INDEX

A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, Z

A Academy of Ancient Music, 54, 137 Academy of Italian Opera, 73 Acis and Galatea, 7, 46, 72, 85, 108, 120, 182 Addison, 16, 60 Agrippina, 46, 183 Airs adapted to French words, 191 n. Alberti, 6 Alceste, 104 Alcina, 91, 122, 127 Alexander Balus, 102 Alexander’s Feast, 92, 108, 93 n., 160 n. Almahade, 62 Almira, 33, 34, 36, 124 Amadigi, 68 Amsterdam, 149 Ademollo, 40 Arbuthnot, Dr., 81 n. Architecture, Musical, 138 Arianna, 88, 95 Arias Buffi, 128 Arietti Da Capo, 125 Ariodante, 91, 122 Arioso, 133 Ariosti, 11 Aristoxenians, 24 Arminio, 91, 93 n. Arne, 96 n. Arsinoé, 62 Astarto, 78 Atalanta, 91, 93, 124, 131, 182 Athaliah, 85, 86 Athalie, 48 Augsburg, 53 Augustus of Saxony, Duke, 1, 3, 42 B Babell, Wm., 145, 149 n. Bacchus und Ariadne, 90 Bach, 3, 21, 29, 56, 70, 104, 113, 119, 121, 150, 152 Ballet-Operas, 122 Bankruptcy, 93, 100 Bartolommeo, 57 Bass soloists, 123 n. Bassoons, 160 Battle of Dettingen, 99 n. Beech Oil Company, 63 Beethoven, 10, 108, 142, 154, 176, 192 Beethovenians, 164 Beggar’s Opera, 62, 81 Belshazzar, 99, 128, 135, 136, 184 Berenice, 91, 93 n. Berlin, 11, 108 Berlioz, 109, 121, 142, 154 Bernabei, 51, 56 Bernhard, 16 Bible, 2 Biblical dramas, 71, 85 Birds, 187 Birthday Ode to Queen Anne, 66, 138 Blindness, 105 Bolingbroke, 100 Bologna, 75 Bonduca, 59 Bononcini, 62, 74, 75, 79, 86 n., 122 Brandenburg, 3, 12 Breslau, 108 British Museum, 165 Brockes, 64 Burlington, Lord, 67, 74 Burney, 187 Buxtehude, 29, 30, 31 C Cadenzas, 128 Camilla, Regina de Volsei, 62 Canons, 149 Cara sposa (Rinaldo), 125 Carey, 96 Caricature of Handel’s art, 144 Carriage-accident to Handel, 104 Carillon in Saul, 115 Castrati, 80 Cavalli, 193 Chaconnes, 149 n. Chandos Anthems, 71, 85, 136 Characters, 135 Choice of Hercules, 104, 187 n. Choruses, 132, 140 Chrysander, 57, 110 Cibber, Colley, 81 n. Classical chorus, 136 Clavier pieces, 145 Clayton, 61 Cleopatra, 32, 160 Colour, 140, 141 Comic style of Keiser, 128 Commemoration festival, 107 Composing music, 142 n. Concert overture, 183 Concerti Grossi, 95, 165, 166 Concertino, 165 Concerto, 168, 190, 188 Concerto for two organs, 154 Concerto for organ with chorus, 154 Concerto for two horns, 145, 159 Concerto for organ, 183 Conductor, 165 Corelli, 11, 115, 168 Coronation Anthems, 83, 85 Cousser, 18 Covent Garden Theatre, 92 Creation, Haydn’s, 108 Crescendo, 163 Critica Musica, 24 Culloden Moor, 101 Cuzzoni, 80 n. D Da Capo form, 56, 77, 124, 132 Dances, 133 Death, Handel’s, 107 Deborah, 85, 95, 110, 184 Deidamia, 91 n., 95, 122, 124 Dent, Edward, 38 Descartes, 49 Dettingen Te Deum, 99, 160 n. Dido and Æneas, 59 Die lustige Hochzeit, 35 Diminuendo, 163 Dioclesian, 59 Divertissement, 183 Domenico Scarlatti, 44 Double fugue, 150 Drums, 160 Drury Lane Theatre, 81 n. Dryden, 92 Dublin, 97 Dubourg, 156 Duchess Sophia, 67 Duel with Mattheson, 33 Duets, Vocal, 131 Duke of Chandos, 71, 72 Duke of Cumberland, 101 Dukes of Hanover, 49 Dürer, 176 E Education, 6 Ehrenpforte, 26 England, 70, 109, 112, 113, 148, etc. English taste, 59 English country, 114 Ensemble pieces, 133 Entr’actes, 151 Erba, 118 Ernest Augustus, Duke, 49 Esther, 48, 70, 71, 72, 120, 161, 184 Eugène, Prince, 37, 157 Exotism, 160 Ezio, 84 F Faramondo, 91, 93 Faustina, 80 Festivals, 107 Fifth Concerto, 176 Finale, 133 Fire-arms in orchestra, 160 Firework music, 103, 159, 189 First Sonata, 157 Flemish carillon in Saul, 115 Florence, 39 Floridante, 79 Florindo und Daphne, 35 Forms, 133, 134, 158, 168 Foundling Hospital, 103, 105 n., 165 France, 122 Fraudulent copies, 143 n. Free theatre, 121, 134, 139 French dances, 91 French influences, 14 French language, 48 French model, 89 French organists, 113 French rhythm, 148 French style, 148 French vocal style, 48 Froberger, 6 Fugues, 149 Funeral Anthem, 93, 93 n. G Garden scene, Rinaldo, 124 Gay, 67, 72 n. Geminiani, 144, 163, 164 Genre pictures, 135, 138 George of Hanover, 68 German geniuses, 112 German Handel Society, 109, 201 German influences, 147, 148 n. German patriotism, Handel’s lack of, 67 Germany, 109, 142 Gervinus, 110, 201 Giulio Cesare, 79, 122, 127, 182 Giustina, 93, 124 Gluck, 36, 99, 101, 122, 127, 191, 192 Goethe, 109, 112 Goldschmidt, 55 Graces, 128 Grattan-Flood, 97 Graun, 124 Greece, 110 Green, Maurice, 96 Green Park, 198 Grimani, 46 Griselda, 79 Grub Street Journal, 152 H Hailstone chorus, 118 Halle, 14, 64, 66, 69, 74, 113 Haman, 71 Hamburg, 7, 15, 18, 35, 113 Handel Society, 109, 201 Handel musical festivals, 119 Handel’s joust with Bononcini, 79 Hanover, 19, 42, 49, 51 Hanoverian nobles, 49 Harmony in revolt, 143 n. Harp, 160 n. Hasler, 36 Hasse, 36, 45, 87, 115, 117, 124 Hawkins, Sir J., 91, 152 Haydn, 108 Haymarket Theatre, 74, 89 Heidegger, 89 Henrico Leoni, 52 Hercules, 8, 99, 110, 127 Herder, 109 Hill, Aaron, 63 Hiller, 108 Holland, 31, 58 Horn, 159 Hornpipe, 187 House of Hanover, 65 Humour in Handel, 128 I Il Pastor Fido, 65, 182 Imeneo, 91 n., 95 n. Imitative effects, 141 Improvisation, 143, 150, 152 Improviser, 116 Independence, Handel’s, 109 Instrumental music, 9, 143, 144, 146 Ireland, 97 Israel in Egypt, 71, 94, 95, 118, 137, 145, 150 Italian homophony, 148 Italian influences, 147 Italian musicians, 36 Italian songs in Hercules, 115 Italian violinists, 113 Italy, 37, 112, 113 Italianised Germans, 63 Italians, 61, 148 J James I, Stuart, 49 Jennens, 97, 99 Jephtha, 104, 116 Jerusalem Delivered, 63 John Frederick, Duke of Hanover, 49 Joseph, 99, 127 Joshua, 80, 102 Jubilate, 66 Judas Maccabæus, 101, 102, 106, 109, 139, 184, 192 Jugendbuch, 146, 149 K Keiser, 17, 19, 21, 31, 35, 122, 126 Kerl, 6 Kielmansegg, 49 King Arthur, 59, 60 Krieger, 6, 150 Kuhnau, 7 L L’Allegro, 95, 114 Languages, 22 La Salle, 90 Latin Psalms, 39 Law, 14 Lawyers, 4 Leibnitz, 69 Leit-motiv, 128 Leider, 77 n. Leipzig, 16, 108 Lent, 106, 107 Leo, 178 Leonardo, 118 Light and shade, 161 Liszt, 109, 154 Local colour, 160 Locatelli, 168 London, 42, 58, 65, etc. London Academy of Opera, 83 London Daily Post, 96 London operas, 126 Lotario, 84 Lubeck, 28 Lucretia, 39 Lully, 18, 19, 181 M Mad scene in Orlando, 127 Mahler, 154 Mainwaring, 47 Manchester, Duke of, 42 Mandoline, 160 n. Mannheim players, 164 Marcello, 3 Marylebone, 167 Mattheson, 5, 18, 21, 23, 27, 82 Mayence, 110 Medici, 36 Mendelssohn, 119 Melodic lines, 117 Melodist, 28 Messiah, 8, 59, 97, 98, 104, 108, 119, etc. Miller, 99 Mitridate Eupatore, 41 Modulations, 76 Muffat, 168 Mozart, 21, 36, 88, 108, 117 Munich, 51, 52 Musette, 178 Musical architecture, 132 Musical comedy, 128 Musical dramas, 135 Musical Patriot, The, 24, 27 Muzio Scevola, 79 N Naples, 112, 145 National musician of England, The, 102 Natural scenes, 170 Nero, 33, 34 Newspapers, The first, 16 Nicolini, 63 Nitocris, 128 Nuance, 163 O Objective art, 133 Oboe concertos, 64, 158 Occasional Oratorio, 101, 139, 185 n. Ode to Queen Anne, 68 Ode to St. Cecilia, 92, 95 Ombra cara from Radamisto, 125 Open-air fêtes, 120, 190 Open-air music, 187 Opera Buffa, 137 Opera Comique, 91, 122, 128 Opera Diabolica, 17 Opera houses, 51, 102 Oratorios, 120, 122, 136, etc. Orchestra, 9, 103, 153, 165 Orchestral concertos, 181 n. Orchestral music, 158 Organ, 105 Organ concertos, 150-153 Organ music, 30 Orlando, 84, 122 Ottoboni, Cardinal, 43, 46 Ottone, 79, 190 P Pagan life, 185 Painting in music, 141 Painting, 185 Palestrina, 114 n. Pantheon, 107 Parnasso in festa, 89 n., 96 n. Partenope, 84 Partenza, 45 Pasquini, 43, 44 Passion according to St. John, 25, 32 Passion after Brockes, 70, 138, 182 Passionate scenes, 133 Passions, 69 Pastor Fido, 89 Pastoral Symphony, 170 Pepusch, 96 Piccadilly, 67 Pictures, Love of, 115 Pietism, 12, 39, 71 Pifferari, 46, 114 Pirro, 13 Pistocchi, 11 Pistol-shot in orchestra, 160 n. Plagiarisms, 118 Polifemo, 76 Pope, 67, 82, 142 n. Poro, 84 Porpora, 87, 88 Postel, 22, 31 Pratolino, 38 Pretender, Charles Edward, 100 Princess of Wales, 81 Programme music, 184, 185 n. Psalms, 70, 120 Purcell, 58, etc. Puritanical opposition, 61 Pygmalion, 90 Pythagoreans, 24 Q Quartets, 131 Queen Anne, 65, 68 Quintet, 132 R Radamisto, 74, 78 Rameau’s Acanthe, 164 n. Ranelagh, 187 Raphael, 10 Recitative, 20 Recitative-arioso, 126 Recitatives and airs, 128 Relationship with vocal, 145 Resurrection, 44, 159, 161 Rhythms, 134 Riccardo I, 81, 186 n. Rich’s theatre, 90 Rigid and stolid manner of rendering Handel’s works, 119 Rinaldo, 63, 64 Roderigo, 40, 42, 182 Rodelinda, 80 Rôles, Singers’, 123 Romances, 91 Rome, 39 Rosamunde, 62 Roseingrave, 114 n. Rosenmüller, 4 Roubiliac, 107 Ruspoli, Cardinal, 42 S St. John Chrysostomo’s Theatre, 41, 47 St. Paul’s Cathedral, 66 Saint-Saëns, 140, 141 Samson, 31, 98, 126 San Giovanni Grisostomo, 41, 47 Saul, 94, 126, 183 Scarlatti, 38, 41, 43, 76, 122, 127 Schott, 22 Schumann, 109 Schütz, 36, 56 Second Concerto in F major, 170 Semele, 127, 135 Semi-romantic colour, 115 Serse, 91 n., 122, 124, 98 n. Servio Tullio, 52 Seven Trios or Sonatas in two parts, 94 Seventh Concerto, 169 Shakespeare, 121 Sicilian legend, 72 Sight gone, 105 Singakademien, 108, 110 Siroé, 81 Six Fugues or Voluntaries, 149 Six Sonatas in Trio, 154 Sixth Concerto in G minor, 176 Smith, C., 107 Smollett, 100 Society for the Maintenance of Poor Musicians, 96, 107 Solo voices, 123 Solomon, 102, 131 Sonata for Viola da Gamba, 154 Sonatas or trios for two violins, flutes, 155 Sonatas or trios for two violins, 155 Sonatas for the flute, violin, and harpsichord, 145 Sonatas for flute and bass, 64, 155 Sophia Charlotte, Princess, 11 Speed of working, Handel’s, 116 Steffani, 7, 11, 19, 46, 51, 64, 122 Storms, Musical, 142 Streatfeild, 37, 40 Strungk, 6 Stuart party, 68 Stuart, James I, 66 Strauss, R., 121 Stradella, 118 Sturm und Drang period, 143 Styles, 133, 134, 137 Suites, etc., 146 Suites de pièces pour le clavecin, 143 Susanna, 102 Symphonies, 158 Swift, 67, 82 T Tamerlano, 79, 84, 122, 127 Tarquini, 40 Te Deum, 65, 66, 68, 120 Telemann, 56, 141 Tendencies, 122 Tenor, 123 Terpsichore, 90 Teseo, 65, 127 Theatre, 120 Theatre closed, Handel’s, 93 Theile’s Creation, 17 Theodora, 48, 104, 135 Theologians, 4 Theology, 12 The Triumph of Time and Truth, 106, 159, 160, 161 Third Violin, Part for, 161 Thirty Years’ War, 4 Thornhill, 23 Tomomeo, 81 Tone-colour, 159, 160, 161 Tor di Nona, 39 Touch, 151 Trionfo del Tempo, 106 Trios, 131 Tunbridge Wells, 92 Tyer, 187 U Utrecht, 66 V Vatican, 44 Vaudeville, 138 Vauxhall Gardens, 94, 100, 101, 107, 187 Venice, 40, 42 Vierge d’Martyre, 48 Vinci, 84 Viola, 160, 161 Violoncellist, 75 Violoncello, 160 Violette marine, 160 n. Virtuoso powers, 40, 49 Vivaldi, 168 Vocal ensemble pieces, 130 Vocal ornamentation, 128, 129 W Wagner, 142 Walpole, 81 Walsh, 145, 149, 181 n. Water music, 68 n., 158, 188 Weissenfels, 3 Westminster Abbey, 107 Witchcraft, 13 Z Zachau, 5, 15, 113 Zadock the Priest, 109 n. Zappi, 43

THE MUSIC LOVER’S LIBRARY

A series of small books on various musical subjects written in a popular style for the general reader.

Editor: A. EAGLEFIELD HULL, Mus. Doc. (Oxon.)

Each about 200 pages.

1. SHORT HISTORY OF MUSIC. By the Editor.

2. SHAKESPEARE: HIS MUSIC AND SONG. By A. H. Moncur-Sime.

3. THE UNFOLDING OF HARMONY. By Charles Macpherson, F.R.A.M., Sub-Organist St. Paul’s Cathedral.

4. THE STORY OF MEDIÆVAL MUSIC. By R. R. Terry, Mus. Doc. (Dublin), Director of Music at the pro-Cathedral, Westminster.

5. MUSIC AND RELIGION. By W. W. Longford, D.D., M.A.

6. MODERN MUSICAL STYLES. By the Editor.

7. ON LISTENING TO AN ORCHESTRA. By M. Montagu-Nathan.

8. EVERYMAN AND HIS MUSIC. By P. A. Scholes.

9. MUSIC AND ÆSTHETICS. By J. B. Mcewen, M.A., F.R.A.M.

10. THE VOICE IN SONG AND SPEECH. By Gordon Heller.

11. DESIGN OR CONSTRUCTION IN MUSIC. By the Editor.

KEGAN PAUL, TRENCH, TRUBNER & CO., LTD., LONDON

PRINTED BY WM. BRENDON AND SON, LTD. PLYMOUTH, ENGLAND

These typographical errors were corrected by the text transcriber:

constituted for it a model for emulatation=>constituted for it a model for emulation

Hinweg, du Dornen schwangre Krone!=>Hinweg, du Dornen schwangere Krone!

his voice suberbly depicted=>his voice superbly depicted

George Moffat=>Muffat [Muffat, Georg (1653-1704)]

Vivaldi’s influence in Germany on a Granpuer=> Vivaldi’s influence in Germany on a Graupner [Graupner (Christoph, 1683-1760)]

Te deum said to be by Vrio.=>Te deum said to be by Urio. [Urio, Francesco Antonio, 1631-1719]

Domenio Scarlatti=>Domenico Scarlatti

Andimollo, Andimolo=>Ademollo

Christoph Bernhart, pupil of Schütz=>Christoph Bernhard, pupil of Schütz

Bernhardt, 16=>Bernhard, 16

He stayed at Dusseldorf with the Elector=>He stayed at Düsseldorf with the Elector

Locatalli and Vivaldi came under the influence of the Italian Opera.=>Locatelli and Vivaldi came under the influence of the Italian Opera of Locatalli (Op. 7, 1741) was named Il pianto d’Arianna.=>of Locatelli (Op. 7, 1741) was named Il pianto d’Arianna.

(1890 in the Vierteljahrsschrift für Musikwissenfchaft)=>(1890 in the Vierteljahrsschrift für Musikwissenschaft)

Abbé Prevost=>Abbé Prévost

Reinhärd Keiser=>Reinhard Keiser

Max Seifiert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister=>Max Seiffert: Haendels Verhältnis zu Tonwerken ælterer deutscher Meister

Siroë, 81=>Siroé, 81

Pratelino, 38=>Pratolino, 38

that Lecerf de la Vieville wrote his Comparaison de la musique française et de la musique italienne=>that Lecerf de la Viéville wrote his Comparaison de la musique française et de la musique italienne