To Emil Naumann, (NOW MUSIC DIRECTOR AT BERLIN.)
Grace Wallace translation
Leipzig, March, 1845.
Dear Herr Naumann,
I have observed with much pleasure very important progress in the compositions which you have sent me, and essential improvement in your whole musical nature and efficiency. I consider these works in every particular preferable to your earlier ones, and consequently they cause me most extreme gratification. There is much in them to be unreservedly commended; almost all, when compared with your productions of past years, awaken in me a fresh hope that you will one day be able to produce something really vigorous and good, and that it only rests with yourself to fulfil this hope.
I have nothing special to say to you with regard to the works, and indeed, owing to the mass of affairs and occupations which crowd on me here, I can now less than ever find time to write. But it is not necessary, for throughout I see traces of the good advice of your present instructor,[84] and feel increased respect for him in consequence of your progress. You are certainly, with him, in the best hands possible; attend assiduously therefore to his advice, and take advantage of his instructions, and of the time in which you can and must learn.
I should like to hear you play the capriccio in C, for if you can play it with steadiness and clearness, and keep correct time, you must have improved very much. I like this capriccio better than the one in E minor, and it seems to me more original. On the other hand, there is a great deal that pleases me in the sonata; particularly the beginning and end of the first movement, and the tempo di marcia, etc. etc. As I said before, you must continue to work; I must also beg you to place the same reliance henceforth on me, that you so kindly express in your letter. And as you apply Goethe’s words to me, and call me a master, I can only reply once more in Goethe’s words:—
“Learn soon to know wherein he fails; True Art, and not its type, revere.”
The advice in the first line is not difficult to follow, and the latter is not to be feared with you. Towards Whitsunday, when I am to be at Aix, I intend to pass through Frankfort, and hope then to see and hear something new of yours.—Always yours sincerely,
Felix Mendelssohn Bartholdy.