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Punch, or the London Charivari, Volume 103, October 8, 1892

Volume 103 — DE CORONA.

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["The shape of the hat is another token in which individuality asserts itself, and the angle at which it is worn. There are men who vary this angle with their different moods."—Article on "Men's Dress," Daily News, Sept. 10.]

You ask why I gaze with devotion At ALGERNON's features, my love? Nay, you are astray in your notion, My glance is directed above; His hair may be yellow or ruddy, No longer I'm anxious for that, But now I incessantly study The tilt of his hat. At times it will carelessly dangle With an air of æsthetic repose, At others will point to an angle Inclined to the tip of his nose; When it rests on the side of his head, he Will smile at whatever befalls, When pushed o'er his brow, we make ready For numerous squalls! When he starts for his train to the City It is put on exactly upright, And who would not view it with pity Return, mud-bespattered, at night? When early, so polished and glowing, Jammed on at haphazard when late; It forms a barometer, showing His mood up to date. And you, who are young and unmarried, Give heed to my counsel, I pray; Do not, I entreat you, be carried By wealth or affection away; The heroine, novelists mention, "Eyes fondly his features." Instead, Observe, for your part, with attention, The hat on his head!

A NEW COLLECTION OF HIMS, ANCIENT AND MODERN.—The Church Congress at Folkestone.

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