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Pictorial Composition and the Critical Judgment of Pictures

Part 3 — Design

Reading edition

A severe, space-filling design in three tones or four will place the student in a position of confidence to proceed with detail which, until the design has settled [pg 266] well into its four sides, should be persistently excluded. It may, however, be found that the essence of certain subjects lies in a small item of detail. This, when known, must be allowed for in the design.

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