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Madrid

ILLUSTRATIONS

Reading edition

TITLE PLATE

Plan of Madrid1

Arms of Madrid2

General view of Madrid3

View of Madrid from the Teja4

General view of Madrid5

View of Madrid from San Isidro6

The Fountain of Cybele and Calle de Alcalá 7

The Northern Railway Station and Royal Palace8

Puerta del Sol9

Puerta del Sol10

Calle de Alcalá11

Calle de Alcalá12

Calle de Alcalá13

Calle de Alcalá14

Carrera de San Jerónimo15

Calle de Alcalá16

Calle de Sevilla17

Calle de Alcalá18

Plaza de Castelar19

Calle de Toledo20

In old Madrid21

Paseo de Recoletos22

Paseo de Recoletos23

Paseo de Recoletos24

Paseo de Recoletos25

Calle de Alcalá and Statue of Aguirre26

Paseo de la Castellana27

Plaza de Isabel II.28

Plaza de Oriente29

Plaza Mayor30

Plaza Mayor31

Plaza Mayor and Statue of Philip III.32

Calle de Serrano33

Calle de la Princesa on Good Friday34

Entrance to the Park of Alfonso XIII.35

Casa de Campo. The Lake36

Toledo Bridge37

Toledo Bridge38

Toledo Bridge39

Segovia Bridge40

Entrance to the Retiro41

Entrance to the Retiro42

Principal Entrance to the Retiro43

Retiro. The Parterre44

Retiro. The Lake45

Retiro. The Crystal Palace46

Retiro. Arab Pavilion47

Retiro. Arab Temple48

Gate of Alcalá49

Gate of Hierro50

Gate of Toledo51

Chamber of Deputies52

The Cortes. Two bronze lions in front of the Palace53

Interior of the Chamber of Deputies54

Interior of the Chamber of Deputies55

Reception Room at the Chamber of Deputies. Decorated by Don A. Mélida56

Reception Room at the Chamber of Deputies. Decorated by Don A. Mélida57

Façade of the Hospital. Calle Fuencarral58

La Latina59

Portal of the Hospital of the Conception or “La Latina” in the Calle de Toledo60

Staircase of La Latina61

Portal and Staircase of the Hospital de la Latina62

Arabian Palace of the Prado63

Arabian Palace of the Prado64

Lujanes Tower65

The Aguirre School66

The Spanish Theatre67

The Royal Theatre68

The Treasury Office in the Calle de Alcalá69

Palace of the Marqués de Portugalete70

Palace of the Marqués de Linares71

The Bank of Spain72

The War Office73

Southern façade of the Museum and the Statue of Murillo74

The Prado Gallery. North façade75

The Prado Gallery76

The New Exchange77

The Town Hall78

The Northern Railway Station79

Círculo de Contribuyentes80

The Senate House81

Hispano-American Bank82

The Spanish Academy83

The Atocha Station84

National Library85

The National Library and Museum86

National Library. Detail of the façade87

National Library and Museum. East façade88

National Library. Sphinx89

The Equitable Buildings in the Calle de Alcalá90

Statue of María Cristina and Museum of Reproductions91

Interior of the New Exchange92

The Home Office93

Astronomical Observatory94

The Exchange95

The War Office96

The Town Hall97

Ministerio de Fomento98

Hermitage of San Isidro99

Refuge of Our Lady of Mercy100

Church of San Francisco el Grande101

San Francisco el Grande. General view from the Choir102

San Francisco el Grande. The Concession of the Jubilee of the Porciúncula103

San Francisco el Grande. Left side of the Cupola104

Crypt in the Almudena Cathedral105

The Cathedral. Partial view of the Crypt106

Church of Las Calatravas107

Las Calatravas108

Church of El Buen Suceso109

General view of the Church El Buen Suceso110

Church of San José111

Church of San Isidro el Real112

Interior of the Church of San Isidro113

Church of La Virgen del Puerto114

Church of Las Salesas. The Suffering Christ115

Church of San Cayetano116

Altar-piece in the Bishop’s Chapel117

Door in the Bishop’s Chapel118

The Bishop’s Chapel. Left side of the door119

The Bishop’s Chapel. Right side of the door120

The Bishop’s Chapel. Upper part of the door121

The Bishop’s Chapel. Sepulchre of the Bishop of Plasencia122

The Bishop’s Chapel. Sepulchre of Don Francesco de Vargas123

The Bishop’s Chapel. Sepulchre of Doña Inés de Carvajal124

Parish Church of St Andrew. Sepulchre of San Isidro, Patron Saint of Madrid125

Interior of the Church of San Jerónimo. From a picture in the Prado of the Prince of the Asturias (Ferdinand VII.) taking the Oath of Allegiance in 1789126

View of the interior of the Church of San Jerónimo127

San Antonio de la Florida128

Church of San Antonio de la Florida129

Interior of the Church of San Antonio de la Florida130

Fresco in San Antonio de la Florida, by Goya131

Fresco in San Antonio de la Florida, by Goya132

Fresco in San Antonio de la Florida, by Goya133

Fresco in San Antonio de la Florida, by Goya134

Group of Angels in San Antonio de la Florida, by Goya135

Group of Angels in San Antonio de la Florida, by Goya136

Interior of the Church of San Antonio de la Florida137

San Antonio de la Florida. Painting in the principal Chapel, by Goya138

San Antonio de la Florida. Paintings on the centres of the intrados of the Choir and principal Chapel Arches, by Goya139

San Antonio de la Florida. Paintings on the springings of the intrados of the principal Chapel Arches, by Goya140

San Antonio de la Florida. Paintings on the springings of the intrados of the Choir Arches, by Goya141

San Antonio de la Florida. Paintings on the intrados of the Chapel Arch, left side, by Goya142

San Antonio de la Florida. Paintings on the intrados of the Chapel Arch, right side, by Goya143

San Antonio de la Florida. Triangles formed by the Dome adjoining the principal Chapel, by Goya144

San Antonio de la Florida. Triangles formed by the Dome adjoining the Choir, by Goya145

San Antonio de la Florida. Paintings at the left sides of the windows of the Dome, by Goya146

San Antonio de la Florida. Paintings at the right sides of the windows of the Dome, by Goya147

San Antonio de la Florida. First group on the Cupola to the left of the centre, by Goya148

San Antonio de la Florida. Second group on the Cupola to the left of the centre, by Goya149

San Antonio de la Florida. Centre of the composition on the Cupola facing the entrance, by Goya150

San Antonio de la Florida. First group on the Cupola to the right of the centre, by Goya151

San Antonio de la Florida. Second group on the Cupola to the right of the centre, by Goya152

The Prado153

The Prado154

The Prado Gallery155

The Prado. The Velazquez Gallery156

Madrid Picture Gallery. Lower plan157

Madrid Picture Gallery. Chief plan158

Scene in the Life of Santo Domingo de Guzman, by Pedro Berruguete. Prado159

Ecce Homo, by Luis de Morales. Prado160

The Baptism of Christ, by Navarrete. Prado161

Portrait of Don Carlos, son of Philip II., by Alonso Sánchez Coello. Prado162

The Infantas Isabel Clara Eugenia and Catalina Micaela, daughters of Philip II., by Alonso Sánchez Coello. Prado163

Jacob receiving the Blessing of his father Isaac, by Ribera. Prado164

Vision of St Peter the Apostle to St Peter Nolasco, by Zurbaran. Prado165

Los Borrachos, by Velazquez. Prado166

The Forge of Vulcan, by Velazquez. Prado167

The Surrender of Breda, by Velazquez. Prado168

Philip IV., by Velazquez. Prado169

Queen Isabel of Bourbon, by Velazquez. Prado170

Don Baltasar Carlos, by Velazquez. Prado171

Philip IV. in Hunting Costume, by Velazquez. Prado172

Don Baltasar Carlos in Hunting Costume, by Velazquez. Prado173

Duke of Olivares, by Velazquez. Prado174

Æsop, by Velazquez. Prado175

St Antony Abbot visiting St Paul, by Velazquez. Prado176

Las Hilanderas, by Velazquez. Prado177

Las Meninas, by Velazquez. Prado178

Our Lady of the Immaculate Conception, by Murillo. Prado179

El Tiñoso: St Elizabeth of Hungary tending the sick in her Hospital, by Murillo. Prado180

Father Cabanillas, by Murillo. Prado181

The Child Jesus as Shepherd, by Murillo. Prado182

Detail of Plate 179, by Murillo. Prado183

The Vision of St Bernard, by Murillo. Prado184

The Virgin of the Rosary, by Murillo. Prado185

The Child St John, by Murillo. Prado186

The Children, Jesus and St John, known by the name of “Los Niños de la Concha,” by Murillo. Prado187

The Holy Family and the Bird, by Murillo. Prado188

Head of the Holy Shepherd (fragment), by Murillo Prado189

La Porciúncula (the Vision of St Francis), by Murillo. Prado190

The Martyrdom of St Andrew the Apostle at Patras, by Murillo. Prado191

The Dream of the Roman Senator and his wife, which produced the Church of St Maria Maggiore at Rome, by Murillo192

The Roman Senator and his wife telling their dream to Pope Liberius, by Murillo193

The Annunciation, by El Greco. Prado194

The Holy Family, by El Greco. Prado195

The Crucifixion, by El Greco. Prado196

The dead Christ in the arms of God the Father, by El Greco. Prado197

Charles IV., by Goya. Prado198

Queen Maria Luisa, by Goya. Prado199

The nude Maja, by Goya. Prado200

The draped Maja, by Goya. Prado201

The Family of Charles IV., by Goya. Prado202

Goya at the age of 80, by V. López. Prado203

Jesus and Mary Magdalene, by Correggio. Prado204

The Holy Family and the Lamb, by Rafael. Prado205

A Cardinal, by Rafael. Prado206

Madonna and Child, with St Bridget and St Hulpus, by Titian. Prado207

The Crown of Thorns, by Domingo Tiepolo. Prado208

Portrait of Albrecht Dürer, by himself. Prado209

Queen Artemisia, by Rembrandt. Prado210

Village Fête, by Teniers. Prado211

Gallery of the Archduke Leopold in Brussels, by Teniers. Prado212

The Three Graces, by Rubens. Prado213

The Holy Family, by Rubens. Prado214

Van Dyck and Count Bristol, by Van Dyck. Prado215

The Last Supper, by Juan de Juanes. Prado216

The Catholic Sovereigns adoring the Virgin, by Juan de Borgoña. Prado217

A Gothic King, by Alonso Cano. Prado218

The Water from the Rock, by Juan de las Roelas, El Clérigo. Prado219

A Soul in Pain, by Ribalta. Prado220

Portrait of Philip II., by Pantoja de la Cruz. Prado221

Portrait of Pedro Berruguete. 15th century. Collection of Don José de Lázaro Galdeano222

Architecture, Painting, and Sculpture, by G. Suñol. Allegoric group intended for the façade of the Prado223

The Emperor Charles V. Prado Museum224

The Empress Isabel of Portugal, wife of Charles V. The Prado225

A Satyr and children dancing. The Prado226

Marble relief. Life-size figures. The Prado227

Marble relief. Bacchantes. Life-size figures. The Prado228

Bronze heads. The Prado229

Tapestry. The Baptist taking leave of his parents to devote himself to penitence230

Tapestry. The Virgin enthroned, Gideon showing the lamb’s skin, and other scenes231

Effigy of St Ferdinand, King of Spain. Chapel Royal232

(1 to 5) Crowns and votive crosses of Guarrazar. (6) Remains of St Ferdinand’s robe. (7) Moorish spurs of St Ferdinand. Royal Armoury233

C 1. Spanish man-at-arms, 15th century. Royal Armoury234

C 4. Spanish crossbowman, 15th century. Royal Armoury235

C 2. Spanish halberdier, 15th century. Royal Armoury236

Mace-bearer of the 16th century with surcoat displaying the Arms of Castile and Leon237

A 26. Tilting harness of Charles V. Royal Armoury238

A 112. Armour presented to Charles V. by the Duke of Mantua. Royal Armoury239

Armour of Charles V. made by Desiderio Colman. (1849 Catalogue.) Royal Armoury 240

A 231. Armour made for Prince Philip (II.) by Wolf of Landshut (1550). Royal Armoury241

Armour of Charles V., Augsburg or Nuremberg make. (1849 Catalogue.) Royal Armoury242

A 37. Tilting harness of Charles V. made by Desiderio Colman, Helmschmied. Royal Armoury243

A 65. Tilting harness of Charles V. Royal Armoury244

A 149. Armour of Charles V. (1541). Royal Armoury245

A 243. Equestrian armour of Philip II. made by Sigmund Wolf of Landshut. Royal Armoury246

Armour of King Philip II. Royal Armoury247

Armour of Philip II., engraved with the Royal Arms of England. Royal Armoury248

A 290. Armour of King Sebastian of Portugal. Royal Armoury249

A 290. Armour of King Sebastian, back plate (details). Royal Armoury250

A 291. Armour of Philip III. made by Lucio Picinino of Milan. Royal Armoury251

Armour made at Pamplona for the Duke of Savoy (1620). Royal Armoury 252

Half armour of Philip IV. Royal Armoury253

Milanese brigantine which belonged to Charles V. Royal Armoury254

B 1. Boy’s half armour made in Italy for the Infante, afterwards Philip III. Royal Armoury255

D 1. Boy’s half armour made for the Infante, afterwards Philip III. (Second view.) Royal Armoury256

B 4. Half armour presented to the Infante, afterwards Philip III., by the Duke of Terranova. Royal Armoury257

B 18. Boy’s half armour made for the Infante Fernando, son of Philip III. Royal Armoury258

Half armour belonging to Prince Philip, afterwards Philip IV. Royal Armoury259

A 434. Gorget. Subject: The Siege of Ostend, 1601. Royal Armoury260

A 434. Gorget of Philip II. Subject: The Battle of Nieuport. Royal Armoury261

Helmet of Philip II. made at Augsburg in 1549. Royal Armoury262

A 243. Helmet of Philip II. made by Wolf of Landshut in 1554. Royal Armoury263

A 290. Burgonet of King Sebastian of Portugal. Royal Armoury264

A 292. Burgonet made for Philip III. by Lucio Picinino. Royal Armoury265

A 350. Helmet for the Duke of Savoy (side view). Royal Armoury266

D 3. Burgonet of Charles V. designed by Giulio Romano. Royal Armoury267

M 5. Helmet of Francis I. of France, taken at the Battle of Pavia. Royal Armoury268

1511. Satin and velvet turban found in the palace of Mustafa Bey of Oran, in 1722.—1533. Steel turban of Ali Pasha, Turkish admiral at Lepanto. Royal Armoury269

D 63. The “Plus Ultra” shield designed by Giulio Romano. Royal Armoury270

D 10. Shield, early 17th century. Design: Warriors in Combat. Royal Armoury270

D 69. Italian shield, 16th century. Design: The Triumph of Love. Royal Armoury271

D 68. Shield of Augsburg make, 16th century. Royal Armoury271

D 79. Shield presented to Philip III. by the Duke of Savoy in 1603. Royal Armoury272

D 86. Moorish leather shield, end of 15th century. Royal Armoury273

M 6. Shield and sword of Francis I. of France, taken at the battle of Pavia. Design: The Gallic Cock attacking a warrior and putting him to flight. Royal Armoury274

A 242. Pommel and cantle of saddle of Philip II. Royal Armoury275

A 291. Cantle-plates of saddle made by Lucio Picinino. Royal Armoury276

Turkish saddle given to Charles III. Royal Armoury277

Trophy formed of several pieces of armour of Philip II. Royal Armoury278

Armour of a greyhound. Royal Armoury279

1987, 1992. Spanish arquebuses, end of 16th century.—1955. Petronel, 16th century.—1961. Spanish arquebus, with octagonal barrel inlaid with mother of pearl and ivory, 16th century.—1972, 1977, 1946. Keys or cranks to cock the arquebuses. Royal Armoury280

Double breech-loading cannon, in bronze, used in Spain at the end of the 15th century. Royal Armoury281

Sedan chair of Philip V. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury282

Sedan chair of Ferdinand VI. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury283

Sedan chair of Charles IV. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury284

Sedan chair of Philip V. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury285

Sedan chair of Charles III. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury286

Campaign litter of the Emperor Charles V. Royal Armoury287

Carriage given by Napoleon I. to Charles IV. (from the coach-houses of the Royal Palace, Madrid). Royal Armoury288

The Crown coach (from the coach-houses of the Royal Palace, Madrid). Royal Armoury289

General view of the interior of the old Armoury290

General view of the interior of the old Armoury291

General view of the interior of the old Armoury292

Royal Academy of History. Exterior of the triptych-reliquary from the stone monastery in Aragon293

Royal Academy of History. Part of the triptych-reliquary from the stone monastery in Aragon294

Royal Academy of History. Paintings on the exterior of the triptych-reliquary from the stone monastery in Aragon295

Statue of Philip III. in the Plaza Mayor296

Statue of Philip IV. in the Plaza de Oriente297

Statue of Espartero the Peace-maker298

Statue of General Concha, Marqués del Duero299

Statue of Velazquez300

Statue of Murillo301

Retiro. Statue of Goya302

Statue of Cervantes303

Cervantes304

Statue of Calderón de la Barca. (The work of J. Figueras)305

Isabel the Catholic. Bronze group in the Castellana. (The work of Oms) 306

Monument to the memory of Columbus in the Paseo de Recoletos307

Monument to the memory of Columbus in the Paseo de Recoletos308

Monument to the memory of Columbus in the Paseo de Recoletos309

Monument to the memory of Columbus in the Paseo de Recoletos310

Monument to the memory of Columbus in the Paseo de Recoletos311

Monument to commemorate the 2nd of May312

Fountain of Neptune in the Prado313

The Fountain of Cybele314

The Prado, with the Fountain of the Four Seasons315

The Royal Palace from the Casa de Campo316

Royal Palace. The changing of the Guard (Halberdiers)317

The Palace318

The Palace from the Plaza de Oriente319

The Royal Palace320

Façade of Palace321

Palace and Plaza de la Armeria322

The Queen Mother leaving the Palace323

Principal Staircase324

Detail of Throne Room325

General view of Throne Room326

The Throne327

Room of Charles III.328

The Queen’s Room329

Room of Mirrors330

Gasparini Room of Charles III.331

Hall of Columns332

The Wedding. The King and Queen leaving the church and entering the Royal coach333

A Battle of Flowers334

His Majesty the King of Spain335

H.M. Queen Victoria of Spain336

The King and Queen of Spain337

H.M. Queen Victoria338

Her Majesty the Queen Mother339

Don Carlos of Bourbon340

Medal struck in honour of the Royal Marriage341

A Lady with a Mantilla342

Mantillas343

An out-door Pelota Court, with six players, three against three344

A Pelota Court344

A Tartaña345

The Harvest Cart345

Sketches in Spain346

Sketches in Spain347

A Dancer348

An Orange Seller348

The Counsellor of the village349

Full list of lottery results349

Bull-fighters at the tavern350

A Spanish girl350

View of the Monastery of the Escorial351

View of the Monastery (east side)352

The Colonnade of the Monastery353

Upper Cloister of the Monastery354

Lower Cloister of the Monastery355

The Evangelists’ Court356

Principal Staircase of the Monastery357

Interior of the Church358

Panteon of the Kings359

Panteon of the Infantes360

Chapter Room. (Monastery)361

Sacristy. (Monastery)362

Altar-piece of the Santa Forma, painted by Claudio Coello. (Sacristy of the Monastery)363

Retablo of the High Altar. (Basilica of the Monastery)364

Left side of the High Altar: Interment of the Emperor Charles V.365

The Tabernacle in the Escorial Church366

Choir Stalls. (Basilica of the Monastery)367

Library of the Monastery368

Apollo and Mercury, by Peregrino Tibaldi. (Fresco on the arch of the Escorial Library)369

Reception Hall. (Palace)370

Hall of Ambassadors. (Palace)371

Dining-Hall. (Palace)372

Pompeian Hall. (Palace)373

“Casa del Principe” or Lower Lodge374

Coffee-Room. (Casa del Principe)375

The Last Supper, by Titian. (The Escorial)376

The Holy Family, by Rafael. (Casa del Principe at the Escorial)377

St Maurice and other Martyrs, by El Greco. (Chapter Hall of the Escorial)378

The Dream of Philip II., by El Greco. (Chapter Hall of the Escorial)379

Country Dance, by Goya. (Tapestry in the Dining Hall of the Palace)380

The Washerwomen, by Goya. (Tapestry in the Escorial Palace)381

The China Merchant, by Goya. (Tapestry in the Escorial Palace)382

The Grape-Sellers, by Goya. (Tapestry in the Escorial Palace)383

Children picking Fruit, by Goya. (Tapestry in the Escorial Palace)384

The Kite, by Goya. (Tapestry in the Escorial Palace)385

A Smoker, by Teniers. (Casa del Principe at the Escorial)386

The Story of the Passion. Diptych, in ivory, of the 13th century. (From the Camarín of St Theresa)387

Egyptian Bronzes. Amon-Ra and Isis. (National Archæological Museum)388

Egyptian Bronzes. Osiris and Osor-Api. (National Archæological Museum)389

Alcalá de Henares. Paseo de Cervantes390

Alcalá de Henares. General Central Archives391

Alcalá de Henares. General Central Archives392

Alcalá de Henares. Façade of the Archives393

Court of the Alcalá de Henares. General Central Archives394

Alcalá de Henares. Chapel of the “Oidor.” Actual state of the north wall395

Alcalá de Henares. Actual state of the south wall396

Alcalá de Henares. Chapel of the “Oidor.” Actual state of the frieze round the north wall397

Alcalá de Henares. The University398

Alcalá de Henares. Façade of the University399

Alcalá de Henares. Longitudinal section of the Chapel of San Ildefonso in the University400

Alcalá de Henares. Details of the façade of the University401

Alcalá de Henares. Details of the façade of the University402

Alcalá de Henares. Paseo de la Estación403

Alcalá de Henares. Moorish Palace404

Alcalá de Henares. Interior of the Cathedral405

Alcalá de Henares. Interior of the Cathedral406

Alcalá de Henares. The Cathedral. Nave407

Alcalá de Henares. Sepulchre of Don Alonso Carrillo, Archbishop of Toledo408

Alcalá de Henares. Sepulchre of Cardinal Francisco Ximénez de Cisneros409

Alcalá de Henares. Sepulchre of the Archbishop of Toledo, Don Alfonso Carrillo de Acuña410

Alcalá de Henares. Details of the Sepulchre of Cardinal Francisco Ximénez de Cisneros411

Alcalá de Henares. Chapel of Santiago in the Church of Santa María412

Alcalá de Henares. Chapel of Santiago in the Church of Santa María413

Alcalá de Henares. Staircase in the Archbishop’s Palace414

Alcalá de Henares. Details of the Western Court and Entrance Court, Archbishop’s Palace415

Alcalá de Henares. Longitudinal section and details of the Archbishop’s Palace416

Alcalá de Henares. Frontispiece of a book called “Vita Cristi Cartuxano” 417

Muñoza bulls, the property of the Duke of Veragua, by Joaquín Díez418

Testing a “Becerro,” or young bull, at Tablada, near Seville, by Joaquín Díez419

Selecting bulls from the herd of the Duke of Veragua at “La Muñoza,” by Joaquín Díez420

The Toilet of the Toreador before the Bull-fight, by V. Esquivel421

Before the Bull-fight, by B. Ferrandiz422

Toreadors preparing to enter the Arena, by J. Agrasot423

Entertaining the Bull-fighter, by Alarcón424

“Here comes the Bull!” by P. Francés. National Exhibition of Beaux-Arts, 1887425

“The Uninvited Guest,” by E. Mélida 426

Head of a Bull, by Joaquín Díez427

Principal façade of the New Plaza de Toros428

Principal Entrance to the New Plaza de Toros429

Interior of the New Plaza de Toros430

Bull-fight. Entrance of the “Cuadrilla”431

Bull-fight. A Picador inciting the bull432

Bull-fight. The Picador433

Bull-fight. The Picador434

Bull-fight. A “Quite”435

Bull-fight. A “Quite” of El Gallo436

Bull-fight. Lagartijo after a “Recorte”437

Bull-fight. The Banderillas438

Bull-fight. Frascuelo irritating the bull with a cloak before killing him439

Bull-fight. Lagartijo irritating the bull with a cloak before killing him440

Bull-fight. The bull being dragged out of the Arena441

Ladies at the bull-fight442

The Procession443

Entrance of the bull443

The Picador444

At close quarters444

A turn with his back to the bull445

Fixing the Banderillas445

The Matador446

The final stroke446

Bull-fight. Leap over the bull’s neck447

Bull-fight. Leap with the pole448

Bull-fight. Banderillas449

Toreador wounded during a bull-fight, by Lizcano450

Guerrita. Banderillero451

Antonio Fuentes451

Luis Mazzantini and Cuadrilla452

Bull-fight. Last moments of a Toreador after being attacked in the Arena, by R. Novas453

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