Eight Dramas of Calderon
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1. Front matter2. ADVERTISEMENT3. THE PAINTER OF HIS OWN DISHONOUR4. Scene I.—A Room in Don Luis’ palace at Naples.5. Scene I.—A room in Don Juan’s house at Barcelona: he is discovered painting Serafina. It gradually grows dusk.6. Scene II.—The garden of Don Luis’ palace at Naples; a window with a balcony on one side, or in front:—night.7. Scene III.—A street before Don Diego’s house in Barcelona.8. Scene IV.—A garden leading down to the sea; on one side a Portico.9. Scene I.—A room in Don Luis’ country-house near Naples.10. Scene II.—A room in Don Luis’ castle in the hills.11. Scene III.—The Prince’s Villa.12. Scene IV.—A room in Don Luis’ Villa.13. Scene V.—The garden under Alvaro’s castle. A large grated door in the centre.14. KEEP YOUR OWN SECRET15. Scene I.—A Room in the Palace.16. Scene II.—A Room in Don Cesar’s House.17. Scene III.—A Corridor in the Palace.18. Scene I.—A Public Square in Parma. Night.19. Scene II.—The Garden of Donna Anna’s House.20. Scene III.—A Room in the Palace.21. Scene IV.—An apartment in Don Felix’s House.22. Scene V.—A Room in the Palace.23. Scene I.—A Room in the Palace.24. Scene II.—A Room in Felix’s House.25. GIL PEREZ, THE GALLICIAN26. Scene I.—Outside Gil Perez’s House.27. Scene II.—The River-side.28. Scene III.—The Portuguese bank of the River.29. Scene I.—A Wood near San Lucar in Andalusia.30. Scene II.—Outside Gil Perez’s House at Salvatierra; as in Act I. Scene I.31. Scene III.—A Room in Gil Perez’s House.32. Scene IV.—An open Gallery in the Judge’s House at Salvatierra.33. Scene I.—On a Mountain by Salvatierra.34. Scene II.—Another Pass in the same Mountain.35. Scene III.—Same as Scene I.36. THREE JUDGMENTS AT A BLOW37. Scene I.—A Mountain Pass near Saragossa.38. Scene II.—An Audience Hall in the Palace of Pedro, King of Arragon.39. Scene III.—A Room in Urrea’s House.40. Scene I.—A Room in Urrea’s House.41. Scene I.—A Wild Place.42. Scene II.—A Room in the Palace.43. Scene III.—A Corridor in Urrea’s House, with three doors in front.44. Scene IV.—An inner Chamber in Urrea’s House.45. Scene V.—Same as Scene III.46. Scene VI.—Donna Blanca’s Apartment: it is dark.47. Scene VII.—Same as Scene III.48. THE MAYOR OF ZALAMEA49. Scene I.—Country near Zalamea.50. Scene II.—Zalamea, before Crespo’s House.51. Scene III.—Isabel’s Garret. Isabel and Ines.52. Scene I.—In Zalamea.53. Scene II.—A trellis of Vines in Crespo’s garden.54. Scene III.—Outside Crespo’s House.55. Scene IV.—Outside Zalamea.56. Scene V.—Crespo’s Garden Porch.57. Scene I.—A Wood near Zalamea. It is dark.58. Scene II.—Another place in the Wood. Crespo tied to a tree.59. Scene III.—A room in Zalamea.60. Scene IV.—A Room in Crespo’s House.61. Scene V.—Before the Prison in Zalamea. A Street in the centre.62. BEWARE OF SMOOTH WATER63. Scene I.—A Room in Don Alonso’s House at Madrid.64. Scene II.—A Room in Don Felix’s House.65. Scene III.—An Apartment in Don Alonso’s House.66. Scene I.—A Room in Don Felix’s House.67. Scene II.—Street between the Houses of Alonso and Felix.68. Scene III.—An Apartment in Don Alonso’s House.69. Scene I.—Room in Alonso’s House.70. Scene II.—A Room in Felix’s House.71. Scene III.—Alonso sitting.72. THE MIGHTY MAGICIAN73. Scene I.—A retired Grove near Antioch.74. Scene II.—A room in Lisandro’s house.75. Scene I.—The sea-shore; a storm raging.76. Scene I.—Before the mountain. Cipriano.77. Scene II.—Entrance to the mountain cavern.78. Scene III.—The Hall of Justice in Antioch.79. SUCH STUFF AS DREAMS ARE MADE OF80. Scene I.—A pass of rocks, over which a storm is rolling away, and the sun setting: in the foreground, half-way down, a fortress.81. Scene II.—The Palace at Warsaw.82. Scene I.—A Throne-room in the Palace. Music within.83. Scene I.—The Tower, etc., as in Act I. Scene I.84. Scene II.—A wooded pass near the field of battle; drums, trumpets, firing, etc. Cries of ‘God save Basilio! Segismund,’ etc.85. FOOTNOTES