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Punch, or the London Charivari, Vol. 146, May 20, 1914

Volume 146 — HIGHWAY LOOT.

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Ah! the lapse of courtly manners, Ah! the change from knighthood's code Since the day when oil and spanners Ousted horseflesh from the road! This I realised most fully Last week-end at Potter's Bar When a beetle-flattening bully Held me up in Laura's car. "Where," I shouted, "are the graces, Officer, of days long dead? Never mind how hot our pace is, Conjure up the past instead; Dream of chaises and postilions, Turnpike bars that ope and shut; Try to get some more resilience Into your confounded nut. "Blooms are bursting in the covers Even as they burst to-day (Not to mention tyres); two lovers Post to Scotland, let us say; Sudden from the hedge comes Turpin, Pistols cocked and debonair; Both the horses stand up perpen- dicularly in the air. "What occurs? The gallant caitiff, Noticing the swain is poor (Courtesy with him is native, Not like you, suburban boor), Bows, and says in accents sunny, 'Pass along, Sir—make good speed; I'm convinced you've got no money And I do not want your bleed. "'Sweet be Maytime to your noses; Short is life, but love is sweet, There's a city man named Moses Whom I've simply got to meet; On you go, you two young larkers;' Then he bids his Jew disgorge Or reserves his brace of barkers For the coach of D. Lloyd George. "Such the good high Toby fashion; Surely in your bosom stirs, Constable, a like compassion For our two poor cylinders; All we have is vile and shoddy; See that low-hung touring brute— There's a bonnet! there's a body Worthy of a road-knight's loot!" Thus I spake; but, still phlegmatic, Imperturbable and stout, Rendering Doric for my Attic, Robert pulled his note-book out; Said, "Me dooty is me dooty," And retiring to his trench Pondered further schemes of booty For the footpads on the Bench.

Evoe.

"The enthusiasm of the people was so great that it was not damped by a real Scotch milk."—Liverpool Courier.

When did whisky ever damp the enthusiasm of a Scotch crowd?

ROYAL ACADEMY—SECOND DEPRESSIONS.

Never mind, my dear; I'll have a few words to say to the limelight man about this! A Phantasy in the Central Hall.—"Caught." The Art of Achieving the Impossible—a Cubist picture gets a place on the line.

HARLEQUIN
HARLEQUIN
A Phantasy in the Central Ball.
A Phantasy in the Central Ball.
The Art of Achieving the Impossible.
The Art of Achieving the Impossible.

A Deadlock. “ If we go forward we'll get sunstroke, and if we go back there's a blizzard; so we may as well stop where we are and have our picture painted.” Floods in the Thames Valley. The family of a well-known stockbroker takes advantage of the situation to practise a little first-aid, and incidentally get on with the week's washing.

A deadlock.
A deadlock.
Floods in the Thames Valley.
Floods in the Thames Valley.

The Sea-Maiden. "Catch me!" The Shrimp-Hunter (regretfully). "I'd like to, but unfortunately this is the close season for mermaids." Youthful athletes, while training for the next Olympic Games (three-legged race), are hampered by the presence of large, fierce birds..

Catch me!
Catch me!
Youthful athletes
Youthful athletes

Singular apathy of agricultural labourers during an invasion. The Card-Sharpers. Near Female. "Stop cheating for a minute while I get my portrait taken."

Singular apathy of agricultural labourers
Singular apathy of agricultural labourers
The Card-Sharpers.
The Card-Sharpers.
Well, what do you think of our manoeuvres, Bill?
Well, what do you think of our manoeuvres, Bill?

First Territorial. "Well, what do you think of our manoeuvres, Bill?" Second Territorial (hitherto unacquainted with field-days). "Thank 'evin we've got A Nivy!"

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