Contemporary One-Act Plays
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1. Front matter2. PREFACE3. INTRODUCTION THE ONE-ACT PLAY AS A SPECIFIC DRAMATIC TYPE4. THE TWELVE-POUND LOOK BY SIR JAMES M. BARRIE5. THE TWELVE-POUND LOOK[A]6. TRADITION BY GEORGE MIDDLETON7. TRADITION[B]8. THE EXCHANGE BY ALTHEA THURSTON9. THE EXCHANGE[C]10. SCENE I11. SCENE II12. SAM AVERAGE BY PERCY MACKAYE13. SAM AVERAGE[D]14. HYACINTH HALVEY BY LADY AUGUSTA GREGORY15. HYACINTH HALVEY16. THE GAZING GLOBE BY EUGENE PILLOT17. THE GAZING GLOBE[F]18. THE BOOR BY ANTON TCHEKOV19. THE BOOR20. THE LAST STRAW BY BOSWORTH CROCKER21. THE LAST STRAW[G]22. MANIKIN AND MINIKIN (A Bisque-Play) BY ALFRED KREYMBORG23. MANIKIN AND MINIKIN (A BISQUE-PLAY)24. WHITE DRESSES (A Tragedy of Negro Life) BY PAUL GREENE25. WHITE DRESSES26. MOONSHINE BY ARTHUR HOPKINS27. MOONSHINE28. MODESTY BY PAUL HERVIEU29. MODESTY30. THE DEACON'S HAT BY JEANNETTE MARKS31. THE DEACON'S HAT[I]32. WHERE BUT IN AMERICA BY OSCAR M. WOLFF33. WHERE BUT IN AMERICA [J]34. A DOLLAR BY DAVID PINSKI35. A DOLLAR36. THE DIABOLICAL CIRCLE BY BEULAH BORNSTEAD37. THE DIABOLICAL CIRCLE38. THE FAR-AWAY PRINCESS BY HERMANN SUDERMANN39. THE FAR-AWAY PRINCESS[L]40. THE STRONGER BY AUGUST STRINDBERG41. THE STRONGER[M]42. BIBLIOGRAPHIES