword at his side; his lips are blue and shivering, his brow pallid; he looks as if Death were breathing on him as he passed, and he fled in terror from the fleshless phantom.

'The father must not advance another step;' and stretching his arms toward the old man, he seizes one of his hands.

'Where is thy wife? Speak, and tell me!'

The bridegroom kneels before him: 'Stop, father; go back to thine own chamber; waken not thy sleeping daughter so early.'

'Thou sayest: 'Awake her not.' Will she ever again waken? Speak quickly. Tell me the naked truth, for evil spirits filled my sleep with dreams of terror. I saw her pleading for death, but thou wast unarmed as now; and another stood near, who murdered the child I gave thee. Speak! Was this all a horrid dream, a fearful jest of the summer's night to appal my soul?'

The bridegroom bows his head under the unendurable weight of this question. He shudders, and with lifted hand tries to turn the old man back.

'Ha! thou darest not speak—thou art silent, I know it all now. God punishes me because I have bowed to thy king, and sought alliance with thy craven blood, alien as thou art!'

The window panes rattle as the wild cry echoes from the old man's quivering lips; all present tremble at the voice of his despair. He seizes his sword with both his hands, and while it trembles in his grasp, continues:

'Art thou still silent? My fathers were the enemies of thine; had I a son, he would have been thy deadly foe. I had an only daughter—I gave her to thee—she too is gone—take all—there is no one to care for now—the inheritance is also thine.'

The sword rattles in his hands, the blade falls from his grasp, as he strikes it against the pillar near him. The bridegroom starts forward and endeavors to stay the old man. The old man pushes him off, they wrestle in their bewilderment, and struggle like wild beasts. Despair nerves the aged arms with iron strength. Young and agile as he is, the bridegroom feels the hands of his adversary pressing heavily upon his shoulders, he bends under the weight, the old man hurls him to the ground, and, no longer requiring aid from others, strides over the prostrate body. He stalks on with flashing, burning eyes, his gigantic shadow striding with him on the wall, his wide robes floating on the wind, his white hair streaming, his form winged with the courage of despair. The retainers follow, the vaulted ceilings echoing back the sharp gride of their footsteps. Only one lighted saloon now lies between them and the chamber of the ladies of the castle. The double door at the other end is thrown wide open, the walls and windows of the wedding chamber are crimsoning with the early hues of day, silence and solitude pervade them, nothing falls upon the air save the twitter of the birds and the murmur of the fountains. The old man rushes on directly to the open door and toward the reddening east.

He reaches the threshold, and the immense red face of the just risen sun dazzles his eyes. Is it the bloody Heart of God he sees pulsating through the universe? Blinded for a moment, he staggers on at random, when suddenly he sees the floor is red with blood. The dreadful phantoms of the night are again around him, no longer floating in misty visions, but glaring fixed before him in the stern light of dread reality. In the fierce blaze of its pitiless rays, he sees the dead body of his brother's son; the bloody form of his only child, his good daughter, lies pale at his feet. Like a drowning man he gasps for breath, beats the air wildly around him, as if trying to rescue himself from this hell of spectres. Then he stands motionless, as if transfixed to the spot. Awakened by the noise and rumor, guests, feudal retainers, servants, and attendants rush to the spot, each in turn to be terror-stricken at the threshold, to move within awed and silent. All eyes wander from the old lord of the castle to the stiffening corpses at his feet. They lie together now! The left arm of the exile is round the neck of his sister; her head rests on his armed bosom just above the spot where the sword still remains plunged in his breast; his right hand has fallen beside it. There was no one near to close their dying eyelids, the pupils glitter glassily in the whitening light of the ascending sun, and the blood which is everywhere around, on the bridal bed, on the coat of mail of the young chieftain, on the white robes and snowy bosom of the bride, already congeals into dark pools or crimson corals. Above this cooling stream their features rest in marble peace—a faint smile is on the lips of the young bride—while a passing thought of warlike glory still beams from the broad, pallid brow of the young hero. So tranquil their repose, the agonies of death must have seemed light to them, lost in the ecstasies of faithful spirits.

The old man continues to stand as he first stood—no groan escapes his lips, no shuddering shakes his frame. The new comers press those already present forward, but all breaths are hushed, hands are fixed steadily on sword hilts that they may not rattle, all sound is stilled—they stand in awe of that dreadful moment when their lord shall awake from his torpor, and turn to them his face of woe. How will they bear the anguish written there? despair without a ray of hope!

O God! what a miracle! He turns toward them, greets them imperiously but courteously, as was his wont, as if, absorbed in thought and doubtful of the dire reality before him, he was trying to ascertain its truth. Fever burns in his eye and flames upon his wrinkled cheek.

'Hungarian wine!' he cries.' I will drink to the health of my fellow citizens.'

No one moves, the bystanders seem turning to stone.

'Haste! This blood must be washed away before my daughter returns to her chamber. Haste, I say!'

None move, all eyes are cast down; they cannot bear the strange light in his wandering glances.

'Ah! do you not know we are all dreaming? My sleep is torpid, stubborn, accursed, but the dawn is here, and I must soon awake!'

So saying he moves out upon the gallery, where suddenly a new thought appears to strike him; he leans over the marble balustrade, looks to the right and left, then exclaims:

'Guests, we will go out to seek the young betrothed; it is strange they should have gone out to walk so early!'

He descends the vaulted stairway by which his nephew had ascended but a short time before. He stoops at the foot of the hill, picks some roses, murmuring:

'For my good child. Move silently, friends, she loved this bower of jessamines; we will surprise her here, and be the first to say good morning to the bride.'

With drooping heads his guests follow his steps as he glides along under the sad firs and stately pines. Pathways stretch before them, leading into forest depths and over mossy banks, or climbing hillsides laden with vines. The old man often calls his daughter loudly by her name; the laughing echoes answer mockingly; the followers burst into tears. Striking his forehead suddenly and violently with his hands, he cries:

'The dream! the nightmare! Why should it look to me so like truth? When will the true sun rise upon me?' Then he rushes to a sturdy pine, embraces its rough trunk with both his arms, strikes his head against it: 'Awake me, thou hard bark—awake me from this dreadful dream!' Turning back, he seizes one of the nearest of his followers by the throat, crying: 'Wrestle with thy lord, thou phantom of a servant, and wake him from his dream accursed!'

The frightened servant slips away and flees. The old man sighs, raises his eyes to heaven, an expression of submission to a divinely appointed torment shines for a moment upon his quivering features, as if he humbly offered to God the tortures of this cruel dream in penance for his sins. He walks on calmly for a while, then says:

'The bride is certainly on the lake; we will find her there.'

The sun is fully up now, drinking the dews from the leaves, and lighting up the waves of the lake with splendor. Large beaked boats with heraldic banners are rocking in the coves. Fastening the roses he had gathered for his child in his bosom, he walks to the shore, with fever burning more and more vividly in his face. No one ventures to suggest a return to the castle. Accustomed to obey the unbending will of their lord, they still pay homage to it, though it is no longer a thing of this world. Dark as midnight seems the day dawn to them; their own brains seem seething into madness.

'Perhaps she sails in one of her own light boats round the lake with her husband; she may be behind the fringe of willows, or among the little islands. Hallo! six of you take the oars; we will soon find her.'

They obey, he seats himself within, they push from shore.

'Why do you breathe so hard and look so weary to-day; is the water heavier than of old?'

They answer not, but row more rapidly. The larger boats are filled with guests and retainers; many follow the old lord, many remain on shore from lack of room. One after another the islets fly behind and hide themselves from view, with their circling wreaths of reeds and sedges. Rocks and bowlders are scattered over many of them, once sacrificial altars of old and cruel gods, now draped with hanging weeds and trailing mosses. Flocks of wild birds are startled up as the boats draw near them, frightened by the noise and plashing of the oars. Black clouds of them hang over the boat of the old man at every turn among the labyrinth of islands. He claps his hands:

'Here! we will surely find her here!' And when nothing is there to be seen, he asks the winds: 'Where is my child—my good and beautiful child?'

Having sailed round and round the whole group of islands, he orders them to row out into the middle of the lake, and then make for the other shore. He sinks into silence now; he leaves the helm, throwing himself suddenly down into the boat, while a ghastly pallor settles on his venerable face. He stretches his hand into the water, dives into it with his arm, listens to the rippling of the waves, then bursts into a loud scream of wild laughter. The oarsmen stop, in hopes he will order the boat to return to shore. He does not speak, but rises up and looks, first back at the boats following after, then at the mountains, the plains, the forests, the gardens, the ancestral castle. Constantly striking his palms together or rubbing his head with his hand, he exclaims:

'Who will waken me? I dream! I dream! I must, I will awake!'

The oarsmen shudder. Then, collecting his whole remaining force, he flings himself violently into the depths. Three of the men instantly plunge in after him; those in the boats hasten to the rescue. Having seen what had happened, they gaze upon the spot where the whirling, whistling waves were closing over the old lord and his faithful servants. The bold divers reappear, bearing in their arms the castle's lord. Under the heraldic banner they lay the last heir of the haughty House. In vain they try to resuscitate the venerable form; the dream is over now, but the mortal life remains under the blue waves of the ancestral lake.

The foreign prince inherits the ancient castle with all its treasures, the glories of the honored name, the entire Past of a noble race. He buries the bodies of his virgin wife and haughty father-in-law with funereal pomp and honor; but orders the corpse of the exile to be roughly thrown into unhallowed ground. In the very hall in which he had spent the first night of his bridal, surrounded by gay revellers, pledging full cups of ruby wine, with light jests flying from reckless lip to lip—he spreads, with the same comrades, the solemn Feast of the Dead. When the next dawn breaks upon them, mounting their vigorous steeds, they all ride back to the court of the King of the South. The king rejoices in his heart, giving thanks to the Fates that his leal subject has inherited vast wealth, and that the alien family, powerful through so many centuries, is extinct forever.

In the clefts of the mountains they remember and honor the young chieftain, whose body had been thrown into unhallowed ground. They know that his dishonored grave lies on that side of the castle through which will pass their path to victory; and they will plant the cross of glorious memories upon it as they march to the assault to drive the foreigner from the Home of his loyal ancestors. Eagles and vultures, led by some mystic instinct, are often seen to fly from the mountains to the towers and turrets of the castle. It is certain that in some not distant day the comrades of the chieftain will pour with resistless strength into its doomed walls.... Let another chant to you the Hymn of victory; I have sung the Dirge of agony!

Unhappy maiden! thou vanishest like a thought which cannot shape itself in any language known on earth, a dream of early love! Thou wouldst not lose thy snowy wings, and they bear thee on the whirlwind's track, where the mists fly, the clouds sail, the sound of harps dies, the leaves of autumn drift, the breath of sighs vanishes! Martyr to thine own dream of plighted faith, they bury thy fair form in ancestral earth; perchance the sculptured marble presses on thy faultless brow, for on its snow they grave the hated foreign name borne by thy alien husband! But the grass and wild flowers will soon grow unheeded around it, and in the green and flourishing world of the ever vanishing, thy name is never spoken.

On the very morning of thy death, the seven old men to whom obedience was commanded by the chieftain, curse thee because thou borest away with thee the soul of their hero. In their addresses to the people, with scorn and scoff upon their lips, they sneer and call thee 'WOMAN;' but the people weep, and pray: Lord Christ, Son of the Virgin, give to the maiden ETERNAL PEACE!