Volume 1 — CHAPTER VI. THE ÆOLIDS, OR SONS AND DAUGHTERS OF ÆOLUS.

If two of the sons of Hellên, Dôrus and Xuthus, present to us families comparatively unnoticed in mythical narrative, the third son, Æolus, richly makes up for the deficiency. From him we pass to his seven sons and five daughters, amidst a great abundance of heroic and poetical incident.

In dealing however with these extensive mythical families, it is necessary to observe, that the legendary world of Greece, in the manner in which it is presented to us, appears invested with a degree of symmetry and coherence which did not originally belong to it. For the old ballads and stories which were sung or recounted at the multiplied festivals of Greece, each on its own special theme, have been lost: the religious narratives, which the Exegêtês of every temple had present to his memory, explanatory of the peculiar religious ceremonies and local customs in his own town or Dême, have passed away: all these primitive elements, originally distinct and unconnected, are removed out of our sight, and we possess only an aggregate result, formed by many confluent streams of fable, and connected together by the agency of subsequent poets and logographers. Even the earliest agents in this work of connecting and systematizing—the Hesiodic poets—have been hardly at all preserved. Our information respecting Grecian mythology is derived chiefly from the prose logographers who followed them, and in whose works, since a continuous narrative was above all things essential to them, the fabulous personages are woven into still more comprehensive pedigrees, and the original isolation of the legends still better disguised. Hekatæus, Pherekydês, Hellanikus, and Akusilaus lived at a time when the idea of Hellas as one great whole, composed of fraternal sections, was deeply rooted in the mind of every Greek; and when the fancy of one or a few great families, branching out widely from one common stem, was more popular and acceptable than that of a distinct indigenous origin in each of the separate districts. These logographers, indeed, have themselves been lost; but Apollodôrus and the various scholiasts, our great immediate sources of information respecting Grecian mythology, chiefly borrowed from them: so that the legendary world of Greece is in fact known to us through them, combined with the dramatic and Alexandrine poets, their Latin imitators, and the still later class of scholiasts—except indeed such occasional glimpses as we obtain from the Iliad and the Odyssey, and the remaining Hesiodic fragments, which exhibit but too frequently a hopeless diversity when confronted with the narratives of the logographers.

Though Æolus (as has been already stated) is himself called the son of Hellên along with Dôrus and Xuthus, yet the legends concerning the Æolids, far from being dependent upon this genealogy, are not all even coherent with it: moreover the name of Æolus in the legend is older than that of Hellên, inasmuch as it occurs both in the Iliad and Odyssey.[235] Odysseus sees in the under-world the beautiful Tyrô, daughter of Salmôneus, and wife of Krêtheus, son of Æolus.

Æolus is represented as having reigned in Thessaly: his seven sons were Krêtheus, Sisyphus, Athamas, Salmôneus, Deiôn, Magnês and Periêrês: his five daughters, Canacê, Alcyonê, Peisidikê, Calycê and Perimêdê. The fables of this race seem to be distinguished by a constant introduction of the god Poseidôn, as well as by an unusual prevalence of haughty and presumptuous attributes among the Æolid heroes, leading them to affront the gods by pretences of equality, and sometimes even by defiance. The worship of Poseidôn must probably have been diffused and preëminent among a people with whom these legends originated.

SECTION I.—SONS OF ÆOLUS.

Salmôneus is not described in the Odyssey as son of Æolus, but he is so denominated both in the Hesiodic Catalogue, and by the subsequent logographers. His daughter Tyrô became enamoured of the river Enipeus, the most beautiful of all streams that traverse the earth: she frequented the banks assiduously, and there the god Poseidôn found means to indulge his passion for her, assuming the character of the river god himself. The fruit of this alliance were the twin brothers, Pelias and Nêleus: Tyrô afterwards was given in marriage to her uncle Krêtheus, another son of Æolus, by whom she had Æsôn, Pherês and Amythaôn—all names of celebrity in the heroic legends.[236] The adventures of Tyrô formed the subject of an affecting drama of Sophoklês, now lost. Her father had married a second wife, named Sidêrô, whose cruel counsels induced him to punish and torture his daughter on account of her intercourse with Poseidôn. She was shorn of her magnificent hair, beaten and ill-used in various ways, and confined in a loathsome dungeon. Unable to take care of her two children, she had been compelled to expose them immediately on their birth in a little boat on the river Enipeus; they were preserved by the kindness of a herdsman, and when grown up to manhood, rescued their mother, and revenged her wrongs by putting to death the iron-hearted Sidêrô.[237] This pathetic tale respecting the long imprisonment of Tyrô is substituted by Sophoklês in place of the Homeric legend, which represented her to have become the wife of Krêtheus and mother of a numerous offspring.[238]

Her father, the unjust Salmôneus, exhibited in his conduct the most insolent impiety towards the gods. He assumed the name and title even of Zeus, and caused to be offered to himself the sacrifices destined for that god: he also imitated the thunder and lightning, by driving about with brazen caldrons attached to his chariot and casting lighted torches towards heaven. Such wickedness finally drew upon him the wrath of Zeus, who smote him with a thunderbolt, and effaced from the earth the city which he had founded, with all its inhabitants.[239]

Pelias and Nêleus, “both stout vassals of the great Zeus,” became engaged in dissension respecting the kingdom of Iôlkos in Thessaly. Pelias got possession of it, and dwelt there in plenty and prosperity; but he had offended the goddess Hêrê by killing Sidêrô upon her altar, and the effects of her wrath were manifested in his relations with his nephew Jasôn.[240]

Nêleus quitted Thessaly, went into Peloponnêsus, and there founded the kingdom of Pylos. He purchased by immense marriage presents, the privilege of wedding the beautiful Chlôris, daughter of Amphiôn, king of Orchomenos, by whom he had twelve sons and but one daughter[241]—the fair and captivating Pêrô, whom suitors from all the neighborhood courted in marriage. But Nêleus, “the haughtiest of living men,”[242] refused to entertain the pretensions of any of them: he would grant his daughter only to that man who should bring to him the oxen of Iphiklos, from Phylakê in Thessaly. These precious animals were carefully guarded, as well by herdsmen as by a dog whom neither man nor animal could approach. Nevertheless, Bias, the son of Amythaôn, nephew of Nêleus, being desperately enamored of Pêrô, prevailed upon his brother Melampus to undertake for his sake the perilous adventure, in spite of the prophetic knowledge of the latter, which forewarned him that though he would ultimately succeed, the prize must be purchased by severe captivity and suffering. Melampus, in attempting to steal the oxen, was seized and put in prison; from whence nothing but his prophetic powers rescued him. Being acquainted with the language of worms, he heard these animals communicating to each other, in the roof over his head, that the beams were nearly eaten through and about to fall in. He communicated this intelligence to his guards, and demanded to be conveyed to another place of confinement, announcing that the roof would presently fall in and bury them. The prediction was fulfilled, and Phylakos, father of Iphiklos, full of wonder at this specimen of prophetic power, immediately caused him to be released. He further consulted him respecting the condition of his son Iphiklos, who was childless; and promised him the possession of the oxen on condition of his suggesting the means whereby offspring might be ensured. A vulture having communicated to Melampus the requisite information, Podarkês, the son of Iphiklos, was born shortly afterwards. In this manner Melampus obtained possession of the oxen, and conveyed them to Pylos, obtaining for his brother Bias the hand of Pêrô.[243] How this great legendary character, by miraculously healing the deranged daughters of Prœtos, procured both for himself and for Bias dominion in Argos, has been recounted in a preceding chapter.

Of the twelve sons of Nêleus, one at least, Periklymenos,—besides the ever-memorable Nestôr,—was distinguished for his exploits as well as for his miraculous gifts. Poseidôn, the divine father of the race, had bestowed upon him the privilege of changing his form at pleasure into that of any bird, beast, reptile, or insect.[244] He had occasion for all these resources, and he employed them for a time with success in defending his family against the terrible indignation of Hêraklês, who, provoked by the refusal of Nêleus to perform for him the ceremony of purification after his murder of Iphitus, attacked the Nêleids at Pylos. Periklymenos by his extraordinary powers prolonged the resistance, but the hour of his fate was at length brought upon him by the intervention of Athênê, who pointed him out to Hêraklês while he was perched as a bee upon the hero’s chariot. He was killed, and Hêraklês became completely victorious, overpowering Poseidôn, Hêrê, Arês, and Hadês, and even wounding the three latter, who assisted in the defence. Eleven of the sons of Nêleus perished by his hand, while Nestôr, then a youth, was preserved only by his accidental absence at Gerêna, away from his father’s residence.[245]

The proud house of the Nêleids was now reduced to Nestôr; but Nestôr singly sufficed to sustain its eminence. He appears not only as the defender and avenger of Pylos against the insolence and rapacity of his Epeian neighbors in Elis, but also as aiding the Lapithæ in their terrible combat against the Centaurs, and as companion of Thêseus, Peirithöus, and the other great legendary heroes who preceded the Trojan war. In extreme old age his once marvellous power of handling his weapons has indeed passed away, but his activity remains unimpaired, and his sagacity as well as his influence in counsel is greater than ever. He not only assembles the various Grecian chiefs for the armament against Troy, perambulating the districts of Hellas along with Odysseus, but takes a vigorous part in the siege itself, and is of preëminent service to Agamemnôn. And after the conclusion of the siege, he is one of the few Grecian princes who returns to his original dominions, and is found, in a strenuous and honored old age, in the midst of his children and subjects,—sitting with the sceptre of authority on the stone bench before his house at Pylos,—offering sacrifice to Poseidôn, as his father Nêleus had done before him,—and mourning only over the death of his favorite son Antilochus, who had fallen, along with so many brave companions in arms, in the Trojan war.[246]

After Nestôr the line of the Nêleids numbers undistinguished names,—Bôrus, Penthilus, and Andropompus,—three successive generations down to Melanthus, who on the invasion of Peloponnêsus by the Herakleids, quitted Pylos and retired to Athens, where he became king, in a manner which I shall hereafter recount. His son Kodrus was the last Athênian king; and Nêleus, one of the sons of Kodrus, is mentioned as the principal conductor of what is called the Ionic emigration from Athens to Asia Minor.[247] It is certain that during the historical age, not merely the princely family of the Kodrids in Milêtus, Ephesus, and other Ionic cities, but some of the greatest families even in Athens itself, traced their heroic lineage through the Nêleids up to Poseidôn: and the legends respecting Nestôr and Periklymenos would find especial favor amidst Greeks with such feelings and belief. The Kodrids at Ephesus, and probably some other Ionic towns, long retained the title and honorary precedence of kings, even after they had lost the substantial power belonging to the office. They stood in the same relation, embodying both religious worship and supposed ancestry, to the Nêleids and Poseidôn, as the chiefs of the Æolic colonies to Agamemnôn and Orestês. The Athenian despot Peisistratus was named after the son of Nestôr in the Odyssey; and we may safely presume that the heroic worship of the Nêleids was as carefully cherished at the Ionic Milêtus as at the Italian Metapontum.[248]

Having pursued the line of Salmôneus and Nêleus to the end of its lengendary career, we may now turn back to that of another son of Æolus, Krêtheus,—a line hardly less celebrated in respect of the heroic names which it presents. Alkêstis, the most beautiful of the daughters of Pelias,[249] was promised by her father in marriage to the man that could bring him a lion and a boar tamed to the yoke and drawing together. Admêtus, son of Pherês, the eponymus of Pheræ in Thessaly, and thus grandson of Krêtheus, was enabled by the aid of Apollo to fulfil this condition, and to win her;[250] for Apollo happened at that time to be in his service as a slave (condemned to this penalty by Zeus for having put to death the Cyclôpes), in which capacity he tended the herds and horses with such success, as to equip Eumêlus (the son of Admêtus) to the Trojan war with the finest horses in the Grecian army. Though menial duties were imposed upon him, even to the drudgery of grinding in the mill,[251] he yet carried away with him a grateful and friendly sentiment towards his mortal master, whom he interfered to rescue from the wrath of the goddess Artemis, when she was indignant at the omission of her name in his wedding sacrifices. Admêtus was about to perish by a premature death, when Apollo, by earnest solicitation to the Fates, obtained for him the privilege that his life should be prolonged, if he could find any person to die a voluntary death in his place. His father and his mother both refused to make this sacrifice for him, but the devoted attachment of his wife Alkêstis disposed her to embrace with cheerfulness the condition of dying to preserve her husband. She had already perished, when Hêraklês, the ancient guest and friend of Admêtus, arrived during the first hour of lamentation; his strength and daring enabled him to rescue the deceased Alkêstis even from the grasp of Thanatos (Death), and to restore her alive to her disconsolate husband.[252]

The son of Pelias, Akastus, had received and sheltered Pêleus when obliged to fly his country in consequence of the involuntary murder of Eurytiôn. Krêthêis, the wife of Akastus, becoming enamored of Pêleus, made to him advances which he repudiated. Exasperated at his refusal, and determined to procure his destruction, she persuaded her husband that Pêleus had attempted her chastity: upon which Akastus conducted Pêleus out upon a hunting excursion among the woody regions of Mount Pêlion, contrived to steal from him the sword fabricated and given by Hêphæstos, and then left him, alone and unarmed, to perish by the hands of the Centaurs or by the wild beasts. By the friendly aid of the Centaur Cheirôn, however, Pêleus was preserved, and his sword restored to him: returning to the city, he avenged himself by putting to death both Akastus and his perfidious wife.[253]

But amongst all the legends with which the name of Pelias is connected, by far the most memorable is that of Jasôn and the Argonautic expedition. Jasôn was son of Æsôn, grandson of Krêtheus, and thus great-grandson of Æolus. Pelias, having consulted the oracle respecting the security of his dominion at Iôlkos, had received in answer a warning to beware of the man who should appear before him with only one sandal. He was celebrating a festival in honor of Poseidôn, when it so happened that Jasôn appeared before him with one of his feet unsandaled: he had lost one sandal in wading through the swollen current of the river Anauros. Pelias immediately understood that this was the enemy against whom the oracle had forewarned him. As a means of averting the danger, he imposed upon Jasôn the desperate task of bringing back to Iôlkos the Golden Fleece,—the fleece of that ram which had carried Phryxos from Achaia to Kolchis, and which Phryxos had dedicated in the latter country as an offering to the god Arês. The result of this injunction was the memorable expedition—of the ship Argô and her crew called the Argonauts, composed of the bravest and noblest youths of Greece—which cannot be conveniently included among the legends of the Æolids, and is reserved for a separate chapter.

The voyage of the Argô was long protracted, and Pelias, persuaded that neither the ship nor her crew would ever return, put to death both the father and mother of Jasôn, together with their infant son. Æsôn, the father, being permitted to choose the manner of his own death, drank bull’s blood while performing a sacrifice to the gods. At length, however, Jasôn did return, bringing with him not only the golden fleece, but also Mêdea, daughter of Æêtês, king of Kolchis, as his wife,—a woman distinguished for magical skill and cunning, by whose assistance alone the Argonauts had succeeded in their project. Though determined to avenge himself upon Pelias, Jasôn knew he could only succeed by stratagem: he remained with his companions at a short distance from Iôlkos, while Mêdea, feigning herself a fugitive from his ill-usage, entered the town alone, and procured access to the daughters of Pelias. By exhibitions of her magical powers she soon obtained unqualified ascendency over their minds. For example, she selected from the flocks of Pelias a ram in the extremity of old age, cut him up and boiled him in a caldron with herbs, and brought him out in the shape of a young and vigorous lamb:[254] the daughters of Pelias were made to believe that their old father could in like manner be restored to youth. In this persuasion they cut him up with their own hands and cast his limbs into the caldron, trusting that Mêdea would produce upon him the same magical effect. Mêdea pretended that an invocation to the moon was a necessary part of the ceremony: she went up to the top of the house as if to pronounce it, and there lighting the fire-signal concerted with the Argonauts, Jasôn and his companions burst in and possessed themselves of the town. Satisfied with having thus revenged himself, Jasôn yielded the principality of Iôlkos to Akastus, son of Pelias, and retired with Mêdea to Corinth. Thus did the goddess Hêrê gratify her ancient wrath against Pelias: she had constantly watched over Jasôn, and had carried the “all-notorious” Argô through its innumerable perils, in order that Jasôn might bring home Mêdea to accomplish the ruin of his uncle.[255] The misguided daughters of Pelias departed as voluntary exiles to Arcadia: Akastus his son celebrated splendid funeral games in honor of his deceased father.[256]

Jasôn and Mêdea retired from Iôlkos to Corinth, where they resided ten years: their children were—Medeius, whom the Centaur Cheirôn educated in the regions of Mount Pêlion,[257]—and Mermerus and Pherôs, born at Corinth. After they had resided there ten years in prosperity, Jasôn set his affections on Glaukê, daughter of Kreôn[258] king of Corinth; and as her father was willing to give her to him in marriage, he determined to repudiate Mêdea, who received orders forthwith to leave Corinth. Stung with this insult and bent upon revenge, Mêdea prepared a poisoned robe, and sent it as a marriage present to Glaukê: it was unthinkingly accepted and put on, and the body of the unfortunate bride was burnt up and consumed. Kreôn, her father, who tried to tear from her the burning garment, shared her fate and perished. The exulting Mêdea escaped by means of a chariot with winged serpents furnished to her by her grandfather Hêlios: she placed herself under the protection of Ægêus at Athens, by whom she had a son named Mêdus. She left her young children in the sacred enclosure of the Akræan Hêrê, relying on the protection of the altar to ensure their safety; but the Corinthians were so exasperated against her for the murder of Kreôn and Glaukê, that they dragged the children away from the altar and put them to death. The miserable Jasôn perished by a fragment of his own ship Argô, which fell upon him while he was asleep under it,[259] being hauled on shore, according to the habitual practice of the ancients.

The first establishment at Ephyrê, or Corinth, had been founded by Sisyphus, another of the sons of Æolus, brother of Salmôneus and Krêtheus.[260] The Æolid Sisyphus was distinguished as an unexampled master of cunning and deceit. He blocked up the road along the isthmus, and killed the strangers who came along it by rolling down upon them great stones from the mountains above. He was more than a match even for the arch thief Autolycus, the son of Hermês, who derived from his father the gift of changing the color and shape of stolen goods, so that they could no longer be recognized: Sisyphus, by marking his sheep under the foot, detected Autolycus when he stole them, and obliged him to restore the plunder. His penetration discovered the amour of Zeus with the nymph Ægina, daughter of the river-god Asôpus. Zeus had carried her off to the island of Œnônê (which subsequently bore the name of Ægina); upon which Asôpus, eager to recover her, inquired of Sisyphus whither she was gone: the latter told him what had happened, on condition that he should provide a spring of water on the summit of the Acro-Corinthus. Zeus, indignant with Sisyphus for this revelation, inflicted upon him in Hadês the punishment of perpetually heaving up a hill a great and heavy stone, which, so soon as it attained the summit, rolled back again in spite of all his efforts, with irresistible force into the plain.[261]

In the application of the Æolid genealogy to Corinth, Sisyphus, the son of Æolus, appears as the first name: but the old Corinthian poet Eumêlus either found or framed an heroic genealogy for his native city independent both of Æolus and Sisyphus. According to this genealogy, Ephyrê, daughter of Oceanus and Têthys, was the primitive tenant of the Corinthian territory, Asôpus of the Sikyônian: both were assigned to the god Hêlios, in adjusting a dispute between him and Poseidôn, by Briareus. Hêlios divided the territory between his two sons Æêtês and Alôeus: to the former he assigned Corinth, to the latter Sikyôn. Æêtês, obeying the admonition of an oracle, emigrated to Kolchis, leaving his territory under the rule of Bunos, the son of Hermês, with the stipulation that it should be restored whenever either he or any of his descendants returned. After the death of Bunos, both Corinth and Sikyôn were possessed by Epôpeus, son of Alôeus, a wicked man. His son Marathôn left him in disgust and retired into Attica, but returned after his death and succeeded to his territory, which he in turn divided between his two sons Corinthos and Sikyôn, from whom the names of the two districts were first derived. Corinthos died without issue, and the Corinthians then invited Mêdea from Iôlkos as the representative of Æêtês: she with her husband Jasôn thus obtained the sovereignty of Corinth.[262] This legend of Eumêlus, one of the earliest of the genealogical poets, so different from the story adopted by Neophrôn or Euripidês, was followed certainly by Simonidês and seemingly by Theopompus.[263] The incidents in it are imagined and arranged with a view to the supremacy of Mêdea; the emigration of Æêtês and the conditions under which he transferred his sceptre, being so laid out as to confer upon Mêdea an hereditary title to the throne. The Corinthians paid to Mêdea and to her children solemn worship, either divine or heroic, in conjunction with Hêrê Akræa,[264] and this was sufficient to give to Mêdea a prominent place in the genealogy composed by a Corinthian poet, accustomed to blend together gods, heroes and men in the antiquities of his native city. According to the legend of Eumêlus, Jasôn became (through Mêdea) king of Corinth; but she concealed the children of their marriage in the temple of Hêrê, trusting that the goddess would render them immortal. Jasôn, discovering her proceedings, left her and retired in disgust to Iôlkos; Mêdea also, being disappointed in her scheme, quitted the place, leaving the throne in the hands of Sisyphus, to whom, according to the story of Theopompus, she had become attached.[265] Other legends recounted, that Zeus had contracted a passion for Mêdea, but that she had rejected his suit from fear of the displeasure of Hêrê; who, as a recompense for such fidelity, rendered her children immortal:[266] moreover Mêdea had erected, by special command of Hêrê, the celebrated temple of Aphroditê at Corinth. The tenor of these fables manifests their connection with the temple of Hêrê: and we may consider the legend of Mêdea as having been originally quite independent of that of Sisyphus, but fitted on to it, in seeming chronological sequence, so as to satisfy the feelings of those Æolids of Corinth who passed for his descendants.

Sisyphus had for his sons Glaukos and Ornytiôn. From Glaukos sprang Bellerophôn, whose romantic adventures commence with the Iliad, and are further expanded by subsequent poets: according to some accounts he was really the son of Poseidôn, the prominent deity of the Æolid family.[267] The youth and beauty of Bellerophôn rendered him the object of a strong passion on the part of the Anteia, wife of Prœtos king of Argos. Finding her advances rejected, she contracted a violent hatred towards him, and endeavored by false accusations to prevail upon her husband to kill him. Prœtos refused to commit the deed under his own roof, but despatched him to his son-in-law the king of Lykia in Asia Minor, putting into his hands a folded tablet full of destructive symbols. Conformably to these suggestions, the most perilous undertakings were imposed upon Bellerophôn. He was directed to attack the monster Chimæra and to conquer the warlike Solymi as well as the Amazons: as he returned victorious from these enterprises, an ambuscade was laid for him by the bravest Lykian warriors, all of whom he slew. At length the Lykian king recognized him “as the genuine son of a god,” and gave him his daughter in marriage together with half of his kingdom. The grand-children of Bellerophôn, Glaukos and Sarpêdôn,—the latter a son of his daughter Laodameia by Zeus,—combat as allies of Troy against the host of Agamemnon.[268] Respecting the winged Pegasus, Homer says nothing; but later poets assigned to Bellerophôn this miraculous steed, whose parentage is given in the Hesiodic Theogony, as the instrument both of his voyage and of his success.[269] Heroic worship was paid at Corinth to Bellerophôn, and he seems to have been a favorite theme of recollection not only among the Corinthians themselves, but also among the numerous colonists whom they sent out to other regions.[270]

From Ornytiôn, the son of Sisyphus, we are conducted through a series of three undistinguished family names,—Thoas, Damophôn, and the brothers Propodas and Hyanthidas,—to the time of the Dôrian occupation of Corinth[271], which will be hereafter recounted.

We now pass from Sisyphus and the Corinthian fables to another son of Æolus, Athamas, whose family history is not less replete with mournful and tragical incidents, abundantly diversified by the poets. Athamas, we are told, was king of Orchomenos; his wife Nephelê was a goddess, and he had by her two children, Phryxus and Hellê. After a certain time he neglected Nephelê, and took to himself as a new wife Inô, the daughter of Kadmus, by whom he had two sons, Learchus and Melikertês. Inô, looking upon Phryxus with the hatred of a step-mother, laid a snare for his life. She persuaded the women to roast the seed-wheat, which, when sown in this condition, yielded no crop, so that famine overspread the land. Athamas sent to Delphi to implore counsel and a remedy: he received for answer, through the machinations of Inô with the oracle, that the barrenness of the fields could not be alleviated except by offering Phryxus as a sacrifice to Zeus. The distress of the people compelled him to execute this injunction, and Phryxus was led as a victim to the altar. But the power of his mother Nephelê snatched him from destruction, and procured for him from Hermês a ram with a fleece of gold, upon which he and his sister Hellê mounted and were carried across the sea. The ram took the direction of the Euxine sea and Kolchis: when they were crossing the Hellespont, Hellê fell off into the narrow strait, which took its name from that incident. Upon this, the ram, who was endued with speech, consoled the terrified Phryxus, and ultimately carried him safe to Kolchis: Æêtês, king of Kolchis son of the god Hêlios and brother of Circê, received Phryxus kindly, and gave him his daughter Chalciopê in marriage. Phryxus sacrificed the ram to Zeus Phyxios, and suspended the golden fleece in the sacred grove of Arês.

Athamas—according to some both Athamas and Inô—were afterwards driven mad by the anger of the goddess Hêrê; insomuch that the father shot his own son Learchus, and would also have put to death his other son Melikertês, if Inô had not snatched him away. She fled with the boy, across the Megarian territory and Mount Geraneia, to the rock Moluris, overhanging the Sarônic Gulf: Athamas pursued her, and in order to escape him she leaped into the sea. She became a sea-goddess under the title of Leukothea; while the body of Melikertês was cast ashore on the neighboring territory of Schœnus, and buried by his uncle Sisyphus, who was directed by the Nereïds to pay to him heroic honors under the name of Palæmôn. The Isthmian games, one of the great periodical festivals of Greece, were celebrated in honor of the god Poseidôn, in conjunction with Palæmôn as a hero. Athamas abandoned his territory, and became the first settler of a neighboring region called from him Athmantia, or the Athamantian plain.[272]

The legend of Athamas connects itself with some sanguinary religious rites and very peculiar family customs, which prevailed at Alos, in Achaia Phthiôtis, down to a time[273] later than the historian Herodotus, and of which some remnant existed at Orchomenos even in the days of Plutarch. Athamas was worshipped at Alos as a hero, having both a chapel and a consecrated grove, attached to the temple of Zeus Laphystios. On the family of which he was the heroic progenitor, a special curse and disability stood affixed. The eldest of the race was forbidden to enter the prytaneion or government-house; and if he was found within the doors of the building, the other citizens laid hold of him on his going out, surrounded him with garlands, and led him in solemn procession to be sacrificed as a victim at the altar of Zeus Laphystios. The prohibition carried with it an exclusion from all the public meetings and ceremonies, political as well as religious, and from the sacred fire of the state: many of the individuals marked out had therefore been bold enough to transgress it. Some had been seized on quitting the building and actually sacrificed; others had fled the country for a long time to avoid a similar fate.

The guides who conducted Xerxês and his army through southern Thessaly detailed to him this existing practice, coupled with the local legend, that Athamas, together with Inô, had sought to compass the death of Phryxus, who however had escaped to Kolchis; that the Achæans had been enjoined by an oracle to offer up Athamas himself as an expiatory sacrifice to release the country from the anger of the gods; but that Kytissoros, son of Phryxus, coming back from Kolchis, had intercepted the sacrifice of Athamas,[274] whereby the anger of the gods remained still unappeased, and an undying curse rested upon the family.[275]

That such human sacrifices continued to a greater or less extent, even down to a period later than Herodotus, among the family who worshipped Athamas as their heroic ancestor, appears certain: mention is also made of similar customs in parts of Arcadia, and of Thessaly, in honor of Pêleus and Cheirôn.[276] But we may reasonably presume, that in the period of greater humanity which Herodotus witnessed, actual sacrifice had become very rare. The curse and the legend still remained, but were not called into practical working, except during periods of intense national suffering or apprehension, during which the religious sensibilities were always greatly aggravated. We cannot at all doubt, that during the alarm created by the presence of the Persian king with his immense and ill-disciplined host, the minds of the Thessalians must have been keenly alive to all that was terrific in their national stories, and all that was expiatory in their religious solemnities. Moreover, the mind of Xerxês himself was so awe-struck by the tale, that he reverenced the dwelling-place consecrated to Athamas. The guides who recounted to him the romantic legend, gave it as the historical and generating cause of the existing rule and practice: a critical inquirer is forced (as has been remarked before) to reverse the order of precedence, and to treat the practice as having been the suggesting cause of its own explanatory legend.

The family history of Athamas, and the worship of Zeus Laphystios, are expressly connected by Herodotus with Alos in Achæa Phthiôtis—one of the towns enumerated in the Iliad as under the command of Achilles. But there was also a mountain called Laphystion, and a temple and worship of Zeus Laphystios between Orchomenos and Korôneia, in the northern portion of the territory known in the historical ages as Bœotia. Here also the family story of Athamas is localized, and Athamas is presented to us as king of the districts of Korôneia, Haliartus and Mount Laphystion: he is thus interwoven with the Orchomenian genealogy.[277] Andreus (we are told), son of the river Pêneios, was the first person who settled in the region: from him it received the name Andrêis. Athamas, coming subsequently to Andreus, received from him the territory of Korôneia and Haliartus with Mount Laphystion: he gave in marriage to Andreus, Euippê, daughter of his son Leucôn, and the issue of this marriage was Eteoklês, said to be the son of the river Kêphisos. Korônos and Haliartus, grandsons of the Corinthian Sisyphus, were adopted by Athamas, as he had lost all his children: but when his grandson Presbôn, son of Phryxus, returned to him from Kolchis, he divided his territory in such manner that Korônos and Haliartus became the founders of the towns which bore their names. Almôn, the son of Sisyphus, also received from Eteoklês a portion of territory, where he established the village Almônes.[278]

With Eteoklês began, according to a statement in one of the Hesiodic poems, the worship of the Charites or Graces, so long and so solemnly continued at Orchomenos in the periodical festival of the Charitêsia, to which many neighboring towns and districts seem to have contributed.[279] He also distributed the inhabitants into two tribes—Eteokleia and Kêphisias. He died childless, and was succeeded by Almos, who had only two daughters, Chrysê and Chrysogeneia. The son of Chrysê by the god Arês was Phlegyas, the father and founder of the warlike and predatory Phlegyæ, who despoiled every one within their reach, and assaulted not only the pilgrims on their road to Delphi, but even the treasures of the temple itself. The offended god punished them by continued thunder, by earthquakes, and by pestilence, which extinguished all this impious race, except a scanty remnant who fled into Phokis.

Chrysogeneia, the other daughter of Almos, had for issue, by the god Poseidôn, Minyas: the son of Minyas was Orchomenos. From these two was derived the name both of Minyæ for the people, and of Orchomenos for the town.[280] During the reign of Orchomenos, Hyêttus came to him from Argos, having become an exile in consequence of the death of Molyros: Orchomenos assigned to him a portion of land, where he founded the village called Hyêttus.[281] Orchomenos, having no issue, was succeeded by Klymenos, son of Presbôn, of the house of Athamas: Klymenos was slain by some Thêbans during the festival of Poseidôn at Onchêstos; and his eldest son, Erginus, to avenge his death, attacked the Thêbans with his utmost force;—an attack, in which he was so successful, that the latter were forced to submit, and to pay him an annual tribute.

The Orchomenian power was now at its height: both Minyas and Orchomenos had been princes of surpassing wealth, and the former had built a spacious and durable edifice which he had filled with gold and silver. But the success of Erginus against Thêbes was soon terminated and reversed by the hand of the irresistible Hêraklês, who rejected with disdain the claim of tribute, and even mutilated the envoys sent to demand it: he not only emancipated Thêbes, but broke down and impoverished Orchomenos.[282] Erginus in his old age married a young wife, from which match sprang the illustrious heroes, or gods, Trophônius and Agamêdês; though many (amongst whom is Pausanius himself) believed Trophônius to be the son of Apollo.[283] Trophônius, one of the most memorable persons in Grecian mythology, was worshipped as a god in various places, but with especial sanctity as Zeus Trophônius at Lebadeia: in his temple at this town, the prophetic manifestations outlasted those of Delphi itself.[284] Trophônius and Agamêdês, enjoying matchless renown as architects, built[285] the temple of Delphi, the thalamus of Amphitryôn at Thêbes, as well as the inaccessible vault of Hyrieus at Hyria, in which they are said to have left one stone removable at pleasure, so as to reserve for themselves a secret entrance. They entered so frequently, and stole so much gold and silver, that Hyrieus, astonished at his losses, at length spread a fine net, in which Agamêdês was inextricably caught: Trophônius cut off his brother’s head and carried it away, so that the body, which alone remained, was insufficient to identify the thief. Like Amphiaraos, whom he resembles in more than one respect, Trophônius was swallowed up by the earth near Lebadeia.[286]

From Trophônius and Agamêdês the Orchomenian genealogy passes to Ascalaphos and Ialmenos, the sons of Arês by Astyochê, who are named in the Catalogue of the Iliad as leaders of the thirty ships from Orchomenos against Troy. Azeus, the grandfather of Astyochê in the Iliad, is introduced as the brother of Erginus[287] by Pausanias, who does not carry the pedigree lower.

The genealogy here given out of Pausanias is deserving of the more attention, because it seems to have been copied from the special history of Orchomenos by the Corinthian Kallippus, who again borrowed from the native Orchomenian poet, Chersias: the works of the latter had never come into the hands of Pausanias. It illustrates forcibly the principle upon which these mythical genealogies were framed, for almost every personage in the series is an Eponymus. Andreus gave his name to the country, Athamas to the Athamantian plain; Minyas, Orchomenos, Korônus, Haliartus, Almos and Hyêttos, are each in like manner connected with some name of people, tribe, town or village; while Chrysê and Chrysogeneia have their origin in the reputed ancient wealth of Orchomenos. Abundant discrepancies are found, however, in respect to this old genealogy, if we look to other accounts. According to one statement, Orchomenos was the son of Zeus by Isionê, daughter of Danaus; Minyas was the son of Orchomenos (or rather of Poseidôn) by Hermippê, daughter of Bœôtos; the sons of Minyas were Presbôn, Orchomenos, Athamas and Diochthôndas.[288] Others represented Minyas as son of Poseidôn by Kallirrhoê, an Oceanic nymph,[289] while Dionysius called him son of Arês, and Aristodêmus, son of Aleas: lastly, there were not wanting authors who termed both Minyas and Orchomenos sons of Eteoklês.[290] Nor do we find in any one of these genealogies the name of Amphiôn, the son of Iasus, who figures so prominently in the Odyssey as king of Orchomenos, and whose beautiful daughter Chlôris is married to Nêleus. Pausanias mentions him, but not as king, which is the denomination given to him in Homer.[291]

The discrepancies here cited are hardly necessary in order to prove that these Orchomenian genealogies possess no historical value. Yet some probable inferences appear deducible from the general tenor of the legends, whether the facts and persons of which they are composed be real or fictitious.

Throughout all the historical age, Orchomenos is a member of the Bœôtian confederation. But the Bœôtians are said to have been immigrants into the territory which bore their name from Thessaly; and prior to the time of their immigration, Orchomenos and the surrounding territory appear as possessed by the Minyæ, who are recognized in that locality both in the Iliad and in the Odyssey,[292] and from whom the constantly recurring Eponymus, King Minyas, is borrowed by the genealogists. Poetical legend connects the Orchomenian Minyæ on the one side, with Pylos and Tryphylia in Peloponnêsus; on the other side, with Phthiôtis and the town of Iôlkos in Thessaly; also with Corinth,[293] through Sisyphus and his sons. Pherekydês represented Nêleus, king of Pylos, as having also been king of Orchomenos.[294] In the region of Triphylia, near to or coincident with Pylos, a Minyeian river is mentioned by Homer; and we find traces of residents called Minyæ even in the historical times, though the account given by Herodotus of the way in which they came thither is strange and unsatisfactory.[295]

Before the great changes which took place in the inhabitants of Greece from the immigration of the Thesprôtians into Thessaly, of the Bœôtians into Bœôtia, and of the Dôrians and Ætôlians into Peloponnêsus, at a date which we have no means of determining, the Minyæ and tribes fraternally connected with them seem to have occupied a large portion of the surface of Greece, from Iôlkos in Thessaly to Pylos in the Peloponnêsus. The wealth of Orchomenos is renowned even in the Iliad;[296] and when we study its topography in detail, we are furnished with a probable explanation both of its prosperity and its decay. Orchomenos was situated on the northern bank of the lake Kôpaïs, which receives not only the river Kêphisos from the valleys of Phôkis, but also other rivers from Parnassus and Helicôn. The waters of the lake find more than one subterranean egress—partly through natural rifts and cavities in the limestone mountains, partly through a tunnel pierced artificially more than a mile in length—into the plain on the north-eastern side, from whence they flow into the Eubœan sea near Larymna:[297] and it appears that, so long as these channels were diligently watched and kept clear, a large portion of the lake was in the condition of alluvial land, preëminently rich and fertile. But when the channels came to be either neglected, or designedly choked up by an enemy, the water accumulated to such a degree, as to occupy the soil of more than one ancient town, to endanger the position of Kôpæ, and to occasion the change of the site of Orchomenos itself from the plain to the declivity of Mount Hyphanteion. An engineer, Kratês, began the clearance of the obstructed water-courses in the reign of Alexander the Great, and by his commission—the destroyer of Thêbes being anxious to reëstablish the extinct prosperity of Orchomenos. He succeeded so far as partially to drain and diminish the lake, whereby the site of more than one ancient city was rendered visible: but the revival of Thêbes by Kassander, after the decease of Alexander, arrested the progress of the undertaking, and the lake soon regained its former dimensions, to contract which no farther attempt was made.[298]

According to the Thêban legend,[299] Hêraklês, after his defeat of Erginus had blocked up the exit of the waters, and converted the Orchomenian plain into a lake. The spreading of these waters is thus connected with the humiliation of the Minyæ; and there can be little hesitation in ascribing to these ancient tenants of Orchomenos, before it became bœotized, the enlargement and preservation of these protective channels. Nor could such an object have been accomplished, without combined action and acknowledged ascendency on the part of that city over its neighbors, extending even to the sea at Larymna, where the river Kôphisos discharges itself. Of its extended influence, as well as of its maritime activity, we find a remarkable evidence in the ancient and venerated Amphiktyony at Kalauria. The little island so named, near the harbor of Trœzên, in Peloponnêsus, was sacred to Poseidôn, and an asylum of inviolable sanctity. At the temple of Poseidôn, in Kalauria, there had existed, from unknown date, a periodical sacrifice, celebrated by seven cities in common—Hermionê, Epidaurus, Ægina, Athens, Prasiæ, Nauplia, and the Minyeian Orchomenos. This ancient religious combination dates from the time when Nauplia was independent of Argos, and Prasiæ of Sparta: Argos and Sparta, according to the usual practice in Greece, continued to fulfil the obligation each on the part of its respective dependent.[300] Six out of the seven states are at once sea-towns, and near enough to Kalauria to account for their participation in this Amphiktyony. But the junction of Orchomenos, from its comparative remoteness, becomes inexplicable, except on the supposition that its territory reached the sea, and that it enjoyed a considerable maritime traffic—a fact which helps to elucidate both its legendary connection with Iôlkos, and its partnership in what is called the Iônic emigration.[301] The mythical genealogy, whereby Ptôos, Schœneus and Erythrios are enumerated among the sons of Athamas, goes farther to confirm the idea that the towns and localities on the south-east of the lake recognized a fraternal origin with the Orchomenian Minyæ, not less than Korôneia and Haliartus on the south-west.[302]

The great power of Orchomenos was broken down, and the city reduced to a secondary and half-dependent position by the Bœôtians of Thêbes; at what time, and under what circumstances, history has not preserved. The story, that the Thêban hero, Hêraklês, rescued his native city from servitude and tribute to Orchomenos, since it comes from a Kadmeian and not from an Orchomenian legend, and since the details of it were favorite subjects of commemoration in the Thêbian temples,[303] affords a presumption that Thêbes was really once dependent on Orchomenos. Moreover the savage mutilations inflicted by the hero on the tribute-seeking envoys, so faithfully portrayed in his surname Rhinokoloustês, infuse into the mythe a portion of that bitter feeling which so long prevailed between Thêbes and Orchomenos, and which led the Thêbans, as soon as the battle of Leuctra had placed supremacy in their hands, to destroy and depopulate their rival.[304] The ensuing generation saw the same fate retorted upon Thêbes, combined with the restoration of Orchomenos. The legendary grandeur of this city continued, long after it had ceased to be distinguished for wealth and power, imperishably recorded both in the minds of the nobler citizens and in the compositions of the poets; the emphatic language of Pausanias shows how much he found concerning it in the old epic.[305]

SECTION II.—DAUGHTERS OF ÆOLUS.

With several of the daughters of Æolus memorable mythical pedigrees and narratives are connected. Alcyonê married Kêyx, the son of Eôsphoros, but both she and her husband displayed in a high degree the overweening insolence common in the Æolic race. The wife called her husband Zeus, while he addressed her as Hêrê, for which presumptuous act Zeus punished them by changing both into birds.[306]

Canacê had by the god Poseidôn several children, amongst whom were Epôpeus and Alôeus.[307] Alôeus married Imphimêdea, who became enamored of the god Poseidôn, and boasted of her intimacy with him. She had by him two sons, Otos and Ephialtês, the huge and formidable Alôids,—Titanic beings, nine fathoms in height and nine cubits in breadth, even in their boyhood, before they had attained their full strength. These Alôids defied and insulted the gods in Olympus; they paid their court to Hêrê and Artemis, and they even seized and bound Arês, confining him in a brazen chamber for thirteen months. No one knew where he was, and the intolerable chain would have worn him to death, had not Eribœa, the jealous stepmother of the Alôids, revealed the place of his detention to Hermês, who carried him surreptitiously away when at the last extremity; nor could Arês obtain any atonement for such an indignity. Otos and Ephialtês even prepared to assault the gods in heaven, piling up Ossa on Olympus and Pêlion on Ossa, in order to reach them. And this they would have accomplished had they been allowed to grow to their full maturity; but the arrows of Apollo put a timely end to their short-lived career.[308]

The genealogy assigned to Calycê, another daughter of Æolus, conducts us from Thessaly to Elis and Ætôlia. She married Aëthlius (the son of Zeus by Prôtogeneia, daughter of Deukaliôn and sister of Hellên), who conducted a colony out of Thessaly and settled in the territory of Elis. He had for his son Endymiôn, respecting whom the Hesiodic Catalogue and the Eoiai related several wonderful things. Zeus granted him the privilege of determining the hour of his own death, and even translated him into heaven, which he forfeited by daring to pay court to Hêrê: his vision in this criminal attempt was cheated by a cloud, and he was cast out into the under-world.[309] According to other stories, his great beauty caused the goddess Sêlêne to become enamored of him, and to visit him by night during his sleep:—the sleep of Endymiôn became a proverbial expression for enviable, undisturbed, and deathless repose.[310] Endymiôn had for issue (Pausanias gives us three different accounts, and Apollodôrus a fourth, of the name of his wife) Epeios, Ætôlus, Pæôn, and a daughter Eurykydê. He caused his three sons to run a race on the stadium at Olympia, and Epeios, being victorious, was rewarded by becoming his successor in the kingdom: it was after him that the people were denominated Epeians.

Both the story here mentioned, and still more, the etymological signification of the names Aëthlius and Endymiôn, seem plainly to indicate (as has before been remarked) that this genealogy was not devised until after the Olympic games had become celebrated and notorious throughout Greece.

Epeios had no male issue, and was succeeded by his nephew Eleios, son of Euykydê by the god Poseidôn: the name of the people was then changed from Epeians to Eleians. Ætôlus, the brother of Epeios, having slain Apis, son of Phorôneus, was compelled to flee from the country: he crossed the Corinthian gulf and settled in the territory then called Kurêtis, but to which he gave the name of Ætôlia.[311]

The son of Eleios,—or, according to other accounts, of the god Hêlios, of Poseidôn, or of Phorbas,[312]—is Augeas, whom we find mentioned in the Iliad as king of the Epeians or Eleians. Nestôr gives a long and circumstantial narrative of his own exploits at the head of his Pylian countrymen against his neighbors the Epeians and their king Augeas, whom he defeated with great loss, slaying Mulios, the king’s son-in-law, and acquiring a vast booty.[313] Augeas was rich in all sorts of rural wealth, and possessed herds of cattle so numerous, that the dung of the animals accumulated in the stable or cattle enclosures beyond all power of endurance. Eurystheus, as an insult to Hêraklês, imposed upon him the obligation of cleansing this stable: the hero, disdaining to carry off the dung upon his shoulders, turned the course of the river Alpheios through the building, and thus swept the encumbrance away.[314] But Augeas, in spite of so signal a service, refused to Hêraklês the promised reward, though his son Phyleus protested against such treachery, and when he found that he could not induce his father to keep faith, retired in sorrow and wrath to the island of Dulichiôn.[315] To avenge the deceit practised upon him, Hêraklês invaded Elis; but Augeas had powerful auxiliaries, especially his nephews, the two Molionids (sons of Poseidôn by Molionê, the wife of Aktôr), Eurytos and Kteatos. These two miraculous brothers, of transcendent force, grew together,—having one body, but two heads and four arms.[316] Such was their irresistible might, that Hêraklês was defeated and repelled from Elis: but presently the Eleians sent the two Molionid brothers as Theôri (sacred envoys) to the Isthmian games, and Hêraklês, placing himself in ambush at Kleônæ, surprised and killed them as they passed through. For this murderous act the Eleians in vain endeavored to obtain redress both at Corinth and at Argos; which is assigned as the reason for the self-ordained exclusion, prevalent throughout all the historical age, that no Eleian athlête would ever present himself as a competitor at the Isthmian games.[317] The Molionids being thus removed, Hêraklês again invaded Elis, and killed Augeas along with his children,—all except Phyleus, whom he brought over from Dulichiôn, and put in possession of his father’s kingdom. According to the more gentle narrative which Pausanias adopts, Augeas was not killed, but pardoned at the request of Phyleus.[318] He was worshipped as a hero[319] even down to the time of that author.

It was on occasion of this conquest of Elis, according to the old mythe which Pindar has ennobled in a magnificent ode, that Hêraklês first consecrated the ground of Olympia, and established the Olympic games. Such at least was one of the many fables respecting the origin of that memorable institution.[320]

Phyleus, after having restored order in Elis, retired again to Dulichiôn, and left the kingdom to his brother Agasthenês, which again brings us into the Homeric series. For Polyxenos, son of Agasthenês, is one of the four commanders of the Epeian forty ships in the Iliad, in conjunction with the two sons of Eurytos and Kteatos, and with Diôrês son of Amarynceus. Megês, the son of Phyleus, commands the contingent from Dulichiôn and the Echinades.[321] Polyxenos returns safe from Troy, is succeeded by his son Amphimachos,—named after the Epeian chief who had fallen before Troy,—and he again by another Eleios, in whose time the Dôrians and the Hêrakleids invade Peloponnêsus.[322] These two names, barren of actions or attributes, are probably introduced by the genealogists whom Pausanias followed, to fill up the supposed interval between the Trojan war and the Dôrian invasion.

We find the ordinary discrepancies in respect to the series and the members of this genealogy. Thus some called Epeios son of Aëthlius, others son of Endymiôn:[323] a third pedigree, which carries the sanction of Aristotle and is followed by Conôn, designated Eleios, the first settler of Elis, as son of Poseidôn and Eurypylê, daughter of Endymiôn, and Epeios and Alexis as the two sons of Eleios.[324] And Pindar himself, in his ode to Epharmostus the Locrian, introduces with much emphasis another king of the Epeians named Opus, whose daughter, pregnant by Zeus, was conveyed by that god to the old and childless king Locrus: the child when born, adopted by Locrus and named Opus, became the eponymous hero of the city so called in Locris.[325] Moreover Hekatæus the Milesian not only affirmed (contrary both to the Iliad and the Odyssey) that the Epeians and the Eleians were different people, but also added that the Epeians had assisted Hêraklês in his expedition against Augeas and Elis; a narrative very different from that of Apollodôrus and Pausanias, and indicating besides that he must have had before him a genealogy varying from theirs.[326]

It has already been mentioned that Ætôlus, son of Endymiôn, quitted Peloponnêsus in consequence of having slain Apis.[327] The country on the north of the Corinthian gulf, between the rivers Euênus and Achelôus, received from him the name of Ætôlia instead of that of Kurêtis: he acquired possession of it after having slain Dôrus, Laodokus and Polypœtes, sons of Apollo and Phthia, by whom he had been well received. He had by his wife Pronoê (the daughter of Phorbas) two sons, Pleurôn and Kalydôn, and from them the two chief towns in Ætôlia were named.[328] Pleurôn married Xanthippê, daughter of Dôrus, and had for his son Agênôr, from whom sprang Portheus, or Porthaôn, and Demonikê: Euênos and Thestius were children of the latter by the god Arês.[329]

Portheus had three sons, Agrius, Melas and Œneus: among the offspring of Thestius were Althæa and Lêda,[330]—names which bring us to a period of interest in the legendary history. Lêda marries Tyndareus and becomes mother of Helena and the Dioskuri: Althæa marries Œneus, and has, among other children, Meleager and Deianeira; the latter being begotten by the god Dionysus, and the former by Arês.[331] Tydeus also is his son, the father of Diomêdês: warlike eminence goes hand in hand with tragic calamity among the members of this memorable family.

We are fortunate enough to find the legend of Althæa and Meleager set forth at considerable length in the Iliad, in the speech addressed by Phœnix to appease the wrath of Achilles. Œneus, king of Kalydôn, in the vintage sacrifices which he offered to the gods, omitted to include Artemis: the misguided man either forgot her or cared not for her;[332] and the goddess, provoked by such an insult, sent against the vineyards of Œneus a wild boar, of vast size and strength, who tore up the trees by the root and laid prostrate all their fruit. So terrible was this boar, that nothing less than a numerous body of men could venture to attack him: Meleager, the son of Œneus, however, having got together a considerable number of companions, partly from the Kurêtes of Pleurôn, at length slew him. But the anger of Artemis was not yet appeased, and she raised a dispute among the combatants respecting the possession of the boar’s head and hide,—the trophies of victory. In this dispute, Meleager slew the brother of his mother Althæa, prince of the Kurêtes of Pleurôn: these Kurêtes attacked the Ætôlians of Kalydôn in order to avenge their chief. So long as Meleager contended in the field the Ætôlians had the superiority. But he presently refused to come forth, indignant at the curses imprecated upon him by his mother: for Althæa, wrung with sorrow for the death of her brother, flung herself upon the ground in tears, beat the earth violently with her hands, and implored Hadês and Persephonê to inflict death upon Meleager,—a prayer which the unrelenting Erinnys in Erebus heard but too well. So keenly did the hero resent this behavior of his mother, that he kept aloof from the war; and the Kurêtes not only drove the Ætôlians from the field, but assailed the walls and gates of Kalydôn, and were on the point of overwhelming its dismayed inhabitants. There was no hope of safety except in the arm of Meleager; but Meleager lay in his chamber by the side of his beautiful wife Kleopatra, the daughter of Idas, and heeded not the necessity. While the shouts of expected victory were heard from the assailants at the gates, the ancient men of Ætôlia and the priests of the gods earnestly besought Meleager to come forth,[333] offering him his choice of the fattest land in the plain of Kalydôn. His dearest friends, his father Œneus, his sisters, and even his mother herself added their supplications, but he remained inflexible. At length the Kurêtes penetrated into the town and began to burn it: at this last moment, Kleopatra his wife addressed to him her pathetic appeal, to avert from her and from his family the desperate horrors impending over them all. Meleager could no longer resist: he put on his armor, went forth from his chamber, and repelled the enemy. But when the danger was over, his countrymen withheld from him the splendid presents which they had promised, because he had rejected their prayers, and had come forth only when his own haughty caprice dictated.[334]

Such is the legend of Meleager in the Iliad: a verse in the second book mentions simply the death of Meleager, without farther details, as a reason why Thoas appeared in command of the Ætôlians before Troy.[335] Though the circumstance is indicated only indirectly, there seems little doubt that Homer must have conceived the death of the hero as brought about by the maternal curse: the unrelenting Erinnys executed to the letter the invocations of Althæa, though she herself must have been willing to retract them.

Later poets both enlarged and altered the fable. The Hesiodic Eoiai, as well as the old poem called the Minyas, represented Meleager as having been slain by Apollo, who aided the Kurêtes in the war; and the incident of the burning brand, though quite at variance with Homer, is at least as old as the tragic poet Phrynichus, earlier than Æschylus.[336] The Mœræ, or Fates, presenting themselves to Althæa shortly after the birth of Meleager, predicted that the child would die so soon as the brand then burning on the fire near at hand should be consumed. Althæa snatched it from the flames and extinguished it, preserving it with the utmost care, until she became incensed against Meleager for the death of her brother. She then cast it into the fire, and as soon as it was consumed the life of Meleager was brought to a close.

We know, from the sharp censure of Pliny, that Sophoklês heightened the pathos of this subject by his account of the mournful death of Meleager’s sisters, who perished from excess of grief. They were changed into the birds called Meleagrides, and their never-ceasing tears ran together into amber.[337] But in the hands of Euripidês—whether originally through him or not,[338] we cannot tell—Atalanta became the prominent figure and motive of the piece, while the party convened to hunt the Kalydônian boar was made to comprise all the distinguished heroes from every quarter of Greece. In fact, as Heyne justly remarks, this event is one of the four aggregate dramas of Grecian heroic life,[339] along with the Argonautic expedition, the siege of Thêbes, and the Trojan war. To accomplish the destruction of the terrific animal which Artemis in her wrath had sent forth, Meleager assembled not merely the choice youth among the Kurêtes and Ætôlians (as we find in the Iliad), but an illustrious troop, including Kastôr and Pollux, Idas and Lynkeus, Pêleus and Telamôn, Thêseus and Peirithous, Ankæus and Kêpheus, Jasôn, Amphiaraus, Admêtus, Eurytiôn and others. Nestôr and Phœnix, who appear as old men before the walls of Troy, exhibited their early prowess as auxiliaries to the suffering Kalydônians.[340] Conspicuous amidst them all stood the virgin Atalanta, daughter of the Arcadian Schœneus; beautiful and matchless for swiftness of foot, but living in the forest as a huntress and unacceptable to Aphroditê.[341] Several of the heroes were slain by the boar, others escaped by various stratagems: at length Atalanta first shot him in the back, next Amphiaraus in the eye, and, lastly, Meleager killed him. Enamoured of the beauty of Atalanta, Meleager made over to her the chief spoils of the animal, on the plea that she had inflicted the first wound. But his uncles, the brothers of Thestius, took them away from her, asserting their rights as next of kin,[342] if Meleager declined to keep the prize for himself: the latter, exasperated at this behavior, slew them. Althæa, in deep sorrow for her brothers and wrath against her son, is impelled to produce the fatal brand which she had so long treasured up, and consign it to the flames.[343] The tragedy concludes with the voluntary death both of Althæa and Kleopatra.

Interesting as the Arcadian huntress, Atalanta, is in herself, she is an intrusion, and not a very convenient intrusion, into the Homeric story of the Kalydônian boar-hunt, wherein another female Kleopatra, already occupied the foreground.[344] But the more recent version became accredited throughout Greece, and was sustained by evidence which few persons in those days felt any inclination to controvert. For Atalanta carried away with her the spoils and head of the boar into Arcadia; and there for successive centuries hung the identical hide and the gigantic tusks of three feet in length, in the temple of Athênê Alea at Tegea. Kallimachus mentions them as being there preserved, in the third century before the Christian æra;[345] but the extraordinary value set upon them is best proved by the fact that the emperor Augustus took away the tusks from Tegea, along with the great statue of Athênê Alea, and conveyed them to Rome, to be there preserved among the public curiosities. Even a century and a half afterwards, when Pausanias visited Greece, the skin worn out with age was shown to him, while the robbery of the tusks had not been forgotten. Nor were these relics of the boar the only memento preserved at Tegea of the heroic enterprise. On the pediment of the temple of Athênê Alea, unparalleled in Peloponnêsus for beauty and grandeur, the illustrious statuary Skopas had executed one of his most finished reliefs, representing the Kalydônian hunt. Atalanta and Meleager were placed in the front rank of the assailants, and Ankæus, one of the Tegean heroes, to whom the tusks of the boar had proved fatal,[346] was represented as sinking under his death-wound into the arms of his brother Epochos. And Pausanias observes, that the Tegeans, while they had manifested the same honorable forwardness as other Arcadian communities in the conquest of Troy, the repulse of Xerxês, and the battle of Dipæ against Sparta—might fairly claim to themselves, through Ankæus and Atalanta, that they alone amongst all Arcadians had participated in the glory of the Kalydônian boar-hunt.[347] So entire and unsuspecting is the faith both of the Tegeans and of Pausanias in the past historical reality of this romantic adventure. Strabo indeed tries to transform the romance into something which has the outward semblance of history, by remarking that the quarrel respecting the boar’s head and hide cannot have been the real cause of war between the Kurêtes and the Ætôlians; the true ground of dispute (he contends) was probably the possession of a portion of territory.[348] His remarks on this head are analogous to those of Thucydidês and other critics, when they ascribe the Trojan war, not to the rape of Helen, but to views of conquest or political apprehensions. But he treats the general fact of the battle between the Kurêtes and the Ætôlians, mentioned in the Iliad, as something unquestionably real and historical—recapitulating at the same time a variety of discrepancies on the part of different authors, but not giving any decision of his own respecting their truth or falsehood.

In the same manner as Atalanta was intruded into the Kalydônian hunt, so also she seems to have been introduced into the memorable funeral games celebrated after the decease of Pelias at Iôlkos, in which she had no place at the time when the works on the chest of Kypselus were executed.[349] But her native and genuine locality is Arcadia; where her race-course, near to the town of Methydrion, was shown even in the days of Pausanias.[350] This race-course had been the scene of destruction for more than one unsuccessful suitor. For Atalanta, averse to marriage, had proclaimed that her hand should only be won by the competitor who could surpass her in running: all who tried and failed were condemned to die, and many were the persons to whom her beauty and swiftness, alike unparalleled, had proved fatal. At length Meilaniôn, who had vainly tried to win her affections by assiduous services in her hunting excursions, ventured to enter the perilous lists. Aware that he could not hope to outrun her except by stratagem, he had obtained by the kindness of Aphroditê, three golden apples from the garden of the Hesperides, which he successively let fall near to her while engaged in the race. The maiden could not resist the temptation of picking them up, and was thus overcome: she became the wife of Meilaniôn and the mother of the Arcadian Parthenopæus, one of the seven chiefs who perished in the siege of Thêbes.[351]

We have yet another female in the family of Œneus, whose name the legend has immortalized. His daughter Deianeira was sought in marriage by the river Achelôus, who presented himself in various shapes, first as a serpent and afterwards as a bull. From the importunity of this hateful suitor she was rescued by the arrival of Hêraklês, who encountered Achelôus, vanquished him and broke off one of his horns, which Achelôus ransomed by surrendering to him the horn of Amaltheia, endued with the miraculous property of supplying the possessor with abundance of any food or drink which he desired. Hêraklês was rewarded for his prowess by the possession of Deianeira, and he made over the horn of Amaltheia as his marriage-present to Œneus.[352] Compelled to leave the residence of Œneus in consequence of having in a fit of anger struck the youthful attendant Eunomus, and involuntarily killed him,[353] Hêraklês retired to Trachin, crossing the river Euênus at the place where the Centaur Nessus was accustomed to carry over passengers for hire. Nessus carried over Deianeira, but when he had arrived on the other side, began to treat her with rudeness, upon which Hêraklês slew him with an arrow tinged by the poison of the Lernæan hydra. The dying Centaur advised Deianeira to preserve the poisoned blood which flowed from his wound, telling her that it would operate as a philtre to regain for her the affections of Hêraklês, in case she should ever be threatened by a rival. Some time afterwards the hero saw and loved the beautiful Iolê, daughter of Eurytos, king of Œchalia: he stormed the town, killed Eurytos, and made Iolê his captive. The misguided Deianeira now had recourse to her supposed philtre: she sent as a present to Hêraklês a splendid tunic, imbued secretly with the poisoned blood of the Centaur. Hêraklês adorned himself with the tunic on the occasion of offering a solemn sacrifice to Zeus on the promontory of Kênæon in Eubœa: but the fatal garment, when once put on, clung to him indissolubly, burnt his skin and flesh, and occasioned an agony of pain from which he was only relieved by death. Deianeira slew herself in despair at this disastrous catastrophe.[354]

We have not yet exhausted the eventful career of Œneus and his family—ennobled among the Ætôlians especially, both by religious worship and by poetical eulogy—and favorite themes not merely in some of the Hesiodic poems, but also in other ancient epic productions, the Alkmæênis and the Cyclic Thêbais.[355] By another marriage, Œneus had for his son Tydeus, whose poetical celebrity is attested by the many different accounts given both of the name and condition of his mother. Tydeus, having slain his cousins, the sons of Melas, who were conspiring against Œneus, was forced to become an exile, and took refuge at Argos with Adrastus, whose daughter Deipylê he married. The issue of this marriage was Diomêdês, whose brilliant exploits in the siege of Troy were not less celebrated than those of his father at the siege of Thêbes. After the departure of Tydeus, Œneus was deposed by the sons of Agrios, and fell into extreme poverty and wretchedness, from which he was only rescued by his grandson Diomêdês, after the conquest of Troy.[356] The sufferings of this ancient warrior, and the final restoration and revenge by Diomêdês, were the subject of a lost tragedy of Euripidês, which even the ridicule of Aristophanês demonstrates to have been eminently pathetic.[357]

Though the genealogy just given of Œneus is in part Homeric, and seems to have been followed generally by the mythographers, yet we find another totally at variance with it in Hekatæus, which he doubtless borrowed from some of the old poets: the simplicity of the story annexed to it seems to attest its antiquity. Orestheus, son of Deukaliôn, first passed into Ætôlia, and acquired the kingdom: he was father of Phytios, who was father of Œneus. Ætôlus was son of Œneus.[358]

The original migration of Ætolus from Elis to Ætôlia—and the subsequent establishment in Elis of Oxylus, his descendant in the tenth generation, along with the Dôrian invaders of Peloponnêsus—were commemorated by two inscriptions, one in the agora of Elis, the other in that of the Ætôlian chief town, Thermum, engraved upon the statues of Ætôlus and Oxylus,[359] respectively.