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Mad Shepherds, and Other Human Studies

SNARLEY BOB'S INVISIBLE COMPANION

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Whether Snarley Bob was mad or sane is a question which the reader, ere now, has probably answered for himself. If he thinks him mad, his conclusion will repeat the view held, during his lifetime, by many of Snarley's equals and by some of his betters. In support of the opposite opinion, I will only say that he was sane enough to hold his tongue in general about certain matters, which, had he freely talked of them, would have been regarded as strong evidence of insanity.

The chief of these was his intercourse with the Invisible Companion—invisible to all save Snarley Bob. That designation, however, is not Snarley's, but my own; and I use it because I do not wish to commit myself to the identification of this personage with any individual, historical or imaginary. Snarley generally called him "the Shepherd"; sometimes, "the Master"; and he used no other name.

With this "Master" Snarley claimed to be on terms of intimacy which go beyond the utmost reaches of authentic mysticism. Whether the being in question was a figment of the brain or a real inhabitant of time and space, let the reader, once more, decide for himself. Some being there was, at all events, of whose companionship Snarley was aware under circumstances which are not usually associated with such matters.

There is much in this connection that must needs remain obscure. The only witness who could have cleared those obscurities away has long been beyond the reach of summons. To none else than Mrs. Abel was Snarley ever known to open free communication on the subject.

He spoke now and then of a dim, far-off time when he had been a "Methody." But he had shown scant perseverance in the road which, strait and narrow though it be, has now become easy to trace, being well marked by the tread of countless bleeding feet. Instead of continuing therein, he had "leapt over the wall" into the surrounding waste, and struck out, by a path of his own devising, for the land of Beulah. By all recognised precedent he ought to have failed in arriving. I will not say he succeeded; but he himself was well content with the result. It is true that in all his desert-wanderings he never lost the chart and compass with which Methodism had once provided him; but he filled in the chart at points where Methodism had left it blank, and put the compass to uses which were not contemplated by the original makers.

For many years before his death Snarley entered neither the church nor the chapel; and, I regret to say, he had a very low opinion of both. This was one of the few matters on which he and Hankin were agreed, though for opposite reasons. Hankin objected to these institutions because they went too far; Snarley because they went not nearly far enough. It may, however, be noted that in the tap-room of the Nag's Head, where the blasphemy of the Divine name was a normal occurrence, Snarley, of whose displeasure everybody went in fear, would never allow the name of Christ to be so much as mentioned, not even argumentatively by Hankin; and once when a foul-mouthed navvy had used the name as part of some filthy oath, Snarley instantly challenged the man to fight, struck him a fearful blow between the eyes and pitched him headlong, with a shattered face, into the village street. But in the matter of contempt for the religious practice of his neighbours, his attitude was, if possible, more extreme than Hankin's. I need not quote his utterances on these matters; except for their unusual violence, they were sufficiently commonplace. Had Snarley been more highly developed as "a social being" he would, no doubt, have been less intolerant; but solitude had made him blind on that side of his nature; for his fellow-men in general he had little sympathy and less admiration, his soul being as lonely as his body when wandering before the dawn on some upland waste.

Lonely, save for the frequent presence, by day and night, of his ghostly monitor and friend. To understand the nature of this companionship we must remember that devotion to the shepherd's craft was the controlling principle of Snarley's being. Had he been able to philosophise on the basis of his experience, he would have found it impossible to represent perfection as grounded otherwise than on a supreme skill in the breeding and management of sheep. No being, in his view of things, could wear the title of "good Shepherd" for any other reason. Taking Snarley all round, I dare say he was not a bad man; but I doubt if there was any sin which smelt so rank in his nostrils as the loss of a lamb through carelessness, nor any virtue he rated so high as that which was rewarded by a first prize at the agricultural show. The form of his ideal, and the direction of his hero-worship, were determined accordingly.

The name preferred by Snarley was, as I have said, "the Shepherd," and the term was no metaphor. He was familiar with every passage in the New Testament where mention is made of sheep; he knew, for example, the opening verses of the tenth chapter of St. John by heart; and all these metaphorical passages were translated by him into literal meaning. That is to say, the Person to whom they refer, or by whom they were spoken, was one whom Snarley found it especially fitting to consult, and whose sympathy he was most vividly aware of, in doing his own duty as a guardian of sheep.

For instance, it was his practice to guide the flock by walking before them; and this he explained as "a way 'the Shepherd' had." He said that when walking behind he was invariably alone; but when going in front "the Shepherd" was frequently by his side. And there were greater "revelations" than this. During the lambing season, when Snarley would often spend the night in his box, high up among the wolds, "the Shepherd" would announce his presence towards midnight by giving a signal, which Snarley would immediately answer, and pass long hours with him communing on the mysteries of their craft.

From this source Snarley professed to have derived some of the secrets on which his system of breeding was founded. "'The Shepherd' had put him up to them." He said that it was "the Shepherd" who had turned his thoughts to Spain as the country which would provide him with a short-eared ram. "The Shepherd" had assisted in the creation of "Thunderbolt," had indicated the meadows where the "Spanish cross" would find the best pasturage, and never failed to warn him when he was going to make a serious mistake. In his brilliant successes, which were many, at agricultural shows and such like, Snarley disclaimed every tittle of merit for himself, assuring Mrs. Abel that it was all due to the guidance of "the Shepherd." Of the prize-money which came to him in this way—for Farmer Perryman let him have it all—Snarley would never spend a sixpence; it was all "the Shepherd's money," and was promptly banked "that the missis might have a bit when he were gone"—the "bit" amounting, if I remember rightly, to four hundred and eighty pounds.

Throughout these communings there was scarcely a trace of moral reference in the usual senses of the term. One rule of life, and one only, Snarley professed to have derived from his invisible monitor—that "the good shepherd giveth his life for the sheep." This rule, also, he accepted in a strictly literal sense, and considered himself under orders accordingly. Thus interpreted, it was for him the one rule which summed up the essential content of the whole moral law.

I am not able to recall any notable act of heroism or self-sacrifice performed by Snarley on behalf of his flock; but perhaps we shall not err in regarding his whole life as such an act. When, in his old age, physical suffering overtook him—the result of a lifetime of toil and exposure to the elements—he bore it as a good soldier should bear his wounds, sustained by the consciousness that pain such as his was the lot of every shepherd "as did his duty by the sheep."

Nor am I aware that he displayed any emotional tenderness towards his charges; and certainly, I may add, his personal appearance would not have recommended him to a painter in search of a model for the Good Shepherd of traditional art. In eliminating undesirable specimens from the flock, Snarley was as ruthless as Nature; and when the butcher's man drove them off to the shambles he would watch their departure without a qualm. It was certainly said that he would never slaughter a sheep with his own hands, not even when death was merciful; on the other hand, he would sternly execute, by shooting, any dog that showed a tendency to bite or worry the flock. There was one doubtful case of this kind which Snarley told Mrs. Abel he had settled by reference to his monitor—the verdict being adverse to the dog. The monitor was, indeed, his actual Master—the captain of the ship whose orders were inviolable,—Farmer Perryman being only the purser from whom he received his pay: a view of the relationship which probably worked to Perryman's great advantage.

In short, whatever may have been Snarley's sins or virtues in other directions, "the Shepherd" had little or nothing to do with them. The burden which Snarley laid at his feet was the burden which had bent his back, and crippled his limbs, and gnarled his hands, and furrowed his broad brows during seventy years of hardship and toil. Moral lapses—in the matter of drink and, at one time, of fighting—occasionally took place; but they were never known to be followed by any reference to the disapproval of "the Shepherd." In some respects, indeed, Robert Dellanow showed himself singularly deficient in moral graces. To the very end of his life he was given to outbreaks of violent behaviour—as we have seen; and not only would he show no signs of after-contrition for his bad conduct, but would hint, at times, that his invisible companion had been a partner, or at least an unreproving spectator, in what he had done. But if he made a mistake in feeding the ewes or in doctoring the lambs, Snarley would say, "I don't know what 'the Shepherd' will think o' me. I'll hardly have the face to meet him next time." Once, on the other hand, when there had been a heavy snowfall towards the end of April, and desperate work in digging the flock out of a drift, he described the success of the operations to Mrs. Abel by saying, "It were a job as 'the Shepherd' himself might be proud on."

In the last period of his life, however, gleams of his earlier Methodism occasionally shot through, and showed plainly enough of whom he was thinking. As with most men of his craft, his old age was made grievous by rheumatism; there were times, indeed, when every joint of his body was in agony. All this Snarley bore with heroic fortitude, sticking to his duties on days when he described himself as "a'most blind wi' pain." We have seen what sustained him, and it was strengthened, of course, as he told some of us, by the belief that "the Shepherd" had borne far worse. When at last the rheumatism invaded the valves of his heart, and every walk up the hill was an invitation to Death, the old man still held on, unmoved by the doctor's warnings and the urgency of his friends. The Perrymans implored him to desist, and promised a pension; his wife threatened and wept; Mrs. Abel added her entreaties. To the latter he replied, "Not till I drops! As long as 'the Shepherd' 's there to meet me I know as I'm wanted. The lambs ha' got to be fed. Besides 'the Shepherd' and me has an understandin'. I'll never give in while I can stand on my legs and hold my crook in my hand."

There is reason to believe that every phase of Snarley's connection with Toller was laid before "the Shepherd." Each new development was subject to his guidance. Shortly after Toller's disappearance, Snarley said to Mrs. Abel, "Me and 'the Shepherd' has been talkin' it over. He sez to me, 'Snarley, when you lose a sheep, you goes after it into the wilderness, and you looks and looks till you finds. But this time it's a shepherd that's lost. Now you stay quiet where you are, and keep your eyes and ears open day and night. I know where he is; he's all right; and I'm lookin' after him. By and by I'm going to hand him over to you. Him and you has got to drink together, but it'll be a drink o' gall for both on you. When the time comes, I'll give you the sign.'"

"The sign come," he added, later on, "the sign come that night in the Nag's Head, when the groom told us about the kettle. I'd just had a drop o' something short, and when I looks up there were 'the Shepherd' sittin' in the chair next but one to Shoemaker Hankin. Just then the groom come in, and 'the Shepherd' gets up and comes over to a little table where I'd got my glass. The groom sits down where 'the Shepherd' had been, and 'the Shepherd' sits down opposite to me. The groom says, 'Boys, I've got summat to tell you as'll make your hair stand on end.' 'Fire away,' says Tom Barter; and 'the Shepherd,' he holds up his finger and looks at me. When the groom had done, and they were all shoutin' and laughin', 'the Shepherd' leans across the table and whispers, close in my ear, 'Snarley, the hour's come! Drink up what's left in your glass. It's time to be goin'.'"

During the trying time of his concealment and tending of Toller, "the Shepherd's" presence became more frequent, and Snarley's characterisation more precise. The belief that "the Shepherd" was "backing him up" gave Snarley a will of iron. When Mrs. Abel, on the night of his confession, essayed to reprove him for not obtaining medical assistance for Toller, he drew himself as erect as his crippled limbs allowed, and said quietly, in a manner that closed discussion, "It were 'the Master's' orders, my lady. He'd handed him over to me." He also said, or hinted, that "the Master" had taught him the method—whatever it may have been for sending Toller to sleep, "that were better than all the doctor's bottles." From the same source, doubtless, came his secret for "setting Toller's mind at rest." That secret is undivulged; but it was connected in some way with what Snarley called "the Shepherd's Plan," of which all we could learn was that "there were three men on three crosses, him in the middle being 'the Shepherd,' and them at the sides being Toller and me."

"There were allus three on us in the hut," said Snarley, "and all three were men as knowed what pain were. Both Toller and me was drinking out o' 'the Shepherd's' cup, and he'd promised to stay by us till the last drop was gone. 'It's full o' fury and wrath,' sez he; 'but it's got to be drunk by them as wants to drive their flock among the stars. I've gone before, and you're comin' after. When you've done this there'll be no more like it. The next cup will be full o' wine, and we'll all three drink it together.'"

In this wise did Snarley and Toller receive the Sacrament in their dark and lonely den.

The night on which Snarley came home "like a man walking in his sleep"—the last night of Toller's life—was wild, wet, and very dark. With a lantern in one hand, a can of milk in the other, and a bag of sticks on his back, the old man stumbled through the night until he reached the last slope leading to Toller's hut. Here the lantern was blown out, and Snarley, after depositing his burdens, sat down, dizzy and faint, on a stone. In his pocket was an eight-ounce bottle, containing a meagre sixpenn'orth of brandy for Shepherd Toller. Snarley fingered the bottle, and then, with quick resolution, withdrew his hand. "For the life o' me," he said, "I couldn't remember where I was. I felt as though the hillside were whirlin' round, carryin' me with it. And then I felt as though I were sinkin' into the ground. 'I'll never get there this night,' I sez to myself. Just then I hears something movin', and blessed if it wasn't Toller's old dog as had come to look for me. He come jumpin' up and begins lickin' my face. Well, it put a bit o' heart into me to feel the old dog. So I picks up the can and the bundle, and off I goes again; and, though I wouldn't ha' believed it, it weren't more than eighty yards, or a hundred at most, to the hut.

"When I come to the edge of the pit I sees a lantern burnin' near the door, wonderful bright; and there were 'the Shepherd' sittin' on a stone, same as I'd been doin' myself a minute before. As soon as he sees me comin', he waves his lantern and calls out, 'Have a care, Snarley, it's a steep and narrow road.' Well, the path down into the pit were as slippery as ice, and I tell you I'd never ha' got down—at least, not without breakin' some o' my bones—if 'the Shepherd' hadn't kep' showin' me a light.

"So I comes up to where he were; and then I noticed as he were wet through, just as I were, and looking regular wore out. 'Snarley,' he sez to me, 'you carry your cross like a man.' 'I learnt that from you, Master,' I sez; 'but you look as though yours had been a bit too heavy for you this time.' 'We've had terrible work to-day,' he sez; 'we've been dividin' the sheep from the goats. And there's no keepin' 'em apart. We no sooner gets 'em sorted than they mixes themselves up again, till you don't know where you are.' 'Why didn't you let me come and help you?' I sez. 'I'd ha' brought Boxer, and he'd ha' settled 'em pretty quick.' 'No, no,' he sez; 'your hour's not come. When I wants you, I'll give you a sign as you can't mistake. Besides, you're not knowledgable in goats. Feed my sheep.' 'Well,' I sez, 'when you wants me, you knows where to find me.' 'Right,' he sez; 'but it's Toller we'll be wantin' first. And I've been thinkin' as p'raps he'd oblige us by lettin' us have the loan of his dog for a bit.' 'I'll go in and ask him,' I sez; 'I don't suppose he'll have any objection.' Then 'the Shepherd' blew his lantern out, and I see him no more that night.

"Me and the dog goes into the hut, and I could hear as Toller were fast asleep in his bed. I begins blowin' up the embers in the fire, and when the blaze come the old dog lay down as though he meant goin' to sleep. But I could see as there was somethin' on his mind, for he kept cockin' his nose up, and sniffin' and lookin' round. Then he gets up and begins scratchin' at the door, as he allus did when he wanted to go out. So I opens the door, and out he rushes into the dark, like a mad thing, barkin' as though he smelt a fox.

"When I'd done what I'd come to do, I puts the brandy and the buttermilk where they'd be handy for Shepherd Toller to get 'em, and then I goes to the door and begins whistlin' for the dog. But no sign of him could I hear or see, though I kep' on whistlin' for full a quarter of a' hour. It were strange as it didn't wake Shepherd Toller, but he kep' on sleepin' like a child in a thunderstorm. At last I give it up and shut the door and went home. How I got back, I don't know. I can't remember nothing till my missis catched hold on me and pulled me in through the door."

"I'd never ha' been able to shoot the old dog," said Snarley, "if 'the Shepherd' hadn't made me do it. I turned fair sick when I put the charge in the gun, and when I pointed it at him I was in such a tremble that I couldn't aim straight. I tried three or four times to get steady, the dog standin' as still as still all the while, except that he kep' waggin' his tail.

"All of a sudden I sees 'the Shepherd,' plain as plain. He were standin' just behind the old dog, strokin' his head. 'Shoot, Snarley,' he sez; 'shoot, and we'll look after him.' 'Stand back, then, Master,' I sez; 'for I'm goin' to fire.' 'Fire,' he sez; 'but aim lower. The shot won't hurt me,' and he went on strokin' the dog's head. So I pulls the trigger, and when the smoke cleared 'the Shepherd' were gone, and the dog were lyin' dead as any stone."

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