Plays, Acting and Music
- Subtitle
- A Book Of Theory
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Table of contents
1. A BOOK OF THEORY2. PREFACE3. INTRODUCTION4. AN APOLOGY FOR PUPPETS5. PLAYS AND ACTING6. NIETZSCHE ON TRAGEDY7. SARAH BERNHARDT8. COQUELIN AND MOLIÈRE: SOME ASPECTS9. RÉJANE10. YVETTE GUILBERT11. SIR HENRY IRVING12. DUSE IN SOME OF HER PARTS13. ANNOTATIONS BY THE WAY14. M. CAPUS IN ENGLAND15. A DOUBLE ENIGMA16. DRAMA17. PROFESSIONAL AND UNPROFESSIONAL18. TOLSTOI AND OTHERS19. SOME PROBLEM PLAYS20. "MONNA, VANNA"21. THE QUESTION OF CENSORSHIP.22. A PLAY AND THE PUBLIC23. THE TEST OF THE ACTOR24. THE PRICE OF REALISM25. ON CROSSING STAGE TO RIGHT26. THE SPEAKING OF VERSE27. GREAT ACTING IN ENGLISH28. A THEORY OF THE STAGE29. THE SICILIAN ACTORS30. MUSIC31. ON WRITING ABOUT MUSIC32. TECHNIQUE AND THE ARTIST33. PACHMANN AND THE PIANO34. PADEREWSKI35. A REFLECTION AT A DOLMETSCH CONCERT36. THE DRAMATISATION OF SONG37. THE MEININGEN ORCHESTRA38. MOZART IN THE MIRABELL-GARTEN39. NOTES ON WAGNER AT BAYREUTH40. CONCLUSION41. A PARADOX ON ART