J.K. HUYSMANS (continued 2)

"The recipe for these hippomanes is lost," continued Des Hermies with almost a sad smile. "To make a long story short, Beccarelli met with a very miserable end. He was prosecuted for sacrilege and sentenced, in 1708, to row in the galleys for seven years."

"These frightful stories seem to have taken away your appetite," said Mme. Carhaix. "Come, Monsieur des Hermies, a little more salad?"

"No, thanks. But now we've come to the cheese, I think it's time to open the wine," and he uncapped one of the bottles which Durtal had brought.

"It's a light Chinon wine, but not too weak. I discovered it in a little shop down by the quay," said Durtal.

"I see," he went on after a silence, "that the tradition of unspeakable crimes has been maintained by worthy successors of Gilles de Rais. I see that in all centuries there have been fallen priests who have dared commit sins against the Holy Ghost. But at the present time it all seems incredible.

"You mean that nobody is brought to justice for doing it. They don't assassinate now, but they kill designated victims by methods unknown to official science—ah, if the confessionals could speak!" cried the bell-ringer.

"But tell me, what class of people are these modern covenanters with the Devil?"

"Prelates, abbesses, mission superiors, confessors of communities; and in Rome, the centre of present-day magic, they're the very highest dignitaries," answered Des Hermies. "As for the laymen, they are recruited from the wealthy class. That explains why these scandals are hushed up if the police chance to discover them.

"Then, let us assume that the sacrifices to the Devil are not preceded by preliminary murders. Perhaps in some cases they aren't. The worshippers probably content themselves with bleeding a fœtus which had been aborted as soon as it became matured to the point necessary. Bloodletting is supererogatory anyway, and serves merely to whet the appetite. The main business is to consecrate the host and put it to an infamous use. The rest of the procedure varies. There is at present no regular ritual for the black mass."

"Well, then, is a priest absolutely essential to the celebration of these offices?"

"Certainly. Only a priest can operate the mystery of Transubstantiation. I know there are certain occultists who claim to have been consecrated by the Lord, as Saint Paul was, and who think they can consummate a veritable sacrifice just like a real priest. Absurd! But even in default of real masses with ordained celebrants, the people possessed by the mania of sacrilege do none the less realize the sacred stupration of which they dream.

"Listen to this. In 1855 there existed at Paris an association composed of women, for the most part. These women took communion several times a day and retained the sacred

"You are sure of it?"

"Perfectly. These facts were revealed by a religious journal, Les annales de la sainteté, and the archbishop of Paris could not deny them. I add that in 1874 women were likewise enrolled at Paris to practise this odious commerce. They were paid so much for every wafer they brought in. That explains why they presented themselves at the sacred table of different churches every day."

"And that is not the half of it! Look," said Carhaix, in his turn, rising and taking from his bookshelf a blue brochurette. "Here is a review, La voix de la septaine, dated 1843. It informs us that for twenty-five years, at Agen, a Satanistic association regularly celebrated black masses, and committed murder, and polluted three thousand three hundred and twenty hosts! And Monsignor the Bishop of Agen, who was a good and ardent prelate, never dared deny the monstrosities committed in his diocese!"

"Yes, we can say it among ourselves," Des Hermies returned, "in the nineteenth century the number of foul-minded abbés has been legion. Unhappily, though the documents are certain, they are difficult to verify, for no ecclesiastic boasts of such misdeeds. The celebrants of Deicidal masses dissemble and declare themselves devoted to Christ. They even affirm that they defend Him by exorcising the possessed.

"That's a good one. The 'possessed' are made so or kept so by the priests themselves, who are thus assured of subjects and accomplices, especially in the convents. All kinds of murderous and sadistic follies can be covered with the antique and pious mantle of exorcism."

"Let us be just," said Carhaix. "The Satanist would not be complete if he were not an abominable hypocrite."

"Hypocrisy and pride are perhaps the most characteristic vices of the perverse priest," suggested Durtal.

"But in the long run," Des Hermies went on, "in spite

"The biggest of these societies founded as long ago as 1855 is the society of the Re-Theurgistes-Optimates. Beneath an apparent unity it is divided into two camps, one aspiring to destroy the universe and reign over the ruins, the other thinking simply of imposing upon the world a demoniac cult of which it shall be high priest.

"This society has its seat in America. It was formerly directed by one Longfellow, an adventurer, born in Scotland, who entitled himself grand priest of the New Evocative Magism. For a long time it has had branches in France, Italy, Germany, Russia, Austria, even Turkey.

"It is at the present moment moribund, or perhaps quite dead, but another has just been created. The object of this one is to elect an antipope who will be the exterminating Antichrist. And those are only two of them. How many others are there, more or less important numerically, more or less secret, which, by common accord, at ten o'clock the morning of the Feast of the Holy Sacrament, celebrate black masses at Paris, Rome, Bruges, Constantinople, Nantes, Lyons, and in Scotland—where sorcerers swarm!

"Then, outside of these universal associations and local assemblies, isolated cases abound, on which little light can be shed, and that with great difficulty. Some years ago there died, in a state of penitence, a certain comte de Lautree, who presented several churches with statues which he had bewitched so as to satanize the faithful. At Bruges a priest of my acquaintance contaminates the holy ciboria and uses them to prepare spells and conjurements. Finally one may, among all these, cite a clear case of possession. It is the case of Cantianille, who in 1865 turned not only the

"This Cantianille, placed in a convent of Mont-Saint-Sulpice, was violated, when she was barely fifteen years old, by a priest who dedicated her to the Devil. This priest himself had been corrupted, in early childhood, by an ecclesiastic belonging to a sect of possessed which was created the very day Louis XVI was guillotined.

"What happened in this convent, where many nuns, evidently mad with hysteria, were associated in erotic devilry and sacrilegious rages with Cantianille, reads for all the world like the procedure in the trials of wizards of long ago, the histories of Gaufrédy and Madeleine Palud, of Urbain Grandier and Madeleine Bavent, or the Jesuit Girard and La Cadière, histories, by the way, in which much might be said about hystero-epilepsy on one hand and about Diabolism on the other. At any rate, Cantianille, after being sent away from the convent, was exorcised by a certain priest of the diocese, abbé Thorey, who seems to have been contaminated by his patient. Soon at Auxerre there were such scandalous scenes, such frenzied outbursts of Diabolism, that the bishop had to intervene. Cantianille was driven out of the country, abbé Thorey was disciplined, and the affair went to Rome.

"The curious thing about it is that the bishop, terrified by what he had seen, requested to be dismissed, and retired to Fontainebleau, where he died, still in terror, two years later."

"My friends," said Carhaix, consulting his watch, "it is a quarter to eight. I must be going up into the tower to sound the angelus. Don't wait for me. Have your coffee. I shall rejoin you in ten minutes."

He put on his Greenland costume, lighted a lantern, and opened the door. A stream of glacial air poured in. White molecules whirled in the blackness.

"The wind is driving the snow in through the loopholes along the stair," said the woman. "I am always afraid that Louis will take cold in his chest this kind of weather. Oh,

"The fact is," sighed Des Hermies, when they had wished her good night, "the fact is that mama Carhaix is rapidly getting old. I have vainly tried to brace her up with tonics. They do no good. She has worn herself out. She has climbed too many stairs in her life, poor woman!"

"All the same, it's very curious, what you have told me," said Durtal. "To sum up, the most important thing about Satanism is the black mass."

"That and the witchcraft and incubacy and succubacy which I will tell you about; or rather, I will get another more expert than I in these matters to tell you about them. Sacrilegious mass, spells, and succubacy. There you have the real quintessence of Satanism."

"And these hosts consecrated in blasphemous offices, what use is made of them when they are not simply destroyed?"

"But I already told you. They are used to consummate infamous acts. Listen," and Des Hermies took from the bell-ringers bookshelf the fifth volume of the Mystik of Görres. "Here is the flower of them all:

"'These priests, in their baseness, often go so far as to celebrate the mass with great hosts which then they cut through the middle and afterwards glue to a parchment, similarly cloven, and use abominably to satisfy their passions.'"

"Holy sodomy, in other words?"

"Exactly."

At this moment the bell, set in motion in the tower, boomed out. The chamber in which Durtal and Des Hermies were sitting trembled and a droning filled the air. It seemed that waves of sound came out of the walls, unrolling in a spiral from the very rock, and that one was transported, in a dream, into the inside of one of these shells which, when held up to the ear, simulate the roar of rolling

Then the booming of the bell came more slowly. The humming departed from the air. The window panes, the glass of the bookcase, the tumblers on the table, ceased to rattle and gave off only a tenuous tinkling.

A step was heard on the stair. Carhaix entered, covered with snow.

"Cristi, boys, it blows!" He shook himself, threw his heavy outer garments on a chair, and extinguished his lantern. "There were blinding clouds of snow whirling in between the sounding-shutters. I can hardly see. Dog's weather. The lady has gone to bed? Good. But you haven't drunk your coffee?" he asked as he saw Durtal filling the glasses.

Carhaix went up to the stove and poked the fire, then dried his eyes, which the bitter cold had filled with tears, and drank a great draught of coffee.

"Now. That hits the spot. How far had you got with your lecture, Des Hermies?"

"I finished the rapid expose of Satanism, but I haven't yet spoken of the genuine monster, the only real master that exists at the present time, that defrocked abbé—"

"Oh!" exclaimed Carhaix. "Take care. The mere name of that man brings disaster."

"Bah! Canon Docre—to utter his ineffable name—can do nothing to us. I confess I cannot understand why he should inspire any terror. But never mind. I should like for Durtal, before we hunt up the canon, to see your friend Gévingey, who seems to be best and most intimately acquainted with him. A conversation with Gévingey would considerably amplify my contributions to the study of Satanism, especially as regards venefices and succubacy. Let's see. Would you mind if we invited him here to dine?"

Carhaix scratched his head, then emptied the ashes of his pipe on his thumbnail.

"Well, you see, the fact is, we have had a slight disagreement."

"What about?"

"Oh, nothing very serious. I interrupted his experiments here one day. But pour yourself some liqueur, Monsieur Durtal, and you, Des Hermies, why, you aren't drinking at all," and while, lighting their cigarettes, both sipped a few drops of almost proof cognac, Carhaix resumed, "Gévingey, who, though an astrologer, is a good Christian and an honest man—whom, indeed, I should be glad to see again—wished to consult my bells.

"That surprises you, but it's so. Bells formerly played quite an important part in the forbidden science. The art of predicting the future with their sounds is one of the least known and most disused branches of the occult. Gévingey had dug up some documents, and wished to verify them in the tower."

"Why, what did he do?"

"How do I know? He stood under the bell, at the risk of breaking his bones—a man of his age on the scaffolding there! He was halfway into the bell, the bell like a great hat, you see, coming clear down over his hips. And he soliloquized aloud and listened to the repercussions of his voice making the bronze vibrate.

"He spoke to me also of the interpretation of dreams about bells. According to him, whoever, in his sleep, sees bells swinging, is menaced by an accident; if the bell chimes, it is presage of slander; if it falls, ataxia is certain; if it breaks, it is assurance of afflictions and miseries. Finally he added, I believe, that if the night birds fly around a bell by moonlight one may be sure that sacrilegious robbery will be committed in the church, or that the curate's life is in danger.

"Be all that as it may, this business of touching the bells, getting up into them—and you know they're consecrated—of attributing to them the gift of prophecy, of involving them in the interpretation of dream—an art formally for

"But you did not quarrel?"

"No, and I confess I regret having been so hasty."

"Well then, I will arrange it. I shall go see him—agreed?" said Des Hermies.

"By all means."

"With that we must run along and give you a chance to get to bed, seeing that you have to be up at dawn."

"Oh, at half-past five for the six o'clock angelus, and then, if I want to, I can go back to bed, for I don't have to ring again till a quarter to eight, and then all I have to do is sound a couple of times for the curate's mass. As you can see, I have a pretty easy thing of it."

"Mmmm!" exclaimed Durtal, "if I had to get up so early!"

"It's all a matter of habit. But before you go won't you have another little drink? No? Really? Well, good night!"

He lighted his lantern, and in single file, shivering, they descended the glacial, pitch-dark, winding stair.

Next morning Durtal woke later than usual. Before he opened his eyes there was a sudden flash of light in his brain, and troops of demon worshippers, like the societies of which Des Hermies had spoken, went defiling past him, dancing a saraband. "A swarm of lady acrobats hanging head downward from trapezes and praying with joined feet!" he said, yawning. He looked at the window. The panes were flowered with crystal fleurs de lys and frost ferns. Then he quickly drew his arms back under the covers and snuggled up luxuriously.

"A fine day to stay at home and work," he said. "I will get up and light a fire. Come now, a little courage—" and—instead of tossing the covers aside he drew them up around his chin.

"Ah, I know that you are not pleased to see me taking a morning off," he said, addressing his cat, which was hunched up on the counterpane at his feet, gazing at him fixedly, its eyes very black.

This beast, though affectionate and fond of being caressed, was crabbed and set in its ways. It would tolerate no whims, no departures from the regular course of things. It understood that there was a fixed hour for rising and for going to bed, and when it was displeased it allowed a shade of annoyance to pass into its eyes, the sense of which its master could not mistake.

If he returned before eleven at night, the cat was waiting for him in the vestibule, scratching the wood of the door, miaouing, even before Durtal was in the hall; then it rolled its languorous green-golden eyes at him, rubbed against his

This morning it had no patience with Durtal's laziness. It squatted on its hunkers, and swelled up, then it approached stealthily and sat down two steps away from its master's face, staring at him with an atrociously false eye, signifying that the time had come for him to abdicate and leave the warm place for a cold cat.

Amused by its manœuvres, Durtal did not move, but returned its stare. The cat was enormous, common, and yet bizarre with its rusty coat yellowish like old coke ashes and grey as the fuzz on a new broom, with little white tufts like the fleece which flies up from the burnt-out faggot. It was a genuine gutter cat, long-legged, with a wild-beast head. It was regularly striped with waving lines of ebony, its paws were encircled by black bracelets and its eyes lengthened by two great zigzags of ink.

"In spite of your kill-joy character and your single track mind you testy, old bachelor, you are a very nice cat," said Durtal, in an insinuating, wheedling tone. "Then too, for many years now, I have told you what one tells no man. You are the drain pipe of my soul, you inattentive and indulgent confessor. Never shocked, you vaguely approve the mental misdeeds which I confess to you. You let me relieve myself and you don't charge me anything for the service. Frankly, that is what you are here for. I spoil you with care and attentions because you are the spiritual vent of solitude and celibacy, but that doesn't prevent you, with your spiteful way of looking at me, from being insufferable at times, as you are today, for instance!"

The cat continued to stare at him, its ears sticking straight

"Oh come," said Durtal, discouraged, looking at his watch, "I've simply got to get up and go to work on Gilles de Rais," and with a bound he sprang into his trousers. The cat, rising suddenly, galloped across the counterpane and rolled itself up into the warm covers, without waiting an instant longer.

"How cold it is!" and Durtal slipped on a knit jacket and went into the other room to start a fire. "I shall freeze!" he murmured.

Fortunately his apartment was easy to heat. It consisted simply of a hall, a tiny sitting-room, a minute bedroom, and a large enough bathroom. It was on the fifth floor, facing a sufficiently airy court. Rent, eight hundred francs.

It was furnished without luxury. The little sitting-room Durtal had converted into a study, hiding the walls behind black wood bookcases crammed with books. In front of the window were a great table, a leather armchair, and a few straight chairs. He had removed the glass from the mantelpiece, and in the panel, just over the mantelshelf, which was covered with an old fabric, he had nailed an antique painting on wood, representing a hermit kneeling beside a cardinal's hat and purple cloak, beneath a hut of boughs. The colours of the landscape background had faded, the blues to grey, the whites to russet, the greens to black, and time had darkened the shadows to a burnt-onion hue. Along the edges of the picture, almost against the black oak frame, a continuous narrative unfolded in unintelligible episodes, intruding one upon the other, portraying Lilliputian figures, in houses of dwarfs. Here the Saint, whose name Durtal had sought in vain, crossed a curly, wooden sea in a sailboat; there he marched through a village as big as a fingernail; then he disappeared into the shadows of the painting and was discovered higher up in a

It was a picture by an unknown painter, an old Dutchman, who had perhaps visited certain of the Italian masters, for he had appropriated colours and processes peculiar to them.

The bedroom contained a big bed, a chest of drawers waist-high, and some easy chairs. On the mantel were an antique clock and copper candlesticks. On the wall there was a fine photograph of a Botticelli in the Berlin museum, representing a plump and penitent Virgin who was like a housewife in tears. She was surrounded by gentleman-, lady-, and little-boy-angels. The languishing young men held spliced wax tapers that were like bits of rope; the coquettish hoydens had flowers stuck in their long hair; and the mischievous cherub-pages looked rapturously at the infant Jesus, who stood beside the Virgin and held out his hands in benediction.

Then there was a print of Breughel, engraved by Cock, "The wise and the foolish virgins": a little panel, cut in the middle by a corkscrew cloud which was flanked at each side by angels with their sleeves rolled up and their cheeks puffed out, sounding the trumpet, while in the middle of the cloud another angel, bizarre and sacerdotal, with his navel indicated beneath his languorously flowing robe, unrolled a banderole on which was written the verse of the Gospel, "Ecce sponsus venit, exite obviam ei."

Beneath the cloud, at one side, sat the wise virgins, good Flemings, with their lighted lamps, and sang canticles as they turned the spinning wheel. At the other side were the foolish virgins with their empty lamps. Four joyous gossips were holding hands and dancing in a ring on the greensward, while the fifth played the bagpipe and beat time with her foot. Above the cloud the five wise virgins, slender and

The blessed naïveté of the Primitives, the homely touches in the scenes of earth and of heaven! Durtal loved this old engraving. He saw in it a union of the art of an Ostade purified and that of a Thierry Bouts.

Waiting for his grate, in which the charcoal was crackling and peeling and running like frying grease, to become red, he sat down in front of his desk and ran over his notes.

"Let's see," he said to himself, rolling a cigarette, "we had come to the time when that excellent Gilles de Rais begins the quest of the 'great work.' It is easy to figure what knowledge he possessed about the method of transmuting metals into gold.

"Alchemy was already highly developed a century before he was born. The writings of Albertus Magnus, Arnaud de Villeneuve, and Raymond Lully were in the hands of the hermetics. The manuscripts of Nicolas Flamel circulated, and there is no doubt that Gilles had acquired them, for he was an avid collector of the rare. Let us add that at that epoch the edict of Charles interdicting spagyric labours under pain of prison and hanging, and the bull, Spondent pariter quas non exhibent, which Pope John XXII fulminated against the alchemists, were still in vigour. These treatises were, then, forbidden, and in consequence desirable. It is certain that Gilles had long studied them, but from that to understanding them is a far cry.

"For they were written in an impossible jargon of allegories, twisted and obscure metaphors, incoherent symbols, ambiguous parables, enigmas, and ciphers. And here is an example." He took from one of the shelves of the library a manuscript which was none other than the Asch-Mezareph, the book of the Jew Abraham and of Nicolas Flamel, restored, translated, and annotated by Eliphas Levi.

"In this is what claims to be the recipe for the philosopher's stone, for the grand quintessential and tinctural essence. The figures are not precisely clear," he said to himself, as he ran his eye over the pen drawings, retouched in colour, representing, under the title of "The chemical coitus" various bottles and flasks each containing a liquid and imprisoning an allegorical creature. A green lion, with a crescent moon over him, hung head downward. Doves were trying to fly out through the neck of the bottle or to peck a way through the bottom. The liquid was black and undulated with waves of carmine and gold, or white and granulated with dots of ink, which sometimes took the shape of a frog or a star. Sometimes the liquid was milky and troubled, sometimes flames rose from it as if there were a film of alcohol over the surface.

Eliphas Levi explained the symbolism of these bottled volatiles as fully as he cared to, but abstained from giving the famous recipe for the grand magisterium. He was keeping up the pleasantry of his other books, in which, beginning with an air of solemnity, he affirmed his intention of unveiling the old arcana, and, when the time came to fulfil his promise, begged the question, alleging the excuse that he would perish if he betrayed such burning secrets. The same excuse, which had done duty through the ages, served in masking the perfect ignorance of the cheap occultists of the present day.

"As a matter of fact, the 'great work' is simple," said Durtal to himself, folding up the manuscript of Nicolas Flamel. "The hermetic philosophers discovered—and modern science, after long evading the issue, no longer denies—that the metals are compounds, and that their components are identical. They vary from each other according to the different proportions of their elements. With the aid of an agent which will displace these proportions one may transmute mercury, for example, into silver, and lead into gold.

"And this agent is the philosopher's stone: mercury—not the vulgar mercury, which to the alchemists was but an aborted metallic sperm—but the philosophers' mercury, called also the green lion, the serpent, the milk of the Virgin, the pontic water.

"Only the recipe for this mercury, or stone of the sages, has ever been revealed—and it is this that the philosophers of the Middle Ages, the Renaissance, all centuries, including our own, have sought so frantically.

"And in what has it not been sought?" said Durtal, thumbing his notes. "In arsenic, in ordinary mercury, tin, salts of vitriol, saltpetre and nitre; in the juices of spurge, poppy, and purslane; in the bellies of starved toads; in human urine, in the menstrual fluid and the milk of women."

Now Gilles de Rais must have been completely baffled. Alone at Tiffauges, without the aid of initiates, he was incapable of making fruitful experiments. At that time Paris was the centre of the hermetic science in France. The alchemists gathered under the vaults of Notre Dame and studied the hieroglyphics which Nicolas Flamel, before he died, had written on the walls of the charnal Des Innocents and on the portal of Saint Jacques de la Boucherie, describing cabalistically the preparation of the famous stone.

The Marshal could not go to Paris because the English soldiers barred the roads. There was only one thing to do. He wrote to the most celebrated of the southern transmuters, and had them brought to Tiffauges at great expense.

"From documents which we posses we can see his supervising the construction of the athanor, or alchemists' furnace, buying pelicans, crucibles, and retorts. He turned one of the wings of his château into a laboratory and shut himself up in it with Antonio di Palermo, François Lombard, and 'Jean Petit, goldsmith of Paris,' all of whom busied themselves night and day with the concoction of the 'great work.'"

They were completely unsuccessful. At the end of their resources, these hermetists disappeared, and there ensued at

While waiting, Gilles de Rais, not to be discouraged, continued his experiments, all of which missed fire. He finally came to believe that the magicians were right after all, and that no discovery was possible without the aid of Satan.

And one night, with a sorcerer newly arrived from Poitiers, Jean de la Rivière, he betakes himself to a forest in the vicinity of the château de Tiffauges. With his servitors Henriet and Poitou, he remains on the verge of the wood into which the sorcerer penetrates. The night is heavy and there is no moon. Gilles becomes nervous, scrutinizing the shadows, listening to the muted sounds of the nocturnal landscape; his companions, terrified, huddle close together, trembling and whispering at the slightest stirring of the air. Suddenly a cry of anguish is raised. They hesitate, then they advance, groping in the darkness. In a sudden flare of light they perceive de la Rivière trembling and deathly pale, clutching the handle of his lantern convulsively. In a low voice he recounts how the Devil has risen in the form of a leopard and rushed past without looking at the evocator, without saying a word.

The next day the sorcerer vanished, but another arrived. This was a bungler named Du Mesnil. He required Gilles to sign with blood a deed binding him to give the Devil all the Devil asked of him "except his life and soul," but, although to aid the conjurements Gilles consented to have the Office of the Damned sung in his chapel on All Saints' Day, Satan did not appear.

The Marshal was beginning to doubt the powers of his

An evocator whose name has been lost held a séance with Gilles and de Sillé in a chamber at Tiffauges.

On the ground he traces a great circle and commands his two companions to step inside it. Sillé refuses. Gripped by a terror which he cannot explain, he begins to tremble all over. He goes to the window, opens it, and stands ready for flight, murmuring exorcisms under his breath. Gilles, bolder, stands in the middle of the circle, but at the first conjurgations he too trembles and tries to make the sign of the cross. The sorcerer orders him not to budge. At one moment he feels something seize him by the neck. Panic-stricken, he vacillates, supplicating Our Lady to save him. The evocator, furious, throws him out of the circle. Gilles precipitates himself through the door, de Sillé jumps out of the window, they meet below and stand aghast. Howls are heard in the chamber where the magician is operating. There is "a sound as of sword strokes raining on a wooden billet," then groans, cries of distress, the appeals of a man being assassinated.

They stand rooted to the spot. When the clamour ceases they venture to open the door and find the sorcerer lying; in pools of blood, his forehead caved in, his body horribly mangled.

They carry him out. Gilles, smitten with remorse, gives the man his own bed, bandages him, and has him confessed. For several days the sorcerer hovers between life and death but finally recovers and flees from the castle.

Gilles was despairing of obtaining from the Devil the recipe for the sovereign magisterium, when Eustache Blanchet's return from Italy was announced. Eustache brought the master of Florentine magic, the irresistible evoker of demons and larvæ, Francesco Prelati.

This man struck awe into Gilles. Barely twenty-three years old, he was one of the wittiest, the most erudite, and

At any rate Gilles came completely under the influence of this man. The extinguished furnaces were relighted, and that Stone of the Sages, which Prelati had seen, flexible, frail, red and smelling of calcinated marine salt, they sought together furiously, invoking Hell.

Their incantations were all in vain. Gilles, disconsolate, redoubled them, but they finally produced a dreadful result and Prelati narrowly escaped with his life.

One afternoon Eustache Blanchet, in a gallery of the château, perceives the Marshal weeping bitterly. Plaints of supplication are heard through the door of a chamber in which Prelati has been evoking the Devil.

"The Demon is in there beating my poor Francis. I implore you, go in!" cries Gilles, but Blanchet, frightened, refuses. Then Gilles makes up his mind, in spite of his fear. He is advancing to force the door, when it opens and Prelati staggers out and falls, bleeding, into his arms. Prelati is able, with the support of his friends, to gain the chamber of the Marshal, where he is put to bed, but he has sustained so merciless a thrashing that he goes into delirium and his fever keeps mounting. Gilles, in despair, stays beside him, cares for him, has him confessed, and weeps for joy when Prelati is out of danger.

"The fate of the unknown sorcerer and of Prelati, both getting dangerously wounded in an empty room, under identical circumstances—I tell you, it's a remarkable coincidence," said Durtal to himself.

"And the documents which relate these facts are authentic. They are, indeed, excerpts from the procedure in Gilles's trial. The confessions of the accused and the depositions of the witnesses agree, and it is impossible to think that Gilles and Prelati lied, for in confessing these Satanic evocations they condemned themselves, by their own words, to be burned alive.

"If in addition they had declared that the Evil One had appeared to them, that they had been visited by succubi; if they had affirmed that they had heard voices, smelled odours, even touched a body; we might conclude that they had had hallucinations similar to those of certain Bicêtre subjects, but as it was there could have been no misfunctioning of the senses, no morbid visions, because the wounds, the marks of the blows, the material fact, visible and tangible, are present for testimony.

"Imagine how thoroughly convinced of the reality of the Devil a mystic like Gilles de Rais must have been after witnessing such scenes!

"In spite of his discomfitures, he could not doubt—and Prelati, half-killed, must have doubted even less—that if Satan pleased, they should finally find this powder which would load them with riches and even render them almost immortal—for at that epoch the philosopher's stone passed not only for an agent in the transmutation of base metals, such as tin, lead, copper, into noble metals like silver and gold, but also for a panacea curing all ailments and prolonging life, without infirmities, beyond the limits formerly assigned to the patriarchs.

"Singular science," ruminated Durtal, raising the fender of his fireplace and warming his feet, "in spite of the railleries of this time, which, in the matter of discoveries but

"The master of contemporary science, Dumas, recognizes, under the name of isomery, the theories of the alchemists, and Berthelot declares, 'No one can affirm a priori that the fabrication of bodies reputed to be simple is impossible.' Then there have been verified and certified achievements. Besides Nicolas Flamel, who really seems to have succeeded in the 'great work,' the chemist Van Helmont, in the eighteenth century, received from an unknown man a quarter of a grain of philosopher's stone and with it transformed eight ounces of mercury into gold.

"At the same epoch, Helvetius, who combated the dogma of the spagyrics, received from another unknown a powder of projection with which he converted an ingot of lead into gold. Helvetius was not precisely a charlatan, neither was Spinoza, who verified the experiment, a credulous simpleton.

"And what is to be thought of that mysterious man Alexander Sethon who, under the name of the Cosmopolite, went all over Europe, operating before princes, in public, transforming all metals into gold? This alchemist, who seems to have had a sincere disdain for riches, as he never kept the gold which he created, but lived in poverty and prayer, was imprisoned by Christian II, Elector of Saxony, and endured martyrdom like a saint. He suffered himself to be beaten with rods and pierced with pointed stakes, and he refused to give up a secret which he claimed, like Nicolas Flamel, to have received from God.

"And to think that these researches are being carried on at the present time! Only, most of the hermetics now deny medical and divine virtues to the famous stone. They think simply that the grand magisterium is a ferment, which, thrown into metals in fusion, produces a molecular transformation similar to that which organic matter undergoes when fermented with the aid of a leaven.

"Des Hermies, who is well acquainted with the underworld of science, maintains that more than forty alchemic

"Have they rediscovered the incomparable secret of antiquity? In spite of certain affirmations, it is hardly probable. Nobody need manufacture artificially a metal whose origins are so unaccountable that a deposit is likely to be found anywhere. For instance, in a law suit which took place at Paris in the month of November, 1886, between M. Popp, constructor of pneumatic city clocks, and financiers who had been backing him, certain engineers and chemists of the School of Mines declared that gold could be extracted from common silex, so that the very walls sheltering us might be placers, and the mansards might be loaded with nuggets!

"At any rate," he continued, smiling, "these sciences are not propitious."

He was thinking of an old man who had installed an alchemic laboratory on the fifth floor of a house in the rue Saint Jacques. This man, named Auguste Redoutez, went every afternoon to the Bibliothèque Nationale and pored over the works of Nicolas Flamel. Morning and evening he pursued the quest of the "great work" in front of his furnace.

The 16th of March the year before, he came out of the Bibliothèque with a man who had been sitting at the same table with him, and as they walked along together Redoutez declared that he was finally in possession of the famous secret. Arriving in his laboratory, he threw pieces of iron into a retort, made a projection, and obtained crystals the colour of blood. The other examined the salts and made a flippant remark. The alchemist, furious, threw himself upon him, struck him with a hammer, and had to be overpowered and carried in a strait-jacket to Saint Anne, pending investigation.

"In the sixteenth century, in Luxemburg, initiates were roasted in iron cages. The following century, in Germany, they were clothed in rags and hanged on gilded gibbets.

He rose and went to answer a ring at the door. He came back with a letter which the concierge had brought. He opened it.

"Why, what is this?" he exclaimed. His astonishment grew as he read:

"Monsieur,

"I am neither an adventuress nor a seeker of adventures, nor am I a society woman grown weary of drawing-room conversation. Even less am I moved by the vulgar curiosity to find out whether an author is the same in the flesh as he is in his books. Indeed I am none of the things which you may think I am, from my writing to you this way. The fact is that I have just finished reading your last book,"

"She has taken her time," murmured Durtal, "it appeared a year ago."

"melancholy as an imprisoned soul vainly beating its wings against the bars of its cage."

"Oh, hell! What a compliment. Anyway, it rings false, like all of them."

"And now, Monsieur, though I am convinced that it is always folly and madness to try to realize a desire, will you permit that a sister in lassitude meet you some evening in a place which you shall designate, after which we shall return, each of us, into our own interior, the interior of persons destined to fall because they are out of line with their 'fellows'? Adieu, Monsieur, be assured that I consider you a somebody in a century of nobodies.

"Not knowing whether this note will elicit a reply, I abstain from making myself known. This evening a maid will call upon your concierge and ask him if there is a letter for Mme. Maubel."

"Hmm!" said Durtal, folding up the letter. "I know her. She must be one of these withered dames who are always clientele is composed of boys, who are always satisfied if they don't have to pay, and men of letters, who are yet more easily satisfied—for the ugliness of authors' mistresses is proverbial. Unless this is simply a practical joke. But who would be playing one on me—I don't know anybody—and why?"

In any case, he would simply not reply.

But in spite of himself he reopened the letter.

"Well now, what do I risk? If this woman wants to sell me an over-ripe heart, there is nothing forcing me to purchase it. I don't commit myself to anything by going to an assignation. But where shall I meet her? Here? No! Once she gets into my apartment complications arise, for it is much more difficult to throw a woman out of your house than simply to walk off and leave her at a street corner. Suppose I designated the corner of the rue de Sèvres and the rue de la Chaise, under the wall of the Abbaye-au-Bois. It is solitary, and then, too, it is only a minute's walk from here. Or no, I will begin vaguely, naming no meeting-place at all. I shall solve that problem later, when I get her reply."

He wrote a letter in which he spoke of his own spiritual lassitude and declared that no good could come of an interview, for he no longer sought happiness on earth.

"I will add that I am in poor health. That is always a good one, and it excuses a man from 'being a man' if necessary," he said to himself, rolling a cigarette.

"Well, that's done, and she won't get much encouragement out of it. Oh, wait. I omitted something. To keep from giving her a hold on me I shall do well to let her know that a serious and sustained liaison with me is impossible 'for family reasons.' And that's enough for one time."

He folded the letter and scrawled the address.

Then he held the sealed envelope in his hand and reflected.

"Of course I am a fool to answer her. Who knows what situations a thing like this is going to lead to? I am well aware that whoever she be, a woman is an incubator of sorrow and annoyance. If she is good she is probably stupid, or perhaps she is an invalid, or perhaps she is so disastrously fecund that she gets pregnant if you look at her. If she is bad, one may expect to be dragged through every disgusting kind of degradation. Oh, whatever you do, you're in for it."

He regurgitated the memories of his youthful amours. Deception. Disenchantment. How pitilessly base a woman is while she is young!

" ... To be thinking of things like that now at my age! As if I had any need of a woman now!"

But in spite of all, his pseudonymous correspondent interested him.

"Who knows? Perhaps she is good-looking, or at least not very ill-looking. It doesn't cost me anything to find out."

He re-read her letter. No misspelling. The handwriting not commercial. Her ideas about his book were mediocre enough, but who would expect her to be a critic? "Discreet scent of heliotrope," he added, sniffing the envelope.

"Oh, well, let's have our little fling."

And as he went out to get some breakfast he left his reply with the concierge.

"If this continues I shall lose my mind," murmured Durtal as he sat in front of his table reperusing the letters which he had been receiving from that woman for the last week. She was an indefatigable letter-writer, and since she had begun her advances he had not had time to answer one letter before another arrived.

"My!" he said, "let's try and see just where we do stand. After that ungracious answer to her first note she immediately sends me this:

"'Monsieur,

"'This is a farewell. If I were weak enough to write you any more letters they would become as tedious as the life I lead. Anyway, have I not had the best part of you, in that hesitant letter of yours which shook me out of my lethargy for an instant? Like yourself, monsieur, I know, alas! that nothing happens, and that our only certain joys are those we dream of. So, in spite of my feverish desire to know you, I fear that you were right in saying that a meeting would be for both of us the source of regrets to which we ought not voluntarily expose ourselves....'

"Then what bears witness to the perfect futility of this exordium is the way the missive ends:

"'If you should take the fancy to write me, you can safely address your letters "Mme. Maubel, rue Littré, general delivery." I shall be passing the rue Littré post-office Monday. If you wish to let matters remain just where they are—and thus cause me a great deal of pain—will you not tell me so, frankly?'

"

"'Never accuse yourself, monsieur—I repress a tenderer name which rises to my lips—of being unable to give me consolation. Weary, disabused, as we are, and done with it all, let us sometimes permit our souls to speak to each other—low, very low—as I have spoken to you this night, for henceforth my thought is going to follow you wherever you are.'

"Four pages of the same tune," he said, turning the leaves, "but this is better:

"'Tonight, my unknown friend, one word only. I have passed a horrible day, my nerves in revolt and crying out against the petty sufferings they are subjected to every minute. A slamming door, a harsh or squeaky voice floating up to me out of the street.... Yet there are whole hours when I am so far from being sensitive that if the house were burning I should not move. Am I about to send you a page of comic lamentations? Ah, when one has not the gift of rendering one's grief superbly and transforming it into literary or musical passages which weep magnificently, the best thing is to keep still about it.

"'I bid you a silent goodnight. As on the first day, I am harassed by the conflict of the desire to see you and the dread of touching a dream lest it perish. Ah, yes, you spoke truly. Miserable, miserable wretches that we are, our timorous souls are so afraid of any reality that they dare not think a sympathy which has taken possession of them capable of surviving an interview with the person who gave it birth. Yet, in spite of this fine casuistry, I simply must confess to you—no, no, nothing. Guess if you

"'A foolish letter with "I" written all over it. Who would suspect that while I wrote it my sole thought was of You?'"

"So far, so good. This woman at least piqued my curiosity. And what peculiar ink," he thought. It was myrtle green, very thin, very pale. With his finger-nail he detached some of the fine dust of rice powder, perfumed with heliotrope, clinging to the seal of the letters.

"She must be blonde," he went on, examining the tint of the powder, "for it isn't the 'Rachel' shade that brunettes use. Now up to that point everything had been going nicely, but then and there I spoiled it. Moved by I know not what folly, I wrote her a yet more roundabout letter, which, however, was very pressing. In attempting to fan her flame I kindled myself—for a spectre—and at once I received this:

"'What shall I do? I neither wish to see you, nor can I consent to annihilate my overwhelming desire to meet you. Last night, in spite of me, your name, which was burning me, sprang from my lips. My husband, one of your admirers, it seems, appeared to be somewhat humiliated by the preoccupation which, indeed, was absorbing me and causing unbearable shivers to run all through me. A common friend of yours and mine—for why should I not tell you that you know me, if to have met socially is to "know" anyone?—one of your friends, then, came up and said that frankly he was very much taken with you. I was in a state of such utter lack of self-control that I don't know what I should have done had it not been for the unwitting assistance which somebody gave me by pronouncing the name of a

"'Your own—as I cannot be in reality without wounding us both.'

"Then when I wrote a burning reply, this was brought by a maid on a dead run:

"'Ah, if I were not afraid, afraid!—and you know you are just as much afraid as I am—how I should fly to you! No, you cannot hear the thousand conversations with which my soul fatigues yours.... Oh, in my miserable existence there are hours when madness seizes me. Judge for yourself. The whole night I spent appealing to you furiously. I wept with exasperation. This morning my husband came into the room. My eyes were bloodshot. I began to laugh crazily, and when I could speak I said to him, "What would you think of a person who, questioned as to his profession, replied, 'I am a chamber succubus'?" "Ah, my dear, you are ill," said he. "Worse than you think," said I.

"'But if I come to see you, what could we talk about, in the state you yourself are in? Your letter has completely unbalanced me. You arraign your malady with a certain brutality which makes my body rejoice but alienates my soul a little. Ah, what if our dreams could really come true!

"'Ah, say a word, just one word, from out your own heart. Don't be afraid that even one of your letters can possibly fall into other hands than mine.'

"So, so, so. This is getting to be no laughing matter," concluded Durtal, folding up the letter. "The woman is married to a man who knows me, it seems. What a situation! Let's see, now. Whom have I ever visited?" He tried vainly to remember. No woman he had ever met at an evening party would address such declarations to him. And

And Durtal became irritated, for within him a really incomprehensible phenomenon was taking place. He was burning for this unknown woman. He was positively obsessed by her. He who had renounced all carnal relations years ago, who, when the barns of his senses were opened, contented himself with driving the disgusting herd of sin to the commercial shambles to be summarily knocked in the head by the butcher girls of love, he, he! was getting himself to believe—in the teeth of all experience, in the teeth of good judgment—that with a woman as passionate as this one seemed to be, he would experience superhuman sensations and novel abandon.

And he imagined her as he would have her, blonde, firm of flesh, lithe, feline, melancholy, capable of frenzies; and the picture of her brought on such a tension of nerves that his teeth rattled.

For a week, in the solitude in which he lived, he had dreamed of her and had become thoroughly aroused and incapable of doing any work, even of reading, for the image of this woman interposed itself between him and the page.

He tried suggesting to himself ignoble visions. He would imagine this creature in moments of corporal distress and thus calm his desires with unappetizing hallucinations; but the procedure which had formerly been very effective when he desired a woman and could not have her now failed utterly. He somehow could not imagine his unknown in quest of bismuth or of linen. He could not see her otherwise than rebellious, melancholy, dizzy with desire, kindling him with her eyes, inflaming him with her pale hands.

And his sensual resurrection was incredible—an aber

"Enough!" he cried, smiting the table a jarring blow.

He clapped on his hat and went out, slamming the door behind him.

"I know how to make my imagination behave!" and he rushed over to the Latin Quarter to see a prostitute he knew. "I have been a good boy too long," he murmured as he hurried down the street. "One can't stay on the straight and narrow path for ever."

He found the woman at home and had a miserable time. She was a buxom brunette with festive eyes and the teeth of a wolf. An expert, she could, in a few seconds, drain one's marrow, granulate the lungs, and demolish the loins.

She chid him for having been away so long, then cajoled him and kissed him. He felt pathetic, listless, out of breath, out of place, for he had no genuine desires. He finally flung himself on a couch and, enervated to the point of crying, he went through the back-breaking motions mechanically, like a dredge.

Never had he so execrated the flesh, never had he felt such repugnance and lassitude, as when he issued from that room. He strolled haphazard down the rue Soufflot, and the image of the unknown obsessed him, more irritating, more tenacious.

"I begin to understand the superstition of the succubus. I must try some bromo-exorcism. Tonight I will swallow a gram of bromide of potassium. That will make my senses be good."

But he realized that the trouble was not primarily physical, that really it was only the consequence of an extraordinary state of mind. His love for that which departed from the out of the world which had recently cheered him in art, had deviated and sought expression in a woman. She embodied his need to soar upward from the terrestrial humdrum.

"It is those precious unworldly studies, those cloister thoughts picturing ecclesiastical and demoniac scenes, which have prepared me for the present folly," he said to himself. His unsuspected, and hitherto unexpressed, mysticism, which had determined his choice of subject for his last work was now sending him out, in disorder, to seek new pains and pleasures.

As he walked along he recapitulated what he knew of the woman. She was married, blonde, in easy circumstances because she had her own sleeping quarters and a maid. She lived in the neighbourhood, because she went to the rue Littré post-office for her mail. Her name, supposing she had prefixed her own initial to the name of Maubel, was Henriette, Hortense, Honorine, Hubertine, or Hélène. What else? She must frequent the society of artists, because she had met him, and for years he had not been in a bourgeois drawing-room. She was some kind of a morbid Catholic, because that word succubus was unknown to the profane. That was all. Then there was her husband, who, gullible as he might be, must nevertheless suspect their liaison, since, by her own confession, she dissembled her obsession very badly.

"This is what I get for letting myself be carried away. For I, too, wrote at first to amuse myself with aphrodisiac statements. Then I ended by becoming completely hysterical. We have taken turns fanning smouldering ashes which now are blazing. It is too bad that we have both become inflamed at the same time—for her case must be the same as mine, to judge from the passionate letters she writes. What shall I do? Keep on tantalizing myself for a chimera? No! I'll bring matters to a head, see her, and if she is good-looking, sleep with her. I shall have peace, anyway."

He looked about him. Without knowing how he had

He tried to control himself and write a letter at once ardent and firm, but the pen shook in his fingers. He wrote at a gallop, confessed that he regretted not having consented, at the outset, to the meeting she proposed, and, attempting to check himself, declared, "We must see each other. Think of the harm we are doing ourselves, teasing each other at a distance. Think of the remedy we have at hand, my poor darling, I implore you."

He must indicate a place of meeting. He hesitated. "Let me think," he said to himself. "I don't want her to alight at my place. Too dangerous. Then the best thing to do would be to offer her a glass of port and a biscuit and conduct her to Lavenue's, which is a hotel as well as a café. I will reserve a room. That will be less disgusting than an assignation house. Very well, then, let us put in place of the rue de la Chaise the waiting-room of the Gare Montparnasse. Sometimes it is quite empty. Well, that's done." He gummed the envelope and felt a kind of relief. "Ah! I was forgetting. Garçon! The Bottin de Paris."

He searched for the name Maubel, thinking that by some chance it might be her own. Of course it was hardly probable, but she seemed so imprudent that with her anything was to be expected. He might very easily have met a Mme. Maubel and forgotten her. He found a Maubé and a Maubec, but no Maubel. "Of course, that proves nothing," he said, closing the directory. He went out and threw his letter into the box. "The joker in this is the husband. But hell, I am not likely to take his wife away from him very long."

He had an idea of going home, but he realized that he would do no work, that alone he would relapse into daydream. "If I went up to Des Hermies's place. Yes, today was his consultation day, it's an idea."

He quickened his pace, came to the rue Madame, and rang at an entresol. The housekeeper opened the door.

"Ah, Monsieur Durtal, he is out, but he will be in soon. Will you wait?"

"But you are sure he is coming back?"

"Why, yes. He ought to be here now," she said, stirring the fire.

As soon as she had retired Durtal sat down, then, becoming bored, he went over and began browsing among the books which covered the wall as in his own place.

"Des Hermies certainly has some curious items," he murmured, opening a very old book. Here's a treatise written centuries ago to suit my case exactly. Manuale exorcismorum. Well, I'll be damned! It's a Plantin. And what does this manual have to recommend in the treatment of the possessed?

"Hmmm. Contains some quaint counter-spells. Here are some for energumens, for the bewitched; here are some against love-philtres and against the plague; against spells cast on comestibles; some, even, to keep butter and milk sweet. That isn't odd. The Devil entered into everything in the good old days. And what can this be?" In his hand he held two little volumes with crimson edges, bound in fawn-coloured calf. He opened them and looked at the title, The anatomy of the mass, by Pierre du Moulin, dated, Geneva, 1624. "Might prove interesting." He went to warm his feet, and hastily skimmed through one of the volumes. "Why!" he said, "it's mighty good."

On the page which he was reading was a discussion of the priesthood. The author affirmed that none might exercise the functions of the priesthood if he was not sound in body, or if any of his members had been amputated, and asking apropos of this, if a castrated man could be ordained a priest, he answered his own question, "No, unless he carries upon him, reduced to powder, the parts which are wanting." He added, however, that Cardinal Tolet did

Durtal, amused, read on. Now du Moulin was debating with himself the point whether it was necessary to interdict abbés ravaged by lechery. And in answer he cited himself the melancholy glose of Canon Maximianus, who, in his Distinction 81, sighs, "It is commonly said that none ought to be deposed from his charge for fornication, in view of the fact that few can be found exempt from this vice."

"Why! You here?" said Des Hermies, entering. "What are you reading? The anatomy of the mass? Oh, it's a poor thing, for Protestants. I am just about distracted. Oh, my friend, what brutes those people are," and like a man with a great weight on his chest he unburdened himself.

"Yes, I have just come from a consultation with those whom the journals characterize as 'princes of science.' For a quarter of an hour I have had to listen to the most contradictory opinions. On one point, however, all agreed: that my patient was a dead man. Finally they compromised and decided that the poor wretch's torture should be needlessly prolonged by a course of moxas. I timidly remarked that it would be simpler to send for a confessor, and then assuage the sufferings of the dying man with repeated injections of morphine. If you had seen their faces! They came as near as anything to denouncing me as a tout for the priests.

"And such is contemporary science. Everybody discovers a new or forgotten disease, and trumpets a forgotten or a new remedy, and nobody knows a thing! And then, too, what good does it do one not to be hopelessly ignorant since there is so much sophistication going on in pharmacy that no physician can be sure of having his prescriptions filled to the letter? One example among many: at present, sirup of white poppy, the diacodia of the old Codex, does not exist. It is manufactured with laudanum and sirup of sugar, as if they were the same thing!

"We have got so we no longer dose substances but pre

"No, there is no use in talking. The old therapeutics based on experience was better than this. At least it know that remedies ingested in pill, powder, or bolus form were treacherous, so it prescribed them only in the liquid state. Now, too, every physician specializes. The oculists see only the eyes, and, to cure them, quite calmly poison the body. With their pilocarpine they have ruined the health of how many people for ever! Others treat cutaneous affections. They drive an eczema inward on an old man who as soon as he is 'cured' becomes childish or dangerous. There is no more solidarity. Allegiance to one party means hostility to all others. Its a mess. Now my honourable confrères are stumbling around, taking a fancy to medicaments which they don't even know how to use. Take antipyrine, for example. It is one of the very few really active products that the chemists have found in a long time. Well, where is the doctor who knows that, applied in a compress with iodide and cold Bondonneau spring water, antipyrine combats the supposedly incurable ailment, cancer? And if that seems incredible, it is true, nevertheless."

"Honestly," said Durtal, "you believe that the old-time doctors came nearer healing?"

"Yes, because, miraculously, they know the effects of certain invariable remedies prepared without fraud. Of course it is self-evident that when old Paré eulogized 'sack medicine' and ordered his patients to carry pulverized medicaments in a little sack whose form varied according to the organ to be healed, assuming the form of a cap for the head, of a bagpipe for the stomach, of an ox tongue for the spleen, he probably did not obtain very signal results. His claim to have cured gastralgia by appositions of powder of red rose, coral and mastic, wormwood and mint, aniseed and

"The present-day physicians shrug their shoulders when the name of Ambrose Paré is mentioned. They used to pooh-pooh the idea of the alchemists that gold had medicinal virtue. Their fine scorn does not now prevent them from using alternate doses of the salts and of the filings of this metal. They use concentrated arseniate of gold against anemia, muriate against syphilis, cyanide against amenorrhea and scrofula, and chloride of sodium and gold against old ulcers. No, I assure you, it is disgusting to be a physician, for in spite of the fact that I am a doctor of science and have extensive hospital experience I am quite inferior to humble country herborists, solitaries, who know a great deal more than I about what is useful to know—and I admit it."

"And homeopathy?"

"It has some good things about it and some bad ones. It also palliates without curing. It sometimes represses maladies, but for grave and acute cases it is impotent, just like this Mattei system, which, however, is useful as an intermediary to stave off a crisis. With its blood- and lymph-purifying products, its antiscrofoloso, its angiotico, its anti-canceroso, it sometimes modifies morbid states in which other methods are of no avail. For instance, it permits a patient whose kidneys have been demoralized by iodide of potassium to gain time and recuperate so that he can safely begin to drink iodide again!

"I add that terrific shooting pains, which rebel even against chloroform and morphine, often yield to an application of 'green electricity.' You ask me, perhaps, of what ingredients this liquid electricity is made. I answer that I know absolutely nothing about it. Mattei claims that he has been able to fix in his globules and liquors the electrical properties of certain plants, but he has never given out his recipe, hence he can tell whatever stories suit him. What

"Just what I was going to ask you. You haven't been to see me for over a week."

"Well, just now everybody in the world is ill and I am racing around all the time. By the way, I've been attending Chantelouve, who has a pretty serious attack of gout. He complains of your absence, and his wife, whom I should not have taken for an admirer of your books, of your last novel especially, speaks to me unceasingly of them and you. For a person customarily so reserved, she seems to me to have become quite enthusiastic about you, does Mme. Chantelouve. Why, what's the matter?" he exclaimed, seeing how red Durtal had become.

"Oh, nothing, but I've got to be going. Good night."

"Why, aren't you feeling well?"

"Oh, it's nothing, I assure you."

"Oh, well," said Des Hermies, knowing better than to insist. "Look at this," and took him into the kitchen and showed him a superb leg of mutton hanging beside the window. "I hung it up in a draft so as to get some of the crass freshness out of it. We'll eat it when we have the astrologer Gévingey to dine with us at Carhaix's. As I am the only person alive who knows how to boil a gigot à l'Anglaise, I am going to be the cook, so I shan't come by for you. You will find me in the tower, disguised as a scullery maid."

Once outside, Durtal took a long breath. Well, well,

"H. de Maubel!" he said suddenly, "why, Mme. Chantelouve's name is Hyacinthe, a boy's name which suits her very well. She lives in the rue Babneux not vary far from the rue Littré post-office. She is a blonde, she has a maid, she is a fervent Catholic. She's the one."

And he experienced, almost simultaneously, two absolutely distinct sensations.

Of disappointment, first, for his unknown pleased him better. Mme. Chantelouve would never realize the ideal he had fashioned for himself, the tantalizing features, the agile, wild animal body, the melancholy and ardent bearing, which he had dreamed. Indeed, the mere fact of knowing the unknown rendered her less desirable, more vulgar. Accessibility killed the chimera.

At the same time he experienced a lively relief. He might have been dealing with a hideous old crone, and Hyacinthe, as he immediately began to call her, was desirable. Thirty-three at most, not pretty, but peculiar; blonde, slight and supple, with no hips, she seemed thin because she was small-boned. The face, mediocre, spoiled by too big a nose, but the lips incandescent, the teeth superb, her complexion ever so faint a rose in the slightly bluish milk white of rice water a little troubled.

Then her real charm, the really deceptive enigma of her, was in her eyes; ash-grey eyes which seemed uncertain, myopic, and which conveyed an expression of resigned boredom. At certain moments the pupils glowed like a gem of grey water and sparks of silver twinkled to the surface. By turns they were dolent, forsaken, languorous, and haughty. He remembered that those eyes had often brought his heart into his throat!

"No," he said, "I am on the wrong track. It's merely by chance that Mme. Chantelouve spoke of my books to Des Hermies, and I mustn't jump to the conclusion that she is smitten with me and that she has been writing me these hot letters. It isn't she, but who on earth is it?"

He continued to revolve the question, without coming any nearer a solution. Again he called before his eyes the image of this woman, and admitted that she was really potently seductive, with a fresh, girlish body, flexible, and without a lot of repugnant flesh—and mysterious, with her concentrated air, her plaintive eyes, and even her coldness, real or feigned.

He summarized all that he really knew about her: simply that she was a widow when she married Chantelouve, that she had no children, that her first husband, a manufacturer of chasubles, had, for unknown reasons, committed suicide. That was all. On the other hand, too, too much was known about Chantelouve!

Author of a history of Poland and the cabinets of the north; of a history of Boniface VIII and his times; a life of the blessed Jeanne de Valois, founder of the Annonciade; a biography of the Venerable Mother Anne de Xaintonge, teacher of the Company of Saint Ursula; and other books of the same kind, published by Lecoffre, Palmé, Poussielgue, in the inevitable shagreen or sheep bindings stamped with dendriform patterns: Chantelouve was preparing his candidacy

He had other motives. It was said that he had no scruples about exploiting his social acquaintances. Durtal had even noticed that at each of the dinners given by Chantelouve a well-dressed stranger was present, and the rumour went about that this guest was a wealthy provincial to whom men of letters were exhibited like a wax-work collection, and from whom, before or afterward, important sums were borrowed.

"It is undeniable that the Chantelouves have no income and that they live in style. Catholic publishing houses and magazines pay even worse than the secular, so in spite of his established reputation in the clerical world, Chantelouve cannot possibly maintain such a standard of living on his royalties.

"There simply is no telling what these people are up to. That this woman's home life is unhappy, and that she does not love the sneaky sacristan to whom she is married, is quite possible, but what is her real rôle in that household? Is she accessory to Chantelouve's pecuniary dodges? If that is the case I don't see why she should pick on me. If she is in connivance with her husband, she certainly ought to have sense enough to seek an influential or wealthy lover, and she

"So that is not her game. I don't know that I want to have anything to do with their kind of people," he concluded, somewhat chilled by these reflections. "But I am a big fool. What I know about them proves that my unknown beloved is not Chantelouve's wife, and, all things considered, I am glad she isn't."

Next day his ferment had subsided. The unknown never left him, but she kept her distance. Her less certain features were effaced in mist, her fascination became feebler, and she no longer was his sole preoccupation.

The idea, suddenly formed on a word of Des Hermies, that the unknown must be Chantelouve's wife, had, in fashion, checked his fever. If it was she—and his contrary conclusions of the evening before seemed hardly valid when he took up one by one the arguments by which he had arrived at them—then her reasons for wanting him were obscure, dangerous, and he was on his guard, no longer letting himself go in complete self-abandon.

And yet, there was another phenomenon taking place within him. He had never paid any especial attention to Hyacinthe Chantelouve, he had never been in love with her. She interested him by the mystery of her person and her life, but outside her drawing-room he had never given her a thought. Now ruminating about her he began almost to desire her.

Suddenly she benefited by the face of the unknown, for when Durtal evoked her she came confused to his sight, her physiognomy mingled with that which he had visualized when the first letters came.

Though the sneaking scoundrelism of her husband displeased him, he did not think her the less attractive, but his desires were no longer beyond control. In spite of the distrust which she aroused, she might be an interesting mistress, making up for her barefaced vices by her good grace,

On the other hand, if his conjectures were false, if it was not Mme. Chantelouve who had written the letters, then the other, the unknown, lost a little of her subtlety by the mere fact that she could be incarnated in a creature whom he knew. Still remote, she became less so; then her beauty deteriorated, because, in turn, she took on certain features of Mme. Chantelouve, and if the latter had profited, the former, on the contrary, lost by the confusion which Durtal had established.

In one as in the other case, whether she were Mme. Chantelouve or not, he felt appeased, calmed. At heart he did not know, when he revolved the adventure, whether he preferred his chimera, even diminished, or this Hyacinthe, who at least, in her reality, was not a disenchanting frump, wrinkled with age. He profited by the respite to get back to work, but he had presumed too much upon his powers. When he tried to begin his chapter on the crimes of Gilles de Rais he discovered that he was incapable of sewing two sentences together. He wandered in pursuit of the Marshal and caught up with him, but the prose in which he wished to embody the man remained listless and lifeless, and he could think only patchily.

He threw down his pen and sank into an armchair. In revery he was transported to Tiffauges, where Satan, who had refused so obstinately to show himself, now became incarnate in the unwitting Marshal, to wallow him, vociferating, in the joys of murder.

"For this, basically, is what Satanism is," said Durtal to himself. "The external semblance of the Demon is a minor matter. He has no need of exhibiting himself in human or bestial form to attest his presence. For him to prove himself, it is enough that he choose a domicile in souls which he ulcerates and incites to inexplicable crimes. Then, he can hold his victims by that hope which he breathes into them, that instead of living in them as he does, and as they don't

"All the modern theories of the followers of Maudsley and Lombroso do not, in fact, render the singular abuses of the Marshal comprehensible. Nothing could be more just than to class him as a monomaniac, for he was one, if by the word monomaniac we designate every man who is dominated by a fixed idea. But so is every one of us, more or less, from the business man, all whose thoughts converge on the one idea of gain, to the artist absorbed in bringing his masterpiece into the world. But why was the Marshal a monomaniac, how did he become one? That is what all the Lombrosos in the world can't tell you. Encephalic lesions, adherence of the pia mater to the cerebrum, mean absolutely nothing in this question. For they are simple resultants, effects derived from a cause which ought to be explained, and which no materialist can explain. It is easy to declare that a disturbance of the cerebral lobes produces assassins and demonomaniacs. The famous alienists of our time claim that analysis of the brain of an insane woman disclosed a lesion or a deterioration of the grey matter. And suppose it did! It would still be a question whether, in the case of a woman possessed with demonomania, the lesion produced the demonomania, or the demonomania produced the lesion.... Admitting that there was a lesion! The spiritual Comprachicos have never resorted to cerebral surgery. They don't amputate the lobes—supposed to be reliably identified—after carefully trepanning. They simply act upon the pupil by inculcating ignoble ideas in him, developing his bad instincts, pushing him little by little into the paths of vice; and if this gymnastic of persuasion deteriorates the cerebral tissues in the subject, that proves precisely that the lesion is only the derivative and not the cause of the psychological state.

"And then, and then, these doctrines which consist nowadays in confounding the criminal with the insane, the demonomaniac with the mad, have absolutely no foundation. Nine years ago a lad of fourteen, Felix Lemaîre, assassinated a little boy whom he did not know. He just wanted to see the child suffer, just wanted to hear him cry. Felix slashed the little fellow's stomach with a knife, turned the blade round and round in the warm flesh, then slowly sawed his victim's head off. Felix manifested no remorse, and in the ensuing investigation proved himself to be intelligent and atrocious. Dr. Legrand Du Saule and other specialists kept him under vigilant surveillance for months, and could not discover the slightest pathological symptom. And he had had fairly good rearing and certainly had not been corrupted by others.

"His behaviour was like that of the conscious or unconscious demonomaniacs who do evil for evil's sake. They are no more mad than the rapt monk in his cell, than the man who does good for good's sake. Anybody but a medical theorist can see that the desire for good and the desire for evil simply form the two opposing poles of the soul. In the fifteenth century these extremes were represented by Jeanne d'Arc and the Marshal de Rais. Now there is no more reason for attributing madness to Gilles than there is for attributing it to Jeanne d'Arc, whose admirable excesses certainly have no connection with vesania and delirium.

"All the same, some frightful nights must have been passed in that fortress," said Durtal. He was thinking of the château de Tiffauges, which he had visited a year ago, believing that it would aid him in his work to live in the country where Gilles had lived and to dig among the ruins.

He had established himself in the little hamlet which stretches along the base of the abandoned donjon. He learned what a living thing the legend of Bluebeard was in this isolated part of La Vendée on the border of Brittany.

"He was a young man who came to a bad end," said the young women. More fearful, their grandmothers crossed

Durtal had gone every day from the inn where he lodged to the château, towering over the valleys of the Crume and of the Sèvre, facing hills excoriated with blocks of granite and overgrown with formidable oaks, whose roots, protruding out of the ground, resembled monstrous nests of frightened snakes.

One might have believed oneself transported into the real Brittany. There was the same melancholy, heavy sky, the same sun, which seemed older than in other parts of the world and which but feebly gilded the sorrowful, age-old forests and the mossy sandstone. There were the same endless stretches of broken, rocky soil, pitted with ponds of rusty water, dotted with scattered clumps of gorse and furze copse, and sprinkled with pink harebells and nameless yellow prairie flowers.

One felt that this iron-grey sky; this starving soil, empurpled only here and there by the bleeding flower of the buckwheat; that these roads, bordered with stones placed one on top of the other, without cement or plaster; that these paths, bordered with impenetrable hedges; that these grudging plants; these inhospitable fields; these crippled beggars, eaten with vermin, plastered with filth; that even the flocks, undersized and wasted, the dumpy little cows, the black sheep whose blue eyes had the cold, pale gleam that is in the eyes of the Slav or of the tribade; had perpetuated their primordial state, preserving an identical landscape through all the centuries.

Except for an incongruous factory chimney further away on the bank of the Sèvre, the countryside of Tiffauges remained in perfect harmony with the immense château, erect among its ruins. Within the close, still to be traced by the ruins of the towers, was a whole plain, now converted into a miserable truck garden. Cabbages, in long bluish lines,

A thatched hut had been built in a corner. The peasant inhabitants, returned to a state of savagery, no longer understood the meaning of words, and could be roused out of their apathy only by the display of a silver coin. Seizing the coin, they would hand over the keys.

For hours one could browse around at ease among the ruins, and smoke and daydream. Unfortunately, certain parts were inaccessible. The donjon was still shut off, on the Tiffauges side, by a vast moat, at the bottom of which mighty trees were growing. One would have had to pass over the tops of the trees, growing to the very verge of the wall, to gain a porch on the other side, for there was now no drawbridge.

But quite accessible was another part which overhung the Sèvre. There the wings of the castle, overgrown with ivy and white-crested viburnum, were intact. Spongy, dry as pumice stone, silvered with lichen and gilded with moss, the towers rose entire, though from their crenelated collarettes whole blocks were blown away on windy nights.

Within, room succeeded glacial room, cut into the granite, surmounted with vaulted roofs, and as close as the hold of a ship. Then by spiral stairways one descended into similar chambers, joined by cellar passageways into the walls of which were dug deep niches and lairs of unknown utility.

Beneath, those corridors, so narrow that two persons could not walk along them abreast, descended at a gentle slope, and bifurcated so that there was a labyrinth of lanes, leading to veritable cells, on the walls of which the nitre scintillated in the light of the lantern like steel mica or twinkling grains of sugar. In the cells above, in the dungeons beneath, one stumbled over rifts of hard earth, in the centre or in a corner of which yawned now the mouth of an unsealed oubliette, now a well.

Finally, at the summit of one of the towers, that at the left as one entered, there was a roofed gallery running parallel to a circular foothold cut from the rock. There, without doubt, the men-at-arms had been stationed to fire on their assailants through wide loopholes opening overhead and underfoot. In this gallery the voice, even the lowest, followed the curving walls and could be heard all around the circuit.

Briefly, the exterior of the castle revealed a fortified place built to stand long sieges, and the dismantled interior made one think of a prison in which flesh, mildewed by the moisture, must rot in a few months. Out in the open air again, one felt a sensation of well-being, of relief, which one lost on traversing the ruins of the isolated chapel and penetrating, by a cellar door, to the crypt below.

This chapel, low, squat, its vaulted roof upheld by massive columns on whose capitals lozenges and bishop's croziers were carved, dated from the eleventh century. The altar stone survived intact. Brackish daylight, which seemed to have been filtered through layers of horn, came in at the openings, hardly lighting the shadowed, begrimed walls and the earth floor, which too was pierced by the entrance to an oubliette or by a well shaft.

In the evening after dinner he had often climbed up on the embankment and followed the cracked walls of the ruins. On bright nights one part of the castle was thrown back into shadow, and the other, by contrast, stood forth, washed in silver and blue, as if rubbed with mercurial lusters, above the Sèvre, along whose surface streaks of moonlight darted like the backs of fishes. The silence was overpowering. After nine o'clock not a dog, not a soul. He would return to the poor chamber of the inn, where an old woman, in black, wearing the cornet head-dress her ancestors wore in the sixteenth century, waited with a candle to bar the door as soon as he returned.

"All this," said Durtal to himself, "is the skeleton of a dead keep. To reanimate it we must revisualize the opulent

"We must reclothe these walls with wainscots of Irish wood or with high warp tapestries of gold and thread of Arras, so much sought after in that epoch. Then this hard, black soil must be repaved with green and yellow bricks or black and white flagstones. The vault must be starred with gold and sown with crossbows on a field azur, and the Marshal's cross, sable on shield or, must be set shining there."

Of themselves the furnishings returned, each to its own place. Here and there were high-backed signorial chairs, thrones, and stools. Against the walls were sideboards on whose carved panels were bas-reliefs representing the Annunciation and the Adoration of the Magi. On top of the sideboards, beneath lace canopies, stood the painted and gilded statues of Saint Anne, Saint Marguerite, and Saint Catherine, so often reproduced by the wood-carvers of the Middle Ages. There were linen-chests, bound in iron, studded with great nails, and covered with sowskin leather. Then there were coffers fastened by great metal clasps and overlaid with leather or fabric on which fair faced angels, cut from illuminated missal-backgrounds, had been mounted. There were great beds reached by carpeted steps. There were tasselled pillows and counterpanes heavily perfumed, and canopies and curtains embroidered with armories or sprinkled with stars.

So one must reconstruct the decorations of the other rooms, in which nothing was standing but the walls and the high, basket-funneled fireplaces, whose spacious hearths, wanting andirons, were still charred from the old fires. One could easily imagine the dining-rooms and those terrible repasts which Gilles deplored in his trial at Nantes. Gilles admitted with tears that he had ordered his diet so as to

"Remain the costumes to be restored," said Durtal to himself, and he imagined Gilles and his friends, not in their damaskeened field harness, but in their indoor costumes, their robes of peace. He visualized them in harmony with the luxury of their surroundings. They wore glittering vestments, pleated jackets, bellying out in a little flounced skirt at the waist. The legs were encased in dark skin-tight hose. On their heads were the artichoke chaperon hats like that of Charles VII in his portrait in the Louvre. The torso was enveloped in silver-threaded damask, which was crusted with jewelleries and bordered with marten.

He thought of the costume of the women of the time, robes of precious tentered stuffs, with tight sleeves, great collars thrown back over the shoulders, cramping bodices, long trains lined with fur. And as he thus dressed an imaginary manikin, hanging ropes of heavy stones, purplish

"Well, well, she won't let me alone," and in spite of himself he began to laugh at the thought of the unknown following him even to the château de Tiffauges. "It's foolish to let my thoughts wander this way," he said, drawing himself up, "but daydream is the only good thing in life. Everything else is vulgar and empty.

"No doubt about it, that was a singular epoch, the Middle Epoch of ignorance and darkness, the history professors and Ages," he went on, lighting a cigarette. "For some it's all white and for others utterly black. No intermediate shade, atheists reiterate. Dolorous and exquisite epoch, say the artists and the religious savants.

"What is certain is that the immutable classes, the nobility, the clergy, the bourgeoisie, the people, had loftier souls at that time. You can prove it: society has done nothing but deteriorate in the four centuries separating us from the Middle Ages.

"True, a baron then was usually a formidable brute. He was a drunken and lecherous bandit, a sanguinary and boisterous tyrant, but he was a child in mind and spirit. The Church bullied him, and to deliver the Holy Sepulchre he sacrificed his wealth, abandoned home, wife, and children, and accepted unconscionable fatigues, extraordinary sufferings, unheard-of dangers.

"By pious heroism he redeemed the baseness of his morals. The race has since become moderate. It has reduced, sometimes even done away with, its instincts of carnage and rape, but it has replaced them by the monomania of business, the passion for lucre. It has done worse. It has sunk to

"The clergy, then a good example—if we except a few convents ravaged by frenzied Satanism and lechery—launched itself into superhuman transports and attained God. Saints swarmed, miracles multiplied, and while still omnipotent the Church was gentle with the humble, it consoled the afflicted, defended the little ones, and mourned or rejoiced with the people of low estate. Today it hates the poor, and mysticism dies in a clergy which checks ardent thoughts and preaches sobriety of mind, continence of postulation, common sense in prayer, bourgeoisie of the soul! Yet here and there, buried in cloisters far from these lukewarm priests, there perhaps still are real saints who weep, monks who pray, to the point of dying of sorrow and prayer, for each of us. And they—with the demoniacs—are the sole connecting link between that age and this.

"The smug, sententious side of the bourgeoisie already existed in the time of Charles VII. But cupidity was repressed by the confessor, and the tradesman, just like the labourer, was maintained by the corporations, which denounced overcharging and fraud, saw that decried merchandise was destroyed, and fixed a fair price and a high standard of excellence for commodities. Trades and professions were handed down from father to son. The corporations assured work and pay. People were not, as now, subject to the fluctuations of the market and the merciless capitalistic exploitation. Great fortunes did not exist and everybody had enough to live on. Sure of the future, unhurried, they created marvels of art, whose secret remains for ever lost.

"All the artisans who passed the three degrees of apprentice, journeyman, and master, developed subtlety and became veritable artists. They ennobled the simplest of iron work, the commonest faience, the most ordinary chests and coffers.

"All that is decisively at an end. The bourgeoise has taken the place forfeited by a wastrel nobility which now subsists only to set ignoble fashions and whose sole contribution to our 'civilization' is the establishment of gluttonous dining clubs, so-called gymnastic societies, and pari-mutuel associations. Today the business man has but these aims, to exploit the working man, manufacture shoddy, lie about the quality of merchandise, and give short weight.

"As for the people, they have been relieved of the indispensable fear of hell, and notified, at the same time, that they are not to expect to be recompensed, after death, for their sufferings here. So they scamp their ill-paid work and take to drink. From time to time, when they have ingurgitated too violent liquids, they revolt, and then they must be slaughtered, for once let loose they would act as a crazed stampeded herd.

"Good God, what a mess! And to think that the nineteenth century takes on airs and adulates itself. There is one word in the mouths of all. Progress. Progress of whom? Progress of what? For this miserable century hasn't invented anything great.

"It has constructed nothing and destroyed everything. At the present hour it glorifies itself in this electricity which it thinks it discovered. But electricity was known and used in remotest antiquity, and if the ancients could not explain its nature nor even its essence, the moderns are just as incapable of identifying that force which conveys the spark and carries the voice—acutely nasalized—along the wire. This century thinks it discovered the terrible science of hypnotism, which the priests and Brahmins in Egypt and India knew and practised to the utmost. No, the only thing

The doorbell rang. He opened the door and nearly fell over backward.

Mme. Chantelouve was before him.

Stupefied, he bowed, while Mme. Chantelouve, without a word, went straight into the study. There she turned around, and Durtal, who had followed, found himself face to face with her.

"Won't you please sit down?" He advanced an armchair and hastened to push back, with his foot, the edge of the carpet turned up by the cat. He asked her to excuse the disorder. She made a vague gesture and remained standing.

In a calm but very low voice she said, "It is I who wrote you those mad letters. I have come to drive away this bad fever and get it over with in a quite frank way. As you yourself wrote, no liaison between us is possible. Let us forget what has happened. And before I go, tell me that you bear me no grudge."

He cried out at this. He would not have it so. He had not been beside himself when he wrote her those ardent pages, he was in perfectly good faith, he loved her—

"You love me! Why, you didn't even know that those letters were from me. You loved an unknown, a chimera. Well, admitting that you are telling the truth, the chimera does not exist now, for here I am."

"You are mistaken. I knew perfectly that it was Mme. Chantelouve hiding behind the pseudonym of Mme. Maubel." And he half-explained to her, without, of course, letting her know of his doubts, how he had lifted her mask.

"Ah!" She reflected, blinking her troubled eyes. "At any rate," she said, again facing him squarely, "you could not have recognized me in the first letters, to which you re

He contested this observation, and became entangled in the dates and happenings and in the sequence of the notes. She at length lost the thread of his remarks. The situation was so ridiculous that both were silent. Then she sat down and burst out laughing.

Her strident, shrill laugh, revealing magnificent, but short and pointed teeth, in a mocking mouth, vexed him.

"She has been playing with me," he said to himself, and dissatisfied with the turn the conversation had taken, and furious at seeing this woman so calm, so different from her burning letters, he asked, in a tone of irritation, "Am I to know why you laugh?"

"Pardon me. It's a trick my nerves play on me, sometimes in public places. But never mind. Let us be reasonable and talk things over. You tell me you love me—"

"And I mean it."

"Well, admitting that I too am not indifferent, where is this going to lead us? Oh, you know so well, you poor dear, that you refused, right at first, the meeting which I asked in a moment of madness—and you gave well-thought-out reasons for refusing."

"But I refused because I did not know then that you were the women in the case! I have told you that it was several days later that Des Hermies unwittingly revealed your identity to me. Did I hesitate as soon as I knew? No! I immediately implored you to come."

"That may be, but you admit that I'm right when I claim that you wrote your first letters to another and not me."

She was pensive for a moment. Durtal began to be prodigiously bored by this discussion. He thought it more prudent not to answer, and was seeking a change of subject that would put an end to the deadlock.