Note 61 — OSCAR BIE (continued 2)
E. E. (Ernest Edward) Kellett translation
It is difficult to set the limits of what is possible in such matters; e.g.—John Jenkins wrote a “Fancy” for three viols, before 1667, which modulates from F major through the whole set of flat keys, up to G flat, whence he coolly turns a rather sharp corner home to F. No one would have dared to suppose this possible.