MODERN WORK
Reading edition
177–187. H. W. Caslon & Co., Ltd. Old English borders. 18th century
188. The Morland Press, Ltd. Border design by Claud Lovat Fraser. Reproduced from the title-page re-arranged by Haldane Macfall for The Lovat Book. 1890–1921
189. The Morland Press, Ltd. Tail-piece by Frank Brangwyn, R.A., representing an initial F rising from tulip design. c. 1920
190. The Morland Press, Ltd. Head-piece basket of flowers from design by Frank Brangwyn, R.A. c. 1920
191. The Morland Press, Ltd. Initials M. P. Design by Ludovic Rodo. c. 1920
192–197. Chiswick Press. Six head-pieces. Conventional designs. 1830–1923
198–200. Chiswick Press. Three head-pieces, floral. 1830–1923
201–202. Chiswick Press. Two tail-pieces. 1830–1923
203–214. Chiswick Press. Twelve initials. Various designs. 1830–1923
215. University Press, Oxford. Phœnix ornament reproduced from Hart’s Century of Typography. 17th century
216. University Press, Oxford. B. Blooming initial reproduced from Hart’s Century of Typography. 17th century
217. University Press, Oxford. I. Initial reproduced from Hart’s Century of Typography. 17th century
218. University Press, Oxford. Head-piece reproduced from Hart’s Century of Typography. 17th century
219. P. M. Shanks & Sons, Ltd. Border design. 1920
220. Do. do. do. 1920
221. University Press, Oxford. Circular ornament, floral design. 18th century
222. P. M. Shanks & Sons, Ltd. Border design, same as 220. 18th century
223. University Press, Oxford. Fleuron tail-piece. 18th century
224. University Press, Oxford. Fleuron tail-piece of a different design. 18th century
225. P. M. Shanks & Sons, Ltd. Bold foliage design for border. 1920
226. P. M. Shanks & Sons, Ltd. B. White initial on black background. 1920
227. P. M. Shanks & Sons, Ltd. T. White initial with foliage on black background. 1920
228. P. M. Shanks & Sons, Ltd. Bold foliage design for border same as 225. 1920
229. P. M. Shanks & Sons, Ltd. Head-piece, spirals of foliage. White on black ground. 1920
230. R. & R. Clark, Ltd., Edinburgh. Decorative head-piece designed by Walter Crane. 1875
231. P. M. Shanks & Sons, Ltd. Tail-piece, triangular, white on black ground. 1920
232. Pelican Press. Border design with centre ornament. Copy of early arabesque design. 1920
233–240. Pelican Press. English flowers, seven designs. 1920
241. Pelican Press. Border design after Geoffrey Tory. 1923
242. Kelmscott Press. Design from Godefroy of Boulogne. 1893
243–251. Curwen Press. Nine decorations designed by Claud Lovat Fraser. 1920
252–260. Curwen Press. Nine flowers and decorations designed by Percy J. Smith. 1922
261–273. Stephenson, Blake & Co., Ltd. Fourteen designs of delicate flower borders, ornaments, and the famous rose border. c. 1790
274–284. Stephenson, Blake & Co., Ltd. Various designs for borders, and initial S and two fine tail-pieces designed and executed by Bewick. c. 1780