Plays, Acting and MusicMUSICReading editionChapter navigation41 reading sectionsGo to chapterChoose a chapter…A BOOK OF THEORYPREFACEINTRODUCTIONAN APOLOGY FOR PUPPETSPLAYS AND ACTINGNIETZSCHE ON TRAGEDYSARAH BERNHARDTCOQUELIN AND MOLIÈRE: SOME ASPECTSRÉJANEYVETTE GUILBERTSIR HENRY IRVINGDUSE IN SOME OF HER PARTSANNOTATIONS BY THE WAYM. CAPUS IN ENGLANDA DOUBLE ENIGMADRAMAPROFESSIONAL AND UNPROFESSIONALTOLSTOI AND OTHERSSOME PROBLEM PLAYS"MONNA, VANNA"THE QUESTION OF CENSORSHIP.A PLAY AND THE PUBLICTHE TEST OF THE ACTORTHE PRICE OF REALISMON CROSSING STAGE TO RIGHTTHE SPEAKING OF VERSEGREAT ACTING IN ENGLISHA THEORY OF THE STAGETHE SICILIAN ACTORSMUSICON WRITING ABOUT MUSICTECHNIQUE AND THE ARTISTPACHMANN AND THE PIANOPADEREWSKIA REFLECTION AT A DOLMETSCH CONCERTTHE DRAMATISATION OF SONGTHE MEININGEN ORCHESTRAMOZART IN THE MIRABELL-GARTENNOTES ON WAGNER AT BAYREUTHCONCLUSIONA PARADOX ON ARTPrevious chapter ←THE SICILIAN ACTORSNext chapter →ON WRITING ABOUT MUSICAll chapters and sections (41)A BOOK OF THEORYPREFACEINTRODUCTIONAN APOLOGY FOR PUPPETSPLAYS AND ACTINGNIETZSCHE ON TRAGEDYSARAH BERNHARDTCOQUELIN AND MOLIÈRE: SOME ASPECTSRÉJANEYVETTE GUILBERTSIR HENRY IRVINGDUSE IN SOME OF HER PARTSANNOTATIONS BY THE WAYM. CAPUS IN ENGLANDA DOUBLE ENIGMADRAMAPROFESSIONAL AND UNPROFESSIONALTOLSTOI AND OTHERSSOME PROBLEM PLAYS"MONNA, VANNA"THE QUESTION OF CENSORSHIP.A PLAY AND THE PUBLICTHE TEST OF THE ACTORTHE PRICE OF REALISMON CROSSING STAGE TO RIGHTTHE SPEAKING OF VERSEGREAT ACTING IN ENGLISHA THEORY OF THE STAGETHE SICILIAN ACTORSMUSICON WRITING ABOUT MUSICTECHNIQUE AND THE ARTISTPACHMANN AND THE PIANOPADEREWSKIA REFLECTION AT A DOLMETSCH CONCERTTHE DRAMATISATION OF SONGTHE MEININGEN ORCHESTRAMOZART IN THE MIRABELL-GARTENNOTES ON WAGNER AT BAYREUTHCONCLUSIONA PARADOX ON ART[227]◇[228]◇[229]◇← THE SICILIAN ACTORSON WRITING ABOUT MUSIC →