INDEX

Ackland, Sir Thomas, 47.

Analysis, 68.

Ancient drawings, 1.

Antiquity of engraving, 2.

Apocalypsio sue Historia, 7.

Art representative, 3.

Artistic purpose, 68.

Artistic restoration, 63.

Arundel, Duke of, 41.

Assyrian antiquities, 4.

Audran family, 4.

Baillie, Captain, 46.

Baldine, Baccio, 20.

Bewick, Thomas, 9, 67.

Biblia Pauperum, 7.

Block books, 6.

Botticelli, Sandio, 20.

Cave dwellings, 1.

Caxton, William, 26.

Character, building up of, 52.

Chinese playing cards, 5.

Clever contrasts, 53.

Colour dissection, 64.

Commercial advantages, 13.

Comparisons, 12, 13.

Composition, 52, 53.

Concise expression, 52.

Constructive elements, 51.

Controlling influences, 68.

Cousins, Samuel, 47.

Criticism, appreciative, 66.

Dallaway, 26.

Dante, 20.

Degradation of tone, 54.

Details, combination of, 52.

Du Maurier, 60.

Durer, Albert, 8, 21, 24, 40.

Dutch masters, 67.

Educative principle, 67.

Egyptian monuments, 4.

Emerson, 1, 5, 69.

Engravers, early, 20.

Engravers, interpretation, 49.

Engravers, task, 48.

Engraving, English, 26.

Etching, 38.

Etching, Dutch records, 38, 39.

Etching, a summary, 40.

Etching, description, 39.

Etching, a stenography, 40.

Etching, pictorial and artistic value, 40.

Etching, light and shade in, 41.

Etchings, Hollar's, 41.

Evolution theory, 2.

Execution, 54.

Expression, 53.

Extraneous matter, 52.

Finiguerra, 18, 19, 21.

Formschneider, 7.

French engravers, 46.

French engraving, 23.

Gainsborough, 43.

Gemeni, Thomas, 26, 27.

German wood engraving, 6, 67.

German engravers, 22.

German portraits, 52.

Gilray, James, 33.

Goldsmith's Deserted Village, 33.

Goltzius, Henry, 24.

Greek art, 4.

Gutenberg, 21.

Half tone process engraving, 60, 61, 62.

Heath, James, 36.

Hieroglyphic figures, 4.

Historia Virginis, 7.

Historical records, 3, 50.

Hogarth, 28, 31, 32.

Hogenberg, Remigus, 27.

Holbein, Hans, 8.

Houbraken, 28.

Hound, The, 9.

Hudibras, 31.

Illustrator, The, 14.

Imaginary boundary, An, 51.

Imaginative instinct, 20.

Imaginative symbolism, 22.

Inartistic work, 49.

Inception of engraving, 1.

Incised drawings, 1, 2.

Intermediary values, 13.

Ink photo, 65.

Ink photo, expressive power, 65.

Ink photo, intensity of, 65.

Italian art, 22.

Italian engraving, 22.

Italian Niello, 18.

Jacobite sympathies, 32.

Justification, A, 66.

Kartenmacher, 7.

King of Terrors, The, 9.

Lalanne, 38.

Landscape engraving, 36.

Landseer, 35, 36, 47.

Lawrence, 35, 47.

Lewis, F. C., 35.

Leyden, Lucas van, 24.

Light and shade, 53.

Line process engraving, 59, 60.

Litzelburger, Hans, 9.

Louis XIV., 23.

Ludwig, von Sigen, 42.

Lutterell, 46.

Mannerisms, 22, 54.

Mantegna, Andrea, 20.

Merchant marks, 6.

Metal engraving, 9.

Metal engraving, invention of, 18.

Metal engraving, another account, 19.

Mezzotint engraving, invention, 42, 43.

Mezzotint engraving, qualities, 43, 44.

Mezzotint engraving, popularised, 43, 44.

Mezzotint engraving, described, 44.

Movable types, 7.

National characteristics, 21.

Nation's progress, mirror of, 4.

Nature's expression, 69.

Neolithic period, 3.

New Testament, 8.

Northcote's pictures, 33.

Nuremberg records, 7.

Outline, 49, 51-52.

Ornamental engraving, 18.

Palæolithic period, 3.

Parker, Archbishop, 27.

Passe family, 27.

Payne, John, 28.

Perspective, 24.

Perspective, aërial, 54.

Perspective, linear, 54.

Photo process, 57.

Photogravure, artistic features, 64.

Photogravure, description, 65.

Photogravure, pictorial cards, 7.

Place, Francis, 46.

Pope's villa, 35.

Prehistoric artistic power, 3.

Prehistoric art, purpose of, 3.

Primeval engraver, 3.

Primeval man, 1.

Prince Rupert, 43, 46.

Process engraving, amplification of, 64.

Process engraving, artistic, 58.

Process engraving, commercial features, 58.

Process engraving, value of, 57, 58.

Progressive review, 23.

Progressive process, 57, 58.

Pye, John, 35.

Queen Elizabeth, 27.

Raimbach, 34, 35.

Raimondi, Marc Antonio, 21.

Raphael, 21.

Realism, 68, 69.

Religious illustrations, 7.

Rembrandt, 24.

Rembrandt's influence, 41.

Renaissance, 19.

Retrospect, 69.

Reynolds, 34, 43.

Rock, Jerome, 8.

Romney, 45.

Royal Sovereign, 28.

Screen effect, 60, 61.

Society of Arts, 47.

Speculum Humanæ Salvationis, 7.

Stipple engraving, 33.

Strange, Robert, 32, 33.

Style, 68.

Symbolic figures, 4.

Technique, 22, 23.

Thirteenth century documents, 6.

Three colour process, 64.

Tone and texture, 49.

Translation, 17.

Tri-chromatography, 64.

Turk's Head, 34.

Turner, 35, 36, 37, 45, 67.

Untutored art, 2.

Vallerant Valliant, 43.

Venetian navigators, 5.

Vertue, 28.

Vesalius, 26.

Walpole, Horace, 28, 30.

West, 34, 45.

Wilkie, David, 35.

Wilson, 34.

Wood blocks, 5.

Wood engraving, 5.

Wood engraving, combination of lines, 14.

Wood engraving, justification of, 13.

Wood engraving, power of realisation, 14.

Wood engraving, pictorial and artistic effects, 14.

Wood engraving, renaissance, 9.

Wood engraving, variety of texture, 14.

Printed by Morrison & Gibb Limited, Edinburgh