THE BURNING BUSH (continued 2)

But the current which bore them all along was wiser than they: it knew where it was going. What did it matter that at any moment it might dash up against the dyke of the Old World! Olivier foresaw that a social revolution in these days would be squashed. But he knew also that revolution would achieve its end through defeat as well as through victory: for the oppressors only accede to the demands of the oppressed when the oppressed inspire them with fear. And so the violence of the revolutionaries was of no less service to their cause than the justice of that cause. Both violence and justice were part and parcel of the plan of that blind and certain force which moves the herd of human kind….

"For consider what you are, you whom the Master has summoned. If the body be considered there are not many among you who are wise, or strong, or noble. But He has chosen the foolish things of the world to confound the wise; and He has chosen the weak things of the world to confound the strong: and He has chosen the vile things of the world and the despised things, and the things that are not, to the destruction of those things that are…."

And yet, whatever may be the Master who orders all things,—(Reason or Unreason),—and although the social organization prepared by syndicalism might constitute a certain comparative stage in progress for the future, Olivier did not think it worth while for Christophe and himself to scatter the whole of their power of illusion and sacrifice in this earthy combat which would open no new world. His mystic hopes of the revolution were dashed to the ground. The people seemed to him no better and hardly any more sincere than the other classes: there was not enough difference between them and others. In the midst of the torrent of interests and muddy passions, Olivier's gaze and heart were attracted by the little islands of independent spirits, the little groups of true believers who emerged here and there like flowers on the face of the waters. In vain do the elect seek to mingle with the mob: the elect always come together,—the elect of all classes and all parties,—the bearers of the fire of the world. And it is their sacred duty to see to it that the fire in their hands shall never die down.

Olivier had already made his choice.

A few houses away from that in which he lived was a cobbler's booth, standing a little below the level of the street,—a few planks nailed together, with dirty windows and panes of paper. It was entered by three steps down, and you had to stoop to stand up in it. There was just room for a shelf of old shoes, and two stools. All day long, in accordance with the classic tradition of cobbling, the master of the place could be heard singing. He used to whistle, drum on the soles of the boots, and in a husky voice roar out coarse ditties and revolutionary songs, or chaff the women of the neighborhood as they passed by. A magpie with a broken wing, which was always hopping about on the pavement, used to come from a porter's lodge and pay him a visit. It would stand on the first step at the entrance to the booth and look at the cobbler. He would stop for a moment to crack a dirty joke with the bird in a piping voice, or he would insist on whistling the Internationale. The bird would stand with its beak in the air, listening gravely: every now and then it would bob with its beak down by way of salutation, and it would awkwardly flap its wings in order to regain its balance: then it would suddenly turn round, leaving the cobbler in the middle of a sentence, and fly away with its wing and a bit on to the back of a bench, from whence it would hurl defiance at the dogs of the quarter. Then the cobbler would return to his leather, and the flight of his auditor would by no means restrain him from going through with his harangue.

He was fifty-six, with a jovial wayward manner, little merry eyes under enormous eyebrows, with a bald top to his head rising like an egg out of the nest of his hair, hairy ears, a black gap-toothed mouth that gaped like a well when he roared with laughter, a very thick dirty beard, at which he used to pluck in handfuls with his long nails that were always filthy with wax. He was known in the district as Daddy Feuillet, or Feuillette, or Daddy la Feuillette—and to tease him they used to call him La Fayette: for politically the old fellow was one of the reds: as a young man he had been mixed up in the Commune, sentenced to death, and finally deported: he was proud of his memories, and was always rancorously inclined to lump together Badinguet, Galliffet, and Foutriquet. He was a regular attendant at the revolutionary meetings, and an ardent admirer of Coquard and the vengeful idea that he was always prophesying with much beard-wagging and a voice of thunder. He never missed one of his speeches, drank in his words, laughed at his jokes with head thrown back and gaping mouth, foamed at his invective, and rejoiced in the fight and the promised paradise. Next day, in his booth, he would read over the newspaper report of the speeches: he would read them aloud to himself and his apprentice: and to taste their full sweetness he would have them read aloud to him, and used to box his apprentice's ears if he skipped a line. As a consequence he was not always very punctual in the delivery of his work when he had promised it: on the other hand, his work was always sound: it might wear out the user's feet, but there was no wearing out his leather….

The old fellow had in his shop a grandson of thirteen, a hunchback, a sickly, rickety boy, who used to run his errands, and was a sort of apprentice. The boy's mother had left her family when she was seventeen to elope with a worthless fellow who had sunk into hooliganism, and before very long had been caught, sentenced, and so disappeared from the scene. She was left alone with the child, deserted by her family, and devoted herself to the upbringing of the boy Emmanuel. She had transferred to him all the love and hatred she had had for her lover. She was a woman of a violent and jealous character, morbid to a degree. She loved her child to distraction, brutally ill-treated him, and, when he was ill, was crazed with despair. When she was in a bad temper she would send him to bed without any dinner, without so much as a piece of bread. When she was dragging him along through the streets, if he grew tired and would not go on and slipped down to the ground, she would kick him on to his feet again. She was amazingly incoherent in her use of words, and she used to pass swiftly from tears to a hysterical mood of gaiety. She died. The cobbler took the boy, who was then six years old. He loved him dearly: but he had his own way of showing it, which consisted in bullying the boy, battering him with a large assortment of insulting names, pulling his ears, and clouting him over the head from morning to night by way of teaching him his job: and at the same time he grounded him thoroughly in his own social and anti-clerical catechism.

Emmanuel knew that his grandfather was not a bad man: but he was always prepared to raise his arm to ward off his blows: the old fellow used to frighten him, especially on the evenings when he got drunk. For Daddy la Feuillette had not come by his nickname for nothing: he used to get tipsy twice or thrice a month: then he used to talk all over the place, and laugh, and act the swell, and always in the end he used to give the boy a good thrashing. His bark was worse than his bite. But the boy was terrified: his ill-health made him more sensitive than other children: he was precociously intelligent, and he had inherited a fierce and unbalanced capacity for feeling from his mother. He was overwhelmed by his grandfather's brutality, and also by his revolutionary harangues,—(for the two things went together: it was particularly when the old man was drunk that he was inclined to hold forth).—His whole being quivered in response to outside impressions, just as the booth shook with the passing of the heavy omnibuses. In his crazy imagination there were mingled, like the humming vibrations of a belfry, his day-to-day sensations, the wretchedness of his childhood, his deplorable memories of premature experience, stories of the Commune, scraps of evening lectures and newspaper feuilletons, speeches at meetings, and the vague, uneasy, and violent sexual instincts which his parents had transmitted to him. All these things together formed a monstrous grim dream-world, from the dense night, the chaos and miasma of which there darted dazzling rays of hope.

The cobbler used sometimes to drag his apprentice with him to Amélie's restaurant. There it was that Olivier noticed the little hunchback with the voice of a lark. Sitting and never talking to the workpeople, he had had plenty of time to study the boy's sickly face, with its jutting brow and shy, humiliated expression: he had heard the coarse jokes that had been thrown at the boy, jokes which were met with silence and a faint shuddering tremor. During certain revolutionary utterances he had seen the boy's soft brown eyes light up with the chimerical ecstasy of the future happiness,—a happiness which, even if he were ever to realize it, would make but small difference in his stunted life. At such moments his expression would illuminate his ugly face in such a way as to make its ugliness forgotten. Even the fair Berthe was struck by it; one day she told him of it, and, without a word of warning, kissed him on the lips. The boy started back: he went pale and shuddering, and flung away in disgust. The young woman had no time to notice him: she was already quarreling with Joussier. Only Olivier observed Emmanuel's uneasiness: he followed the boy with his eyes, and saw him withdraw into the shadow with his hands trembling, head down, looking down at the floor, and darting glances of desire and irritation at the girl. Olivier went up to him, spoke to him gently and politely and soothed him…. Who can tell all that gentleness can bring to a heart deprived of all consideration? It is like a drop of water falling upon parched earth, greedily to be sucked up. It needed only a few words, a smile, for the boy Emmanuel in his heart of hearts to surrender to Olivier, and to determine to have Olivier for his friend. Thereafter, when he met him in the street and discovered that they were neighbors, it seemed to him to be a mysterious sign from Fate that he had not been mistaken. He used to watch for Olivier to pass the booth, and say good-day to him: and if ever Olivier were thinking of other things and did not glance in his direction, then Emmanuel would be hurt and sore.

It was a great day for him when Olivier came into Daddy Feuillette's shop to leave an order. When the work was done Emmanuel took it to Olivier's rooms; he had watched for him to come home so as to be sure of finding him in. Olivier was lost in thought, hardly noticed him, paid the bill, and said nothing: the boy seemed to wait, looked from right to left, and began reluctantly to move away. Olivier, in his kindness, guessed what was happening inside the boy: he smiled and tried to talk to him in spite of the awkwardness he always felt in talking to any of the people. But now he was able to find words simple and direct. An intuitive perception of suffering made him see in the boy—(rather too simply)—a little bird wounded by life, like himself, seeking consolation with his head under his wing, sadly huddled up on his perch, dreaming of wild flights into the light. A feeling that was something akin to instinctive confidence brought the boy closer to him: he felt the attraction of the silent soul, which made no moan and used no harsh words, a soul wherein he could take shelter from the brutality of the streets; and the room, thronged with books, filled with bookcases wherein there slumbered the dreams of the ages, filled him with an almost religious awe. He made no attempt to evade Olivier's questions: he replied readily, with sudden gasps and starts of shyness and pride: but he had no power of expression. Carefully, patiently, Olivier unswathed his obscure stammering soul: little by little he was able to read his hopes and his absurdly touching faith in the new birth of the world. He had no desire to laugh, though he knew that the dream was impossible, and would never change human nature. The Christians also have dreamed of impossible things, and they have not changed human nature. From the time of Pericles to the time of M. Fallières when has there been any moral progress?… But all faith is beautiful: and when the light of an old faith dies down it is meet to salute the kindling of the new: there will never be too many. With a curious tenderness Olivier saw the uncertain light gleaming in the boy's mind. What a strange mind it was!… Olivier was not altogether able to follow the movement of his thoughts, which were incapable of any sustained effort of reason, progressing in hops and jerks, and lagging behind in conversation, unable to follow, clutching in some strange way at an image called up by a word spoken some time before, then suddenly catching up, rushing ahead, weaving a commonplace thought or an ordinary cautious phrase into an enchanted world, a crazy and heroic creed. The boy's soul, slumbering and waking by fits and starts, had a puerile and mighty need of optimism: to every idea in art or science thrown out to it, it would add some complacently melodramatic tag, which would link it up with and satisfy its own chimerical dreams.

As an experiment Olivier tried reading aloud to the boy on Sundays. He thought that he was most likely to be interested by realistic and familiar stories: he read him Tolstoy's Memories of Childhood. They made no impression on the boy: he said:

"That's quite all right. Things are like that. One knows that."

And he could not understand why anybody should take so much trouble to write about real things….

"He's just a boy," he would say disdainfully, "just an ordinary little boy."

He was no more responsive to the interest of history: and science bored him: it was to him no more than a tiresome introduction to a fairy-tale: the invisible forces brought into the service of man were like terrible genii laid low. What was the use of so much explanation? When a man finds something it is no good his telling how he found it, he need only tell what it is that he has found. The analysis of thought is a luxury of the upper-classes. The souls of the people demand synthesis, ideas ready-made, well or ill, or rather ill-made than well, but all tending to action, and composed of the gross realities of life, and charged with electricity. Of all the literature open to Emmanuel that which most nearly touched him was the epic pathos of certain passages in Hugo and the fuliginous rhetoric of the revolutionary orators, whom he did not rightly understand, characters who no more understood themselves than Hugo did. To him as to them the world was not an incoherent collection of reasons or facts, but an infinite space, steeped in darkness and quivering with light, while through the night there passed the beating of mighty wings all bathed in the sunlight. Olivier tried in vain to make him grasp his cultivated logic. The boy's rebellious and weary soul slipped through his fingers: and it sank back with a sigh of comfort and relief into the indeterminate haze and the chafing of its own sensation and hallucinations, like a woman in love giving herself with eyes closed to her lover.

Olivier was at once attracted and disconcerted by the qualities in the child so much akin to his own:—loneliness, proud weakness, idealistic ardor,—and so very different,—the unbalanced mind, the blind and unbridled desires, the savage sensuality which had no idea of good and evil, as they are defined in ordinary morality. He had only a partial glimpse of that sensuality which would have terrified him had he known its full extent. He never dreamed of the existence of the world of uneasy passions stirring and seething in the heart and mind of his little friend. Our bourgeois atavism has given us too much wisdom. We dare not even look within ourselves. If we were to tell a hundredth part of the dreams that come to an ordinary honest man, or of the desires which come into being in the body of a chaste woman, there would be a scandal and an outcry. Silence such monsters! Bolt and bar their cage! But let us admit that they exist, and that in the souls of the young they are insecurely fettered.—The boy had all the erotic desires and dreams which we agree among ourselves to regard as perverse: they would suddenly rise up unawares and take him by the throat: they would come in gusts and squalls: and they only gained in intensity and heat through the irritation set up by the isolation to which his ugliness condemned him. Olivier knew nothing of all this. Emmanuel was ashamed in his presence. He felt the contagion of such peace and purity. The example of such a life was a taming influence upon him. The boy felt a passionate love for Olivier. And his suppressed passions rushed headlong into tumultuous dreams of human happiness, social brotherhood, fantastic aviation, wild barbaric poetry—a whole heroic, erotic, childish, splendid, vulgar world in which his intelligence and his will were tossed hither and thither in mental loafing and fever.

He did not have much time for indulging himself in this way, especially in his grandfather's booth, for the old man was never silent for a minute on end, but was always whistling, hammering, and talking from morning to night; but there is always room for dreams. How many voyages of the mind one can make standing up with wide-open eyes in the space of a second!—Manual labor is fairly well suited to intermittent thought. The working-man's mind would be hard put to it without an effort of the will to follow a closely reasoned chain of argument: if he does manage to do so he is always certain to miss a link here and there: but in the intervals of rhythmic movement ideas crop up and mental images come floating to the surface: the regular movements of the body send them flying upwards like sparks under the smith's bellows. The thought of the people! It is just smoke and fire, a shower of glittering sparks fading away, glowing, then fading away once more! But sometimes a spark will be carried away by the wind to set fire to the dried forests and the fat ricks of the upper-classes….

Olivier procured Emmanuel a place in a printing house. It was the boy's wish, and his grandfather did not oppose it; he was glad to see his grandson better educated than himself, and he had a great respect for printer's ink. In his new trade the boy found his work more exhausting than in the old: but he felt more free to think among the throng of workers than in the little shop where he used to sit alone with his grandfather.

The best time of day was the dinner hour. He would escape and get right away from the horde of artisans crowding round the little tables on the pavement and into the wineshops of the district, and limp along to the square hard by: and there he would sit astride a bench under a spreading chestnut-tree, near a bronze dancing faun with grapes in his hands, and untie his brown-paper parcel of bread and meat, and munch it slowly, surrounded by a little crowd of sparrows. Over the green turf little fountains spread the trickling web of their soft rain. Round-eyed, slate-blue pigeons cooed in a sunlit tree. And all about him was the perpetual hum of Paris, the roar of the carriages, the surging sea of footsteps, the familiar street-cries, the gay distant whistle of a china-mender, a navvy's hammer ringing out on the cobblestones, the noble music of a fountain—all the fevered golden trappings of the Parisian dream.—And the little hunchback, sitting astride his bench, with his mouth full, never troubling to swallow, would drowse off into a delicious torpor, in which he lost all consciousness of his twisted spine and his craven soul, and was all steeped in an indeterminate intoxicating happiness.

"… Soft warm light, sun of justice that art to shine for us to-morrow, art thou not shining now? It is all so good, so beautiful! We are rich, we are strong, we are hale, we love … I love, I love all men, all men love me…. Ah! How splendid it all is! How splendid it will be to-morrow!…"

* * * * *

The factory hooters would sound: the boy would come to his senses, swallow down his mouthful, take a long drink at the Wallace fountain near by, slip back into his hunchbacked shell, and go limping and hobbling back to his place in the printing works in front of the cases of magic letters which would one day write the Mene, Mene, Tekel, Upharsin, of the Revolution.

Daddy Feuillet had a crony, Trouillot, the stationer on the other side of the street. He kept a stationery and haberdashery shop, in the windows of which were displayed pink and green bonbons in green bottles, and pasteboard dolls without arms or legs. Prom either side of the street, one standing on his doorstep, the other in his shop, the two old men used to exchange winks and nods and a whole elaborate code of pantomimic gesture. At intervals, when the cobbler was tired of hammering, and had, as he used to say, the cramp in his buttocks, they would hail each other, La Feuillette in his shrill treble, Trouillot with a muffled roar, like a husky calf; and they would go off together and take a nip at a neighboring bar. They were never in any hurry to return. They were both infernally loquacious. They had known each other for half a century. The stationer also had played a little walking-on part in the great melodrama of 1871. To see the fat placid creature with his black cap on his head and his white blouse, and his gray, heavy-dragoon mustache, and his dull light-blue bloodshot eyes with heavy pouches under the lids, and his flabby shining cheeks, always in a perspiration, slow-footed, gouty, out of breath, heavy of speech, no one would ever have thought it. But he had lost none of the illusions of the old days. He had spent some years as a refugee in Switzerland, where he had met comrades of all nations, notably many Russians, who had initiated him in the beauties of anarchic brotherhood. On that point he disagreed with La Feuillette, who was a proper Frenchman, an adherent of the strong line and of absolutism in freedom. For the rest, they were equally firm in their belief in the social revolution and the working-class salente of the future. Each was devoted to a leader in whose person he saw incarnate the ideal man that each would have liked to be. Trouillot was for Joussier, La Feuillette for Coquard. They used to engage in interminable arguments about the points on which they were divided, being quite confident that the thoughts upon which they agreed were definitely decided;—(and they were so sure of their common ground that they were never very far from believing, in their cups, that it was a matter of hard fact).—The cobbler was the more argumentative of the two. He believed as a matter of reason: or at least he flattered himself that he did, for, Heaven knows, his reason was of a very peculiar kind, and could have fitted the foot of no other man. However, though he was less skilled in argument than in cobbling, he was always insisting that other minds should be shod to his own measure. The stationer was more indolent and less combative, and never worried about proving his faith. A man only tries to prove what he doubts himself. He had no doubt. His unfailing optimism always made him see things as he wanted to see them, and not see things or forget them immediately when they were otherwise. Whether he did so wilfully or from apathy he saved himself from trouble of any sort: experience to the contrary slipped off his hide without leaving a mark.—The two of them were romantic babies with no sense of reality, and the revolution, the mere sound of the name of which was enough to make them drunk, was only a jolly story they told themselves, and never knew whether it would ever happen, or whether it had actually happened. And the two of them firmly believed in the God of Humanity merely by the transposition of the habits they had inherited from their forbears, who for centuries had bowed before the Son of Man.—It goes without saying that both men were anti-clerical.

The amusing part of it was that the honest stationer lived with a very pious niece who did just what she liked with him. She was a very dark little woman, plump, with sharp eyes and a gift of volubility spiced with a strong Marseilles accent, and she was the widow of a clerk in the Department of Commerce. When she was left alone with no money, with a little girl, and received a home with her uncle, the common little creature gave herself airs, and was more than a little inclined to think that she was doing her shop-keeping relation a great favor by serving in his shop: she reigned there with the airs of a fallen queen, though, fortunately for her uncle's business and his customers, her arrogance was tempered by her natural exuberance and her need of talking. As befitted a person of her distinction, Madame Alexandrine was royalist and clerical, and she used to parade her feelings with a zeal that was all the more indiscreet as she took a malicious delight in teasing the old miscreant in whose house she had taken up her abode. She had set herself up as mistress of the house, and regarded herself as responsible for the conscience of the whole household: if she was unable to convert her uncle—(she had vowed to capture him in extremis),—she busied herself to her heart's content with sprinkling the devil with holy water. She fixed pictures of Our Lady of Lourdes and Saint Anthony of Padua on the walls: she decorated the mantelpiece with little painted images in glass cases: and in the proper season she made a little chapel of the months of Mary with little blue candles in her daughter's bedroom. It was impossible to tell which was the predominant factor in her aggressive piety, real affection for the uncle she desired to convert or a wicked joy in worrying the old man.

He put up with it apathetically and sleepily: he preferred not to run the risk of rousing the tempestuous ire of his terrible niece: it was impossible to fight against such a wagging tongue: he desired peace above all things. Only once did he lose his temper, and that was when a little Saint Joseph made a surreptitious attempt to creep into his room and take up his stand above his bed: on this point he gained the day: for he came very near to having an apoplectic fit, and his niece was frightened: she did not try the experiment again. For the rest he gave in, and pretended not to see: the odor of sanctity made him feel very uncomfortable: but he tried not to think of it. On the other hand they were at one in pampering the girl, little Reine, or Rainette.

She was twelve or thirteen, and was always ill. For some months past she had been on her back with hip disease, with the whole of one side of her body done up in plaster of Paris like a little Daphne in her shell. She had eyes like a hurt dog's, and her skin was pallid and pale like a plant grown out of the sun: her head was too big for her body, and her fair hair, which was very soft and very tightly drawn back, made it appear even bigger: but she had an expressive and sweet face, a sharp little nose, and a childlike expression. The mother's piety had assumed in the child, in her sickness and lack of interest, a fervid character. She used to spend hours in telling her beads, a string of corals, blessed by the Pope: and she would break off in her prayers to kiss it passionately. She did next to nothing all day long: needlework made her tired: Madame Alexandrine had not given her a taste for it. She did little more than read a few insipid tracts, or a stupid miraculous story, the pretentious and bald style of which seemed to her the very flower of poetry,—or the criminal reports illustrated in color in the Sunday papers which her stupid mother used to give her. She would perhaps do a little crochet-work, moving her lips, and paying less attention to her needle than to the conversation she would hold with some favorite saint or even with God Himself. For it is useless to pretend that it is necessary to be Joan of Are to have such visitations: every one of us has had them. Only, as a rule, our celestial visitors leave the talking to us as we sit by the fireside: and they say never a word. Rainette never dreamed of taking exception to it: silence gives consent. Besides, she had so much to tell them that she hardly gave them time to reply: she used to answer for them. She was a silent chatterer: she had inherited her mother's volubility: but her fluency was drawn off in inward speeches like a stream disappearing underground.—Of course she was a party to the conspiracy against her uncle with the object of procuring his conversion: she rejoiced over every inch of the house wrested by the spirit of light from the spirit of darkness: and on more than one occasion she had sewn a holy medallion on to the inside of the lining of the old man's coat or had slipped into one of his pockets the bead of a rosary, which her uncle, in order to please her, had pretended not to notice.—This seizure by the two pious women of the bitter foe of the priests was a source of indignation and joy to the cobbler. He had an inexhaustible store of coarse pleasantries on the subject of women who wear breeches: and he used to jeer at his friend for letting himself be under their thumb. As a matter of fact he had no right to scoff: for he had himself been afflicted for twenty years with a shrewish cross-grained wife, who had always regarded him as an old scamp and had taken him down a peg or two. But he was always careful not to mention her. The stationer was a little ashamed, and used to defend himself feebly, and in a mealy voice profess a Kropotkinesque gospel of tolerance.

Rainette and Emmanuel were friends. They had seen each other every day ever since they were children. To be quite accurate, Emmanuel only rarely ventured to enter the house. Madame Alexandrine used to regard him with an unfavorable eye as the grandson of an unbeliever and a horrid little dwarf. But Rainette used to spend the day on a sofa near the window on the ground floor. Emmanuel used to tap at the window as he passed, and, flattening his nose against the panes, he would make a face by way of greeting. In summer, when the window was left open, he would stop and lean his arms on the windowsill, which was a little high for him;—(he fancied that this attitude was flattering to himself and that, his shoulders being shrugged up in such a pose of intimacy, it might serve to disguise his actual deformity);—and they would talk. Rainette did not have too many visitors, and she never noticed that Emmanuel was hunchbacked. Emmanuel, who was afraid and mortified in the presence of girls, made an exception in favor of Rainette. The little invalid, who was half petrified, was to him something intangible and far removed, something almost outside existence. Only on the evening when the fair Berthe kissed him on the lips, and the next day too, he avoided Rainette with an instinctive feeling of repulsion: he passed the house without stopping and hung his head: and he prowled about far away, fearfully and suspiciously, like a pariah dog. Then he returned. There was so little woman in her! As he was passing on his way home from the works, trying to make himself as small as possible among the bookbinders in their long working-blouses like nightgowns—busy merry young women whose hungry eyes stripped him as he passed,—how eagerly he would scamper away to Rainette's window! He was grateful for his little friend's infirmity: with her he could give himself airs of superiority and even be a little patronizing. With a little swagger he would tell her about the things that happened in the street and always put himself in the foreground. Sometimes in gallant mood he would bring Rainette a little present, roast chestnuts in winter, a handful of cherries in summer. And she used to give him some of the multi-colored sweets that filled the two glass jars in the shop-window: and they would pore over picture postcards together. Those were happy moments: they could both forget the pitiful bodies in which their childish souls were held captive.

But sometimes they would begin to talk, like their elders, of politics and religion. Then they would become as stupid as their elders. It put an end to their sympathy and understanding. She would talk of miracles and the nine days' devotion, or of pious images tricked out with paper lace, and of days of indulgence. He used to tell her that it was all folly and mummery, as he had heard his grandfather say. But when he in turn tried to tell her about the public meetings to which the old man had taken him, and the speeches he had heard, she would stop him contemptuously and tell him that all such folk were drunken sots. Bitterness would creep into their talk. They would get talking about their relations: they would recount the insulting things that her mother and his grandfather had said of each other respectively. Then they would talk about themselves. They tried to say disagreeable things to each other. They managed that without much difficulty. They indulged in coarse gibes. But she was always the more malicious of the two. Then he would go away: and when he returned he would tell her that he had been with other girls, and how pretty they were, and how they had joked and laughed, and how they were going to meet again next Sunday. She would say nothing to that: she used to pretend to despise what he said: and then, suddenly, she would grow angry, and throw her crochet-work at his head, and shout at him to go, and declare that she loathed him: and she would hide her face in her hands. He would leave her on that, not at all proud of his victory. He longed to pull her thin little hands away from her face and to tell her that it was not true. But his pride would not suffer him to return.

One day Rainette had her revenge.—He was with some of the other boys at the works. They did not like him because he used to hold as much aloof from them as possible and never spoke, or talked too well, in a naïvely pretentious way, like a book, or rather like a newspaper article—(he was stuffed with newspaper articles).—That day they had begun to talk of the revolution and the days to come. He waxed enthusiastic and made a fool of himself. One of his comrades brought him up sharp with these brutal words:

"To begin with, you won't be wanted, you're too ugly. In the society of the future, there won't be any hunchbacks. They'll be drowned at birth."

That brought him toppling down from his lofty eloquence. He stopped short, dumfounded. The others roared with laughter. All that afternoon he went about with clenched teeth. In the evening he was going home, hurrying back to hide away in a corner alone with his suffering. Olivier met him: he was struck by his downcast expression: he guessed that he was suffering.

"You are hurt. Why?"

Emmanuel refused to answer. Olivier pressed him kindly. The boy persisted in his silence: but his jaw trembled as though he were on the point of weeping. Olivier took his arm and led him back to his rooms. Although he too had the cruel and instinctive feeling of repulsion from ugliness and disease that is in all who are not born with the souls of sisters of charity, he did not let it appear.

"Some one has hurt you?"

"Yes."

"What did they do?"

The boy laid bare his heart. He said that he was ugly. He said that his comrades had told him that their revolution was not for him.

"It is not for them, either, my boy, nor for us. It is not a single day's affair. It is all for those who will come after us."

The boy was taken aback by the thought that it would be so long deferred.

"Don't you like to think that people are working to give happiness to thousands of boys like yourself, to millions of human beings?"

Emmanuel sighed and said:

"But it would be good to have a little happiness oneself."

"My dear boy, you mustn't be ungrateful. You live in the most beautiful city, in an age that is most rich in marvels; you are not a fool, and you have eyes to see. Think of all the things there are to be seen and loved all around you."

He pointed out a few things.

The boy listened, nodded his head, and said:

"Yes, but I've got to face the fact that I shall always have to live in this body of mine!"

"Not at all. You will quit it."

"And that will be the end."

"How do you know that?"

The boy was aghast. Materialism was part and parcel of his grandfather's creed: he thought that it was only the priest-ridden prigs who believed in an eternal life. He knew that his friend was not such a one: and he wondered if Olivier could be speaking seriously. But Olivier held his hand and expounded at length his idealistic faith, and the unity of boundless life, that has neither beginning nor end, in which all the millions of creatures and all the million million moments of time are but rays of the sun, the sole source of it all. But he did not put it to him in such an abstract form. Instinctively, when he talked to the boy, he adapted himself to his mode of thought;—ancient legends, the material and profound fancies of old cosmogonies were called to mind: half in fun, half in earnest, he spoke of metempsychosis and the succession of countless forms through which the soul passes and flows, like a spring passing from pool to pool. All this was interspersed with reminiscences of Christianity and images taken from the summer evening, the light of which was cast upon them both. He was sitting by the open window, and the boy was standing by his side, and their hands were clasped. It was a Saturday evening. The bells were ringing. The earliest swallows, only just returned, were skimming the walls of the houses. The dim sky was smiling above the city, which was wrapped in shadow. The boy held his breath and listened to the fairy-tale his man friend was telling him. And Olivier, warmed by the eagerness of his young hearer, was caught up by the interest of his own stories.

There are decisive moments in life when, just as the electric lights suddenly flash out in the darkness of a great city, so the eternal fires flare up in the darkness of the soul. A spark darting from another soul is enough to transmit the Promethean fire to the waiting soul. On that spring evening Olivier's calm words kindled the light that never dies in the mind hidden in the boy's deformed body, as in a battered lantern. He understood none of Olivier's arguments: he hardly heard them. But the legends and images which were only beautiful stories and parables to Olivier, took living shape and form in his mind, and were most real. The fairy-tale lived, moved, and breathed all around him. And the view framed in the window of the room, the people passing in the street, rich and poor, the swallows skimming the walls, the jaded horses dragging their loads along, the stones of the houses drinking in the cool shadow of the twilight, and the pale heavens where the light was dying—all the outside world was softly imprinted on his mind, softly as a kiss. It was but the flash of a moment. Then the light died down. He thought of Rainette, and said;

"But the people who go to Mass, the people who believe in God, are all cracked, aren't they?"

Olivier smiled.

"They believe," he said, "as we do. We all believe the same thing. Only their belief is less than ours. They are people who have to shut all the shutters and light the lamp before they can see the light. They see God in the shape of a man. We have keener eyes. But the light that we love is the same."

The boy went home through the dark streets in which the gas-lamps were not yet lit. Olivier's words were ringing in his head. He thought that it was as cruel to laugh at people because they had weak eyes as because they were hunchbacked. And he thought that Rainette had very pretty eyes: and he thought that he had brought tears into them. He could not bear that. He turned and went across to the stationer's. The window was still a little open: and he thrust his head inside and called in a whisper:

"Rainette."

She did not reply.

"Rainette. I beg your pardon."

From the darkness came Rainette's voice, saying:

"Beast! I hate you."

"I'm sorry," he said.

He stopped. Then, on a sudden impulse, he said in an even softer whisper, uneasily, rather shamefacedly:

"You know, Rainette, I believe in God just as you do."

"Really?"

"Really."

He said it only out of generosity. But, as soon as he had said it, he began to believe it.

They stayed still and did not speak. They could not see each other. Outside the night was so fair, so sweet!… The little cripple murmured:

"How good it will be when one is dead!"

He could hear Rainette's soft breathing.

He said:

"Good-night, little one."

Tenderly came Rainette's voice:

"Good-night."

He went away comforted. He was glad that Rainette had forgiven him. And, in his inmost soul, the little sufferer was not sorry to think that he had been the cause of suffering to the girl.

* * * * *

Olivier had gone into retirement once more. It was not long before Christophe rejoined him. It was very certain that their place was not with the syndicalist movement: Olivier could not throw in his lot with such people. And Christophe would not. Olivier flung away from them in the name of the weak and the oppressed; Christophe in the name of the strong and the independent. But though they had withdrawn, one to the bows, the other to the stern, they were still traveling in the vessel which was carrying the army of the working-classes and the whole of society. Free and self-confident, Christophe watched with tingling interest the coalition of the proletarians: he needed every now and then to plunge into the vat of the people: it relaxed him: he always issued from it fresher and jollier. He kept up his relation with Coquard, and he went on taking his meals from time to time at Amélie's. When he was there he lost all self-control, and would whole-heartedly indulge his fantastic humor: he was not afraid of paradox: and he took a malicious delight in pushing his companions to the extreme consequences of their absurd and wild principles. They never knew whether he was speaking in jest or in earnest: for he always grew warm as he talked, and always in the end lost sight of the paradoxical point of view with which he had begun. The artist in him was carried away by the intoxication of the rest. In one such moment of esthetic emotion in Amélie's back-shop, he improvised a revolutionary song, which was at once tried, repeated, and on the very next day spread to every group of the working-classes. He compromised himself. He was marked by the police. Manousse, who was in touch with the innermost chambers of authority, was warned by one of his friends, Xavier Bernard, a young official in the police department, who dabbled in literature and expressed a violent admiration for Christophe's music:—(for dilettantism and the spirit of anarchy had spread even to the watchdogs of the Third Republic).

"That Krafft of yours is making himself a nuisance," said Bernard to Manousse. "He's playing the braggart. We know what it means: but I tell you that those in high places would be not at all sorry to catch a foreigner—what's more, a German—in a revolutionary plot: it is the regular method of discrediting the party and casting suspicion upon its doings. If the idiot doesn't look out we shall be obliged to arrest him. It's a bore. You'd better warn him."

Manousse did warn Christophe: Olivier begged him to be careful. Christophe did not take their advice seriously.

"Bah!" he said. "Everybody knows there's no harm in me. I've a perfect right to amuse myself. I like these people. They work as I do, and they have faith, and so have I. As a matter of fact, it isn't the same faith; we don't belong to the same camp…. Very well! We'll fight. Not that I don't like fighting. What would you? I can't do as you do, and stay curled up in my shell. I must breathe. I'm stifled by the comfortable classes."

Olivier, whose lungs were not so exacting, was quite at his ease in his small rooms with the tranquil society of his two women friends, though one of them, Madame Arnaud, had flung herself into charitable work, and the other, Cécile, was entirely taken up with looking after the baby, to such an extent that she could talk of nothing else and to nobody else, in that twittering, beatific tone which is an attempt to emulate the note of a little bird, and to mold its formless song into human speech.

His excursion into working-class circles had left him with two acquaintances. Two men of independent views, like himself. One of them, Guérin, was an upholsterer. He worked when he felt so disposed, capriciously, though he was very skilful. He loved his trade. He had a natural taste for artistic things, and had developed it by observation, work, and visits to museums. Olivier had commissioned him to repair an old piece of furniture: it was a difficult job, and the upholsterer had done it with great skill: he had taken a lot of time and trouble over it: he sent in a very modest bill to Olivier because he was so delighted with his success. Olivier became interested in him, questioned him about his life, and tried to find out what he thought of the working-class movement. Guérin had no thought about it: he never worried about it. At bottom he did not belong to the working-class, or to any class. He read very little. All his intellectual development had come about through his senses, eyes, hands, and the taste innate in the true Parisian. He was a happy man. The type is by no means rare among the working people of the lower middle-class, who are one of the most intelligent classes in the nation: for they realize a fine balance between manual labor and healthy mental activity.

Olivier's other acquaintance was a man of a more original kind. He was a postman, named Hurteloup. He was a tall, handsome creature, with bright eyes, a little fair beard and mustache, and an open, merry expression. One day he came with a registered letter, and walked into Olivier's room. While Olivier was signing the receipt, he wandered round, looking at the books, with his nose thrust close up to their backs:

"Ha! Ha!" he said. "You have the classics…."

He added:

"I collect books on history. Especially books about Burgundy."

"You are a Burgundian?" asked Olivier.

"Bourguignon salé, L'épée au côté, La barbe au menton, Sante Bourguignon,"

replied the postman with a laugh. "I come from the Avallon country. I have family papers going back to 1200 and something…."

Olivier was intrigued, and tried to find out more about him. Hurteloup asked nothing better than to be allowed to talk. He belonged, in fact, to one of the oldest families in Burgundy. One of his ancestors had been on crusade with Philippe Auguste: another had been secretary of State under Henri II. The family had begun to decay in the seventeenth century. At the time of the Revolution, ruined and despairing, they had taken the plunge into the ocean of the people. Now they were coming to the surface again as the result of honest work and the physical and moral vigor of Hurteloup the postman, and his fidelity to his race. His greatest hobby had been collecting historical and genealogical documents relating to his family and their native country. In off hours he used to go to the Archives and copy out old papers. Whenever he did not understand them he would go and ask one of the people on his beat, a Chartist or a student at the Sorbonne, to explain. His illustrious ancestry did not turn his head: he would speak of it laughingly, with never a shade of embarrassment or of indignation at the hardness of fate. His careless sturdy gaiety was a delightful thing to see. And when Olivier looked at him he thought of the mysterious ebb and flow of the life of human families, which for centuries flows burningly, for centuries disappears under the ground, and then comes bubbling forth again, having gathered fresh energy from the depths of the earth. And the people seemed to him to be an immense reservoir into which the rivers of the past plunge, while the rivers of the future spring forth again, and, though they bear a new name, are sometimes the same as those of old.

He was in sympathy with both Guérin and Hurteloup: but it is obvious that they could not be company for him: between him and them there was no great possibility of conversation. The boy Emmanuel took up more of his time: he came now almost every evening. Since their magical talk together a revolution had taken place in the boy. He had plunged into reading with a fierce desire for knowledge. He would come back from his books bewildered and stupefied. Sometimes he seemed even less intelligent than before: he would hardly speak: Olivier could only get him to answer in monosyllables: the boy would make fatuous replies to his questions. Olivier would lose heart: he would try not to let it be seen: but he thought he had made a mistake, and that the boy was thoroughly stupid. He could not see the frightful fevered travail in incubation that was going on in the inner depths of the boy's soul. Besides, he was a bad teacher, and was more fitted to sow the good seed at random in the fields than to weed the soil and plow the furrows. Christophe's presence only served to increase the difficulty. Olivier felt a certain awkwardness in showing his young protégé to his friend: he was ashamed of Emmanuel's stupidity, which was raised to alarming proportions when Jean-Christophe was in the room. Then the boy would withdraw into bashful sullenness. He hated Christophe because Olivier loved him: he could not bear any one else to have a place in his master's heart. Neither Christophe nor Olivier had any idea of the love and jealousy tugging at the boy's heart. And yet Christophe had been through it himself in old days. But he was unable to see himself in the boy who was fashioned of such different metal from that of which he himself was made. In the strange obscure combination of inherited taints, everything, love, hate, and latent genius, gave out an entirely different sound.

* * * * *

The First of May was approaching. A sinister rumor ran through Paris. The blustering leaders of the C.G.T. were doing their best to spread it. Their papers were announcing the coming of the great day, mobilizing the forces of the working-classes, and directing the word of terror upon the point in which the comfortable classes were mostly sensitive—namely, upon the stomach…. Feri ventrem…. They were threatening them with a general strike. The scared Parisians were leaving for the country or laying in provisions as against a siege. Christophe had met Canet, in his motor, carrying two hams and a sack of potatoes: he was beside himself: he did not in the least know to which party he belonged: he was in turn an old Republican, a royalist, and a revolutionary. His cult of violence was like a compass gone wrong, with the needle darting from north to south and from south to north. In public he still played the part of chorus to the wild speeches of his friends: but he would have taken in petto the first dictator who came along and swept away the red spectre.

Christophe was tickled to death by such universal cowardice. He was convinced that nothing would come of it all. Olivier was not so sure. His birth into the burgess-class had given him something of the inevitable and everlasting tremulation which the comfortable classes always feel upon the recollection or the expectation of Revolution.

"That's all right!" said Christophe. "You can sleep in peace. Your Revolution isn't going to happen to-morrow. You're all afraid. Afraid of being hurt. That sort of fear is everywhere. In the upper-classes, in the people, in every nation, in all the nations of the West. There's not enough blood in the whole lot of them: they're afraid of spilling a little. For the last forty years all the fighting has been done in words, in newspaper articles. Just look at your old Dreyfus Affair. You shouted loud enough: 'Death! Blood! Slaughter!'… Oh! you Gascons! Spittle and ink! But how many drops of blood?"

"Don't you be so sure," said Olivier. "The fear of blood is a secret instinctive feeling that on the first shedding of it the beast in man will see red, and the brute will appear again under the crust of civilization: and God knows how it will ever be muzzled! Everybody hesitates to declare war: but when the war does come it will be a frightful thing."

Christophe shrugged his shoulders and said that it was not for nothing that the heroes of the age were lying heroes, Cyrano the braggart and the swaggering cock, Chantecler.

Olivier nodded. He knew that in France bragging is the beginning of action. However, he had no more faith than Christophe in an immediate movement: it had been too loudly proclaimed, and the Government was on its guard. There was reason to believe that the syndicalist strategists would postpone the fight for a more favorable opportunity.

During the latter half of April Olivier had an attack of influenza: he used to get it every winter about the same time, and it always used to develop into his old enemy, bronchitis. Christophe stayed with him for a few days. The attack was only a slight one, and soon passed. But, as usual, it left Olivier morally and physically worn out, and he was in this condition for some time after the fever had subsided. He stayed in bed, lying still for hours without any desire to get up or even to move: he lay there watching Christophe, who was sitting at his desk, working, with his back towards him.

Christophe was absorbed in his work. Sometimes, when he was tired of writing, he would suddenly get up and walk over to the piano: he would play, not what he had written, but just whatever came into his mind. Then there came to pass a very strange thing. While the music he had written was conceived in a style which recalled that of his earlier work, what he played was like that of another man. It was music of a world raucous and uncontrolled. There were in it a disorder and a violence, and incoherence which had no resemblance at all to the powerful order and logic which were everywhere present in his other music. These unconsidered improvizations, escaping the scrutiny of his artistic conscience, sprang, like the cry of an animal, from the flesh rather than from the mind; and seemed to reveal a disturbance of the balance of his soul, a storm brewing in the depths of the future. Christophe was quite unconscious of it: but Olivier would listen, look at Christophe, and feel vaguely uneasy. In his weak condition he had a singular power of penetration, a far-seeing eye: he saw things that no other man could perceive.

Christophe thumped out a final chord and stopped all in a sweat, and looking rather haggard: he looked at Olivier, and there was still a troubled expression in his eyes; then he began to laugh, and went back to his desk. Olivier asked him:

"What was that, Christophe?"

"Nothing," replied Christophe. "I'm stirring the water to attract my fish."

"Are you going to write that?"

"That? What do you mean?"

"What you've just said."

"What did I say? I don't remember." "What were you thinking of?"

"I don't know," said Christophe, drawing his hand across his forehead.

He went on writing. Silence once mere filled the room. Olivier went on looking at Christophe. Christophe felt that he was looking, and turned. Olivier's eyes were upon him with such a hunger of affection!

"Lazy brute!" he said gaily.

Olivier sighed.

"What's the matter?" asked Christophe.

"Oh! Christophe! To think there are so many things in you, sitting there, close at hand, treasures that you will give to others, and I shall never be able to share!…"

"Are you mad? What's come to you?"

"I wonder what your life will be. I wonder what peril and sorrow you have still to go through…. I would like to follow you. I would like to be with you…. But I shan't see anything of it all. I shall be left stuck stupidly by the wayside."

"Stupid? You are that. Do you think that I would leave you behind even if you wanted to be left?"

"You will forget me," said Olivier.

Christophe got up and went and sat on the bed by Olivier's side: he took his wrists, which were wet with a clammy sweat of weakness. His nightshirt was open at the neck, showing his weak chest, his too transparent skin, which was stretched and thin like a sail blown out by a puff of wind to rending point. Christophe's strong fingers fumbled as he buttoned the neckband of Olivier's nightshirt. Olivier suffered him.

"Dear Christophe!" he said tenderly. "Yet I have had one great happiness in my life!"

"Oh! what on earth are you thinking of?" said Christophe. "You're as well as I am."

"Yes," said Olivier.

"Then why talk nonsense?"

"I was wrong," said Olivier, ashamed and smiling. "Influenza is so depressing."

"Pull yourself together, though! Get up."

"Not now. Later on."

He stayed in bed, dreaming. Next day he got up. But he was only able to sit musing by the fireside. It was a mild and misty April. Through the soft veil of silvery mist the little green leaves were unfolding their cocoons, and invisible birds were singing the song of the hidden sun. Olivier wound the skein of his memories. He saw himself once more as a child, in the train carrying him away from his native town, through the mist, with his mother weeping. Antoinette was sitting by herself at the other end of the carriage…. Delicate shapes, fine landscapes, were drawn in his mind's eye. Lovely verses came of their own accord, with every syllable and charming rhythm in due order. He was near his desk: he had only to reach out his hand to take his pen and write down his poetic visions. But his will failed him: he was tired: he knew that the perfume of his dreams would evaporate so soon as he tried to catch and hold them. It was always so: the best of himself could never find expression: his mind was like a little valley full of flowers: but hardly a soul had access to it: and as soon as they were picked the flowers faded. No more than just a few had been able languidly to survive, a few delicate little tales, a few pieces of verse, which all gave out a fragrant, fading scent. His artistic impotence had for a long time been one of Olivier's greatest griefs. It was so hard to feel so much life in himself and to be able to save none of it!…—Now he was resigned. Flowers do not need to be seen to blossom. They are only the more beautiful in the fields where no hand can pluck them. Happy, happy fields with flowers dreaming in the sun!—Here in the little valley there was hardly any sun; but Olivier's dreams flowered all the better for it. What stories he wove for his own delight in those days, stories sad and tender and fantastic! They came he knew not whence, sailing like white clouds in a summer sky, melted into thin air, and others followed them: he was full of them. Sometimes the sky was clear: in the light of it Olivier would sit drowsily until once more, with all sail set, there would come gliding the silent ships of dreams.

In the evening the little hunchback would come in. Olivier was so full of stories that he told him one, smiling, eager and engrossed in the tale. Often he would go on talking to himself, with the boy breathing never a word. In the end he would altogether forget his presence…. Christophe arrived in the middle of the story, and was struck by its beauty, and asked Olivier to begin all over again. Olivier refused:

"I am in the same position as yourself," he said. "I don't know anything about it."

"That is not true," said Christophe. "You're a regular Frenchman, and you always know exactly what you are doing and saying. You never forget anything."

"Alas!" said Olivier.

"Begin again, then."

"I'm too tired. What's the good?"

Christophe was annoyed.

"That's all wrong," he said. "What's the good of your having ideas? You throw away what you have. It's an utter waste." "Nothing is ever lost," said Olivier.

The little hunchback started from the stillness he had maintained during Olivier's story—sitting with his face towards the window, with eyes blankly staring, and a frown on his face and a fierce expression so that it was impossible to tell what he was thinking. He got up and said:

"It will be fine to-morrow."

"I bet," said Christophe to Olivier, "that he didn't even listen."

"To-morrow, the First of May," Emmanuel went on, while his morose expression lighted up.

"That is his story," said Olivier. "You shall tell it me tomorrow." "Nonsense!" said Christophe.

Next day Christophe called for Olivier to take him for a walk in Paris. Olivier was better: but he still had the same strange feeling of exhaustion: he did not want to go out, he had a vague fear, he did not like mixing with the crowd. His heart and mind were brave: but the flesh was weak. He was afraid of a crush, an affray, brutality of all sorts: he knew only too well that he was fated to be a victim, that he could not, even would not, defend himself: for he had as great a horror of giving pain as of suffering it himself. Men who are sick in body shudder away from physical suffering more readily than others, because they are more familiar with it, because they have less power to resist, and because it is presented more immediately and more poignantly to their heated imagination. Olivier was ashamed of this physical cowardice of his which was in entire contradiction to the stoicism of his will: and he tried hard to fight it down. But this morning the thought of human contact of any sort was painful to him, and he would gladly have remained indoors all day long. Christophe scolded him, rallied him, absolutely insisted on his going out and throwing off his stupor: for quite ten days he had not had a breath of air. Olivier pretended not to pay any attention. Christophe said:

"Very well. I'll go without you. I want to see their First of May. If I don't come back to-night, you will know that I have been locked up."

He went out. Olivier caught him up on the stairs. He would not leave Christophe to go alone.

There were very few people in the streets. A few little work-girls wearing sprays of lily-of-the-valley. Working-people in their Sunday clothes were walking about rather listlessly. At the street corners, and near the Métro stations were groups of policemen in plain clothes. The gates of the Luxembourg were closed. The weather was still foggy and damp. It was a long, long time since the sun had shown himself!… The friends walked arm in arm. They spoke but little, but they were very glad of each other. A few words were enough to call up all their tender memories of the intimate past. They stopped in front of a mairie to look at the barometer, which had an upward tendency.

"To-morrow," said Olivier, "I shall see the sun."

They were quite near the house where Cécile lived. They thought of going in and giving the baby a hug.

"No. We can do it when we come back."

On the other side of the river they began to fall in with more people. Just ordinary peaceful people taking a walk, wearing their Sunday clothes and faces; poor people with their babies: workmen loafing. A few here and there wore the red eglantine in their buttonholes: they looked quite inoffensive: they were revolutionaries by dint of self-persuasion: they were obviously quite benevolent and optimistic at heart, well satisfied with the smallest opportunities for happiness: whether it were fine or merely passable for their holiday, they were grateful for it … they did not know exactly to whom … to everything and everybody about them. They walked along without any hurry, expansively admiring the new leaves of the trees and the pretty dresses of the little girls who went by: they said proudly:

"Only in Paris can you see children so well dressed as that."

Christophe made fun of the famous upheaval that had been predicted…. Such nice people!… He was quite fond of them, although a little contemptuous.

As they got farther along the crowd thickened. Men with pale hangdog faces and horrible mouths slipped into the stream of people, all on the alert, waiting for the time to pounce on their prey. The mud was stirred up. With every inch the river grew more and more turbid. Now it flowed slowly thick, opaque, and heavy. Like air-bubbles rising from the depths to the greasy surface, there came up calling voices, shrill whistles, the cries of the newsboys, piercing the dull roar of the multitude, and made it possible to take the measure of its strata. At the end of a street, near Amélie's restaurant, there was a noise like that of a mill-race. The crowd was stemmed up against several ranks of police and soldiers. In front of the obstacles a serried mass was formed, howling, whistling, singing, laughing, and eddying this way and that…. The laughter of the people is the only means they have of expressing a thousand obscure and yet deep feelings which cannot find an outlet in words!…

The multitude was not hostile. The people did not know what they wanted. Until they did know they were content to amuse themselves—after their own nervous, brutal fashion, still without malice—to amuse themselves with pushing and being pushed, insulting the police and each other. But little by little, they lost their ardor. Those who came up from behind got tired of being able to see nothing, and were the more provocative inasmuch as they ran little risk behind the shelter of the human barricade in front of them. Those in front, being crushed between those who were pushing and those who were offering resistance, grew more and more exasperated as their position became more and more intolerable: the force of the current pushing them on increased their own force an hundredfold. And all of them, as they were squeezed closer and closer together, like cattle, felt the warmth of the whole herd creeping through their breasts and their loins: and it seemed to them then that they formed a solid block: and each was all, each was a giant with the arms of Briareus. Every now and then a wave of blood would surge to the heart of the thousand-headed monster: eyes would dart hatred, murderous cries would go up. Men cowering away in the third and fourth row began to throw stones. Whole families were looking down from the windows of the houses: it was like being at the play: they excited the mob and waited with a little thrill of agonized impatience for the troops to charge.

Christophe forced his way through the dense throng with elbows and knees, like a wedge. Olivier followed him. The living mass parted for a moment to let them pass and closed again at once behind them. Christophe was in fine fettle. He had entirely forgotten that only five minutes ago he had denied the possibility of an upheaval of the people. Hardly had he set foot inside the stream than he was swept along: though he was a foreigner in this crowd of Frenchmen and a stranger to their demands, yet he was suddenly engulfed by them: little he cared what they wanted: he wanted it too: little he cared whither they were going: he was going too, drinking in the breath of their madness.

Olivier was dragged along after him, but it was no joy to him; he saw clearly, he never lost his self-consciousness, and was a thousand times more a stranger to the passions of these people who were his people than Christophe, and yet he was carried away by them like a piece of wreckage. His illness, which had weakened him, had also relaxed everything that bound him to life. How far removed he felt from these people!… Being free from the delirium that was in them and having all his wits at liberty, his mind took in the minutest details. It gave him pleasure to gaze at the bust of a girl standing in front of him and at her pretty, white neck. And at the same time he was disgusted by the sickly, thick smell that was given off from the close-packed heap of bodies.

"Christophe!" he begged.

Christophe did not hear him.

"Christophe!"

"Eh?"

"Let's go home."

"You're afraid?" said Christophe.

He pushed on. Olivier followed him with a sad smile.

A few rows in front of them, in the danger zone where the people were so huddled together as to form a solid barricade, he saw his friend the little hunchback perched on the roof of a newspaper kiosk. He was clinging with both hands, and crouching in a most uncomfortable position, and laughing as he looked over the wall of soldiers: and then he would turn again and look back at the crowd with an air of triumph. He saw Olivier and beamed at him: then once more he began to peer across the soldiers, over the square, with his eyes wide staring in hope and expectation … of what?—Of the thing which was to come to pass…. He was not alone. There were many, many others all around him waiting for the miracle! And Olivier, looking at Christophe, saw that he too was expecting it.

He called to the boy and shouted to him to come down. Emmanuel pretended not to hear and looked away. He had seen Christophe. He was glad to be in a position of peril in the turmoil, partly to show his courage to Olivier, partly to punish him for being with Christophe.

Meanwhile they had come across some of their friends in the crowd,—Coquard, with his golden beard, who expected nothing more than a little jostling and crushing, and with the eye of an expert was watching for the moment when the vessel would overflow. Farther on they met the fair Berthe, who was slanging the people about her and getting roughly mauled. She had succeeded in wriggling through to the front row, and she was hurling insults at the police. Coquard came up to Christophe. When Christophe saw him he began to chaff him:

"What did I tell you? Nothing is going to happen."

"That remains to be seen!" said Coquard. "Don't you be too sure. It won't be long before the fun begins."

"Rot!" said Christophe.

At that very moment the cuirassiers, getting tired of having stones flung at them, marched forward to clear the entrances to the square: the central body came forward at a double. Immediately the stampede began. As the Gospel has it, the first were last. But they took good care not to be last for long. By way of covering their confusion the runaways yelled at the soldiers following them and screamed: "Assassins!" long before a single blow had been struck. Berthe wriggled through the crowd like an eel, shrieking at the top of her voice. She rejoined her friends; and taking shelter behind Coquard's broad back, she recovered her breath, pressed close up against Christophe, gripped his arm, in fear or for some other reason, ogled Olivier, and shook her fist at the enemy, and screeched. Coquard took Christophe's arm and said:

"Let's go to Amélie's,"

They had very little way to go. Berthe had preceded them with Graillot and a few workmen. Christophe was on the point of entering followed by Olivier. The street had a shelving ridge. The pavement, by the creamery, was five or six steps higher than the roadway. Olivier stopped to take a long breath after his escape from the crowd. He disliked the idea of being in the poisoned air of the restaurant and the clamorous voices of these fanatics. He said to Christopher:

"I'm going home."

"Very well, then, old fellow," said Christophe. "I'll rejoin you in an hour from now."

"Don't run any risks, Christophe!"

"Coward!" said Christophe, laughing.

He turned into the creamery.

Olivier walked along to the corner of the shop. A few steps more and he would be in a little by-street which would take him out of the uproar. The thought of his little protege crossed his mind. He turned to look for him. He saw him at the very moment when Emmanuel had slipped down from his coign of vantage and was rolling on the ground being trampled underfoot by the rabble: the fugitives were running over his body: the police were just reaching the spot. Olivier did not stop to think: he rushed down the steps and ran to his aid. A navvy saw the danger, the soldiers with drawn sabers. Olivier holding out his hand to the boy to help him up, the savage rush of the police knocked them both over. He shouted out, and in his turn rushed in. Some of his comrades followed at a run. Others rushed down from the threshold of the restaurant, and, on their cries, came those who had already entered. The two bodies of men hurled themselves at each other's throats like dogs. And the women, standing at the top of the steps, screamed and yelled.—So Olivier, the aristocrat, the essentially middle-class nature, released the spring of the battle, which no man desired less than he.

Christophe was swept along by the workmen and plunged into the fray without knowing who had been the cause of it. Nothing was farther from his thoughts than that Olivier had taken part in it. He thought him far away in safety. It was impossible to see anything of the fight. Every man had enough to do in keeping an eye on his opponent. Olivier had disappeared in the whirlpool like a foundered ship. He had received a jab from a bayonet, meant for some one else, in his left breast: he fell: the crowd trampled him underfoot. Christophe had been swept away by an eddy to the farthest extremity of the field of battle. He did not fight with any animosity: he jostled and was jostled with a fierce zest as though he was in the throng at a village fair. So little did he think of the serious nature of the affair that when he was gripped by a huge, broad-shouldered policeman and closed with him, he saw the thing in grotesque and said:

"My waltz, I think."

But when another policeman pounced on to his back, he shook himself like a wild boar, and hammered away with his fists at the two of them: he had no intention of being taken prisoner. One of his adversaries, the man who had seized him from behind, rolled down on the ground. The other lost his head and drew his sword. Christophe saw the point of the saber come within a hand's breadth of his chest: he dodged, and twisted the man's wrist and tried to wrench his weapon from him. He could not understand it: till then it had seemed to him just a game. They went on struggling and battering at each other's faces. He had no time to stop to think. He saw murder in the other man's eyes: and murderous desire awoke in him. He saw that the man would slit him up like a sheep. With a sudden movement he turned the man's hand and sword against himself: he plunged the sword into his breast, felt that he was killing him, and killed him. And suddenly the whole thing was changed: he was mad, intoxicated, and he roared aloud.

His yells produced an indescribable effect. The crowd had smelt blood. In a moment it became a savage pack. On all sides swords were drawn. The red flag appeared in the windows of the houses. And old memories of Parisian revolutions prompted them to build a barricade. The stones were torn up from the street, the gas lamps were wrenched away, trees were pulled up, an omnibus was overturned. A trench that had been left open for months in connection with work on the Métropolitain was turned to account. The cast-iron railings round the trees were broken up and used as missiles. Weapons were brought out of pockets and from the houses. In less than an hour the scuffle had grown into an insurrection: the whole district was in a state of siege. And, on the barricade, was Christophe, unrecognizable, shouting his revolutionary song, which was taken up by a score of voices. Olivier had been carried to Amélie's. He was unconscious. He had been laid on a bed in the dark back-shop. At the foot of the bed stood the hunchback, numbed and distraught. At first Berthe had been overcome with emotion: at a distance she had thought it was Graillot who had been wounded, and, when she recognized Olivier, her first exclamation had been:

"What a good thing! I thought it was Léopold."

But now she was full of pity.. And she kissed Olivier and held his head on the pillow. With her usual calmness Amélie had undone his clothes and dressed his wound. Manousse Heimann was there, fortunately, with his inseparable Canet. Like Christophe they had come out of curiosity to see the demonstration: they had been present at the affray and seen Olivier fall. Canet was blubbering like a child: and at the same time he was thinking:

"What on earth am I doing here?"

Manousse examined Olivier: at once he saw that it was all over. He had a great feeling for Olivier: but he was not a man to worry about what can't be helped: and he turned his thoughts to Christophe. He admired Christophe though he regarded him as a pathological case. He knew his ideas about the Revolution: and he wanted to deliver him from the idiotic danger he was running in a cause that was not his own. The risk of a broken head in the scuffle was not the only one: if Christophe were taken, everything pointed to his being used as an example and getting more than he bargained for. Manousse had long ago been warned that the police had their eye on Christophe: they would saddle him not only with his own follies but with those of others. Xavier Bernard, whom Manousse had just encountered, prowling through the crowd, for his own amusement as well as in pursuit of duty, had nodded to him as he passed and said:

"That Krafft of yours is an idiot. Would you believe that he's putting himself up as a mark on the barricade! We shan't miss him this time. You'd better get him out of harm's way."

That was easier said than done. If Christophe were to find out that Olivier was dying he would become a raging madman, he would go out to kill, he would be killed. Manousse said to Bernard:

"If he doesn't go at once, he's done for. I'll try and take him away."

"How?"

"In Canet's motor. It's over there at the corner of the street."

"Please, please…." gulped Canet.

"You must take him to Laroche," Manousse went on. "You will get there in time to catch the Pontarlier express. You must pack him off to Switzerland."

"He won't go."

"He will. I'll tell him that Jeannin will follow him, or has already gone."

Without paying any attention to Canet's objections Manousse set out to find Christophe on the barricade. He was not very courageous, he started every time he heard a shot: and he counted the cobble-stones over which he stepped—(odd or even), to make out his chances of being killed. He did not stop, but went through with it. When he reached the barricade he found Christophe, perched on a wheel of the overturned omnibus, amusing himself by firing pistol-shots into the air. Round the barricade the riff-raff of Paris, spewed up from the gutters, had swollen up like the dirty water from a sewer after heavy rain. The original combatants were drowned by it. Manousse shouted to Christophe, whose back was turned to him. Christophe did not hear him. Manousse climbed up to him and plucked at his sleeve. Christophe pushed him away and almost knocked him down. Manousse stuck to it, climbed up again, and shouted:

"Jeannin…."

In the uproar the rest of the sentence was lost. Christophe stopped short, dropped his revolver, and, slipping down from his scaffolding, he rejoined Manousse, who started pulling him away.

"You must clear out," said Manousse.

"Where is Olivier?"

"You must clear out," repeated Manousse.

"Why?" said Christophe.

"The barricade will be captured in an hour. You will be arrested to-night."

"What have I done?"

"Look at your hands…. Come!… There's no room for doubt, they won't spare you. Everybody recognized you. You've not got a moment to lose."

"Where is Olivier?"

"At home."

"I'll go and join him."

"You can't do that. The police are waiting for you at the door. He sent me to warn you. You must cut and run."

"Where do you want me to go?"

"To Switzerland. Canet will take you out of this in his car."

"And Olivier?"

"There's no time to talk…."

"I won't go without seeing him."

"You'll see him there. He'll join you to-morrow. He'll go by the first train. Quick! I'll explain."

He caught hold of Christophe. Christophe was dazed by the noise and the wave of madness that had rushed through him, could not understand what he had done and what he was being asked to do, and let himself be dragged away. Manousse took his arm, and with his other hand caught hold of Canet, who was not at all pleased with the part allotted to him in the affair: and he packed the two of them into the car. The worthy Canet would have been bitterly sorry if Christophe had been caught, but he would have much preferred some one else to help him to escape. Manousse knew his man. And as he had some qualms about Canet's cowardice, he changed his mind just as he was leaving them and the car was getting into its stride and climbed up and sat with them.

Olivier did not recover consciousness. Amélie and the little hunchback were left alone in the room. Such a sad room it was, airless and gloomy! It was almost dark…. For one instant Olivier emerged from the abyss. He felt Emmanuel's tears and kisses on his hand. He smiled faintly, and painfully laid his hand on the boy's head. Such a heavy hand it was!… Then he sank back once more….

By the dying man's head, on the pillow, Amélie had laid a First of May nosegay, a few sprays of lily-of-the-valley. A leaky tap in the courtyard dripped, dripped into a bucket. For a second mental images hovered tremblingly at the back of his mind, like a light flickering and dying down … a house in the country with glycine on the walls: a garden where a child was playing: a boy lying on the turf: a little fountain plashing in its stone basin: a little girl laughing….