INDEX

Adoration of the Magi (S. Agostino, Siena), 50, 80, 91, 116, ill. 50

Alexander, Family of Darius before (Farnesina), 35, 114, ill. 34

Alexander, Marriage of (Farnesina), 33, 114, ill. 32;

sketches for, 34, ill. 32

Arduini, The, their lawsuit against Sodoma, 80, 91

Aretino, Pietro, his friendship with Sodoma, 33

Ascension (Trequanda), 81, 131

Assumption of the Virgin, The (San Bernardino), 49, 117, ill. 50

Balducci, apprenticed to Sodoma, 47

Bazzi, Giovanni Antonio. See Sodoma

Beccafumi, 3, 71;

associated with Sodoma, 48

Bernazzano, 14

Biers, Panels for, by Sodoma, 62

Biringucci, Vannoccio, 80

Birth of the Virgin (Carmine), 82, 118

Bramantino, 27

Brazzi, Lorenzo, pupil of Sodoma, 47

Bruzza, Don Luigi, on Sodoma’s early life, 3-6

Camera della Segnatura, Sodoma’s decorations in, 27, 28, 113, ill. 26

Carracci, Annibale, 3, 81

Cesare da Sesto, 14

Charity (Berlin), 46, 62, 107

Chigi, Agostino, 3, 26, 27, 29, 32

Chigi, Prince Mario, 36

Christ bearing the Cross (Monte Oliveto), 19, 130

Christ bound to the Column (Siena Gallery), 2, 21, 43, 116, ill. 44;

(Monte Oliveto), 19

Christ, Head of (Nat. Gallery), 92, 104

Christ in Hades (Siena Gallery), 21, 61, 115, ill. 60

Circumcision, The, by Signorelli, 86, 93;

the Child repainted by Sodoma, 86, 93

Coronation of the Virgin, The (Monte Oliveto), 19, 129;

(San Bernardino, Siena), 117, ill. 50

Darius, the Family of, 35, 114, ill. 34

Della Quercia, Jacopo, 10

Del Piombo, Sebastiano, 23, 32

Descent from the Cross, The (Siena Gallery), 12, 115, ill. 12

Descent into Hades (Siena Gallery), 21, 61, 115, ill. 60

Farnesina, Building of the, 32;

frescoes in, 32, 33

Female Portrait (Frankfort), 23, 107

Ferrara, Alfonso, Duke of, 52, 54

Flagellation of Our Lord, The, 43

Gethsemane (Siena Gallery), 61, 115

Gianpietrino, 14, 46

Giovanone, 7

Gonzaga, Marquis Francesco, 45, 53

Holy Family (Vercelli), 13, 131

Holy Family with S. John, etc. (Capt. Holford), 14, 105;

(Col. Cornwall Legh), 14, 105;

(Villa Borghese), 80, 113, ill. 82

Holy Family (Genoa), 94, 111;

(Hospital, Siena), 95, 123

Judgment of Pilate, The, 43

Last Supper, The (Monte Oliveto, Florence), 41, 110, ill. 40

Leda (Villa Borghese), 21, 37, 113;

drawings for, 37, 62

Leo X., 3, 40

Leonardo da Vinci, Influence of on Sodoma, 7, 35;

picture of Leda attributed to, 37;

drawings of Leda, 37, 38;

at Piombino, 40

Lorenzetti, Ambrogio, 70

Lorenzo di Credi, 14

Lucretia, Paintings of, by Sodoma, 45, 46

Madonna and Child (Brera), 28, 29, 111, ill. 28;

(San Gemignano), 32;

(Turin), 38, 130;

(Munich), 39, 107;

(Ginoulhiac collection, Milan), 57, 112;

(Vaprio), 55, 131;

(Villa Borghese), 81, 113, ill. 82;

(Nat. Gallery), 92, 104;

(Bergamo), 94, 108;

(Layard collection), 94, 131;

(Mrs. Richter), 10, 96, 106;

(Asina-Lunga), 81, 108

Madonna and Child with Saints (Turin), 31, 130, ill. 30;

(Pisa), 88, 113, ill. 88

Madonna in Glory with Saints (Uffizi), 60, 109, ill. 60

Madonna and S. Leonard (Palazzo Pubblico), 80, 81, 121, ill. 80

Madonna and Child with S. John (Palazzo Pubblico), 81, 121, ill. 82

Madonna with S. Peter and S. Michael (Monte Oliveto), 20

Magagni, Girolamo, pupil of Sodoma, 47, 67, 68

Male Head (Bergamo), 94, 108

Melozzo da Forlì, 28

Melzi, Francesco, 55

Michelangelo, 9, 27, 32, 35

Miracle of the Loaves and Fishes (S. Anna in Creta, Siena), 16, 124

Monte Oliveto (Siena), Frescoes by Sodoma at, 18-23

Morelli, Analysis of Sodoma’s characteristics by, 23-25

Nativity, The (Siena Gallery), 13, 115, ill. 14;

(Porta San Viene, Siena), 76, 123

Pacchia, Frescoes in San Bernardino by, 48, 50

Pacchiarotto, fresco of San Bernardino by, ill. 56

Penitent Magdalen (Dr. Frizzoni, Milan), 56, 111

Persecution of Rhea Silvia, The (Chigi Palace, Rome), 36, 114

Peruzzi, Baldassare, 32, 46, 65, 85

Petrucci, The, of Siena, 53, 57

Phaeton, The Fall of (lost picture), 85, 96;

drawings for, 85, 86

Piccolomini, Portraits of the, 51

Pietà (Pisa Cathedral), 13, 87, 112;

(S. Anna in Creta, Siena), 17, 124;

(Monte Oliveto), 20;

(Villa Borghese), 63, 113;

(Casa Bambagini), 64, 123;

drawings for, 63, ill. 62;

(Costa collection), 94, 110;

(San Tommaso, Milan), 94, 112

Pinturicchio, 9, 26

Piombino, Prince of, 3, 40, 83, 96

Presentation in the Temple, The (San Bernardino), 48, 117, ill. 48

Procession to Calvary, The (Siena, Villa Griccioli), 61, 124

Raphael, Portrait of Sodoma in the School of Athens by, 3, 28;

frescoes in the Farnesina, 32;

influence of on Sodoma, 35, 36, 72;

portrait drawing of Timoteo Viti wrongly attributed to, 93

Resurrection (Palazzo Pubblico), 78, 121, ill. 76;

(Naples), 79, 112;

study for, 94

Riccio, son-in-law of Sodoma, 30, 47, 71, 87

Roxana, Alexander and, 33, 114, ill. 32;

study for, ill. 32

Sacrifice of Isaac (Pisa), 87, 112, ill. 86

S. Anna in Creta, Siena, frescoes by Sodoma at, 16, 124

S. Anne Enthroned (S. Anna in Creta, Siena), 17, 125

S. Ansano (Palazzo Pubblico), 71, 120, ill. 72

S. Benedict, Scenes in the Life of (Monte Oliveto), 18-22, 125-129, ill. 16, 18, 20

San Bernardino, Frescoes in the Oratory of, 48, 117

San Bernardino, by Pacchiarotto, ill. 56

San Bernardo instituting his Order (Monte Oliveto), 20, 130

S. Catherine, Scenes in the Life of (San Domenico), 64, 66, ill. 64, 66, 68

S. Catherine, The Vision of, 2, 65, 119, ill. 64

S. Christopher (Spada Gallery, Rome), 36, 114;

study for, 94

San Domenico, Siena, Sodoma’s work in, 64-67, 119

S. George and the Dragon (Sir F. Cook), 46, 51, 54, 105

S. Ives (San Gemignano), 31, 111

S. Louis of Toulouse (San Bernardino, Siena), 118, ill. 54

S. Sebastian (Uffizi), 2, 21, 58, 109, ill. Front., 58;

(Spanish Chapel, Siena), 74, 122

S. Victor (Palazzo Pubblico), 70, 71, 120, ill. 70

Salutation, The (San Bernardino), 49, 117, ill. 48

School of Athens, The, by Raphael, 3, 28

Scorel, Jan, 23

Signorelli, Frescoes at Monte Oliveto, by, 18;

his Circumcision, 86, 93

Sodoma, disliked by Vasari, 2, 3;

highly esteemed by contemporaries, 3;

his birth, 3;

apprenticed to Spanzotti, 6;

influence of Leonardo on, 7;

work at Siena, 8;

his love of animals, 10, 22;

early works, 10-14;

portraits, 15;

frescoes at S. Anna in Creta, 16;

frescoes at Monte Oliveto, 18-22;

female portrait at Frankfort, 23;

Morelli’s analysis of the characteristics of, 23-25;

taken to Rome by Chigi, 27;

decorations in the Camera della Segnatura, 27, 28;

return to Siena and marriage, 29;

second visit to Rome, 32;

friendship with Aretino, 33;

frescoes in the Farnesina, 33-36;

influence of Leonardo and Raphael on, 35, 36;

visit to Piombino, 40,

and Florence, 40;

fresco of the Last Supper, at Monte Oliveto (Florence), 41;

origin of his name, 42, 43;

frescoes at San Francesco, 43;

Christ bound to the Column, 43, 45;

his treatment of the human figure, 44, 45;

Lucretia, 45;

made Cavalliere di Cristo by Leo X., 45;

Charity, 46;

his pupils, 47;

the San Bernardino frescoes, 48;

the Adoration of the Magi, 50;

S. George and the Dragon, 51;

disappearance from Siena, 53;

doubtful works at Milan, 55;

return to Siena, 57;

S. Sebastian, 58-60;

frescoes in San Domenico, 64-67;

action against Magagni, 67-68;

decorations in the Palazzo Pubblico, 70 et seq.;

frescoes in the Spanish chapel, 72, 73;

made a Count by the Emperor, 75;

other frescoes in Siena, 75;

later works, 80-88;

comic list of his possessions, 82;

last commission from the Signoria of Siena, 83;

friendship of the Prince of Piombino for, 84;

at Volterra, 85,

and Pisa, 87;

his death, 88;

portraits of himself, 90-92;

works in English collections, 92, 93;

minor works, 94;

lost pictures, 95, 96;

general character, 97

Sodoma, Portraits of, by himself, 90, ill. 90

Spanzotti, Sodoma apprenticed to, 6

Tamagni, Vincenzo, 30

Tolomei, San Bernardo, 64, 72, 77, 121

Tizioni, The, 6

Vasari, his dislike of Sodoma, 2, 3;

account of Sodoma’s eccentricities, 10;

his injustice to Sodoma, 43

W. H. WHITE AND CO. LTD. RIVERSIDE PRESS, EDINBURGH