Poems of Arthur Hugh Clough
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1. Front matter2. EARLY POEMS.3. POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS.4. Scene I. Adam and Eve.5. Scene II. Adam, alone.6. Scene III. (‘Now the birth of Cain was in this wise.’) Adam and Eve.7. Scene IV. Adam and Eve.8. Scene V. Adam with Cain and Abel.9. Scene VI. Abel alone.10. Scene VII. Cain alone.11. Scene VIII. Adam and Eve.12. Scene IX. Cain alone with the body of Abel.13. Scene X. Adam alone.14. Scene XI. Cain and Eve.15. Scene XII. Adam and Cain.16. Scene XIII. Adam and Cain.17. Scene XIV. Adam’s Vision.18. DIPSYCHUS.19. Scene I.—The Piazza at Venice, 9 p.m. Dipsychus and the Spirit.20. Scene II.—The Public Garden.21. Scene III.—At the Hotel.22. Scene IV.—On the Piazza.23. Scene V.—The Lido.24. Scene I.—The interior Arcade of the Doge’s Palace.25. Scene II.—In a Gondola.26. Scene III.—The Academy at Venice.27. Scene IV.—In St. Mark’s. Dipsychus alone.28. Scene V.—The Piazza at Night.29. Scene VI.—On a Bridge.30. Scene VII.—At Torcello. Dipsychus alone.31. Scene VIII.—In the Piazza.32. Scene IX.—In the Public Garden.33. DIPSYCHUS CONTINUED. A FRAGMENT.34. Scene I.—In London. Dipsychus in his Study.35. Scene II.—In Westminster Hall.36. Scene III.—Dipsychus in his own house, alone.37. POEMS ON LIFE AND DUTY.38. THE BOTHIE OF TOBER-NA-VUOLICH: A LONG-VACATION PASTORAL.39. THE BOTHIE OF TOBER-NA-VUOLICH: A LONG-VACATION PASTORAL. (continued 2)40. IDYLLIC SKETCHES.41. AMOURS DE VOYAGE.42. CANTO I.43. CANTO II.44. CANTO III.45. CANTO IV.46. CANTO V.47. SEVEN SONNETS ON THE THOUGHT OF DEATH.48. MARI MAGNO OR TALES ON BOARD.49. MARI MAGNO OR TALES ON BOARD. (continued 2)50. SONGS IN ABSENCE.51. ESSAYS IN CLASSICAL METRES.52. MISCELLANEOUS POEMS.53. INDEX OF THE FIRST LINES.