Volume 2 — SYSTEMATIC CATALOGUE OF ALL THE ORIGINAL WORKS BY LUDWIG VON BEETHOVEN, AS PUBLISHED BY T. HASLINGER, FROM VIENNA.
Reading edition
A.—PIANO FORTE MUSIC.
———
I.—SONATAS.
FOR THE PIANO FORTE ALONE.
No. Op.
1.Sonatain E flat
2."in D
3."in F minor
4."in F minor2
5."in A2
6."in C2
7."in E flat7
8."in C minor10
9."in F10
10"in D10
11"in C minor13
12"in E14
13"in G14
14"in B flat22
15"in A flat26
16"in C sharp minor27
17"in E flat27
18"in D28
19"in G29
20"in D minor29
21"in E flat29
22"in G minor49
23"in G49
24"in C53
25"in F54
26"in F minor57
27"in F sharp78
28"in G79
29"in E flat81
30"in E minor90
31"in A101
32"in B flat106
33"in E109
34"in A flat110
35"in C minor111
II.—MISCELLANEOUS PIECES,
FOR THE PIANO FORTE ALONE.
1.Andante favori, in F35
2.Bagatelles in F33
3. " "104
4. " "126
5.Fantasie in G minor77
6.Polonaise in C89
7.Preludes in C29
8.Rondo in C51
9. " in G51
10. " in G (for Pianoforte and Violin)
11.Dances (Seven Waltzes)
12. " (Six Waltzes)
13. " (Minuets and Waltzes)
III.—VARIATIONS
FOR THE PIANO-FORTE, WITH AND WITHOUT ACCOMPANIMENTS.
1.—For the Piano-forte alone.
No. Op.
1.Variations(Thême de Marche)
2."(Quant' è più bello)
3."(Nel cor più non)
4."(Nozze disturbate)
5."(Waldmädchen)
6."(Mich brennt ein)
7."(Air russe)
8."(Tändeln und Scherzen)
9."(La Stessa)
10."(Kind willst du)
11."(Es war einmahl)
12."(in a familiar style)
13."(Vieni Amore)
14."(God save the King)25
15."(Rule Britannia)26
16."(Thême orig.)34
17."(With a Fugue)
18."(Thirty-two Variations)36
19."(Thême russe)
20."(Waltz by Diabelli)
2.—With Accompaniments.
21.Variations(Se vuol ballare) for Piano-forte and Violin
22."(Air de Händel) for Piano-forte and Violoncello
23."(Ein Mädchen)
24."(Bey Männern)
25."(Thême orig.) for Piano-forte, Violin and Violoncello
26."(Air écossais) for Piano-forte and Flute
27."(Air écossais)
28."(Air autrichien)
29."(Air écossais)
30."(Air écossais)
31."(Air écossais)
32."(Air tirolien)
33."(Air écossais)
34."(Air russe)
35."(Air écossais)
36."(Air tirolien)
37."(Air écossais)
38."(Air russe)
39."(Air écossais)
40."(Air écossais)
41."(Air écossais)
42."(Schwestern von Prag) for Violin and Violoncello121
IV.—PIECES
FOR TWO PERFORMERS ON THE PIANO-FORTE.
No. Op.
1.Sonata in D6
2.Variations in C
3.Variations in D27
4.Three Marches in C, E flat, and D45
V.—DUETS
FOR PIANO-FORTE AND VIOLIN.
1.Sonata in D12
2." in A12
3." in E flat12
4." in A minor23
5." in F24
6." in A30
7." in C minor30
8." in G30
9." in A47
10." in G96
VI.—DUETS
FOR PIANO-FORTE AND VIOLONCELLO.
1.Sonatain F5
2."in G minor5
3."in F (with Violoncello or French Horn)17
4."in A69
5."in C102
6."in D102
VII.—TRIOS
FOR PIANO-FORTE, VIOLIN, AND VIOLONCELLO.
1.Trio in E flat1
2. " in G1
3. " in C minor1
4. " in B flat (Clar.)11
5.Trio in D (Viol.)70
6. " in E flat70
7. " in B flat97
VIII.—QUARTETTS AND QUINTETTS
FOR THE PIANO-FORTE.
1.Quartett in E flat, for Piano-forte, Violin, Alto, and Violoncello16
2.Quintett in E flat, for Piano-forte, Hob. Clar. Bassoon and Horn16
IX.—CONCERTOS
FOR THE PIANO-FORTE, WITH ORCHESTRAL ACCOMPANIMENTS.
1.Concertoin C15
2."in B flat19
3."in C minor37
4."in C, for Piano-forte, Violin, Violoncello, Concertante, and Orchestra 56
5."in G58
6."in E flat73
7.Fantasia, with Chorus80
B.—VIOLIN MUSIC.
——
X.—TRIOS
FOR VIOLIN, ALTO, AND VIOLONCELLO.
No. Op.
1.Trioin E flat3
2."(Serenade)8
3."in G9
4."in D9
5."in C minor9
6."(Serenade) for Violin, Flute, and Alto
XI.—QUARTETTS
FOR TWO VIOLINS, ALTO, AND VIOLONCELLO.
1.Quartettin F18
2."in G18
3."in D18
4."in C minor18
5."in A18
6."in B flat18
7."in F59
8."in E minor59
9."in C59
10."in E flat74
11."in F minor95
12."in E flat127
13."in B flat130
14."in C sharp min.131
15."in A minor132
16."in F135
17.Fuguein B flat133
XII.—QUINTETTS
FOR TWO VIOLINS, TWO ALTOS, AND VIOLONCELLO.
1.Quintettin E flat4
2."in C29
3.Fuguein D137
XIII.—SEXTETTS AND SEPTETTS
FOR THE VIOLIN, ETC.
1.Septett in E flat for Violin, Alto, Violoncello, Clarionet, Bassoon, Horn, and Double Bass 20
2.Sextett in E flat, for two Violins, Alto, two Horns, and Violoncello81
XIV.—CONCERTOS AND ROMANCES
FOR THE VIOLIN, WITH ORCHESTRAL ACCOMPANIMENTS.
1.Romance in G40
2. " in F50
3.Concerto in D61
C.—VOCAL MUSIC.
XV.—SONGS AND BALLADS,
WITH ACCOMPANIMENT OF THE PIANO-FORTE.
No.
1.War Song of the Austrians (1797). Kriegslied der Österreicher.
2.Farewell to the Citizens of Vienna. Abschiedsgesang, &c.
3.Drinking Song. Trinklied
4.La Partenza
5.Tender Love. Zärtliche Liebe
6.Prayers (Six Sacred Songs of Gellert's), Op. 32
7.Love of our Neighbour. Die Liebe des Nächsten
8.Of Death. Vom Tode
9.Reverence of God through Nature. Die Ehre Gottes aus der Natur
10.God's Power and Providence. Gottes Macht und Vorsehung
11.Penitential Hymn. Busslied
12.Adelaide, Op. 48
13.The Blessing of Friendship. Das Glück der Freundschaft
14.The Free Man. Der freye Mann
15.Hymn of Sacrifice. Opferlied
16.Urian's Voyage Round the World, Op. 52—Eight Songs
17.Fire-colour. Feuerfarb
18.The Song of Rest. Das Liedchen von der Ruhe
19.May Song. Maygesang
20.Molly's Parting. Molly's Abschied
21.Love. Liebe
22.Marmoth
23.The Flower of St. John's Wort. Das Blümchen Wunderhold
24.The Call of the Œvail, Op. 24. Der Wachtelschlag
25.To Hope, Op. 32. An die Hoffnung
26.Longing (1st Melody), Op. 38. Sehnsucht
27. " (2nd Melody)
28. " (3rd Melody)
29. " (4th Melody)
30.Canon for the New Year. Zum neuen Jahr
31.Mignon (Six Songs and Melodies), Op. 57
32.New Love, new Life. Neue Liebe, neues Leben
33.Romance (Göthe's Faust)
34.Gretel's Warning
35.To the absent Lover. An den fernen Geliebten
36.The Contented Man. Der Zufriedene
37.Song of the Absent. Lied aus der Ferne
38.Longing. Sehnsucht
39.The Warrior's Adieu. Des Kriegers Abschied
40.In questa tomba
41.The Lover. Der Liebende
42.The Youth in a Foreign Land. Der Jüngling in der Fremde
43.Hope, Op. 82. Hoffnung
44.The Lover's Lament. Liebes Klage
45.L'Amante impatiente. Stille Frage
46.L'Amant. Liebes-Ungeduld
47.Joys of Life. Lebens-genuss
48.Pleasures of Melancholy—Three Songs, Op. 38, by Göthe
49.Longing
50.With a coloured ribbon
51.Remembrance (Mathison), Op. 72. Andenken.
52.Elegy on the Death of a Bodle. Elegie auf den Tod eines Pudels.
53.To a Mistress who wished to part. Als die Geliebte sich trennen wollte
54.Merkenstein, Op. 100
55.The Spirit of the Bard. Der Bardengeist
56.The Call from the Mountain. Ruf vom Berge
57.Germania
58.To my beloved. An die Geliebte (von Stoll)
59.So or so
60.Resignation
61.The Secret. Das Geheimniss
62.Silence. Das Schweigen. (Canon)
63.To Hope. An die Hoffnung, Op. 94
64.To a distant Mistress. An die ferne Geliebte (a Series of Six Songs, by A. Jeitteles), Op. 98
65.The Man of his Word. Der Mann von Wort, by F. A. Kleinschmid, Op. 99.
66.Merkenstein, near Baden, by J. B. Rupprecht, Op. 100.
67.Evening Hymn. Abendlied, Op. 103
68.O Hope. O Hoffnung
69.The Song of the Nightingale. Der Gesang der Nachtigall
70.Canon for Six Voices
71.Canon for Four Voices
72.Canon for Three Voices
73.The Kiss. Der Kuss, Op. 128
74.Drinking Song. Trinklied
XVI.—VOCAL MUSIC,
WITH PART OR THE WHOLE OF AN ORCHESTRAL ACCOMPANIMENT.
No. Op.
1.Scena e Aria: Ah perfido 46
2.Germania
3.It is achieved. Es ist vollbracht
4.Scotch Songs, Book 1st—With Accompaniment for Piano Forte, Violin, and Violoncello108
5. " " Book 2nd
6. " " Book 3rd
7.Calm at Sea and prosperous Voyage 112
8.March and Chorus from the Ruins of Athens114
9.Terzett: Tremate, empi, tremate!116
10.Elegiac Song118
11.Hymn of Sacrifice, by Mathison, for Solo and Chorus121
12.Hymn of Alliance, by Göthe, for two Solo Voices and Chorus122
XVII.—MASSES, ORATORIOS, OPERAS.
No. Op.
1.Mass in C, for Four Voices and Orchestra86
2. " in D, for Four Voices and Orchestra123
3.Christ on the Mount of Olives, Oratorio85
4.The Glorious Moment, Cantata
5.Fidelio, Grand Opera
6.Egmont, Tragedy (Overture, Entreacts and Songs)84
D.—ORCHESTRAL MUSIC.
———
XVIII.—SYMPHONIES.
1.Symphonyin C21
2."in D36
3."eroica in E flat55
4."in B flat60
5."in C minor67
6."Pastorale in F68
7."in A92
8."in F93
9."Choral in D minor125
10.Wellington's Victory in the Battle of Vittoria91
XIX.—OVERTURES
FOR THE ORCHESTRA.
1.Overture(Prometheus)43
2."(Coriolanus)62
3."(Egmont)84
4."(Leonore)87
5."(Fidelio)
6."(Ruins of Athens)113
7."(The Emperor's Name Day)115
8."(King Stephen)117
9."(Inauguration of the Theatre)124
10."(Characteristique) 138
XX.—DANCES AND BALLETS
FOR THE ORCHESTRA.
1.Minuets in E flat
2. " in D
3.German Dances in C
4.Waltzes in D
5. " in D
6.Prometheus, Ballet
XXI.—MUSIC
FOR WIND INSTRUMENTS.
No. Op.
1.Trio for two Hoboes and English Horn66
2.Sestetto for two Clarionets, two Bassoons, and two Horns71
3.Harmonies
4.Equale for four Trombones
5.Marches for Military Bands.
MESSRS. CRAMER AND CO. ARE PUBLISHING A COMPLETE EDITION OF BEETHOVEN'S WORKS, EDITED BY J. MOSCHELES.
THE FOLLOWING HAVE ALREADY APPEARED:—
No. Opera.Key
1.Sonata Pathetique, dedicated to Prince Lichnowski13C minor.
2.Grand Sonata, dedicated to ditto26A flat.
3.Sonata, No. 1, Op. 2929G.
4.Ditto, No. 2, ditto29D minor.
5.Ditto, No. 3, ditto29A flat.
6.Grand Sonata, dedicated to Count de Browne22B flat.
7.Sonata, dedicated to Mademoiselle Juliette Guicciardo, No. 127C minor.
8.Sonata, dedicated to the Princess de Lichtenstein, No. 227E flat.
9.Sonata (Pastorale), dedicated to M. Sonnenfells28D.
10.Sonata90E minor.
11.Ditto54F.
12.Ditto110A flat.
13.Ditto, dedicated to the Countess of Brunswick78F ♯ major.
14.Sonata, dedicated to Haydn, No. 12F minor.
15.Ditto, ditto, No. 22A.
16.Ditto, ditto, No. 32C.
17.Grand Sonata, dedicated to Madame Antonia de Brentano111C minor.
18.Grand Sonata7E flat.
19.Sonata, No. 149G minor.
20.Ditto, No. 249G.
21.Sonata, dedicated to Madame la Comtesse de Browne, No. 110C minor.
22.Ditto, dedicated to ditto, No. 210F.
23.Ditto, dedicated to ditto, No. 310D.
24.Grand Sonata, dedicated to Count de Waldstein53C.
25.Sonata Appassionata, dedicated to Count de BrunswicF minor.
26.Sonata Caracteristique81E flat.
27.Sonata, No. 114E.
28.Ditto, No. 214G.
29.Grand Sonata109E.
30.Grand Sonata, Part I.106B flat.
31.Ditto, Part II.106B flat.
32.Sonata101A.
33.Sonata79G.
34.Fantasia77G minor.
35.Andante35F.
36.Variations e Finale alla FugaE flat.
SONATAS FOR PIANO AND VIOLIN
1.Grand Sonata, No. 1, dedicated to Salieri12D.
2.Sonata, No. 2, dedicated to ditto12A.
3.Ditto, No. 3, dedicated to ditto12E flat.
4.Sonata, dedicated to Monsieur le Comte Maurice de Fries, No. 1 23A minor.
5.Sonata, dedicated to ditto, No. 2.23F.
6.Sonata, dedicated to the Emperor of Russia, No. 130A.
7.Ditto, dedicated to ditto, No. 230C minor.
8.Ditto, dedicated to ditto, No. 330G.
9.Grand Sonata, dedicated to Prince Rudolphe96G.
10.Grand Sonata, dedicated to M. Kreutzer47A.
SONATAS FOR PIANO AND VIOLONCELLO.
1.Grand Sonata, No. 15F.
2.Sonata, No. 2.5G.
3.Sonata17F.
4.Ditto69A.
5.Ditto, No. 1102C.
6.Ditto, No. 2102D.
TRIOS FOR PIANO, VIOLIN, AND VIOLONCELLO.
1.Trio, No. 11E flat.
2.Ditto, No. 21G.
3.Ditto, No. 31C minor.
4.Trio11B flat.
5.Trio (from the Septetto) 38E Flat.
6.Ditto, No. 170D.
7.Ditto, No. 270E flat.
8.Ditto97B flat.
CONCERTOS.
No. Opera.Key.
1.Concerto15C.
2.Ditto, dedicated to Monsieur Charles Nikl19B flat.
3.Concerto, dedicated to Prince Louis Ferdinand de Prusse 37C minor.
4.Concerto58G.
5.Concerto, dedicated to Archduke Rudolphe73E flat.
6.Fantasia with Chorus80C minor.
AIRS WITH VARIATIONS.
1. Air Russe
2. Nel cor più
3. Une Fièvre
4. Air from the Ballet of Le Nozze
5. La Stessa la Stessissima
6. Swiss Air
(TO BE CONTINUED.)
Mount of Olives (Oratorio)—English Version. By Thos. Oliphant, Esq. The Choral Parts to be had separately.
Six Songs, with English Words. By Thos. Oliphant, Esq. Fidelio, a Grand Opera.
*** Publishing by Subscription, a complete Edition of the Quatuors for two Violins, Tenor, and Violoncello.
THE END.
London: Printed by WILLIAM CLOWES and SONS, Stamford Street.
FOOTNOTES:
