INDEX.

Accurate knowledge of Shakespeare, 2, 3. Actors preceded by drums, 163; by trumpets, 164, 167, 168. Actor's Remonstrance, The, 19. Aguecheek, Sir Andrew, a musician, 29. 'Alas, my love,' 194. Alarum, 165, 166. All's Well, 120, 133, 163, 205. Alman, a dance, 115, 170. Amateurs, 17th cent., 13, 14, 47. 'And will he not come again,' 77, 197. Anthems, practised by Falstaff, 85. 'Anthoinette,' galliard tune, 143. Antony and Cleopatra, 152, 159, 162, 166, 175. Arbeau, see 'Orchésographie.' Arch-Lute, 56, and frontispiece. Arena, Anthoine, 139. As you like it, 72, 73, 77, 93, 94, 126, 155, 157, 193, 203. Autolycus's songs, 72, 191, 192. 'Ayres' for lute, 55, 187. Bacon, Masque and Triumph, 31. Bacon, Sylva Sylvarum, 31. on the Recorder, 31, 50. Bagpipe, 78, 81, 96, 98, 102. Ballads, 20, 70 ff, 86, 97, 98, 200. Ballad of Constant Susanna, 189. Ballete, combined dance and song, 113. Ball-room etiquette (1588), 138, 139, 140, 144. Bannister, Mr, 191. Bandore, sort of lute, 170. 'Banket,' 16th cent., 5. Barber's shop, music in, 7, 18, 19. Bars, invention of, 34. Base (bass), quibbles on, 27, 60. Bass descant, 185. Basse dance, 137-141. Beaumont, Gray's Inn Masque, 36, 171. Beaumont and Fletcher, Coxcomb, 16. Beaumont and Fletcher, Valentinian, 171. Beak-flute, 50, 52. 'Bear his part', 16, 22, 79, 80. Play his part, 12. Sing his part, 14. 'Bene's,' the three, 8. Bergamasca, 114. Blacke Saunctus, 10. Boleyn, Anne, 10. Bonduca, catch in, 17. 'Bonny sweet Robin,' 77, 196, 197, 198. 'Boute-selle', 210. Bow, viol, 48, and frontispiece. Branle, Le, dance step, 139. Bransle, dance (brawl), 115, 147-148 (tune and steps), 149. Brant, 'Ship of Fools,' 96. Brawl, dance, 115, 118, 119, (derivation), 123, 208. Breast, i.e. voice, 88. Bridge, Dr J.F., Shakespeare Songs, 87, 93, 171. Broken music, 30-32, 103, 104, 125, 187. Broken time, 32, 33. Bull, Dr John, 54, 114, 117, 124, 125, 136, 201, 205. Burden, 22, 23, 24, 26, 69, 78, 82. Burden, 'Light o' love' without a, 24, 26, 71. Burney, 36, 195, 196. Bussing base, 16, 24. 'But shall I go mourn,' 72. Byrd, William, 54, 76, 124, 171, 195. 'By a bank,' 26. Canary, dance, 118, 119, 120, 146 (tune and steps), 208. Canaries, see Canary. Cannon, on stage, 165, 168. Canon, 10, 20. 'Canst thou not hit it,' 200. Caper, to, in a galliard, 121, 124, 138, 143. Carey's Dump, My Lady, 128, 207. 'Carman's whistle,' 76, 195. Catch, 16, 17, 18, 20, 65, 69, 77, 87, 88, 89, 90, 91, 92, 198, 199. Caulfield, Collection of Shakespeare music, 77. Censorinus, on music of Spheres, 153, 154. Cerreto, Scipione, see Lute, 55. Chamber music, 12-14, 15, 47. Chappell, 9, 31, 36, 74, 111, 192. Charles I., 11, 12. music in time of, 2. Chaucer, 65, 129. Chelys Minuritionum, 29, 30. 'Chest' of viols, 45-49. Chorus, or dance, of heavenly bodies, 154-6. Christopher Sympson, see Sympson. Cinquepace, 121, 122, 142 (tune and steps), 202, 208. Cittern, in barber's shop, 18, 19, 170. Cittern, carved head of, 19. Clavichord, 67, 68. Clergy and Music, 8, 9, 13, 15. 'Cliff' (clef), 40. Cobbler's Jig, The, 118, 125, 205. Comedies, Music in the, 4, 169. 'Come live with me,' 188. Compendium, Sympson's, 116, 117. Compositions by Henry VIII., 9. Comus, Milton's, 171. 'Conceits,' 101. Concolinel, 70. Concord, 27, 32. Congee, or Congedium, 139. Consorts, 'broken' and 'whole,' 31, 48, 55, 125. Consort, of viols, 31, 98, 117. Coperario (J. Cooper), 12, 36, 47, 171. Coranto, dance, 115, 116, 118, 121, 122 (derivation), 123, 124, 126, 136, 149-150 (tune and steps). Coriolanus, 166, 167, 176. Cornet, 170, 179, 180, and x. Cornet playing, 17th cent., 179. Cornyshe, W., 66. Corydon's Farewell to Phillis, 190. Cotgrave, on 'freeman's songs,' 83. 'Counter,' to, 66, 68, 97, 98. Country Dance, 115, 116, 122, 123, 126. Courante, 208. Curranta (courante, coranto), 7. Cushion dance, 118, 126. Cymbals, 176. Cymbeline, 73, 100, 109, 110. Damon and Pithias, 16. Dances, 16th cent., 137-151. Dance music, 139, 144, 145, 200, 201 ff. Dances in Shakespeare, 113 ff. Dances, sung, 113, 115, 118, 119, 145. Dancing, time of Elizabeth, James I. and Charles I., 118. Dances of 16th cent., origin of Sonata form, 113. Dancing Schools, English, 136. Dancing, to tabor and pipe, 78, 120, and frontispiece. Davenant, The Wits, 17. Davies, Sir John, on dances, 123, 124. Declaration of Egregious Impostures, 17. Dekker, Satiromastix, 164. Delaborde, 119. Descant, 6, 8, 22, 23, 25, 27, 29, 41, 42, 67, 68, 185. Descanters, contention of, 6. Descant on a "ground," 29, 30. Deuteromelia, Ravencroft's, 83. 'Diabolus est,' 37, 186. Diapason, 22, 23, 153, 154. Diminution, see Division. Dinner party, 16th cent., 5. Dinner, music during, at taverns, 20, after supper, 105. Dirge, 109, 110, 111. Discord, 'restless,' 22, 23, 'harsh,' 28. Division, 28-30, 35, 36, 57, 185, 186. Division, quibbles on, 28, 35, 36, 186. Division viol, 29, 30. Doquet, see Tucket. Drayton, Battle of Agincourt, 16. Drone, 23. Drum, in dancing, 139, 145. and fife, 160-162. military, 162, 163, 172-175. Drums, in theatre band, 176. Drum March, 172-175, 208. Dulcimer, 176, 177. Dump, dance, 22, 23, 59, 61, 98, 127, 128 (derivation), 130, 170, 207. quibble on, 22, 130. Dupla, 33, 34. Ear, musical, 32, 100. Edward VI., 10. Edwards, Richard, 73, 128, 169, 193. Elizabeth, Queen, 10, 11, 15, 53. Elizabethan public-house song, 17, 20. Elizabethan times, music in, 2, 4-8, 16, 113, 114 (dances) ff. Erasmus, 9. 'Evening music,' 99, 101. 'Excursions,' 165. Falstaff and his crew, musicians, 41-43, 76, 85. 'Fancies,' for viols, 47, 76, 101, 117. 'Farewell, dear heart,' 72, 89, 190. 'Farewell, master,' Caliban's Song, 73. Faustus, Marlowe's, 178. 'Fayned' music, 67, 69, 97, 98. 'Fear no more the heat of the sun,' 73, 110. Fellowships at Cambridge, musical qualification for, 8, 9. Ferrabosco, 171. Fiddle, 49, 124. Fidler, 'common,' 'rascal,' 13, 59. Fidlers, 7. Fidles, 170, 171. Fife, 160-162, 176. Fingering, on lute, 58, 60, on viol, 44, 101. 'Fish,' ballad of a, 72, 79. Fitzwilliam Virginal Book (known as Qu. Elizabeth's) 11, 54, 123, 192, 195, 196. Flageolet, see Recorder. Flats, 27, 69. 'Flemish Drunkards,' 66, 199. Florio, on threemen's songs, 83. Flourish, 165, 167-8, 178, 179 (of cornets), 208. 'Flout 'em and scout 'em,' 77, 78, 91. Flute, 31, 96, 98, 145, 169, 170, 171, 176. 'Fools had ne'er less grace,' 72. 'Fortune my Foe,' 76, 195. Freemen, see Threemen. French dancing, 136-151. 'French fiddles,' 49. French march, 209. Frescobaldi, 123. Fret, quibbles on, 51, 58. Frets, 19, 25, 45, 46, 56, 58. Galliard, 114 (follows Pavan), 115, 116 (derivation), 121, 122, 123, 124, 126, 134, 138 (par terre), 142 (tune and steps), 148, 170, 201, 202. Gallimaufry, 80, 84. Gammer Gurton's Needle, comedy, 170. Gam-ut, 39, 40, 60. Gaufurius, 34. Gentlemen and music, 5-8, 10, 12, 13-15, 20, 29, 47, 49, 50, 97, 98, 101. 'Get you hence,' 72. Gibbons, Orlando, 54, 108, 124. Giraldus Cambrensis, 83. Gnorimus, master, 5, 6. 'Good morrow, 'tis St Valentine's day,' 77, 196. Goodnights (dirges), 76, 109, 110. Gosson, Schoole of Abuse, 20. Gout, morisque bad for the, 151. Gower, 65. Grand Bal, Le, 144. 'Green Sleeves,' 74, 75, 194. 'Gregory Walker,' 7. Ground Bass, 29, 30, 185. Grove's Dictionary of Music, 113, 145, 192. Guido d'Arezzo, 37. Hamlet, 50-52, 76, 77, 125, 167, 172, 196-198, 205. Hanskin, 192. 'Harmonious Blacksmith,' 28. Harp, 65, 96, 98. Harp, Irish, 31. Harpsichord, 29, 30, 176, 185. Harpsicon, 13. Harsnet, on catches, 17. Harrington, Sir John, 8, 10. Hautboys, stage direction, 169, 175, 176, 209. Hautboys, 144, 145, 159, 171, 176, 177, 209. Hautboy, case of a treble, 76, 177. Hay, dance, 131, 150 (tune and steps), 204, 205, 208. 'Heart's Ease,' 73, 129, 193. 'He is dead and gone,' 196. Henry, Prince, brother of Charles I., 8, 173. Henry IV., Part I, 81, 172, 182. Henry IV., Part II, 70, 76, 105, 107, 109, 117, 177, 195. Henry V., 31, 32, 41, 63, 114, 123, 129, 133, 136, 165, 166, 167, 172, 178, 180, 181, 182, 202, 210. Henry VI., Part I, 56, 165, 166, 172, 182, 183, 208, 209. Henry VI., Part II, 166, 172, 182. Henry VI., Part III, 175, 182, 183. Henry VII., Singing in time of, 65-69. Henry VIII., a musician, 9, 10, 14, 26. Henry VIII., 49, 73, 109, 110, 126, 139. Herbert, George, 12. Hexachord, 37, 187. 'Hey, Robin, jolly Robin,' 190. Hilton, John, 77. History of music in Shakespeare, 2, 3. 'Hold thy peace,' 77, 198. Holofernes' head, 19. Horn, 169. Horns, stage direction, 182, 183, 211. 'How should I your true love know,' 77, 196. Hugh, Parson, 187. Hum, to, a burden, 22, 23, 24. 'Hundredth Psalm,' 75. Hunsdean, Lord, 11. 'Hunt is up, The,' 73, 192. Hunts-up, 73. 'I shall no more to sea,' 73, 191. 'I'm gone, Sir, and anon, Sir,' 190. Inglesant, John, Mr Shorthouse's, 2, 29. Instrumental Music, amongst lower classes, 18-20, amongst higher classes, 9-15, in barber's shop, 18, 19, in taverns, 19, 20. Instrumental music, descended from Vocal Dances, 113, 116, 117. Instrumental music, England supreme in, 117. Introduction, Morley's, 4-7, 8, 18, 23, 185. Irish Harp, 31. 'It was a lover and his lass,' 93. Ives, Simon, 171. 'Jack boy, ho boy,' 77, 92, 199. Jacks, 54, 68. James I., music in time of, 11. Jaques, a hater of music, 93, 94. Jenkins, John, 47, 72. Jig, dance, 116-118, 121, 123, 124, 125. Jig, The Cobbler's, 205. Jigg, The King's Hunting, 205. Jocasta, by Gascoyne, 170. 'Jog on,' 72, 192. Johnson, Robt., 112, 171. John, King, 95, 163, 182. Jonson, Alchemist, Silent Woman, 18, Masques by, 171. Julius Cæsar, 108, 166. Jusquin (Josquin des Prés, died 1521), 10. Ken, Bishop, 13. 'King and the Beggar,' Ballad of the, 70. King's Coll., Camb., Master of, in 1463, 9. King's Hunting Jig, The, 117, 125, 205. Kircher, 176. 'Knell,' Qu. Katherine's, 110-112. 'L'homme armé,' 85. Lacy, Henry, Jane Shore, 171. Lark, out of tune, 28. Lavolt, 208. Lavolta, dance, 115, 124, 136, 148, 149 (tune and steps). Lawes, Henry, 171. Lawes, William, 47, 171. 'Lawn, as white as,' 72. Lear, 35, 36, 72, 181, 183, 186. Le Roy, Adrian, see Lute, 55. 'Lesson,' i.e. a piece of music, 54, 60, 62, 76. 'Lesson' for the Lute, 187. Lessons in music, 5, 6, 58-60, 62-64. 'Light o' love,' 24, 26, 70, 71, 187. Locke, Matt., 31, 125. Lollards, 86. Love song, 55, 78, 81, 82, 88, 96. 'Love, love, nothing but love,' 72. Love's Labour's Lost, 19, 70, 115, 118, 119, 131, 200, 204. Lower classes, music amongst, 15-20. Lucrece, 22-26, 127, 166, 185. Lully, 119, 209. Lute, 9, 10, 12, 30, 31, 55-61, 67, 68, 69, 73, 96, 98, 108, 109, 171. Lute, objections to, in 17th cent., 56, 61. Pavan for, 204. tuning of, 55, 60, 61. Lute-case, 41, 42, 129. Lutenist, 13. Lyly, on music at feasts, 20. Macbeth, 166. Mace, Thomas, 45, 46, 55, 56, 187 Mad Songs, 36. Madness and Music, 32, 35, 64, 107. March, military and national, 172-175, 208, 209. Marlowe, 188. Mary, Queen, 10. Mascaradoes, music in, 115, 145. Masque, 115, 145, 159-161, 171. Masque and Triumph, Bacon's Essay on, 31. May day customs, 132, 133, 161. Mean, 27, 67, 84. Measure, stately dance, 121, 123, 125-127, 203. Measure for Measure, 157. Méhul, 'Le Jeune Henri,' 183, 211. Melvil's Memoirs, 11. Melancholy of musicians, 156, 157. Memoria Technica for step dance, 141. Merchant of Venice, 81, 102, 155, 157, 160, 168, 180. Merry Devill of Edmonton, The, 17. Merry Wives of Windsor, 43, 71, 74, 76, 119, 120, 188, 194, 195. Mersennus, 52, 80, 161, 174, 177, 179. Metaphors, musical, in Shakespeare, see Quibbles. Mi Contra Fa, 186. Mi, to place the, 38, 69. Micrologus, Guido's, 37. Micrologus, Ornithoparcus's, 34. Midsummer Night's Dream, 52, 114, 119, 160, 162, 167. Military music, 162, 208, 209. Milton, 105, 155, 171. Minim rest, 43. Miracle Play, 1512, music in, 169. Monochord, 66, 68. Monteverde, 47, 133, 206. Moresca, Morisque, see Morris. Morley, Thomas, 'Introduction,' 4-8, 18, 23, 33, 34, 41, song, 93, dances, 113-116, 122, 124, 136, descant, 185. 'Morning Music,' 100, 101, 102. Morris, dance, 132, 133, 151 (tune and steps), 205, 206, 208. Mouton, middle 16th cent., 10. Much Ado, 24, 70, 71, 81, 121, 125, 161, 162, 187. Music at home, 107-109. and disease, 106, 107. and Manners, 5-8, 49, 67, 68. Music and madness, 32, 35, 64, 107. Music-masters, 5, 6, 14, 40, 58-60, 62-64, 66-68. 'Music of men's lives,' 32. 'Music,' stage direction, 169-171, 175, 208. Music, in time of Charles I, 2, 47. Music, two views of in Shakespeare, 2. Music, Lessons in the fields, 6. Music at University, 7-9, 12-14. Music in barber's shop, 18, 19. Music in taverns, decay of, 19, 20. Music, lesson, of an hour, 59. Musica Ficta, 69, 98. Musical England, 20, 25, 47, 53, 54, 55. Musical 'at home,' 16th cent., 5. Musicians, Royal, 9-12. Musick's Monument, 45, 46, 56, 187. 'My heart is full of woe,' 73, 130. 'My Mistress,' for Lute, 187. 'My Robin is to the greenwood gone,' 198. Nativity Hymn, Milton's, 155. Nebel, see Psaltery. Nevell's, Lady, Virginal Book, 54. Nightingale, descants, 22, 23. kept awake with thorn, 22, 26. Nimble notes, 22, 23. Noise, i.e. concerted music, 105, 106. 'Note-splitting,' 28. Note, to give a, 26, 27. 'O Death, rock me to sleep,' 111, 112. 'O heart, heavy heart,' 72. 'O mistress mine,' 87. 'O sweete Olyver,' 73, 193. 'O! the twelfth day of December,' 72, 89. Old Wives' Tale, Peele's, 16, 189. Oldcastle, Sir John, 86. Ominous music, 159. Ophelia's songs, 76, 77, 196-198. 'Orchésographie,' Arbeau's, 113, 119, 120, 122, 124, 137-151, 205, 206. Orchestra, poem by Sir John Davies, 123. Organ, in chamber music, 13, 30, 31, 48, 170 (on stage), 185. Ornithoparcus, 34. 'Orpheus with his lute,' 73. Othello, 102, 161, 166, 182. Oxford, music at, 12-15. Pageant of the Nine Worthies, 131. Pammelia, Ravenscroft's, 17, 18. Pandarus's songs, 72. Pandarus, a musician and singer, 103, 104. Paradise Lost, 155. Paradyse of daynty Devises, 73, 74. Parley, 182. Parthenia, 54, 108, 114, 123, 201. Part-songs by Henry VIII., 9. Parts, vocal, 5, 7, 24, 25, 65, 72, 79, 80; instrumental, 103. Passamezzo, see Pavan. Passamezzo Pavan (Passy-measures), 114, 126, 134, 145, 201, 203. Pasqualigo, letter of, 9. Passionate Pilgrim, 71, 188. Pavan, dance, 108, 113 (for voices), 114, 116 (with Galliard), 134-136, 144-146, 201-204. Pavan, mode of dancing, 134, 144. Pavan, 'quadrant,' 7. Pavan, 'strains' of a, 23, 114, 135, 136, 144. Pavane d'Espagne, see Canaries, 146. Peal of horns, to wind a; see Horns, 211. Peele, Old Wives' Tale, 16, 189. 'Peg-a-Ramsey,' 71, 89, 188. Percy's Reliques, 83, 190, 196. Pericles, 44, 64, 101, 107, 152. Pes, or burden, 24. Philomel, 22. Pipe, with tabor, see frontispiece, 78, 80, 81, 97, 98, 161, 162, 169. Pipes, 129; of cornstalk, 162. Pipers and fiddlers, unprofitable, 20. Pizzicato, 30. Plain and Easy Introduction to Practical Music, 4-8, 23, 113-116. Plain song, 6, 8, 41, 42, 50, 67, 69, 185. Plain song book, 6. 'Play his part,' see 'Bear,' 12. Playford, John, 12, 45, 189. Plays of Shakespeare with references to music, 4, et passim. Plays, introduced by trumpets, 164. Plays with music, 1586 to 1642, 171. Popular Music, Old English, Chappell's, 9. Praetorius, 122, 134. Price, John, 80. Prick-song, 15, 25, 41, 67, 69, 185. Professional musicians, 17th cent., 13, 14, 130. Proportion, 6, 7, 32, 33, 34; 153, Pythagoras on musical. Psalmody, metrical, 85, 86. Psaltery, 176. Psychology of music in Shakespeare, 2, 152-158. Public-house song, Elizabethan, 17, 20. Punctus, see Prick-song. Puns, see Quibbles. Pupil and master, 5, 6, 7, 58-60, 62-64. Purcell, Bonduca, 17, 36, 171. operas, 176, 182, 183, 211. Purcell, catch, 77. canaries, 120. Puritan, sings psalms to hornpipes, 84. Pyramus and Thisbe, a masque, 160, 167. Pythagoras, on music of spheres, 152-156. Quadrant Pavan, 7. Quadrupla, 33, 34. Quibbles, verbal, on musical terms, 4, 22, 23, 24, 26, 27, 28, 32, 36, 39, 40, 43, 44, 51, 53, 60, 76, 87, 88, 89, 93, 99, 103, 104, 120, 121, 122, 126, 127, 128, 129, 130, 135, 163, 183. Quiddle, to, 16. Raye, see Hay. Rebeck, 129. 'Record,' use of the word, 50. Recorder, 31, 50-53, 170, and frontispiece. Regals, a small organ, on stage, 170. Rehearsal, The, (comedy), 131. Rests, 22, 23. Retreat, stage direction, 171, 172. Ribible, 129. Richard II., 32, 48, 127, 182. Richard III., 166, 167, 168. Rimbault; Mus. Antiq. Soc., 36, 171. Rimbault's 'Rounds, Canons, and Catches', 17, 72, 83, 94. Romeo and Juliet, 43, 73, 110, 129, 185, 192, 193. Rotybulle Joyse, 67, 68, 69. Round, dance, 123, 125, see Hay. Round (catch), 16, 17, 18, 23, 24, 69, 72, 91, 94. Royal musicians, 9-12. Sackbut, 144, 176. Salary of musicians in taverns, 19, 104. Salary for a singer, 86, 87, 88. Saltarello, dance, 84, 115. Saltiers, company of dancers, 80, 84. Saraband, dance, 116. Satiromastix, by Dekker, 164. Sault majeur, in galliard, 124, 138, 143, see Caper. Sault majeur, in lavolte, 149. Scale, notation of, 37-40. Scamps in Shakespeare, mostly musicians, 92, see Falstaff, Stephano, Pandarus, Toby, Autolycus. Scotch Jig, 125. 'Scurvey tunes,' 191. Selden, on dances, 118, 126. Sellenger's Round, 54. Sennet, 168, 178 (derivation), 210. Serenades, 55, 96 ff, 128. Serpent, 179, 180. Sesquialtera, 7, 33, 34. Sesquitertia, 33, 34. 'Set,' to, (of pitch), 26, 27. quibble on, 27. Shakespeare, trustworthy in musical matters, 1, 2, 3. Shakespeare, passages on music classified, 21. Sharps, 26, 27, 28. Ship of Fools, Brant's, 96. Shirley, Triumphs of Peace, 171. Shorthouse, Mr J.H., 2. Shrew, Taming of the, 39, 40, 58-60, 63, 64, 92, 168, 183, 187, 199. Sight-singing, 7, 9, 25. Silence's songs, 70. 'Sing his part,' see 'Bear,' 14, 15. Singers' excuses, 93. Singing, amongst lower classes, 15-18, 66-69, 78-80, 83, 84. Singing, amongst higher classes, 5-9, 12, 13-15. Singing, 13th and 14th cent., 65. Singing, 15th and 16th cent., 66-69, 97, 98. Singing-man of Windsor, 85. Sinkapace, see Cinquepace. Sir Roger de Coverly, dance, 115, 123. Skelton, 66, 67. 'Sneak's noise,' 105, 106. Social Life, music in, 4 ff. Sol-Fa, 35-40, 67, 68, 130, 186. Solmisation, 187. Songs, mentioned or quoted in Shakespeare, 69 ff. Sonneries, French trumpet calls, 178, 210. Sonnet VIII, 25. Sonnet CXXVIII, 54. Sophonisba, by Marston, 170. Spheres, Music of the, 152-156. Spinet, 145, and frontispiece. St Thomas Wake, Pavan and Galliard, 136, 201-203. Stage Directions, musical, 4, 159, 165 ff, 169-171, etc. Stanley, Thos., Hist. of Philos., 152. Stephano's songs, 73, 191. Steps, of dances, 122, 124, 139. Stop, to, of strings, etc., 22, 26, 51, 52, 53. Strain, technical meaning of, 23, 108, 114, 116, 124, 135, 136. Strain, quibble on, 22, 23. 'Sumer is icumen in,' 23, 24, 65. Supper, music after, 5, 105. Swan-song, 95. Sylva Sylvarum, Bacon's, 31. Sympson, Christopher, 29, 30, 37, 38, 47, 116, 117, 185. Tabor and Pipe, 78, 80, 81, 91, 92, 131, 133, 139, 161, 162, 176, and frontispiece. Tabourin and Flutte, 139. Tabourine, military drum, 162, 209. Tabourot, Jehan, see Arbeau, 137. Tangents, of clavichord, 68. Tarantella, 35. Tarantism, 35, 106. Taverns, Music in, 19, 20, 104, 105. Technical terms, musical, 21 ff. Tempest, 73, 77, 81, 91, 92, 107, 122, 171, 191. Temple, Sir W., 132, 133. Tereus, 23. Text, music in Shakespeare's, 4. 'The God of Love,' 70. 'The hunt is up,' 192. 'The master, the swabber,' 73, 191. Theatres, closed, 19. Theatres, music at, 175-177. Theorbo, lute, 46, 56. 'There dwelt a man in Babylon,' 71, 89, 189. 'They bore him barefaste,' 77, 197. 'Thou knave,' 87, 88, 89, 198. Threemen songs, 16, 66, 69, 79, 82, 83, 84, 85, 199. 'Three merry men,' 71, 89, 188. Thunder and lightning, on stage, 165. Time, see Proportion. Time, to keep, 22, 23, 32, 42, 43, 44, 87. Timon of Athens, 115, 181. Titus Andronicus, ballad of, 76, 196. Titus Andronicus, 183, 211. 'To shallow rivers,' 71, 187. Toby Belch's, Sir, songs, 71, 72, 188, 190, 198. Toccata, 62, 181. Tocco di campana, 62. Tocsin, 62. 'Tom o' Bedlam,' 35, 36. Tordion, dance, 138, 141, 142. 'Touch,' to, an instrument, 49, 62, 108. Tragedies, Music in the, 4, 165, 169. Trenchmore, or Frenchmore, a dance, 118, 131. Trinity Coll., Camb., Statutes of, 8, 9. Tripla, 33, 34. Troilus and Cressida, 32, 72, 103, 104, 124, 162, 166. Trumpets, in the theatre band, 176. Trumpets, stage direction, 168, 169, 175, 178. Tucket, 62, 63, 180-182, 210, 211. Tudway, Dr, 49. Tune, to keep in, 22, 26, 27, 28, 100. Tusch, 63. Twelfth Night, 29, 48, 71, 72, 77, 81, 88, 89, 94, 95, 108, 114, 121, 135, 152, 188-190, 198, 201, 202, 203. Two Gentlemen of Verona, 24, 26, 71, 81, 98, 99, 100, 117, 128, 207. Two Italian Gentlemen, comedy by Munday, 170. 'Two maids wooing a man,' 72, 79. Two Noble Kinsmen, 71. 'Under the greenwood tree,' 72. University, music at, 16th and 17th cent, 7, 8, 9, 12-14. 'Usurer's wife, The,' ballad, 72, 79. Ut, Re, Mi, 37-40, 187. Variations, 28, 29, 48, 195. Ventages, 51. Venus and Adonis, 166. Viol, treble, tenor, bass, 12, 13, 19, 31, 45, 46, 47, 171, and frontispiece. Viols, 11-14, 19, 44-49, 61, 65, 98, 101, 170. Viols, tuning of, 46, 47. Viol da Gamba, 11, 12, 19, 29, 30, 45, 46, 47, 48. Viol da Gamba, divisions on the, 29, 30, 186. Violin, 45, 49, 62, 145, 176. Violin, thought vulgar, 13, 46, 59. Violone, double-bass, 48, 176. Virginal, 10, 11, 13, 31, 53, 54, 68, 76, 123. Virginal, Qu. Elizabeth's, 11, 53, and frontispiece. Virginal Book, see Fitzwilliam and Lady Nevell. Volta, Volte, see Lavolta. 'Walsingham,' 196. Weavers, and singing, 86, 87, 88. 'Wee be souldiers three,' 199. 'What shall he have,' 77, 94. 'When Arthur first,' 70. 'When daffodils,' 72. 'When griping grief,' 73, 128, 130, 193. 'White his shroud,' 196. 'Whoop, do me no harm,' 72, 78, 190. 'Will you buy any tape,' 72. Windsor, St George's Chapel Choir, 85. Winter's Tale, 53, 72, 78, 80, 190, 192, 199. Wood, Anthony, 12, 13. Wright, Mr W. Aldis, 9, 31, 83. Ye noble minds, 195.

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