DUTCH CARTOONS

XVIII.

THE GAME OF CHESS.

"He alone can decide how the game shall end."

(De Roskam, of Maëstricht).

XVIII.

XIX.

IN THE SUBMARINE.

XIX.

XX.

"TWENTIETH CENTURY MONUMENTAL STYLE."

Suggestion by M. Albert Hahn, in De Notenkraker, of Amsterdam, for the rebuilding of Rheims Cathedral after the war, in a style more conformable to Kultur than the Gothic.

XX.

XXI.

"KREUZLAND! KREUZLAND ÜBER ALLES!"

By Louis Raemaekers.

This is the third and last of a powerful series of three drawings of the sorrows of Belgium—"The Mothers," "The Widows," and "The Children." This and the three following drawings were among those which appeared in the Amsterdam Telegraaf, and carried the fame of M. Raemaekers almost instantaneously over the world. They are reproduced here by permission of the Proprietors of Land and Water.

XXI.

XXII.

PRISONERS. "HUNGER AND MISERY."

By Louis Raemaekers.

XXII.

XXIII.

"BARBED WIRE."

By Louis Raemaekers.

Barbed wire figures in both these drawings, widely-different as they are. It has a special significance, used as a background to two such contrasting aspects of war.

XXIII.

XXIV.

"OUR FATHER WHICH ART IN HEAVEN."

By Louis Raemaekers.

XXIV.