II (continued 2)

"Oh! yes, it is very mystic…."

She said it just as she might have said:

"The sun is very hot."

Christophe was so irritated that he dug his nails into the palms of his hands. After that he never asked her anything: and when she was going out he always made some excuse and stayed in his room.

In reality it was not true that Anna was insensible to Nature. She did not like what are conventionally called beautiful landscapes: she could see no difference between them and other landscapes. But she loved the country whatever it might be like—just earth and air. Only she had no more idea of it than of her other strong feelings: and those who lived with her had even less idea of it.

Braun so far insisted as to induce his wife to make a day's excursion into the outskirts of the town. She was so bored with him that she consented for the sake of peace. It was arranged that they should go on the Sunday. At the last moment, the doctor, who had been looking forward to it with childlike glee, was detained by an urgent case of illness. Christophe went with Anna.

It was a fine winter day with no snow: a pure cold air, a clear sky, a flaming sun, and an icy wind. They went out on a little local railway which took them to one of the lines of blue hills which formed a distant halo round the town. Their compartment was full: they were separated. They did not speak to each other. Anna was in a gloomy mood: the day before she had declared, to Braun's surprise, that she would not go to church on Sunday. For the first time in her life she missed a service. Was it revolt?… Who could tell what struggles were taking place in her? She stared blankly at the seat in front of her, she was pale: she was eating her heart out.

They got out of the train. The coldness and antagonism between them did not disappear during the first part of their walk. They stepped out side by side: she walked with a firm stride and looked at nothing: her hands were free: she swung her arms: her heels rang out on the frozen earth.—Gradually her face quickened into life. The swiftness of their pace brought the color to her pale cheeks. Her lips parted to drink in the keen air. At the turn of a zigzag path she began to climb straight up the hillside like a goat; she scrambled along the edge of a quarry, where she was in great danger of failing, clinging to the shrubs. Christophe followed her. She climbed faster and faster, slipping, stopping herself by clutching at the grass with her hands. Christophe shouted to her to stop. She made no reply, but went on climbing on all fours. They passed through the mists which hung above the valley like a silvery gauze rent here and there by the bushes: and they stood in the warm sunlight of the uplands. When she reached the summit she stopped: her face was aglow: her mouth was open, and she was breathing heavily. Ironically she looked down at Christophe scaling the slope, took off her cloak, flung it at him, then without giving him time to take his breath, she darted on. Christophe ran after her. They warmed to the game: the air intoxicated them. She plunged down a steep slope: the stones gave way under her feet: she did not falter, she slithered, jumped, sped down like an arrow. Every now and then she would dart a glance behind her to see how much she had gained on Christophe. He was close upon her. She plunged into a wood. The dead leaves crackled under their footsteps: the branches which she thrust aside whipped back into his face. She stumbled over the roots of a tree. He caught her. She struggled, lunging out with hands and feet, struck him hard, trying to knock him off: she screamed and laughed. Her bosom heaved against him: for a moment their cheeks touched: he tasted the sweat that lay on Anna's brow: he breathed the scent of her moist hair. She pushed away from him and looked at him, unmoved, with defiant eyes. He was amazed at her strength, which all went for nothing in her ordinary life.

They went to the nearest village, joyfully trampling the dry stubble crisping beneath their feet. In front of them whirled the crows who were ransacking the fields. The sun was burning, the wind was biting. He held Anna's arm. She had on a rather thin dress: through the stuff he could feel the moisture and the tingling warmth of her body. He wanted her to put on her cloak once more: she refused, and in bravado undid the hooks at her neck. They lunched at an inn, the sign of which bore the figure of a "wild man" (Zum wilden Mann). A little pine-tree grew in front of the door. The dining-room was decorated with German quatrains, and two chromolithographs, one of which was sentimental: In the Spring (Im Frühling), and the other patriotic: The Battle of Saint Jacques, and a crucifix with a skull at the foot of the cross. Anna had a voracious appetite, such as Christophe had never known her to have. They drank freely of the ordinary white wine. After their meal they set out once more across the fields, in a blithe spirit of companionship. In neither was there any equivocal thought. They were thinking only of the pleasure of their walk, the singing in their blood, and the whipping, nipping air. Anna's tongue was loosed. She was no longer on her guard: she said just whatever came into her mind.

She talked about her childhood, and how her grandmother used to take her to the house of an old friend who lived near the cathedral: and while the old ladies talked they sent her into the garden over which there hung the shadow of the Münster. She used to sit in a corner and never stir: she used to listen to the shivering of the leaves, and watch the busy swarming insects: and she used to be both pleased and afraid.—(She made no mention of her fear of devils: her imagination was obsessed by it: she had been told that they prowled round churches but never dared enter: and she used to believe that they appeared in the shape of animals: spiders, lizards, ants, all the hideous creatures that swarmed about her, under the leaves, over the earth, or in the crannies of the walls).—Then she told him about the house she used to live in, and her sunless room: she remembered it with pleasure: she used to spend many sleepless nights there, telling herself things….

"What things?"

"Silly things."

"Tell me."

She shook her head in refusal.

"Why not?"

She blushed, then laughed, and added:

"In the daytime too, while I was at work."

She thought for a moment, laughed once more, and then said:

"They were silly things, bad things."

He said, jokingly: "Weren't you afraid?"

"Of what?"

"Of being damned?"

The expression in her eyes froze.

"You mustn't talk of that," she said.

He turned the conversation. He marveled at the strength she had shown a short while before in their scuffle. She resumed her confiding expression and told him of her girlish achievements—(she said "boyish," for, when she was a child she had always longed to join in the games and rights of the boys).—On one occasion when she was with a little boy who was a head taller than herself she had suddenly struck him with her fist, hoping that he would strike her back. But he ran away yelling that she was beating him. Once, again, in the country she had climbed on to the back of a black cow as she was grazing: the terrified beast flung her against a tree, and she had narrowly escaped being killed. Once she took it into her head to jump out of a first-floor window because she had dared herself to do it: she was lucky enough to get off with a sprain. She used to invent strange, dangerous gymnastics when she was left alone in the house: she used to subject her body to all sorts of queer experiments.

"Who would think it of you now, to see you looking so solemn?…"

"Oh!" she said, "if you were to see me sometimes when I am alone in my room!"

"What! Even now?"

She laughed. She asked him—jumping from one subject to another—if he were a shot.

He told her that he never shot. She said that she had once shot at a blackbird with a gun and had wounded it. He waxed indignant.

"Oh!" she said. "What does it matter?"

"Have you no heart?"

"I don't know."

"Don't you ever think the beasts are living creatures like ourselves?"

"Yes," she said. "Certainly. I wanted to ask you: do you think the beasts have souls?"

"Yes. I think so."

"The minister says not. But I think they have souls…. Sometimes," she added, "I think I must have been an animal in a previous existence."

He began to laugh.

"There's nothing to laugh at," she said (she laughed too). "That is one of the stories I used to tell myself when I was little. I used to pretend to be a cat, a dog, a bird, a foal, a heifer. I was conscious of all their desires. I wanted to be in their skins or their feathers for a little while: and it used to be as though I really was. You can't understand that?"

"You are a strange creature. But if you feel such kinship with the beasts how can you bear to hurt them?"

"One is always hurting some one. Some people hurt me. I hurt other people. That's the way of the world. I don't complain. We can't afford to be squeamish in life! I often hurt myself for the pleasure of it."

"Hurt yourself?"

"Myself. One day I hammered a nail into my hand, here."

"Why?"

"There wasn't any reason."

(She did not tell him that she had been trying to crucify herself.)

"Give me your hand," she said.

"What do you want it for?"

"Give it me."

He gave her his hand. She took it and crushed it until he cried out. They played, like peasants, at seeing how much they could hurt each other. They were happy and had no ulterior thought. The rest of the world, the fetters of their ordinary life, the sorrows of the past, fear of the future, the gathering storm within themselves, all had disappeared.

They had walked several miles, but they were not at all tired. Suddenly she stopped, flung herself down on the ground, and lay full length on the stubble, and said no more. She lay on her back with her hands behind her head and looked up at the sky. Oh! the peace of it, and the sweetness!… A few yards away a spring came bubbling up in an intermittent stream, like an artery beating, now faintly, now more strongly. The horizon took on a pearly hue. A mist hung over the purple earth from which the black naked trees stood out. The late winter sun was shining, the little pale gold sun sinking down to rest. Like gleaming arrows the birds cleft the air. The gentle voices of the country bells called and answered calling from village to village…. Christophe sat near Anna and looked down at her. She gave no thought to him. She was full of a heartfelt joy. Her beautiful lips smiled silently. He thought:

"Is that you? I do not know you."

"Nor I. Nor I. I think I must be some one else. I am no longer afraid: I am no longer afraid of Him…. Ah! How He stifled me, how He made me suffer! I seemed to have been nailed down in my coffin…. Now I can breathe: this body and this heart are mine. My body. My dear body. My heart is free and full of love. There is so much happiness in me! And I knew it not. I never knew myself! What have you done to me?…"

So he thought he could hear her softly sighing to herself. But she was thinking of nothing, only that she was happy, only that all was well.

The evening had begun to fall. Behind the gray and lilac veils of mist, about four o'clock, the sun, weary of life, was setting. Christophe got up and went to Anna. He bent down to her. She turned her face to him, still dizzy with looking up into the vast sky over which she seemed to have been hanging. A few seconds passed before she recognized him. Then her eyes stared at him with an enigmatic smile that told him of the unease that was in her. To escape the knowledge of it he closed his eyes for a moment. When he opened them again she was still looking at him: and it seemed to him that for many days they had so looked into each other's eyes. It was as though they were reading each other's soul. But they refused to admit what they had read there.

He held out his hand to her. She took it without a word. They went back to the village, the towers of which they could see shaped like the pope's nose in the heart of the valley: one of the towers had an empty storks' nest on the top of its roof of mossy tiles, looking just like a toque on a woman's head. At a cross-roads just outside the village they passed a fountain above which stood a little Catholic saint, a wooden Magdalene, graciously and a little mincingly holding out her arms. With an instinctive movement Anna responded to the gesture and held out her arms also, and she climbed on to the curb and filled the arms of the pretty little goddess with branches of holly and mountain-ash with such of their red berries as the birds and the frost had spared.

On the road they passed little groups of peasants and peasant women in their Sunday clothes: women with brown skins, very red cheeks, thick plaits coiled round their heads, light dresses, and hats with flowers. They wore white gloves and red cuffs. They were singing simple songs with shrill placid voices not very much in tune. In a stable a cow was mooing. A child with whooping-cough was coughing in a house. A little farther on there came up the nasal sound of a clarionet and a cornet. There was dancing in the village square between the little inn and the cemetery. Four musicians, perched on a table, were playing a tune. Anna and Christophe sat in front of the inn and watched the dancers. The couples were jostling and slanging each other vociferously. The girls were screaming for the pleasure of making a noise. The men drinking were beating time on the tables with their fists. At any other time such ponderous coarse joy would have disgusted Anna: but now she loved it: she had taken off her hat and was watching eagerly. Christophe poked fun at the burlesque solemnity of the music and the musicians. He fumbled in his pockets and produced a pencil and began to make lines and dots on the back of a hotel bill: he was writing dance music. The paper was soon covered: he asked for more, and these too he covered like the first with his big scrawling writing. Anna looked over his shoulder with her face near his and hummed over what he wrote: she tried to guess how the phrases would end, and clapped her hands when she guessed right or when her guesses were falsified by some unexpected sally. When he had done Christophe took what he had written to the musicians. They were honest Suabians who knew their business, and they made it out without much difficulty. The melodies were sentimental, and of a burlesque humor, with strongly accented rhythms, punctuated, as it were, with bursts of laughter. It was impossible to resist their impetuous fun: nobody's feet could help dancing. Anna rushed into the throng; she gripped the first pair of hands held out to her and whirled about like a mad thing; a tortoise-shell pin dropped out of her hair and a few locks of it fell down and hung about her face. Christophe never took his eyes off her: he marveled at the fine healthy animal who hitherto had been condemned to silence and immobility by a pitiless system of discipline: he saw her as no one had ever seen her, as she really was under her borrowed mask: a Bacchante, drunk with life. She called to him. He ran to her and put his arms round her waist. They danced and danced until they whirled crashing into a wall. They stopped, dazed. Night was fully come. They rested for a moment and then said good-by to the company. Anna, who was usually so stiff with the common people, partly from embarrassment, partly from contempt, held out her hand to the musicians, the host of the inn, the village boys with whom she had been dancing.

Once more they were alone under the brilliant frozen sky retracing the paths across the fields by which they had come in the morning. Anna was still excited. She talked less and less, and then ceased altogether, as though she had succumbed to fatigue or to the mysterious emotion of the night. She leaned affectionately on Christophe. As they were going down the slope up which they had so blithely scrambled a few hours before, she sighed. They approached the station. As they came to the first house he stopped and looked at her. She looked up at him and smiled sadly. The train was just as crowded as it had been before, and they could not talk. He sat opposite her and devoured her with his eyes. Her eyes were lowered: she raised them and looked at him when she felt his eyes upon her: then she glanced away and he could not make her look at him again. She sat gazing out into the night. A vague smile hovered about her lips which showed a little weariness at the corners. Then her smile disappeared. Her expression became mournful. He thought her mind must be engrossed by the rhythm of the train and he tried to speak to her. She replied coldly, without turning her head, with a single word. He tried to persuade himself that her fatigue was responsible for the change: but he knew that it was for a very different reason. The nearer they came to the town the more he saw Anna's face grow cold, and life die down in her, and all her beautiful body with its savage grace drop back into its casing of stone. She did not make use of the hand he held out to her as she stepped out of the carriage. They returned home in silence.

A few days later, about four o'clock in the evening, they were alone together. Braun had gone out. Since the day before the town had been shrouded in a pale greenish fog. The murmuring of the invisible river came up. The lights of the electric trams glared through the mist. The light of day was dead, stifled: time seemed to be wiped out: it was one of those hours when men lose all consciousness of reality, an hour which is outside the march of the ages. After the cutting wind of the preceding days, the moist air had suddenly grown warmer, too damp and too soft. The sky was filled with snow, and bent under the load.

They were alone together in the drawing-room, the cold cramped taste of which was the reflection of that of its mistress. They said nothing. He was reading. She was sewing. He got up and went to the window: he pressed his face against the panes, and stood so dreaming: he was stupefied and heavy with the dull light which was cast back from the darkling sky upon the livid earth: his thoughts were uneasy: he tried in vain to fix them: they escaped him. He was filled with a bitter agony: he felt that he was being engulfed: and in the depths of his being, from the chasm of the heap of ruins came a scorching wind in slow gusts. He turned his back on Anna: she could not see him, she was engrossed in her work; but a faint thrill passed through her body: she pricked herself several times with her needle, but she did not feel it. They were both fascinated by the approaching danger.

He threw off his stupor and took a few strides across the room. The piano attracted him and made him fearful. He looked away from it. As he passed it his hand could not resist it, and touched a note. The sound quivered like a human voice. Anna trembled, and let her sewing fall. Christophe, was already seated and playing. Without seeing her, he knew that Anna had got up, that she was coming towards him, that she was by his side. Before he knew what he was doing, he had begun the religious and passionate melody that she had sung the first time she had revealed herself to him: he improvised a fugue with variations on the theme. Without his saying a word to her, she began to sing. They lost all sense of their surroundings. The sacred frenzy of music had them in its clutches….

O music, that openest the abysses of the soul! Thou dost destroy the normal balance of the mind. In ordinary life, ordinary souls are closed rooms: within, there droop the unused forces of life, the virtues and the vices to use which is hurtful to us: sage, practical wisdom, cowardly common sense, are the keepers of the keys of the room. They let us see only a few cupboards tidily and properly arranged. But music holds the magic wand which drives back every lock. The doors are opened. The demons of the heart appear. And, for the first time, the soul sees itself naked.—While the siren sings, while the bewitching voice trembles on the air, the tamer holds all the wild beasts in check with the power of the eye. The mighty mind and reason of a great musician fascinates all the passions that he set loose. But when the music dies away, when the tamer is no longer there, then the passions he has summoned forth are left roaring in their tottering cage, and they seek their prey….

The melody ended. Silence…. While she was singing she had laid her hand on Christophe's shoulder. They dared not move: and each felt the other trembling. Suddenly—in a flash—she bent down to him, he turned to her: their lips met: he drank her breath….

She flung away from him and fled. He stayed, not stirring in the dark. Braun returned. They sat down to dinner. Christophe was incapable of thought. Anna seemed absent-minded: she was looking "elsewhere." Shortly after dinner she went to her room. Christophe found it impossible to stay alone with Braun, and went upstairs also.

About midnight the doctor was called from his bed to a patient. Christophe heard him go downstairs and out. It had been snowing ever since six o'clock. The houses and the streets were under a shroud. The air was as though it were padded with cotton-wool. Not a step, not a carriage could be heard outside. The town seemed dead. Christophe could not sleep. He had a feeling of terror which grew from minute to minute. He could not stir. He lay stiff in his bed, on his back, with his eyes wide open. A metallic light cast up from the white earth and roofs fell upon the walls of the room…. An imperceptible noise made him tremble. Only a man at a feverish tension could have heard it. Came a soft rustling on the floor of the passage. Christophe sat up in bed. The faint noise came nearer, stopped; a board creaked. There was some one behind the door: some one waiting…. Absolute stillness for a few seconds, perhaps for several minutes…. Christophe could not breathe, he broke out into a sweat. Outside flakes of snow brushed the window as with a wing. A hand fumbled with the door and opened it. There appeared a white form, and it came slowly forward: it halted a few yards away from him. Christophe could see nothing clearly: but he could hear her breathing: and he could hear his own heart thumping. She came nearer to him; once more she halted. Their faces were so near that their breath mingled. Their eyes sought each other vainly in the darkness…. She fell into his arms. In silence, without a word, they hugged each other close, frenziedly….

* * * * *

An hour, two hours, a century later, the door of the house was opened. Anna broke from the embrace in which they were locked, slipped away, and left Christophe without a word, just as she had come. He heard her bare feet moving away, just skimming the floor in her swift flight. She regained her room, and there Braun found her in her bed, apparently asleep. So she lay through the night, with eyes wide open, breathless, still, in her narrow bed near the sleeping Braun. How many nights had she passed like that!

Christophe could not sleep either. He was utterly in despair. He had always regarded the things of love, and especially marriage, with tragic seriousness. He hated the frivolity of those writers whose art uses adultery as a spicy flavoring. Adultery roused in him a feeling of repulsion which was a combination of his vulgar brutality and high morality. He had always felt a mixture of religious respect and physical disgust for a woman who belonged to another man. The doglike promiscuity in which some of the rich people in Europe lived appalled him. Adultery with the consent of the husband is a filthy thing: without the husband's knowledge it is a base deceit only worthy of a rascally servant hiding away to betray and befoul his master's honor. How often had he not piteously despised those whom he had known to be guilty of such cowardice! He had broken with some of his friends who had thus dishonored themselves in his eyes…. And now he too was sullied with the same shameful thing! The circumstances of the crime only made it the more odious. He had come to the house a sick, wretched man. His friend had welcomed him, helped him, given him comfort. His kindness had never flagged. Nothing had been too great a demand upon it. He owed him his very life. And in return he had robbed the man of his honor and his happiness, his poor little domestic happiness! He had basely betrayed him, and with whom? With a woman whom he did not know, did not understand, did not love…. Did he not love her? His every drop of blood rose up against him. Love is too faint a word to express the river of fire that rushed through him when he thought of her. It was not love, it was a thousand times a greater thing than love…. He was in a whirl all through the night. He got up, dipped his face in the icy water, gasped, and shuddered. The crisis came to a head in an attack of fever.

When he got up, aching all over, he thought that she, even more than he, must be overwhelmed with shame. He went to the window. The sun was shining down upon the dazzling snow. In the garden Anna was hanging out the clothes on a line. She was engrossed in her work, and seemed to be in no wise put out. She had a dignity in her carriage and her gesture which was quite new to him, and made him, unconsciously, liken her to a moving statue.

* * * * *

They met again at lunch. Braun was away for the whole day. Christophe could not have borne meeting him. He wanted to speak to Anna. But they were not alone: the servant kept going and coming: they had to keep guard on themselves. In vain did Christophe try to catch Anna's eye. She did not look at him or at anything. There was no indication of inward ferment: and always in her smallest movement there was the unaccustomed assurance and nobility. After lunch he hoped they would have an opportunity of speaking: but the servant dallied over clearing away; and when they went into the next room she contrived to follow them: she always had something to fetch or to bring: she stayed bustling in the passage near the half-open door which Anna showed no hurry to shut: it looked as though she were spying on them. Anna sat by the window with her everlasting sewing. Christophe leaned back in an armchair with his back to the light, and a book on his knee which he did not attempt to read. Anna could only see his profile, and she noticed the torment in his face as he looked at the wall: and she gave a cruel smile. From the roof of the house and the tree in the garden the melting snow trickled down into the gravel with a thin tinkling noise. Some distance away was the laughter of children chasing each other in the street and snowballing. Anna seemed to be half-asleep. The silence was torture to Christophe: it hurt him so that he could have cried out.

At last the servant went downstairs and left the house. Christophe got up, turned to Anna, and was about to say:

"Anna! Anna! what have we done?"

Anna looked at him: her eyes, which had been obstinately lowered, had just opened: they rested on Christophe, and devoured him hotly, hungrily. Christophe felt his own eyes burn under the impact, and he reeled; everything that he wanted to say was brushed aside. They came together, and once more they were locked in an embrace….

The shades of the evening were falling. Their blood was still in turmoil. She was lying down, with her dress torn, her arms outstretched. He had buried his face in the pillow, and was groaning aloud. She turned towards him and raised his head, and caressed his eyes and his lips with her fingers: she brought her face close to his, and she stared into his eyes. Her eyes were deep, deep as a lake, and they smiled at each other in utter indifference to pain. They lost consciousness. He was silent. Mighty waves of feeling thrilled through them….

That night, when he was alone in his room, Christophe thought of killing himself.

Next day, as soon as he was up, he went to Anna. Now it was he whose eyes avoided hers. As soon as he met their gaze all that he had to say was banished from his mind. However, he made an effort, and began to speak of the cowardice of what they had done. Hardly had she understood than she roughly stopped his lips with her hand. She flung away from him with a scowl, and her lips pressed together, and an evil expression upon her face. He went on. She flung the work she was holding down on the ground, opened the door, and tried to go out. He caught her hands, closed the door, and said bitterly that she was very lucky to be able to banish from her mind all idea of the evil they had done. She struggled like an animal caught in a trap, and cried angrily:

"Stop!… You coward, can't you see how I am suffering?… I won't let you speak! Let me go!"

Her face was drawn, her expression was full of hate and fear, like a beast that has been hurt: her eyes would have killed him, if they could.—He let her go. She ran to the opposite corner of the room to take shelter. He had no desire to pursue her. His heart was aching with bitterness and terror. Braun came in. He looked at them, and they stood stockishly there. Nothing existed for them outside their own suffering.

Christophe went out. Braun and Anna sat down to their meal. In the middle of dinner Braun suddenly got up to open the window. Anna had fainted.

Christophe left the town for a fortnight on the pretext of having been called away. For a whole week Anna remained shut up in her room except for meal-times. She slipped back into consciousness of herself, into her old habits, the old life from which she had thought she had broken away, from which we never break away. In vain did she close her eyes to what she had done. Every day anxiety made further inroads into her heart, and finally took possession of it. On the following Sunday she refused once more to go to church. But the Sunday after that she went, and never omitted it again. She was conquered, but not submissive. God was the enemy,—an enemy from whose power she could not free herself. She went to Him with the sullen anger of a slave who is forced into obedience. During service her face showed nothing but cold hostility: but in the depths of her soul the whole of her religious life was a fierce, dumbly exasperated struggle against the Master whose reproaches persecuted her. She pretended not to hear. She had to hear: and bitterly, savagely, with clenched teeth, hard eyes, and a deep frowning furrow in her forehead, she would argue with God. She thought of Christophe with hatred. She could not forgive him for having delivered her for one moment from the prison of her soul, only to let her fall back into it again, to be the prey of its tormentors. She could not sleep; day and night she went over and over the same torturing thoughts: she did not complain: she went on obstinately doing her household work and all her other duties, and throughout maintaining the unyielding and obstinate character of her will in her daily life, the various tasks of which she fulfilled with the regularity of a machine. She grew thin, and seemed to be a prey to some internal malady. Braun questioned her fondly and anxiously: he wanted to sound her. She repulsed him angrily. The greater her remorse grew for what she had done to him, the more harshly she spoke to him. Christophe had determined not to return. He wore himself out. He took long runs and violent exercise, rowed, walked, climbed mountains. Nothing was able to quench the fire in him.

He was more the victim of passion than an ordinary man. It is the necessity of the nature of men of genius. Even the most chaste, like Beethoven and Bürchner, must always be in love: every human capacity is raised to a higher degree in them, and as, in them, every human capacity is seized on by their imagination, their minds are a prey to a continual succession of passions. Most often they are only transitory fires: one destroys another, and all are absorbed by the great blaze of the creative spirit. But if the heat of the furnace ceases to fill the soul, then the soul is left defenseless against the passions without which it cannot live: it must have passion, it creates passion: and the passions will devour the soul …—and then, besides the bitter desire that harrows the flesh, there is the need of tenderness which drives a man who is weary and disillusioned of life into the mothering arms of the comforter, woman. A great man is more of a child than a lesser man: more than any other, he needs to confide in a woman, to lay his head in the soft hands of the beloved, in the folds of the lap of her gown.

But Christophe could not understand…. He did not believe in the inevitability of passion—the idiotic cult of the romantics. He believed that a man can and must fight with all the force of his will…. His will! Where was it? Not a trace of it was left. He was possessed. He was stung by the barbs of memory, day and night. The scent of Anna's body was with him everywhere. He was like a dismantled hulk, rolling rudderless, at the mercy of the winds. In vain did he try to escape, he strove mightily, wore himself out in the attempt: he always found himself brought back to the same place, and he shouted to the wind:

"Break me, break me, then! What do you want of me?"

Feverishly he probed into himself. Why, why this woman?… Why did he love her? It was not for her qualities of heart or mind. There were any number of better and more intelligent women. It was not for her body. He had had other mistresses more acceptable to his senses. What was it?…—"We love because we love."—Yes, but there is a reason, even if it be beyond ordinary human reason. Madness? That means nothing. Why this madness?

Because there is a hidden soul, blind forces, demons, which every one of us bears imprisoned in himself. Our every effort, since the first existence of humanity, has been directed towards the building up against this inward sea of the dykes of our reason and our religions. But a storm arises (and the richest souls are the most subject to storms), the dykes are broken, the demons have free play, they find themselves in the presence of other souls uptorn by similar powers…. They hurl themselves at each other. Hatred or love? A frenzy of mutual destruction?—Passion is the soul of prey.

The sea has burst its bounds. Who shall turn it back into its bed? Then must a man appeal to a mightier than himself. To Neptune, the God of the tides.

* * * * *

After a fortnight of vain efforts to escape, Christophe returned to Anna. He could not live away from her. He was stifled.

And yet he went on struggling. On the evening of his return, they found excuses for not meeting and not dining together: at night they locked their doors in fear and dread.—But love was stronger than they. In the middle of the night she came creeping barefooted, and knocked at his door. She wept silently. He felt the tears coursing down her cheeks. She tried to control herself, but her anguish was too much for her and she sobbed. Under the frightful burden of her grief Christophe forgot his own: he tried to calm her and gave her tender, comfortable words. She moaned:

"I am so unhappy. I wish I were dead…."

Her plaint pierced his heart. He tried to kiss her. She repulsed him:

"I hate you!… Why did you ever come?"

She wrenched herself away from him. She turned her back on him and shook with rage and grief. She hated him mortally. Christophe lay still, appalled. In the silence Anna heard his choking breathing: she turned suddenly and flung her arms round his neck:

"Poor Christophe!" she said. "I have made you suffer…."

For the first time he heard pity in her voice.

"Forgive me," she said.

He said:

"We must forgive each other." She raised herself as though she found it hard to breathe. She sat there, with bowed back, overwhelmed, and said:

"I am ruined…. It is God's will, He has betrayed me…. What can I do against Him?"

She stayed for a long time like that, then lay down again and did not stir. A faint light proclaimed the dawn. In the half-light he saw her sorrowful face so near his. He murmured:

"The day."

She made no movement.

He said:

"So be it. What does it matter?"

She opened her eyes and left him with an expression of utter weariness. She sat for a moment looking down at the floor. In a dull, colorless voice she said:

"I thought of killing him last night."

He gave a start of terror:

"Anna!" he said.

She was staring gloomily at the window.

"Anna!" he said again. "In God's name!… Not him!… He is the best of us!…"

She echoed;

"Not him. Very well."

They looked at each other.

They had known it for a long time. They had known where the only way out lay. They could not bear to live a lie. And they had never even considered the possibility of eloping together. They knew perfectly well that that would not solve the problem: for the bitterest suffering came not from the external Obstacles that held them apart, but in themselves, in their different souls. It was as impossible for them to live together as to live apart. They were driven into a corner.

From that moment on they never touched each other: the shadow of death was upon them: they were sacred to each other.

But they put off appointing a time for their decision. They kept on saying: "To-morrow, to-morrow…" And they turned their eyes away from their to-morrow, Christophe's mighty soul had Wild spasms Of revolt: he would not consent to his defeat: he despised suicide, and he could not resign himself to such a pitiful and abrupt conclusion of his splendid life. As for Anna, how could she, unless she were forced, accept the idea of a death which must lead to eternal death? But ruthless necessity was at their heels, and the circle was slowly narrowing about them.

* * * * *

That morning, for the first time since the betrayal, Christophe was left alone with Braun. Until then he had succeeded in avoiding him. He found it intolerable to be with him. He had to make an excuse to avoid eating at the same table: the food stuck in his throat. To shake the man's hand, to eat his bread, to give the kiss of Judas!… Most odious for him to think of was not the contempt he had for himself so much as the agony of suffering that Braun must endure if he should come to know…. The idea of it crucified him. He knew, only too well that poor Braun would never avenge himself, that perhaps he would not even have the strength to hate them: but what an utter wreck of all his life!… How would he regard him! Christophe felt that he could not face the reproach in his eyes.—And it was inevitable that sooner or later Braun would be warned. Did he not already suspect something? Seeing him again after his fortnight's absence Christophe was struck by the change in him: Braun was not the same man. His gaiety had disappeared, or there was something forced in it. At meals he would stealthily glance at Anna, who talked not at all, ate not at all, and seemed to be burning away like the oil in a lamp. With timid, touching kindness he tried to look after her: she rejected his attentions harshly: then he bent his head over his plate and relapsed into silence. Anna could bear it no longer, and flung her napkin on the table in the middle of the meal and left the room. The two men finished their dinner in silence, or pretended to do so, for they ate nothing: they dared not raise their eyes. When they had finished, Christophe was on the point of going when Braun suddenly clasped his arm with both hands and said:

"Christophe!"

Christophe looked at him uneasily.

"Christophe," said Braun again—(his voice was shaking),—"do you know what's the matter with her?"

Christophe stood transfixed: for a moment or two he could find nothing to say. Braun stood looking at him timidly: very quickly he begged his pardon:

"You see a good deal of her, she trusts you…."

Christophe was very near taking Braun's hands and kissing them and begging his forgiveness. Braun saw Christophe's downcast expression, and, at once, he was terrified, and refused to see: he cast him a beseeching look and stammered hurriedly and gasped:

"No, no. You know nothing? Nothing?"

Christophe was overwhelmed and said:

"No."

Oh! the bitterness of not being able to lay bare his offense, to humble himself, since to do so would be to break the heart of the man he had wronged! Oh! the bitterness of being unable to tell the truth, when he could see in the eyes of the man asking him for it, that he could not, would not know the truth!…

"Thanks, thank you. I thank you…." said Braun.

He stayed with his hands plucking at Christophe's sleeve as though there was something else he wished to ask, and yet dared not, avoiding his eyes. Then he let go, sighed, and went away.

Christophe was appalled by this new lie. He hastened to Anna. Stammering in his excitement, he told her what had happened. Anna listened gloomily and said:

"Oh, well. He knows. What does it matter?"

"How can you talk like that?" cried Christophe. "It is horrible! I will not have him suffer, whatever it may cost us, whatever it may cost."

Anna grew angry.

"And what if he does suffer? Don't I have to suffer? Let him suffer too!"

They said bitter things to each other. He accused her of loving only herself. She reproached him with thinking more of her husband than of herself.

But a moment later, when he told her that he could not go on living like that, and that he would go and tell the whole story to Braun, then she cried out on him for his selfishness, declaring that she did not care a bit about Christophe's conscience, but was quite determined that Braun should never know.

In spite of her hard words she was thinking as much of Braun as of Christophe. Though she had no real affection for her husband she was fond of him. She had a religious respect for social ties and the duties they involve. Perhaps she did not think that it was the duty of a wife to be kind and to love her husband: but she did think that she was compelled scrupulously to fulfil her household duties and to remain faithful. It seemed to her ignoble to fail in that object as she herself had done.

And even more surely than Christophe she knew that Braun must know everything very soon. It was something to her credit that she concealed the fact from Christophe, either because she did not wish to add to his troubles or more probably because of her pride.

Secluded though the Braun household was, secret though the tragedy might remain that was being enacted there, some hint of it had trickled away to the outer world.

In that town it was impossible for any one to flatter himself that the facts of his life were hidden. This was strangely true. No one ever looked at anybody in the streets: the doors and shutters of the houses were closed. But there were mirrors fastened in the corners of the windows: and as one passed the houses one could hear the faint creaking of the Venetian shutters being pushed open and shut again. Nobody took any notice of anybody else: everything and everybody were apparently ignored: but it was not long before one perceived that not a single word, not a single gesture had been unobserved: whatever one did, whatever one said, whatever one saw, whatever one ate was known at once: even what one thought was known, or, at least, everybody pretended to know. One was surrounded by a universal, mysterious watchfulness. Servants, tradespeople, relations, friends, people who were neither friends nor enemies, passing strangers, all by tacit agreement shared in this instinctive espionage, the scattered elements of which were gathered to a head no one knew how. Not only were one's actions observed, but they probed into one's inmost heart. In that town no man had the right to keep the secrets of his conscience, and everybody had the right to rummage amongst his intimate thoughts, and, if they were offensive to public opinion, to call him to account. The invisible despotism of the collective mind dominated the individual: all his life he remained like a child in a state of tutelage: he could call nothing his own: he belonged to the town.

It was enough for Anna to have stayed away from church two Sundays running to arouse suspicion. As a rule no one seemed to notice her presence at service: she lived outside the life of the place, and the town seemed to have forgotten her existence.—On the evening of the first Sunday when she had stayed away her absence was known to everybody and docketed in their memory. On the following Sunday not one of the pious people following the blessed words in their Bibles or on the minister's lips seemed to be distracted from their solemn attention: not one of them had failed to notice as they entered, and to verify as they left, the fact that Anna's place was empty. Next day Anna began to receive visits from women she had not seen for many months: they came on various pretexts, some fearing that she was ill, others assuming a new interest in her affairs, her husband, her house: some of them showed a singularly intimate knowledge of the doings of her household: not one of them—(with clumsy ingenuity)—made any allusion to her absence from church on two Sundays running. Anna said that she was unwell and declared that she was very busy. Her visitors listened attentively and applauded her: Anna knew that they did not believe a word she said. Their eyes wandered round the room, prying, taking notes, docketing. They did not for a moment drop their cold affability or their noisy affected chatter: but their eyes revealed the indiscreet curiosity which was devouring them. Two or three with exaggerated indifference inquired after M. Krafft.

A few days later—(during Christophe's absence),—the minister came himself. He was a handsome, good-natured creature, splendidly healthy, affable, with that imperturbable tranquillity which comes to a man from the consciousness of being in sole possession of the truth, the whole truth. He inquired anxiously after the health of the members of his flock, politely and absently listened to the excuses she gave him, which he had not asked for, accepted a cup of tea, made a mild joke or two, expressed his opinion on the subject of drink that the wine referred to in the Bible was not alcoholic liquor, produced several quotations, told a story, and, as he was leaving, made a dark allusion to the danger of bad company, to certain excursions in the country, to the spirit of impiety, to the impurity of dancing, and the filthy lusts of the flesh. He seemed to be addressing his remarks to the age in general and not to Anna. He stopped for a moment, coughed, got up, bade Anna give his respectful compliments to M. Braun, made a joke in Latin, bowed, and took his leave.—Anna was left frozen by his allusion. Was it an allusion? How could he have known about her excursion with Christophe? They had not met a soul of their acquaintance that day. But was not everything known in the town? The musician with the remarkable face and the young woman in black who had danced at the inn had attracted much attention: their descriptions had been spread abroad; and, as the story was bandied from mouth to mouth, it had reached the town where the watchful malice of the gossips had not failed to recognize Anna. No doubt it amounted as yet to no more than a suspicion, but it was singularly attractive, and it was augmented by information supplied by Anna's maid. Public curiosity had been a-tip-toe, waiting for them to compromise each other, spying on them with a thousand invisible eyes. The silent crafty people of the town were creeping close upon them, like a cat lying in wait for a mouse.

In spite of the danger Anna would in all probability not have given in: perhaps her consciousness of such cowardly hostility would have driven her to some desperate act of provocation if she had not herself been possessed by the Pharisaic spirit of the society which was so antagonistic to her. Her education had subjugated her nature. It was in vain that she condemned the tyranny and meanness of public opinion: she respected it: she subscribed to its decrees even when they were directed against herself: if they had come into conflict with her conscience, she would have sacrificed her conscience. She despised the town: but she could not have borne the town to despise herself.

Now the time was coming when the public scandal would be afforded an opportunity of discharging itself. The carnival was coming on.

* * * * *

In that city, the carnival had preserved up to the time of the events narrated in this history—(it has changed since then)—a character of archaic license and roughness. Faithfully in accordance with its origin, by which it had been a relaxation for the profligacy of the human mind subjugated, wilfully or involuntarily, by reason, it nowhere reached such a pitch of audacity as in the periods and countries in which custom and law, the guardians of reason, weighed most heavily upon the people. The town in which Anna lived was therefore one of its most chosen regions. The more moral stringency paralyzed action and gagged speech, the bolder did action become and speech the more untrammeled during those few days. Everything that was secreted away in the lower depths of the soul, jealousy, secret hate, lewd curiosity, the malicious instincts inherent in the social animal, would burst forth with all the vehemence and joy of revenge. Every man had the right to go out into the streets, and, prudently masked, to nail to the pillory, in full view of the public gaze, the object of his detestation, to lay before all and sundry all that he had found out by a year of patient industry, his whole hoard of scandalous secrets gathered drop by drop. One man would display them on the cars. Another would carry a transparent lantern on which were pasted in writings and drawings the secret history of the town. Another would go so far as to wear a mask in imitation of his enemy, made so easily recognizable that the very gutter-snipes would point him out by name. Slanderous newspapers would appear during the three days. Even the very best people would craftily take part in the game of Pasquino. No control was exercised except over political allusions,—such coarse liberty of speech having on more than one occasion produced fierce conflict between the authorities of the town and the representatives of foreign countries. But there was nothing to protect the citizens against the citizens, and this cloud of public insult, constantly hanging over their heads, did not a little help to maintain the apparently impeccable morality on which the town prided itself.

Anna felt the weight of that dread—which was quite unjustified. She had very little reason to be afraid. She occupied too small a place in the opinion of the town for any one to think of attacking her. But in the absolute isolation in which of her own choice she lived, in her state of exhaustion and nervous excitement brought on by several weeks of sleepless nights and moral suffering, her imagination was apt to welcome the most unreasoning terrors. She exaggerated the animosity of those who did not like her. She told herself that suspicion was on her track: the veriest trifle was enough to ruin her: and there was nothing to assure her that it was not already an accomplished fact. It would mean insult, pitiless exposure, her heart laid bare to the mockery of the passers-by: dishonor so cruel that Anna was near dying of shame at the very thought of it. She called to mind how, a few years before, a girl, who had been the victim of such persecution, had had to fly the country with her family…. And she could do nothing, nothing to defend herself, nothing to prevent it, nothing even to find out if it was going to happen. The suspense was even more maddening than the certainty. Anna looked desperately about her like an animal at bay. In her own house she knew that she was hemmed in.

* * * * *

Anna's servant was a woman of over forty: her name was Bäbi: she was tall and strong: her face was narrow and bony round her brow and temples, wide and long in the lower part, fleshy under the jaw, roughly pear-shaped: she had a perpetual smile and eyes that pierced like gimlets, sunken, as though they had been sucked in, beneath red eyelids with colorless lashes. She never put off her expression of coquettish gaiety: she was always delighted with her superiors, always of their opinion, worrying about their health with tender interest: smiling when they gave her orders: smiling when they scolded her. Braun believed that she was unshakably devoted. Her gushing manner was strongly in contrast with Anna's coldness. However, she was like her in many things: like her she spoke little and dressed in a severe neat style: like her she was very pious, and went to service with her, scrupulously fulfilling all her religious duties and nicely attending to her household tasks: she was clean, methodical, and her morals and her kitchen were beyond reproach. In a word she was an exemplary servant and the perfect type of domestic foe. Anna's feminine instinct was hardly ever wrong in her divination of the secret thoughts of women, and she had no illusions about her. They detested each other, knew it, and never let it appear.

On the night of Christophe's return, when Anna, torn by her desire and her emotion, went to him once more in spite of her resolve never to see him again, she walked stealthily, groping along the wall in the darkness: just as she reached Christophe's door, instead of the ordinary cold smooth polished floor, she felt a warm dust softly crunching under her bare feet. She stooped, touched it with her hands, and understood: a thin layer of ashes had been spread for the space of a few yards across the passage. Without knowing it Bäbi had happed on the old device employed in the days of the old Breton songs by Frocin the dwarf to catch Tristan on his way to Yseult: so true it is that a limited number of types, good and bad, serve for all ages. A remarkable piece of evidence in favor of the wise economy of the universe!—Anna did not hesitate; she did not stop or turn, but went on in a sort of contemptuous bravado: she went to Christophe, told him nothing, in spite of her uneasiness: but when she returned she took the stove brush and carefully effaced every trace of her footsteps in the ashes, after she had crossed over them.—When Anna and Bäbi met next day it was with the usual coldness and the accustomed smile.

Bäbi used sometimes to receive a visit from a relation who was a little older than herself: he fulfilled the function of beadle of the church: during Gottesdienst (Divine service) he used to stand sentinel at the church door, wearing a white armlet with black stripes and a silver tassel, leaning on a cane with a curved handle. By trade he was an undertaker. His name was Sami Witschi. He was very tall and thin, with a slight stoop, and he had the clean-shaven solemn face of an old peasant. He was very pious and knew better than any one all the tittle-tattle of the parish. Bäbi and Sami were thinking of getting married: they appreciated each other's serious qualities, and solid faith and malice. But they were in no hurry to make up their minds: they prudently took stock of each other,—Latterly Sami's visits had become more frequent. He would come in unawares. Every time Anna went near the kitchen and looked through the door, she would see Sami sitting near the fire, and Bäbi a few yards away, sewing. However much they talked, it was impossible to hear a sound. She could see Bäbi's beaming face and her lips moving: Sami's wide hard mouth would stretch in a grin without opening: not a sound would come up from his throat: the house seemed to be lost in silence. Whenever Anna entered the kitchen, Sami would rise respectfully and remain standing, without a word, until she had gone out again. Whenever Bäbi heard the door open, she would ostentatiously break off in the middle of a commonplace remark, and turn to Anna with an obsequious smile and wait for her orders. Anna would think they were talking about her: but she despised them too much to play the eavesdropper.

The day after Anna had dodged the ingenious trap of the ashes, as she entered the kitchen, the first thing she saw in Sami's hand was the little broom she had used the night before to wipe out the marks of her bare feet. She had taken it out of Christophe's room, and that very minute, she suddenly remembered that she had forgotten to take it back again; she had left it in her own room, where Bäbi's sharp eyes had seen it at once. The two gossips had immediately put two and two together. Anna did not flinch. Bäbi followed her mistress's eyes, gave an exaggerated smile, and explained:

"The broom was broken: I gave it to Sami to mend."

Anna did not take the trouble to point out the gross falsehood of the excuse: she did not seem even to hear it: she looked at Bäbi's work, made a few remarks, and went out again impassively. But when the door was closed she lost all her pride: she could not help hiding behind the corner of the passage and listening—(she was humiliated to the very depths of her being at having to stoop to such means: but fear mastered her).—She heard a dry chuckle of laughter. Then whispering, so low that she could not make out what was said. But in her desperation Anna thought she heard: her terror breathed into her ears the words she was afraid of hearing: she imagined that they were speaking of the coming masquerades and a charivari. There was no doubt: they would try to introduce the episode of the ashes. Probably she was wrong: but in her state of morbid excitement, having for a whole fortnight been haunted by the fixed idea of public insult, she did not stop to consider whether the uncertain could be possible: she regarded it as certain.

From that time on her mind was made up.

* * * * *

On the evening of the same day—(it was the Wednesday preceding the carnival)—Braun was called away to a consultation twenty miles out of the town: he would not return until the next morning. Anna did not come down to dinner and stayed in her room. She had chosen that night to carry out the tacit pledge she had made with herself. But she had decided to carry it out alone, and to say nothing to Christophe. She despised him. She thought:

"He promised. But he is a man, he is an egoist and a liar. He has his art. He will soon forget."

And then perhaps there was in her passionate heart that seemed so inaccessible to kindness, room for a feeling of pity for her companion. But she was too harsh and too passionate to admit it to herself.

Bäbi told Christophe that her mistress had bade her to make her excuses as she was not very well and wished to rest. Christophe dined alone under Bäbi's supervision, and she bored him with her chatter, tried to make him talk, and protested such an extraordinary devotion to Anna, that, in spite of his readiness to believe in the good faith of men, Christophe became suspicious. He was counting on having a decisive interview with Anna that night. He could no more postpone matters than she. He had not forgotten the pledge they had given each other at the dawn of that sad day. He was ready to keep it if Anna demanded it of him. But he saw the absurdity of their dying together, how it would not solve the problem, and how the sorrow of it and the scandal must fall upon Braun's shoulders. He was inclined to think that the best thing to do was to tear themselves apart and for him to try once more to go right away,—to see at least if he were strong enough to stay away from her: he doubted it after the vain attempt he had made before: but he thought that, in case he could not bear it, he would still have time to turn to the last resort, alone, without anybody knowing.

He hoped that after supper he would be able to escape for a moment to go up to Anna's room. But Bäbi dogged him. As a rule she used to finish her work early: but that night she seemed never to have done with scrubbing her kitchen: and when Christophe thought he was rid of her, she took it into her head to tidy a cupboard in the passage leading to Anna's room. Christophe found her standing on a stool, and he saw that she had no intention of moving all evening. He felt a furious desire to knock her over with her piles of plates: but he restrained himself and asked her to go and see how her mistress was and if he could say good-night to her. Bäbi went, returned, and said, as she watched him with a malicious joy, that Madame was better and was asleep and did not want anybody to disturb her. Christophe tried irritably and nervously to read, but could not, and went up to his room. Bäbi watched his light until it was put out, and then went upstairs to her room, resolving to keep watch: she carefully left her door open so that she could hear every sound in the house. Unfortunately for her, she could not go to bed without at once falling asleep and sleeping so soundly that not thunder, not even her own curiosity, could wake her up before daybreak. Her sound sleep Was no secret. The echo of it resounded through the house even to the lower floor.

As soon as Christophe heard the familiar noise he went to Anna's room. It was imperative that he should speak to her. He was profoundly uneasy. He reached her door, turned the handle: the door was locked. He knocked lightly: no reply. He placed his lips to the keyhole and begged her in a whisper, then more loudly, to open: not a movement, not a sound. Although he told himself that Anna was asleep, he was in agonies. And as, in a vain attempt to hear, he laid his cheek against the door, a smell came to his nostrils which seemed to be issuing from the room: he bent down and recognised it; it was the smell of gas. His blood froze. He shook the door, never thinking that he might wake Bäbi: the door did not give…. He understood: in her dressing-room, which led out of her room, Anna had a little gas-stove: she had turned it on. He must break open the door: but in his anxiety Christophe kept his senses enough to remember that at all costs Bäbi must not hear. He leaned against one of the leaves of the door and gave an enormous shove as quietly as he could. The solid, well-fitting door creaked on its hinges, but did not yield. There was another door which led from Anna's room to Braun's dressing-room. He ran to it. That too was locked: but the lock was outside. He started to tug it off. It was not easy. He had to remove the four big screws which were buried deep in the wood. He had only his knife and he could not see: for he dared not light a candle; it would have meant blowing the whole place up. Fumblingly he managed to fit his knife, into the head of a screw, then another, breaking the blades and cutting himself; the screws seemed to be interminably long, and he thought he would never be able to get them out: and, at the same time, in the feverish haste which was making his body break out into a cold sweat, there came to his mind a memory of his childhood: he saw himself, a boy of ten, shut up in a dark room as a punishment: he had taken off the lock and run out of the house…. The last screw came out. The lock gave with a crackling noise like the sawing of wood. Christophe plunged into the room, rushed to the window, and opened it. A flood of cold air swept in. Christophe bumped into the furniture in the dark and came to the bed, groped with his hands, and came on Anna's body, tremblingly felt her legs lying still under the clothes, and moved his hands up to her waist: Anna was sitting up in bed, trembling. She had not had time to feel the first effects of asphyxiation: the room was high: the air came through the chinks in the windows and the doors, Christophe caught her in his arms. She broke away from him angrily, crying:

"Go away!… Ah! What have you done?"

She raised her hands to strike him: but she was worn out with emotion: she fell back on her pillow and sobbed:

"Oh! Oh! We've to go through it all over again!"

Christophe took her hands in his, kissed her, scolded her, spoke to her tenderly and roughly:

"You were going to die, to die, alone, without me!"

"Oh! You!" she said bitterly.

Her tone was as much as to say:

"You want to live."

He spoke harshly to her and tried to break down her will.

"You are mad!" he said. "You might have blown the house to pieces!" "I wanted to," she said angrily.

He tried to play on her religious fears: that was the right note. As soon as he touched on it she began to scream and to beg him to stop. He went on pitilessly, thinking that it was the only means of bringing her back to the desire to live. She said nothing more, but lay sobbing convulsively. When he had done, she said in a tone of intense hatred:

"Are you satisfied now? You've done your work well. You've brought me to despair. And now, what am I to do?"

"Live," he said.

"Live!" she cried. "You don't know how impossible it is! You know nothing! You know nothing!"

He asked:

"What is it?"

She shrugged her shoulders:

"Listen."

In a few brief disconnected sentences she told him all that she had concealed from him: Bäbi's spying on her, the ashes, the scene with Sami, the carnival, the public insult that was before her. As she told her story she was unable to distinguish between the figments of her fear and what she had any reason to fear. He listened in utter consternation, and was no more capable than she of discerning between the real and the imaginary in her story. Nothing had ever been farther from his mind than to suspect how they were being dogged. He tried to understand: he could find nothing to say: against such enemies he was disarmed. Only he was conscious of a blind fury, a desire to strike and to destroy. He said:

"Why didn't you dismiss Bäbi?"

She did not deign to reply. Bäbi dismissed would have been even more venomous than Bäbi tolerated: and Christophe saw the idiocy of his question. His thoughts were in a whirl: he was trying to discover a way out, some immediate action upon which to engage. He clenched his fists and cried:

"I'll kill them?"

"Who?" she said, despising him for his futile words.

He lost all power of thought or action. He felt that he was lost in such a network of obscure treachery, in which it was impossible to clutch at anything since all were parties to it. He writhed.

"Cowards!" he cried, in sheer despair.

He slipped down on to his knees and buried his face against Anna.—They were silent for a little. She felt a mixture of contempt and pity for the man who could defend neither himself nor her. He felt Anna's limbs trembling with cold against his cheek. The window had been left open, and outside it was freezing: they could see the icy stars shivering in the sky that was smooth and gleaming as a mirror.

When she had fully tasted the bitter joy of seeing him as broken as herself, she said in a hard, weary voice:

"Light the candle."

He did so. Anna's teeth were chattering, she was sitting huddled up, with her arms tight folded across her chest and her knees up to her chin. He closed the window. Then he sat on the bed. He laid his hands on Anna's feet: they were cold as ice, and he warmed them with his hands and lips. She was softened.

"Christophe!" she said.

Her eyes were pitiful to see.

"Anna!" said he.

"What are we going to do?"

He looked at her and replied:

"Die."

She gave a cry of joy.

"Oh! You will? You will?… I shall not be alone!"

She kissed him.

"Did you think I was going to let you?"

She replied in a whisper:

"Yes."

A few moments later he questioned her with his eyes. She understood.

"In the bureau," she said. "On the right. The bottom drawer."

He went and looked. At the back of the drawer he found a revolver. Braun had bought it as a student. He had never made use of it. In an open box Christophe found some cartridges. He took them to the bed. Anna looked at them, and at once turned her eyes away to the wall.

Christophe waited, and then asked:

"You don't want to…?"

Anna turned abruptly:

"I will…. Quick!"

She thought:

"Nothing can save me now from the everlasting pit. A little more or less, it will be just the same."

Christophe awkwardly loaded the revolver.

"Anna," he said, and his voice trembled. "One of us will see the other die."

She wrenched the pistol out of his hands and said selfishly:

"I shall be the first."

They looked at each other once more…. Alas! At the very moment when they were to die for each other they felt so far apart!… Each was thinking in terror:

"What am I doing? What am I doing?"

And each was reading the other's eyes. The absurdity of the thing was what struck Christophe most. All his life gone for nothing: vain his struggles: vain his suffering: vain his hopes: all botched, flung to the winds: one foolish act was to wipe all away…. In his normal state he would have wrenched the revolver away from Anna and flung it out of the window and cried:

"No, no! I will not."

But eight months of suffering, of doubt and torturing grief, and on top of that the whirlwind of their crazy passion, had wasted his strength and broken his will: he felt that he could do nothing now, that he was no longer master of himself…. Ah! what did it matter, after all?

Anna, feeling certain that she was doomed to everlasting death, stretched every nerve to catch and hold the last minute of her life: Christophe's sorrowful face lit by the flickering candle, the shadows on the wall, a footstep in the street, the cold contact of the steel in her hand…. She clung to these sensations, as a shipwrecked man clings to the spar that sinks beneath his weight. Afterwards all was terror. Why not prolong the time of waiting? But she said to herself:

"I must…."

She said good-by to Christophe, with no tenderness, with the haste of a hurried traveler fearful of losing the train: she bared her bosom, felt for her heart, and laid the mouth of the revolver against it. Christophe hid his face. Just as she was about to fire she laid her left hand on Christophe's. It was the gesture of a child dreading to walk in the darkness….

Then a few frightful seconds passed…. Anna did not fire. Christophe wanted to raise his head, to take her in his arms: and he was afraid that his very movement might bring her to the point of firing. He heard nothing more: he lost consciousness…. A groan from Anna pierced his heart. He got up. He saw Anna with her face distorted in terror. The revolver had fallen down on to the bed. She kept on saying plaintively;

"Christophe!… It has missed fire!…"

He took the pistol: it had lain long forgotten and had grown rusty: but the trigger was in working order. Perhaps the cartridges had gone bad with exposure to the air.—Anna held out her hand for the revolver.

"Enough! Enough!" he implored her.

She commanded him:

"The cartridges!"

He gave them to her. She examined them, took one, loaded the pistol, trembling, put the pistol to her breast, and fired.—Once more it missed fire.

Anna flung the revolver out into the room.

"Oh! It is horrible, horrible!" she cried. "He will not let me die!"

She writhed and sobbed: she was like a madwoman. He tried to touch her: she beat him off, screaming. Finally she had a nervous attack. Christophe stayed with her until morning. At last she was pacified: but she lay still and breathless, with her eyes closed and the livid skin stretched tight over the bones of her forehead and cheeks: she looked like one dead.

Christophe repaired the disorder of her bed, picked up the revolver, fastened on the lock he had wrenched away, tidied up the whole room., and went away: for it was seven o'clock and Bäbi might come at any moment.

* * * * *

When Braun returned next morning he found Anna in the same prostrate condition. He saw that something extraordinary had happened: but he could glean nothing either from Bäbi or Christophe. All day long Anna did not stir: she did not open her eyes: her pulse was so weak that he could hardly feel it: every now and then it would stop, and, for a moment, Braun would be in a state of agony, thinking that her heart had stopped. His affection made him doubt his own knowledge: he ran and fetched a colleague. The two men examined Anna and could not make up their minds whether it was the beginning of a fever, or a case of nervous hysteria: they had to keep the patient under observation. Braun never left Anna's bedside. He refused to eat. Towards evening Anna's pulse gave no signs of fever, but was extremely weak. Braun tried to force a few spoonfuls of milk between her lips: she brought it back at once. Her body lay limp in her husband's arms like a broken doll. Braun spent the night with her, getting up every moment to listen to her breathing. Bäbi, who was hardly at all put out by Anna's illness, played the devoted servant and refused to go to bed and sat up with Braun.

On the Friday Anna opened her eyes. Braun spoke to her: she took no notice of him. She lay quite still with her eyes staring at a mark on the wall. About midday Braun saw great tears trickling down her thin cheeks: he dried them gently: one by one the tears went on trickling down. Once more Braun tried to make her take some food. She took it passively. In the evening she began to talk: loose snatches of sentences. She talked about the Rhine: she had tried to drown herself, but there was not enough water. In her dreams she persisted in attempting suicide, imagining all sorts of strange forms of death; always death was at the back of her thoughts. Sometimes she was arguing with some one, and then her face would take on an expression of fear and anger: she addressed herself to God, and tried obstinately to prove that it was all His fault. Or the flame of desire would kindle in her eyes, and she would say shameless things which it seemed impossible that she should know. Once she saw Bäbi, and gave precise orders for the morrow's washing. At night she dozed. Suddenly she got up: Braun ran to her. She looked at him strangely, and babbled impatient formless words. He asked her:

"My dear Anna, what do you want?"

She said harshly:

"Go and bring him."

"Who?" he asked.

She looked at him once more with the same expression and suddenly burst out laughing: then she drew her hands over her forehead and moaned:

"Oh! my God! Let me forget!…"

Sleep overcame her. She was at peace until day. About dawn she moved a little: Braun raised her head to give her to drink: she gulped down a few mouthfuls, and, stooping to Braun's hands, she kissed them. Once more she dozed off.

On the Saturday morning she woke up about nine o'clock. Without saying a word, she began to slip out of bed. Braun went quickly to her and tried to make her lie down again. She insisted. He asked her what she wanted to do. She replied:

"Go to church."

He tried to argue with her and to remind her that it was not Sunday and the church was closed. She relapsed into silence: but she sat in a chair near the bed, and began to put on her clothes with trembling fingers. Braun's doctor-friend came in. He joined Braun in his entreaties: then, seeing that she would not give in, he examined her, and finally consented. He took Braun aside, and told him that his wife's illness seemed to be altogether moral, and that for the time being he must avoid opposing her wishes, and that he could see no danger in her going out, so long as Braun went with her. Braun told Anna that he would go with her. She refused, and insisted on going alone. But she stumbled as soon as she tried to walk across the room. Then, without a word, she took Braun's arm, and they went out. She was very weak, and kept stopping. Several times he asked her if she wanted to go home. She began to walk on. When they reached the church, as he had told her, they found the doors closed. Anna sat down on a bench near the door, and stayed, shivering, until the clock struck twelve. Then she took Braun's arm again, and they came home in silence. But in the evening she wanted to go to church again. Braun's entreaties were useless. He had to go out with her once more.

Christophe had spent the two days alone. Braun was too anxious to think about him. Only once, on the Saturday morning, when he was trying to divert Anna's mind from her fixed idea of going out, he had asked her if she would like to see Christophe. She had looked at him with such an expression of fear and loathing that he could not but remark it: and he never pronounced Christophe's name again.

Christophe had shut himself up in his room. Anxiety, love, remorse, a very chaos of sorrow was whirling in him. He blamed himself for everything. He was overwhelmed by self-disgust. More than once he had got up to go and confess the whole story to Braun—and each time he had immediately been arrested by the thought of bringing wretchedness to yet another human being by his self-accusation. At the same time he was spared nothing of his passion. He prowled about in the passage outside Anna's room; and when he heard footsteps inside coming to the door he rushed away to his own room.

When Braun and Anna went out in the afternoon, he looked out for them from behind his window-curtains. He saw Anna. She who had been so erect and proud walked now with bowed back, lowered head, yellow complexion: she was an old woman bending under the weight of the cloak and shawl her husband had thrown about her: she was ugly. But Christophe did not see her ugliness: he saw only her misery; and his heart ached with pity and love. He longed to run to her, to prostrate himself in the mud, to kiss her feet: her dear body so broken and destroyed by passion, and to implore her forgiveness. And he thought as he looked after her:

"My work…. That is what I have done!"

But when he looked into the mirror and saw his own face, he was shown the same devastation in his eyes, in all his features: he saw the marks of death upon himself, as upon her, and he thought:

"My work? No. It is the work of the cruel Master who drives us mad and destroys us."

The house was empty. Bäbi had gone out to tell the neighbors of the day's events. Time was passing. The clock struck five. Christophe was filled with terror as he thought of Anna's return and the coming of the night. He felt that he could not bear to stay under the same roof with her for another night. He felt his reason breaking beneath the weight of passion. He did not know what to do, he did not know what he wanted, except that he wanted Anna at all costs. He thought of the wretched face he had just seen going past his window, and he said to himself:

"I must save her from myself!…"

His will stirred into life.

He gathered together the litter of papers on the table, tied them up, took his hat and cloak, and went out. In the passage, near the door of Anna's room, he hurried forward in a spasm of fear. Downstairs he glanced for the last time into the empty garden. He crept away like a thief in the night. An icy mist pricked his face and hands. Christophe skirted the walls of the houses, dreading a meeting with any one he knew. He went to the station, and got into a train which was just starting for Lucerne. At the first stopping-place he wrote to Braun. He said that he had been called away from the town on urgent business for a few days, and that he was very sorry to have to leave him at such a time: he begged him to send him news, and gave him an address. At Lucerne he took the St. Gothard train. Late at night he got out at a little station between Altorf and Goeschenen. He did not know the name, never knew it. He went into the nearest inn by the station. The road was filled with pools of water. It was raining in torrents: it rained all night and all next day. The water was rushing and roaring like a cataract from a broken gutter. Sky and earth were drowned, seemingly dissolved and melted like his own mind. He went to bed between damp sheets which smelt of railway smoke. He could not lie still. The idea of the danger hanging over Anna was too much in his mind for him to feel his own suffering as yet. Somehow he must avert public malignity from her, somehow turn it aside upon another track. In his feverish condition a queer idea came to him: he decided to write to one of the few musicians with whom he had been acquainted in the little town, Krebs, the confectioner-organist. He gave him to understand that he was off to Italy upon an affair of the heart, that he had been possessed by the passion when he first took up his abode with the Brauns, and that he had tried to shake free of it, but it had been too strong for him. He put the whole thing clearly enough for Krebs to understand, and yet so veiled as to enable him to improve on it as he liked. Christophe implored Krebs to keep his secret. He knew that the good little man simply could not keep anything to himself, and—quite rightly—he reckoned on Krebs hastening to spread the news as soon as it came into his hands. To make sure of hoodwinking the gossips of the town Christophe closed his letter with a few cold remarks about Braun and about Anna's illness.

He spent the rest of the night and the next day absorbed by his fixed Idea…. Anna…. Anna…. He lived through the last few months with her, day by day: he did not see her as she was, but enveloped her with a passionate atmosphere of illusion. From the very beginning he had created her in the image of his own desire, and given her a moral grandeur, a tragic consciousness which he needed to heighten his love for her. These lies of passion gained in intensity of conviction now that they were beyond the control of Anna's presence. He saw in her a healthy free nature, oppressed, struggling to shake off its fetters, reaching upwards to a wider life of liberty in the open air of the soul, and then, fearful of it, struggling against her dreams, wrestling with them, because they could not be brought into line with her destiny, and made it only the more sorrowful and wretched. She cried to him: "Help me." He saw once more her beautiful body, clasped it to him. His memories tortured him: he took a savage delight in mortifying the wounds they dealt him. As the day crept on, the feeling of all that he had lost became so frightful that he could not breathe.

Without knowing what he was doing, he got up, went out, paid his bill, and took the first train back to the town in which Anna lived. He arrived in the middle of the night: he went straight to the house. There was a wall between the alley and the garden next to Braun's. Christophe climbed the wall, jumped down into the next-door garden, and then into Braun's. He stood outside the house. It was in darkness save for a night-light which cast a yellow glow upon a window—the window of Anna's room. Anna was there. She was suffering. He had only to make one stride to enter. He laid his hand on the handle of the door. Then he looked at his hand, the door, the garden: suddenly he realized what he was doing: and, breaking free of the hallucination which had been upon him for the last seven or eight hours, he groaned, wrenched free of the inertia which held him riveted to the ground whereon he stood, ran to the wall, scaled it, and fled.

That same night he left the town for the second time: and next day he went and buried himself in a mountain village, hidden from the world by driving blizzards.—There he would bury his heart, stupefy his thoughts, and forget, and forget!…

—"_Éperò leva su, vinci l'ambascia Con l'animo che vinea ogni battaglia, Se col suo grave corpo non s'accascia.

"Leva'mi allor, mostrandomi fornito Meglio di lena ch'io non mi sentía; E dissi: 'Va, ch'io son forte edardito._'"

INF. XXIV.

Oh! God, what have I done to Thee? Why dost Thou overwhelm me? Since I was a little child Thou hast appointed misery and conflict to be my lot. I have struggled without complaint. I have loved my misery. I have tried to preserve the purity of the soul Thou gavest me, to defend the fire which Thou hast kindled in me…. Lord, it is Thou, it is Thou who art so furious to destroy what Thou hast created. Thou hast put out the fire, Thou hast besmirched my soul. Thou hast despoiled me of all that gave me life. I had but two treasurable things in the world: my friend and my soul. Now I have nothing, for Thou hast taken everything from me. One only creature was mine in the wilderness of the world: Thou hast taken him from me. Our hearts were one. Thou hast torn them asunder: Thou hast made us know the sweetness of being together only to make us know the horror of being lost to each other. Thou hast created emptiness all about me. Thou hast created emptiness within me. I was broken and sick, unarmed and robbed of my will. Thou hast chosen that hour to strike me down. Thou hast come stealthily with silent feet from behind treacherously, and Thou hast stabbed me: Thou hast let loose upon me Thy fierce dogs of passion; I was weak, and Thou knewest it, and I could not struggle: passion has laid me low, and thrown me into confusion, and befouled me, and destroyed all that I had…. I am left only in self-disgust. If I could only cry aloud my grief and my shame! or forget them in the rushing stream of creative force! But my strength is broken, and my creative power is withered up. I am like a dead tree…. Would I were dead! O God, deliver me, break my body and my soul, tear me from this earth, leave me not to struggle blindly in the pit, leave me not in this endless agony! I cry for mercy…. Lord, make an end!

* * * * *

So in his sorrow Christophe cried upon a God in whom his reason did not believe.

* * * * *

He had taken refuge in a lonely farm in the Swiss Jura Mountains. The house was built in the woods tucked away in the folds of a high humpy plateau. It was protected from the north winds by crags and boulders. In front of it lay a wide stretch of fields, and long wooded slopes: the rock suddenly came to an end in a sheer precipice: twisted pines hung on the edge of it; behind were wide-spreading beeches. The sky was blotted out. There was no sign of life. A wide stretch of country with all its lines erased. The whole place lay sleeping under the snow. Only at night in the forest foxes barked. It was the end of the winter. Slow dragging winter. Interminable winter. When it seemed like to break up, snow would fall once more, and it would begin again.

However, for a week now the old slumbering earth had felt its heart slow beating to new birth. The first deceptive breath of spring crept into the air and beneath the frozen crust. From the branches of the beech-trees, stretched out like soaring wings, the snow melted. Already through the white cloak of the fields there peered a few thin blades of grass of tender green: around their sharp needles, through the gaps in the snow, like so many little mouths, the dank black earth was breathing. For a few hours every day the voice of the waters, sleeping beneath their robe of ice, murmured. In the skeleton woods a few birds piped their shrill clear song.