Pictorial Composition and the Critical Judgment of Pictures

PART I

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APPENDIX The Concept The Procedure Design Line The Vertical The Horizontal The Diagonal Principality and Sacrifice The Dominant Idea Harmony The Must Be's and May Be's of Composition Perspective Balance Color Tone Quality Don'ts

“The painter is a compound of a poet and a man of science.”

—Hamerton

“It is working within limits that the artist reveals himself.”

—Goethe.

[pg 11]

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