Part 1 / Book 3 — RABELAIS IMITATES DIOGENES (From the Author’s Prologue to Book III.)
Reading edition
When Philip, King of Macedon, enterprised the siege and ruin of Corinth, the Corinthians having received certain intelligence by their spies, that he with a numerous army in battle array was coming against them, were all of them, not without cause, most terribly afraid; and, therefore, were not neglective of their duty, in doing their best endeavors to put themselves in a fit posture to resist his hostile approach, and defend their own city. Some from the fields brought into the fortified places their movables, cattle, corn, wine, fruit, victuals and other necessary provisions. Others did fortify and rampire their walls, set up little fortresses, bastions, squared ravelins, digged trenches, cleansed countermines, fenced themselves with gabions, contrived platforms, emptied casemates, barricaded the false brayes, erected the cavalliers, repaired the contrescarpes, plaistered the courtines, lengthened ravelins, stopped parapets, mortised barbacans, new pointed the portcullises with fine steel or good iron, fastened the herses and cataracts, placed their sentries and doubled their patrol.
Every one did watch and ward, and not one was exempted from carrying the basket. Some polished corselets, varnished backs and breasts, cleaned the headpieces, mailcoats, brigandins, salads, helmets, murrions, jacks, gushets, gorgets, hoguines, brassars and cuissars, corselets, haubergeons, shields, bucklers, targets, greves, gauntlets and spurs.
Others made ready bows, slings, cross-bows, pellets, catapults, migraines or fire-balls, firebrands, balists, scorpions, and other such warlike engines, repugnatory, and destructive to the Helepolides.
They sharpened and prepared spears, staves, pikes, brown bills, halberts, long hooks, lances, zagages, quarterstaves, eelspears, partisans, troutstaves, clubs, battle-axes, maces, darts, dartlets, glaves, javelins, javelots, and truncheons.
They set edges upon scimetars, cutlasses, badelairs, backswords, tucks, rapiers, bayonets, arrow-heads, dags, daggers, mandousians, poniards, whinyards, knives, skenes, chipping knives, and raillons.
Diogenes seeing them all so warm at work, and himself not employed by the magistrates in any business whatsoever, he did very seriously (for many days together, without speaking one word) consider, and contemplate the countenance of his fellow-citizens.
Then on a sudden, as if he had been roused up and inspired by a martial spirit, he girded his cloak, scarf-ways, about his left arm, tucked up his sleeves to the elbow, trussed himself like a clown gathering apples, and giving to one of his old acquaintance his wallet, books, and opistographs, away went he out of town towards a little hill or promontory of Corinth called Craneum; and there on, the strand, a pretty level place, did he roll his jolly tub, which served him for an house to shelter him from the injuries of the weather: there, I say, in a great vehemency of spirit, did he turn it veer it, wheel it, whirl it, frisk it, jumble it, shuffle it, hurdle it, tumble it, hurry it, jolt it, jostle it, overthrow it, evert it, invert it, subvert it, overturn it, beat it, thwack it, bump it, batter it, knock it, thrust it, push it, jerk it, shock it, shake it, toss it, throw it, overthrow it upside down, topsyturvy, tread it, trample it, stamp it, tap it, ting it, ring it, tingle it, towl it, sound it, resound it, stop it, shut it, unbung it, close it, unstopple it. And then again in a mighty bustle he bandied it, slubbered it, hacked it, whittled it, wayed it, darted it, hurled it, staggered it, reeled it, swinged it, brangled it, tottered it, lifted it, heaved it, transformed it, transfigured it, transposed it, transplaced it, reared it, raised it, hoised it, washed it, dighted it, cleansed it, rinsed it, nailed it, settled it, fastened it, shackled it, fettered it, levelled it, blocked it, tugged it, tewed it, carried it, bedashed it, bewrayed it, parched it, mounted it, broached it, nicked it, notched it, bespattered it, decked it, adorned it, trimmed it, garnished it, gaged it, furnished it, bored it, pierced it, tapped it, rumbled it, slid it down the hill, and precipitated it from the very height of the Craneum; then from the foot to the top (like another Sisyphus with his stone) bore it up again, and every way so banged it and belabored it, that it was ten thousand to one he had not struck the bottom of it out.
Which when one of his friends had seen, and asked him why he did so toil his body, perplex his spirit, and torment his tub? the philosopher’s answer was, that not being employed in any other office by the Republic, he thought it expedient to thunder and storm it so tempestuously upon his tub, that amongst a people so fervently busy and earnest at work, he alone might not seem a loitering slug and lazy fellow. To the same purpose may I say to myself,—
Tho’ I be rid from fear, I am not void of care.
For perceiving no account to be made of me towards the discharge of a trust of any great concernment, and considering that through all the parts of this most noble kingdom of France, both on this and on the other side of the mountains, every one is most diligently exercised and busied; some in the fortifying of their own native country, for its defence; others, in the repulsing of their enemies by an offensive war; and all this with a policy so excellent, and such admirable order, so manifestly profitable for the future, whereby France shall have its frontiers most magnifically enlarged, and the French assured of a long and well-grounded peace, that very little withholds me from the opinion of good Heraclitus, which affirmeth war to be the parent of all good things; and therefore do I believe that war is in Latin called bellum, not by antiphrasis, as some patchers of old rusty Latin would have us to think, because in war there is little beauty to be seen; but absolutely and simply; for that in war (bellum in Latin) appears all that is good and graceful, bon and bel in French, and that by the wars is purged out all manner of wickedness and deformity. For proof whereof the wise and pacific Solomon could no better represent the unspeakable perfection of the divine wisdom, than by comparing it to the due disposure and ranking of an army in battle array, well provided and ordered.
Therefore by reason of my weakness and inability, being reputed by my compatriots unfit for the offensive part of warfare; and on the other side, being no way employed in matter of the defensive, although it had been but to carry burdens, fill ditches, or break clods, each whereof had been to me indifferent, I held it not a little disgraceful to be only an idle spectator of so many valorous, eloquent, and warlike persons, who in the view and sight of all Europe act this notable interlude or tragicomedy, and not exert myself, and contribute thereto this nothing, my all; which remained for me to do. For, in my opinion, little honor is due to such as are mere lookers on, liberal of their eyes, and of their strength parsimonious; who conceal their crowns and hide their silver; scratching their head with one finger like grumbling puppies, gaping at the flies like tithe calves; clapping down their ears like Arcadian asses at the melody of musicians, who with their very countenances in the depth of silence express their consent to the prosopopeia.
Having made this choice and election, it seemed to me that my exercise therein would be neither unprofitable nor troublesome to any, whilst I should thus set agoing my Diogenical Tub.
THE LOST HATCHET
There once lived a poor honest country fellow of Gravot, Tom Wellhung by name, a wood-cleaver by trade, who in that low drudgery made shift so to pick up a sorry livelihood. It happened that he lost his hatchet. Now tell me who ever had more cause to be vexed than poor Tom? Alas, his whole estate and life depended on his hatchet; by his hatchet he earned many a fair penny of the best wood-mongers or log-merchants, among whom he went a-jobbing; for want of his hatchet he was like to starve; and had Death but met him six days after without a hatchet, the grim fiend would have mowed him down in the twinkling of a bed-staff. In this sad case he began to be in a heavy taking, and called upon Jupiter with most eloquent prayers (for, you know, necessity was the mother of eloquence), with the whites of his eyes turned up toward heaven, down on his marrow-bones, his arms reared high, his fingers stretched wide, and his head bare, the poor wretch without ceasing was roaring out by way of Litany at every repetition of his supplications, “My hatchet, Lord Jupiter, my hatchet, my hatchet, only my hatchet, oh, Jupiter, or money to buy another, and nothing else; alas, my poor hatchet!”
Jupiter happened then to be holding a grand council about certain urgent affairs, and old Gammer Cybele was just giving her opinion, or, if you had rather have it so, it was young Phœbus the Beau; but, in short, Tom’s outcry and lamentations were so loud that they were heard with no small amazement at the council-board by the whole consistory of the gods. “What a devil have we below,” quoth Jupiter, “that howls so horridly? By the mud of Styx, haven’t we had all along, and haven’t we here still, enough to do to set to rights a world of puzzling businesses of consequence? Let us, however, despatch this howling fellow below; you, Mercury, go see who it is, and discover what he wants.” Mercury looked out at heaven’s trapdoor, through which, as I am told, they hear what’s said here below. By the way, one might well enough mistake it for the scuttle of a ship; though Icaromenippus said it was like the mouth of a well. The light-heeled deity saw that it was honest Tom, who asked for his lost hatchet; and, accordingly, he made his report to the Synod. “Marry,” said Jupiter, “we are finely holped up, as if we had now nothing else to do here but to restore lost hatchets. Well, he must have it for all that, for so ’tis written in the Book of Fate, as well as if it was worth the whole Duchy of Milan. The truth is, the fellow’s hatchet is as much to him as a kingdom to a king. Come, come, let no more words be scattered about it; let him have his hatchet again. Run down immediately, and cast at the poor fellow’s feet three hatchets! his own, another of gold, and a third of massy silver, all of one size; then, having left it to his will to take his choice, if he take his own, and be satisfied with it, give him t’other two. If he take another, chop his head off with his own; and henceforth serve me all those losers of hatchets after that manner.”
Having said this, Jupiter, with an awkward turn of his head, like a jackanapes swallowing pills, made so dreadful a phiz that all the vast Olympus quaked again. Heaven’s foot-messenger, thanks to his low-crowned, narrow-brimmed hat, and plume of feathers, heel-pieces, and running-stick with pigeon-wings, flings himself out at heaven’s wicket, through the empty deserts of the air, and in a trice nimbly alights on the earth, and throws at friend Tom’s feet the three hatchets, saying to him: “Thou hast bawled long enough to be a-dry; thy prayers and requests are granted by Jupiter; see which of these three is thy hatchet, and take it away with thee.”
Wellhung lifts up the golden hatchet, peeps upon it, and finds it very heavy; then staring on Mercury cries, “Gadzooks, this is none of mine; I won’t ha’t.” The same he did with the silver one, and said, “’Tis not this either; you may e’en take them again.” At last, he takes up his own hatchet, examines the end of the helve, and finds his mark there; then, ravished with joy, like a fox that meets some straggling poultry, and sneering from the tip of the nose, he cries, “By the Mass, this is my hatchet; Master God, if you will leave it me, I will sacrifice to you a very good and huge pot of milk, brim full, covered with fine strawberries, next Ides, i.e., the 15th of May.”
“Honest fellow,” said Mercury, “I leave it thee; take it; and because thou hast wished and chosen moderately, in point of hatchet, by Jupiter’s command I give thee these two others; thou hast now wherewith to make thyself rich: be honest.”
Honest Tom gave Mercury a whole cart-load of thanks, and paid reverence to the most great Jupiter. His old hatchet he fastened close to his leathern girdle, and girds it about his breech like Martin of Cambray; the two others, being more heavy, he lays on his shoulder. Thus he plods on, trudging over the fields, keeping a good countenance among his neighbors and fellow-parishioners, with one merry saying or other, after Patelin’s way.
The next day, having put on a clean white jacket, he takes on his back the two precious hatchets, and comes to Chinon, the famous city, noble city, ancient city, yea, the first city in the world, according to the judgment and assertion of the most learned Massoreths. In Chinon he turned his silver hatchet into fine testons, crown-pieces, and other white cash; his golden hatchet into fine angels, curious ducats, substantial ridders, spankers, and rose nobles. Then with them purchases a good number of farms, barns, houses, outhouses, thatch-houses, stables, meadows, orchards, fields, vineyards, woods, arable lands, pastures, ponds, mills, gardens, nurseries, oxen, cows, sheep, goats, swine, hogs, asses, horses, hens, cocks, capons, chickens, geese, ganders, ducks, drakes, and a world of all other necessaries, and in a short time became the richest man in all the country. His brother bumpkins, and the yeomen and other country-puts thereabout, perceiving his good fortune, were not a little amazed, insomuch that their former pity of poor Tom was soon changed into an envy of his so great and unexpected rise; and, as they could not for their souls devise how this came about, they made it their business to pry up and down, and lay their heads together, to inquire, seek, and inform themselves by what means, in what place, on what day, what hour, how, why, and wherefore, he had come by this great treasure.
At last, hearing it was by losing his hatchet, “Ha, ha!” said they, “was there no more to do, but to lose a hatchet, to make us rich?” With this they all fairly lost their hatchets out of hand. The devil a one that had a hatchet left; he was not his mother’s son, that did not lose his hatchet. No more was wood felled or cleared in that country through want of hatchets. Nay, the Æsopian apologue even saith, that certain petty country gents, of the lower class, who had sold Wellhung their little mill and little field to have wherewithal to make a figure at the next muster, having been told that this treasure was come to him by that means only, sold the only badge of their gentility, their swords, to purchase hatchets to go to lose them, as the silly clodpates did, in hopes to gain store of coin by that loss.
You would have truly sworn they had been a parcel of your petty spiritual usurers, Rome-bound, selling their all, and borrowing of others to buy store of mandates, a pennyworth of a new-made pope.
Now they cried out and brayed, and prayed and bawled, and lamented and invoked Jupiter, “My hatchet! My hatchet! Jupiter, my hatchet!” On this side, “My hatchet!” On that side, “My hatchet! Ho, ho, ho, ho, Jupiter, my hatchet!” The air round about rung again with the cries and howlings of these rascally losers of hatchets.
Mercury was nimble in bringing them hatchets; to each offering that which he had lost, as also another of gold, and a third of silver.
Everywhere he still was for that of gold, giving thanks in abundance to the great giver Jupiter; but in the very nick of time, that they bowed and stooped to take it from the ground, whip in a trice, Mercury lopped off their heads, as Jupiter had commanded. And of heads thus cut off, the number was just equal to that of the lost hatchets.
—Gargantua and Pantagruel.
There is an epigram in Martial, and one of the very good ones—for he has all sorts—where he pleasantly tells the story of Cælius, who, to avoid making his court to some great men of Rome, to wait their rising, and to attend them abroad, pretended to have the gout; and the better to color this, anointed his legs and had them lapped up in a great many swathings, and perfectly counterfeited both the gesture and countenance of a gouty person; till in the end, Fortune did him the kindness to make him one indeed.
“Tantum cura potest, et ars doloris! Desit fingere Cælius podagram.”
I think I have read somewhere in Appian, a story like this, of one who to escape the proscriptions of the triumvirs of Rome, and the better to be concealed from the discovery of those who pursued him, having hidden himself in a disguise, would yet add this invention, to counterfeit having but one eye; but when he came to have a little more liberty, and went to take off the plaster he had a great while worn over his eye, he found he had totally lost the sight of it indeed, and that it was absolutely gone. ’Tis possible that the action of sight was dulled from having been so long without exercise, and that the optic power was wholly retired into the other eye for we evidently perceive that the eye we keep shut sends some part of its virtue to its fellow, so that it will swell and grow bigger; and so, inaction, with the heat of ligatures and plaster might very well have brought some gouty humor upon this dissembler of Martial.
Reading in Froissart the vow of a troop of young English gallants, to keep their left eyes bound up till they had arrived in France and performed some notable exploit upon us, I have often been tickled with the conceit: suppose it had befallen them as it did the Roman, and they had returned with but one eye apiece to their mistresses, for whose sakes they had made his ridiculous vow.
Mothers have reason to rebuke their children when they counterfeit having but one eye, squinting, lameness, or any other personal defect; for, besides that their bodies being then so tender may be subject to take an ill bent, Fortune, I know not how, sometimes seems to delight in taking us at our word; and I have heard several examples related of people who have become really sick, by only feigning to be so. I have always used, whether on horseback or on foot, to carry a stick in my hand, and even to affect doing it with an elegant air; many have threatened that this fancy would one day be turned into necessity: if so, I should be the first of my family to have the gout.
But let us a little lengthen this chapter, and add another anecdote concerning blindness. Pliny reports of one who, dreaming he was blind, found himself so indeed in the morning without any preceding infirmity in his eyes. The force of imagination might assist in this case, as I have said elsewhere, and Pliny seems to be of the same opinion; but it is more likely that the motions which the body felt within, of which physicians, if they please, may find out the cause, taking away his sight, were the occasion of his dream.
Let us add another story, not very improper for this subject, which Seneca relates in one of his epistles: “You know,” says he, writing to Lucilius, “that Harpaste, my wife’s fool, is thrown upon me as an hereditary charge for I have naturally an aversion to those monsters; and if I have a mind to laugh at a fool, I need not seek him far, I can laugh at myself. This fool has suddenly lost her sight: I tell you a strange, but a very true thing; she is not sensible that she is blind, but eternally importunes her keeper to take her abroad, because she says the house is dark. That what we laugh at in her, I pray you to believe, happens to every one of us: no one knows himself to be avaricious or grasping: and again, the blind call for a guide, while we stray of our own accord. I am not ambitious, we say; but a man cannot live otherwise at Rome; I am not wasteful, but the city requires a great outlay; ’tis not my fault if I am choleric—if I have not yet established any certain course of life: ’tis the fault of youth. Let us not seek our disease out of ourselves; ’tis in us, and planted in our bowels; and the mere fact that we do not perceive ourselves to be sick, renders us more hard to be cured. If we do not betimes begin to see to ourselves, when shall we have provided for so many wounds and evils wherewith we abound? And yet we have a most sweet and charming medicine in philosophy; for of all the rest we are sensible of no pleasure till after the cure: this pleases and heals at once.” This is what Seneca says, that has carried me from my subject, but there is advantage in the change.
As in England, the French published many jest books containing short anecdotes or epigrams, as well as the ubiquitous noodle stories.
A wife said to her husband, who was much attached to reading, “I wish I were a book, that I might always have your company.” Then, answered he, I should wish you an almanac, that I might change once a year.
It was said of a malicious parasite, that he never opened his mouth but at the expense of others; because he always ate at the tables of others, and spoke ill of everybody.
The Duke of Vivonne, who was a heretic in medicine, being indisposed, his friends sent for a physician. When the Duke was told a physician was below, he said, Tell him I cannot see him, because I am not well. Let him call again at another time.
The Marechal de Faber, at a siege, was pointing out a place with his finger. As he spoke, a musket-ball carried off the finger. Instantly stretching another, he continued his discourse, Gentlemen, as I was saying—. This was true sang froid.
A man, carrying on an unjust process, was advised to pray to God for its success. Stop, stop, replied he, God must hear nothing of this.
Another princess of France, being espoused by the king of Spain, in passing through a town, on her way to Madrid, the magistrates of the place, which was a famous mart for stockings, waited on the queen with a present of a dozen pairs of remarkable fineness. The Spanish grandee, who attended her, full of the jealous humour of his nation, said, in a passion. “You fools, know that a queen of Spain has no legs.” The magistrates retired in terror, and the poor queen, weeping sadly, said, Must I then have both my legs cut off?
In a village of Poitou, a peasant’s wife, after a long illness, fell into a lethargy. She was thought dead; and being only wrapped in linen, as the custom of burying the poor in that country is, she was carried to the place of interment. In going to church, the body, being borne aloft, was caught hold of by some briars, and so scratched, that as if bled by a surgeon, she revived. Fourteen years after, she died in earnest, as was thought; and as they carried her to church, the husband exclaimed, For God’s sake, do not go near the briars.
A gentleman, seeing in his yard a mass of rubbish, blamed his people for not removing it. A domestic said, no cart could be got. “Why,” answered the master, “do you not make a pit beside the rubbish, and bury it?” “But,” answered the domestic, “where shall we put the earth that comes out of the pit?” You great fool, replied his master, make the pit so large as to hold all.
A lady sitting near the fire, and telling a long story, a spark flew on her gown, and she did not perceive it till it had burnt a good while. I saw it at first, madam, said a lady who was present, but I could not be so rude as to interrupt you.
When Rabelais lay on his death-bed, he could not help jesting at the very last moment; for, having received the extreme unction, a friend coming to see him, said, he hoped he was prepared for the next world. Yes, yes, answered Rabelais, I am ready for my journey now; they have just greased my boots.
GERMAN WIT AND HUMOR
Brandt’s Das Narrenschiff, or The Ship of Fools, a long satirical poem, was published at the close of the Fifteenth century.
It was followed by The Boats of Foolish Women and other imitative works.
Among them, was The Praise of Folly, by Desiderius Erasmus, a Dutch classical scholar and satirist.
The following is from the Dedicatory Epistle which introduces The Praise of Folly, and which is addressed to Sir Thomas More.
“But those who are offended at the lightness and pedantry of this subject, I would have them consider that I do not set myself for the first example of this kind, but that the same has been oft done by many considerable authors. For thus, several ages since, Homer wrote of no more weighty a subject than of a war between the frogs and mice; Virgil of a gnat and a pudding cake; and Ovid of a nut. Polycrates commended the cruelty of Busiris; and Isocrates, that corrects him for this, did as much for the injustice of Glaucus. Favorinus extolled Thersites, and wrote in praise of a quartane ague. Synesius pleaded in behalf of baldness; and Lucian defended a sipping fly. Seneca drollingly related the deifying of Claudius; Plutarch the dialogue betwixt Gryllus and Ulysses; Lucian and Apuleius the story of an ass; and somebody else records the last will of a hog, of which St. Hierom makes mention. So that, if they please, let themselves think the worst of me, and fancy to themselves that I was, all this while, a playing at push-pin, or riding astride on a hobby-horse. For how unjust is it, if when we allow different recreations to each particular course of life, we afford no diversion to studies; especially when trifles may be a whet to more serious thoughts, and comical matters may be so treated of, as that a reader of ordinary sense may possibly thence reap more advantage than from some more big and stately argument.... As to what relates to myself, I must be forced to submit to the judgment of others, yet, except I am too partial to be judge in my own case, I am apt to believe I have praised Folly in such a manner as not to have deserved the name of fool for my pains.”
A short extract from the book follows.
“It is one farther very commendable property of fools, that they always speak the truth, than which there is nothing more noble and heroical. For so, though Plato relates it as a sentence of Alcibiades, that in the sea of drunkenness truth swims uppermost, and so wine is the only teller of truth, yet this character may more justly be assumed by me, as I can make good from the authority of Euripides, who lays down this as an axiom, ‘Children and fools always speak the truth.’ Whatever the fool has in his heart, he betrays in his face; or what is more notifying, discovers it by his words; while the wise man, as Euripides observes, carries a double tongue; the one to speak what may be said, the other what ought to be; the one what truth, the other what time requires; whereby he can in a trice so alter his judgment, as to prove that to be now white, which he had just swore to be black; like the satyr at his porridge, blowing hot and cold at the same breath; in his lips professing one thing, when in his heart he means another.
Furthermore, princes in their greatest splendor seem upon this account unhappy, in that they miss the advantage of being told the truth, and are shammed off by a parcel of insinuating courtiers, that acquit themselves as flatterers more than as friends. But some will perchance object that princes do not love to hear the truth, and therefore wise men must be very cautious how they behave themselves before them, lest they should take too great a liberty in speaking what is true, rather than what is acceptable. This must be confessed, truth indeed is seldom palatable to the ears of kings, yet fools have so great a privilege as to have free leave, not only to speak bare truths, but the most bitter ones too; so as the same reproof which, had it come from the mouth of a wise man would have cost him his head, being blurted out by a fool, is not only pardoned, but well taken, and rewarded. For truth has naturally a mixture of pleasure, if it carry with it nothing of offence to the person whom it is applied to; and the happy knack of ordering it so, is bestowed only on fools....”
However, but few individual names stand out in the early German literature that can by any stretch of definition be called humorous.
As in all other countries, legends and folk lore tales were rife, and eventually produced popular heroes about whom stories were invented.
Brother Rush, who seems to be merely a demon of darkness, is first found in print in Germany in 1515.
He is a tricksy sprite and goes through various vicissitudes of rather dull interest.
He was followed by Tyll Eulenspiegel, a far more popular personage, and translated to England under the name of Owleglas or Howleglas.
Eulenspiegel was a shrewd and cunning proposition and had many startling adventures, two of which are here given.
EULENSPIEGEL’S PRANKS The Golden Horseshoes
Eulenspiegel came to the court of the King of Denmark, who liked him well, and said that if he would make him some diversion, then might he have the best of shoes for his horse’s hoofs. Eulenspiegel asked the king if he was minded to keep his word well and truly, and the king did answer most solemnly, “Yes.”
Now did Eulenspiegel ride his horse to a goldsmith, by whom he suffered to be beaten upon the horse’s hoofs shoes of gold with silver nails. This done, Eulenspiegel went to the king, that the king might send his treasurer to pay for the shoeing. The treasurer believed he should pay a blacksmith, but Eulenspiegel conducted him to the goldsmith, who did require and demand one hundred Danish marks. This would the treasurer not pay, but went and told his master.
Therefore the king caused Eulenspiegel to be summoned into his presence, and spoke to him:
“Eulenspiegel, why did you have such costly shoes? Were I to shoe all my horses thus, soon would I be without land or any possessions.”
To which Eulenspiegel did make reply:
“Gracious King, you did promise me the best of shoes for my horse’s hoofs, and I did think the best were of gold.”
Then the king laughed:
“You shall be of my court, for you act upon my very word.”
And the king commanded his treasurer to pay the hundred marks for the horse’s golden shoes. But these Eulenspiegel caused to be taken off, and iron shoes put on in their stead; and he remained many a long day in the service of the King of Denmark.
Paying with the Sound of a Penny
Eulenspiegel was at a tavern where the host did one day put the meat on the spit so late that Eulenspiegel got hungry for dinner. The host, seeing his discontent, said to him:
“Who cannot wait till the dinner be ready, let him eat what he may.”
Therefore Eulenspiegel went aside, and ate some dry bread; after that he had eaten he sat by the fire and turned the spit until the meat was roasted. Then was the meat borne upon the table, and the host, with the guests, did feast upon it. But Eulenspiegel stayed on the bench by the fire, nor would he sit at the board, since he told the host that he had his fill from the odor of the meat. So when they had eaten, and the host came to Eulenspiegel with the tray, that he might place in it the price of the food, Eulenspiegel did refuse, saying:
“Why must I pay for what I have not eaten?”
To which the host replied, in anger:
“Give me your penny; for by sitting at the fire, and swallowing the savor of the meat, you had the same nourishment as though you had partaken of the meat at the board.”
Then Eulenspiegel searched in his purse for a penny, and threw it on the bench, saying to the host:
“Do you hear this sound?”
“I do, indeed,” answered the host.
Then did Eulenspiegel pick up the penny and restore it to his purse; which done, he spoke again:
“To my belly the odor of the meat is worth as much as the sound of the penny is to you.”
About this time came into being the tales of the Schildburgers, or Noodles, who correspond to the Gothamites of England.
Schildburg, we are told, was a town “in Misnopotamia, beyond Utopia, in the kingdom of Calecut.” The Schildburgers were originally so renowned for their wisdom, that they were continually invited into foreign countries to give their advice, until at length not a man was left at home, and their wives were obliged to assume the charge of the duties of their husbands. This became at length so onerous, that the wives held a council, and resolved on despatching a solemn message in writing to call the men home. This had the desired effect; all the Schildburgers returned to their own town, and were so joyfully received by their wives that they resolved upon leaving it no more. They accordingly held a council, and it was decided that, having experienced the great inconvenience of a reputation of wisdom, they would avoid it in future by assuming the character of fools. One of the first evil results of their long neglect of home affairs was the want of a council-hall, and this want they now resolved to supply without delay. They accordingly went to the hills and woods, cut down the timber, dragged it with great labour to the town, and in due time completed the erection of a handsome and substantial building. But, when they entered their new council-hall, what was their consternation to find themselves in perfect darkness! In fact, they had forgotten to make any windows. Another council was held, and one who had been among the wisest in the days of their wisdom, gave his opinion very oracularly; the result of which was that they should experiment on every possible expedient for introducing light into the hall, and that they should first try that which seemed most likely to succeed. They had observed that the light of day was caused by sunshine, and the plan proposed was to meet at mid-day when the sun was brightest, and fill sacks, hampers, jugs, and vessels of all kinds, with sunshine and daylight, which they proposed afterwards to empty into the unfortunate council-hall. Next day, as the clock struck one, you might see a crowd of Schildburgers before the council-house door, busily employed, some holding the sacks open, and others throwing the light into them with shovels and any other appropriate implements which came to hand. While they were thus labouring, a stranger came into the town of Schildburg, and, hearing what they were about, told them they were labouring to no purpose, and offered to show them how to get the daylight into the hall. It is unnecessary to say more than that this new plan was to make an opening in the roof, and that the Schildburgers witnessed the effect with astonishment, and were loud in their gratitude to the new comer.
The Schildburgers met with further difficulties before they completed their council-hall. They sowed a field with salt, and when the salt-plant grew up next year, after a meeting of the council, at which it was stiffly disputed whether it ought to be reaped, or mowed, or gathered in in some other manner, it was finally discovered that the crop consisted of nothing but nettles. After many accidents of this kind, the Schildburgers are noticed by the emperor, and obtain a charter of incorporation and freedom, but they profit little by it. In trying some experiments to catch mice, they set fire to their houses, and the whole town is burnt to the ground, upon which, in their sorrow, they abandon it altogether, and become, like the Jews of old, scattered over the world, carrying their own folly into every country they visit.
Another tale relates how the boors of Schilda contrived to get their millstone twice down from a high mountain:
The boors of Schilda had built a mill, and with extraordinary labour they had quarried a millstone for it out of a quarry which lay on the summit of a high mountain; and when the stone was finished, they carried it with great labour and pain down the hill. When they had got to the bottom, it occurred to one of them that they might have spared themselves the trouble of carrying it down by letting it roll down. “Verily,” said he, “we are the stupidest of fools to take these extraordinary pains to do that which we might have done with so little trouble. We will carry it up, and then let it roll down the hill by itself, as we did before with the tree which we felled for the council-house.”
This advice pleased them all, and with greater labour they carried the stone to the top of the mountain again, and were about to roll it down, when one of them said, “But how shall we know where it runs to? Who will be able to tell us aught about it?” “Why,” said the bailiff, who had advised the stone being carried up again, “this is very easily managed. One of us must stick in the hole [for the millstone, of course, had a hole in the middle], and run down with it.” This was agreed to, and one of them, having been chosen for the purpose, thrust his head through the hole, and ran down the hill with the millstone. Now at the bottom of the mountain was a deep fish-pond, into which the stone rolled, and the simpleton with it, so that the Schildburgers lost both stone and man, and not one among them knew what had become of them. And they felt sorely angered against their old companion who had run down the hill with the stone, for they considered that he had carried it off for the purpose of disposing of it. So they published a notice in all the neighbouring boroughs, towns, and villages, calling on them, that “if any one come there with a millstone round his neck, they should treat him as one who had stolen the common goods, and give him to justice.” But the poor fellow lay in the pond, dead. Had he been able to speak, he would have been willing to tell them not to worry themselves on his account, for he would give them their own again. But his load pressed so heavily upon him, and he was so deep in the water, that he, after drinking water enough—more, indeed, than was good for him—died; and he is dead at the present day, and dead he will, shall, and must remain!
The earliest known edition of the history of the Schildburgers was printed in 1597, but the story itself is no doubt older. It will be seen at once that it involves a satire upon the municipal towns of the middle ages.
ITALIAN WIT AND HUMOR
Of Italian wit and humor up to and through the Sixteenth Century there is little to be said. Translators who have given us in English the early literature of Italy have been so concerned with the serious poetry and prose that they neglected the lighter veins.
If, indeed, there were any worth while.
The outstanding name of the Fourteenth Century is that of Giovanni Boccaccio.
But though the Decameron, a collection of one hundred stories, is a mirror of the humorous taste of that time, the stories are for the most part, long, dull and prosy.
They relate the intrigues of lovers in a freely licentious way, but both humorous description and witty repartee are consciously lacking.
One of the most amusing of the decent tales is here given, also a sonnet of Boccaccio’s translated by Rossetti.
OF THREE GIRLS AND THEIR TALK
By a clear well, within a little field Full of green grass and flowers of every hue, Sat three young girls, relating (as I knew) Their loves. And each had twined a bough to shield Her lovely face; and the green leaves did yield The golden hair their shadow,—while the two Sweet colours mingled, both blown lightly through With a soft wind for ever stirr’d and still’d. After a little while one of them said (I heard her)—“Think! if ere the next hour struck Each of our lovers should come here to-day, Think you that we should fly or feel afraid?” To whom the others answer’d—“From such luck A girl would be a fool to run away!”
THE STOLEN PIG
Calandrino had a little farm, not far from Florence, which came to him through his wife. There he used to have a pig fatted every year, and some time about December he and his wife went always to kill and salt it for the use of the family. Now it happened once—she being unwell at the time—that he went thither by himself to kill his pig; which Bruno and Buffalmacco hearing, and knowing she was not to be there, they went to spend a few days with a great friend of theirs, a priest in Calandrino’s neighborhood. Now the pig had been killed the very day they came thither, and Calandrino, seeing them along with the priest, called to them and said, “Welcome, kindly; I would gladly you should see what a good manager I am.” Then, taking them into the house, he showed them this pig. They saw that it was fat, and were told by him that it was to be salted for his family. “Salted, booby?” said Bruno. “Sell it, let us make merry with the money, and tell your wife that it was stolen.” “No,” said Calandrino, “she will never believe it; and, besides, she would turn me out of doors. Trouble me, then, no further about any such thing, for I will never do it.” They said a great deal more to him, but all to no purpose. At length he invited them to supper, but did it in such a manner that they refused.
After they had come away from him, said Bruno to Buffalmacco, “Suppose we steal this pig from him to-night.” “How is it possible?” “Oh, I know well enough how to do it, if he does not remove it in the meantime from the place where we just now saw it.” “Then let us do it, and afterward we and the parson will make merry over it.” The priest assured them that he should like it above all things. “We must use a little art,” quoth Bruno; “you know how covetous he is, and how freely he drinks when it is at another’s cost. Let us get him to the tavern, where the parson shall make a pretense of treating us all, out of compliment to him. He will soon get drunk, and then the thing will be easy enough, as there is nobody in the house but himself.”
This was done, and Calandrino, finding that the parson was to pay, took his glasses pretty freely, and, getting his dose, walked home betimes, left the door open, thinking that it was shut, and so went to bed. Buffalmacco and Bruno went from the tavern to sup with the priest, and as soon as supper was over they took proper tools with them to get into the house; but finding the door open, they carried off the pig to the priest’s and went to bed likewise.
In the morning, as soon as Calandrino had slept off his wine, he rose, came down-stairs, and finding the door open and his pig gone, began to inquire of everybody if they knew anything of the matter; and receiving no tidings of it, he made a terrible outcry, saying, “What shall I do now? Somebody has stolen my pig!” Bruno and Buffalmacco were no sooner out of bed than they went to his house to hear what he would say; and the moment he saw them he roared out, “Oh, my friends, my pig is stolen!” Upon this Bruno whispered to him and said, “Well, I am glad to see you wise in your life for once.” “Alas!” quoth he, “it is too true.” “Keep to the same story,” said Bruno, “and make noise enough for every one to believe you.”
Calandrino now began to bawl louder, “Indeed! I vow and swear to you that it is stolen.” “That’s right; be sure you let everybody hear you, that it may appear so.” “Do you think that I would forswear myself about it? May I be hanged this moment if it is not so!” “How is it possible!” quoth Bruno; “I saw it but last night; never imagine that I can believe it.” “It is so, however,” answered he, “and I am undone. I dare not now go home again, for my wife will never believe me, and I shall have no peace this twelve-month.” “It is a most unfortunate thing,” said Bruno, “if it be true; but you know I put it into your head to say so last night, and you should not make sport both of your wife and us at the same time.”
At this Calandrino began to roar out afresh, saying, “Good God! you make me mad to hear you talk. I tell you once for all it was stolen this very night!” “Nay, if it be so,” quoth Buffalmacco, “we must think of some way to get it back again.” “And what way must we take,” said he “to find it?” “Depend upon it,” replied the other, “that nobody came from the Indies to steal it; it must be somewhere in your neighborhood, and if you could get the people together I could make a charm, with some bread and cheese, that would soon discover the thief.” “True,” said Bruno, “but they would know in that case what you were about; and the person that has it would never come near you.” “How must we manage, then?” said Buffalmacco. “Oh!” replied Bruno, “you shall see me do it with some pills of ginger and a little wine, which I will ask them to come and drink. They will have no suspicion what our design is, and we can make a charm of these as well as of the bread and cheese.” “Very well,” quoth the other. “What do you say, Calandrino? Have you a mind we should try it?” “For Heaven’s sake do,” he said; “if I only knew who the thief is, I should be half comforted.” “Well, then,” quoth Bruno, “I am ready to go to Florence for the things, if you will only give me some money.” He happened to have a few florins in his pocket, which he gave him, and off went Bruno.
When he got to Florence, Bruno went to a friend’s house and bought a pound of ginger made into pills. He also got two pills made of aloes, which had a private mark that he should not mistake them, being candied over with sugar like the rest. Then, having bought a jar of good wine, he returned to Calandrino, and said, “To-morrow you must take care to invite every one that you have the least suspicion of; it is a holiday, and they will be glad to come. We will finish the charm to-night, and bring the things to your house in the morning, and then I will take care to do and say on your behalf what is necessary upon such an occasion.”
Calandrino did as he was told, and in the morning he had nearly all the people in the parish assembled under an elm-tree in the churchyard. His two friends produced the pills and wine, and, making the people stand round in a circle, Bruno said to them, “Gentlemen, it is fit that I should tell you the reason of your being summoned here in this manner, to the end, if anything should happen which you do not like, that I be not blamed for it. You must know, then, that Calandrino had a pig stolen last night, and, as some of the company here must have taken it, he, that he may find out the thief, would have every man take and eat one of these pills, and drink a glass of wine after it. Whoever the guilty person is, you will find he will not be able to get a bit of it down, but it will taste so bitter that he will be forced to spit it out. Therefore, to prevent such open shame, he had better, whoever he is, make a secret confession to the priest, and I will proceed no further.”
All present declared their readiness to eat; so, placing them all in order, he gave every man his pill and coming to Calandrino, he gave one of the aloe pills to him, which he straightway put into his mouth, and no sooner did he began to chew it than he was forced to spit it out. Every one was now attentive to see who spit his pill out, and while Bruno kept going round, apparently taking no notice of Calandrino, he heard somebody say behind him, “Hey-day! what is the meaning of its disagreeing so with Calandrino?” Bruno now turned suddenly about, and seeing that Calandrino had spit out his pill, he said, “Stay a little, honest friends, and be not too hasty in judging; it may be something else that has made him spit, and therefore he shall try another.” So he gave him the other aloe pill, and then went on to the rest that were unserved. But if the first was bitter to him, this he thought much more so. However, he endeavored to get it down as well as he could. But it was impossible; it made the tears run down his cheeks, and he was forced to spit it out at last, as he had done the other. In the meantime Buffalmacco was going about with the wine; but when he and all of them saw what Calandrino had done, they began to bawl out that he had robbed himself, and some of them abused him roundly.
After they were all gone, Buffalmacco said, “I always thought that you yourself were the thief, and that you were willing to make us believe the pig was stolen in order to keep your money in your pocket, lest we should expect a treat upon the occasion.” Calandrino, who had still the taste of the aloes in his mouth, fell a-swearing that he knew nothing of the matter. “Honor bright, now, comrade,” said Buffalmacco, “what did you get for it?” This made Calandrino quite furious.
To crown all, Bruno struck in: “I was just now told,” said he, “by one of the company, that you have a mistress in this neighborhood to whom you are very kind, and that he is confident you have given it to her. You know you once took us to the plains of Mugnone, to look for some black stones, when you left us in the lurch, and pretended you had found them; and now you think to make us believe that your pig is stolen, when you have either given it away or sold it. You have played so many tricks upon us, that we intend to be fooled no more by you. Therefore, as we have had a deal of trouble in the affair, you shall make us amends by giving us two couple of fowls, unless you mean that we should tell your wife.”
Calandrino, now perceiving that he would not be believed, and being unwilling to have them add to his troubles by bringing his wife upon his back, was forced to give them the fowls, which they joyfully carried off along with the pork.
—The Decameron.
Rather earlier than Boccaccio lived Rustico di Filippo, who gives us the following satirical bit.
THE MAKING OF MASTER MESSERIN
When God had finished Master Messerin, He really thought it something to have done: Bird, man, and beast had got a chance in one, And each felt flattered, it was hoped, therein. For he is like a goose i’ the windpipe thin, And like a camelopard high i’ the loins, To which for manhood, you’ll be told, he joins Some kind of flesh hues and a callow chin. As to his singing, he affects the crow, As to his learning, beasts in general, And sets all square by dressing like a man. God made him, having nothing else to do, And proved there is not anything at all He cannot make, if that’s a thing He can.
Among other collections of tales was the Novellino, collected by Massuchio di Salerno, about the middle of the Fifteenth Century.
We quote
THE INHERITANCE OF A LIBRARY
Jeronimo, who had inherited the place of master and head of the house, found himself in possession of many thousand florins in ready money. Wherefore the youth, seeing that he himself had endured no labor and weariness in gathering together the same, forthwith made up his mind not to place his affection in possessions of this sort, and at once began to array himself in sumptuous garments, to taste the pleasures of the town in the company of certain chosen companions of his, to indulge in amorous adventures, and in a thousand other ways to dissipate his substance abroad without restraint of any kind. Not only did he banish from his mind all thought and design of continuing his studies, but he even went so far as to harbor against the books, which his father had held in such high esteem and reverence and had bequeathed to him, the most fierce and savage hatred. So violent, indeed, was his resentment against them that he set them down as the worst foes he had in the world.
On a certain day it happened that the young man, either by accident or for some reason of his own, betook himself into the library of his dead father, and there his eye fell upon a vast quantity of handsome and well-arranged books, such as are wont to be found in places of this sort. At the first sight of these he was somewhat stricken with fear, and with a certain apprehension that the spirit of his father might pursue him; but, having collected his courage somewhat, he turned with a look of hatred on his face toward the aforesaid books and began to address them in the following terms:
“Books, books, so long as my father was alive you waged against me war unceasing, forasmuch as he spent all his time and trouble either in purchasing you, or in putting you in fair bindings; so that, whenever it might happen that there came upon me the need of a few florins or of certain other articles, which all youths find necessary, he would always refuse to let me have them, saying that it was his will and pleasure to dispense his money only in the purchase of such books as might please him. And over and beyond this, he purposed in his mind that I, altogether against my will, should spend my life in close companionship with you, and over this matter there arose between us many times angry and contumelious words. Many times, also, you have put me in danger of being driven into perpetual exile from this my home. Therefore it cannot but be pleasing to God—since it is no fault of yours that I was not hunted forth from this place—that I should send you packing from this my house in such fashion that not a single one of you will ever behold my door again. And, in sooth, I wonder more especially that you have not before this disordered my wits, a feat you might well have accomplished with very little more trouble on your part, in your desire to do with me as you did with my father, according to my clear recollection. He, poor man, as if he had become bemused through conversing with you alone, was accustomed to demean himself in strange fashion, moving his hands and his head in such wise that over and over again I counted him to be one bereft of reason. Now, on account of all this, I bid you have a little patience, for the reason that I have made up my mind to sell you all forthwith, and thus in a single hour to avenge myself for all the outrages I have suffered on your account and, over and beyond this, to set myself free from the possible danger of going mad.”
After he had thus spoken, and had packed up divers volumes of the aforesaid books—one of his servants helping him in the work—he sent the parcel to the house of a certain lawyer, who was a friend of his, and then in a very few words came to an agreement with the lawyer as to the business, the issue of the affair being that, though he had simply expelled the books from his house, and had not sold them, he received, nevertheless, on account of the same, several hundred florins. With these, added to the money which still remained in his purse, he continued to pursue the course of pleasure he had begun.
Another ironical skit is by Francesco Berni, entitled
LIVING IN BED
Yet field-sports, dice, cards, balls, and such like courses, Things which he might be thought to set store by, Gave him but little pleasure. He liked horses, But was content to let them please his eye— Buying them, not squaring with his resources. Therefore his summum bonum was to lie Stretch’d at full length—yea, frankly be it said, To do no single thing but lie in bed. ’Twas owing all to that infernal writing. Body and brains had borne such grievous rounds Of kicks, cuffs, floors, from copying and inditing, That he could find no balsam for his wounds, No harbor for his wreck half so inviting As to lie still, far from all sights and sounds, And so, in bed, do nothing on God’s earth But try and give his senses a new birth. “Bed—bed’s the thing, by Heaven!” thus would he swear. “Bed is your only work, your only duty. Bed is one’s gown, one’s slippers, one’s armchair, Old coat; you’re not afraid to spoil its beauty. Large you may have it, long, wide, brown, or fair, Down-bed or mattress, just as it may suit ye. Then take your clothes off, turn in, stretch, lie double; Be but in bed, you’re quit of earthly trouble!” Borne to the fairy palace then, but tired Of seeing so much dancing, he withdrew Into a distant room, and there desired A bed might be set up, handsome and new, With all the comforts that the case required: Mattresses huge, and pillows not a few Put here and there, in order that no ease Might be found wanting to cheeks, or arms, or knees. The bed was eight feet wide, lovely to see, With white sheets, and fine curtains, and rich loops Things vastly soothing to calamity; The coverlet hung light in silken droops; It might have held six people easily; But he disliked to lie in bed by groups. A large bed to himself, that was his notion, With room enough to swim in—like the ocean. In this retreat there joined him a good soul, A Frenchman, one who had been long at court, An admirable cook—though, on the whole, His gains of his deserts had fallen short. For him was made, cheek, as it were, by jowl, A second bed of the same noble sort, Yet not so close but that the folks were able To set between the two a dinner-table. Here was served up, on snow-white table-cloths, Each daintiest procurable comestible In the French taste (all others being Goths), Dishes alike delightful and digestible. Only our scribe chose sirups, soups, and broths, The smallest trouble being a detestable Bore, into which not ev’n his dinner led him. Therefore the servants always came and fed him. Nothing at these times but his head was seen; The coverlet came close beneath his chin; And then, from out the bottle or tureen, They fill’d a silver pipe, which he let in Between his lips, all easy, smooth, and clean, And so he filled his philosophic skin. And not a finger all the while he stirred, Nor, lest his tongue should tire, scarce uttered word. The name of that same cook was Master Pierre; He told a tale well—something short and light. Quoth scribe, “Those people who keep dancing there Have little wit.” Quoth Pierre, “You’re very right.” And then he told a tale, or hummed an air; Then took a sip of something, or a bite; And then he turned himself to sleep; and then Awoke and ate. And then he slept again. One more thing I may note that made the day Pass well—one custom, not a little healing, Which was, to look above him, as he lay. And count the spots and blotches in the ceiling; Noting what shapes they took to, and which way, And where the plaster threatened to be peeling; Whether the spot looked new, or old, or what— Or whether ’twas, in fact, a spot or not. —From Roland Enamored.
Francho Sacchetti, poet and novelist, wrote many stories and verses in lighter vein.
ON A WET DAY
As I walk’d thinking through a little grove, Some girls that gather’d flowers came passing me, Saying—“Look here! look there!” delightedly. “O here it is!” “What’s that?” “A lily? love!” “And there are violets!” “Farther for roses! O the lovely pets! The darling beauties! O the nasty thorn! Look here, my hand’s all torn!” “What’s that that jumps?” “O don’t! it’s a grasshopper!” “Come, run! come, run! Here’s blue-bells!” “O what fun!” “Not that way! stop her!” “Yes! this way!” “Pluck them then!” “O, I’ve found mushrooms! O look here!” “O, I’m Quite sure that farther on we’ll get wild thyme.” “O, we shall stay too long; it’s going to rain; There’s lightning; O! there’s thunder!” “O sha’n’t we hear the vesper bell? I wonder.” “Why, it’s not nones, you silly little thing! And don’t you hear the nightingales that sing— Fly away O die away?” “O, I hear something; hush!” “Why, where? what is it then?” “Ah! in that bush.” So every girl here knocks it, shakes and shocks it: Till with the stir they make Out skurries a great snake. “O Lord! O me! Alack! Ah me! alack!” They scream, and then all run and scream again, And then in heavy drops comes down the rain. Each running at the other in a fright, Each trying to get before the other, and crying. And flying, and stumbling, tumbling, wrong or right;— One sets her knee There where her foot should be; One has her hands and dress All smother’d up with mud in a fine mess; And one gets trampled on by two or three. What’s gathered is let fall About the wood, and not pick’d up at all. The wreaths of flowers are scatter’d on the ground, And still as, screaming, hustling, without rest, They run this way and that and round and round, She thinks herself in luck who runs the best. I stood quite still to have a perfect view, And never noticed till I got wet through. —Translated by Rossetti.
This brings us to Benvenuto Cellini, who, though not classed among the humorists, gives us many flashes of wit and humor in his celebrated Biography.
A COMPULSORY MARRIAGE AT SWORD’S POINT
One of those busy personages who delight in spreading mischief came to inform me that Paolo Micceri had taken a house for his new lady and her mother, and that he made use of the most injurious and contemptuous expressions regarding me, to wit:
“Poor Benvenuto! he paid the piper while I danced; and now he goes about boasting of the exploit. He thinks I am afraid of him—I, who can wear a sword and dagger as well as he. But I would have him to know my weapons are as keen as his. I, too, am a Florentine, and come of the Micceri, a much better house than the Cellini any time of day.”
In short, the vile informer painted the things in such colors to my disadvantage that it fired my whole blood. I was in a fever of the most dangerous kind. And feeling it must kill me unless it found vent, I had recourse to my usual means on such occasions. I called to my workman, Chioccia, to accompany me, and told another to follow me with my horse. On reaching the wretch’s house, finding the door half open, I entered abruptly in. There he sat with his precious “lady-love,” his boasted sword and dagger beside him, in the very act of jesting with the elder woman upon my affairs. To slam the door, draw my sword and present the point to his throat, was the work of a moment, giving him no time to think of defending himself:
“Vile poltroon, recommend thy soul to God! Thou art a dead man!”
In the excess of his terror he cried out thrice, in a feeble voice, “Mama! mama! mama! Help, help, help!”
At this ludicrous appeal, so like a girl’s, and the ridiculous manner in which it was uttered, though I had a mind to kill, I lost half my rage and could not forbear laughing. Turning to Chioccia, however, I bade him make fast the door; for I was resolved to inflict the same punishment upon all three. Still with my sword-point at his throat, and pricking him a little now and then, I terrified him with the most desperate threats, and finding that he made no defense, was rather at a loss how to proceed. It was too poor a revenge—it was nothing—when suddenly it came into my head to make it effectual, and compel him to espouse the girl upon the spot.
“Up! Off with that ring on thy finger, villain!” I cried. “Marry her this instant, and then I shall have my full revenge.”
“Anything—anything you like, provided you will not kill me,” he eagerly answered.
Removing my sword a little:
“Now, then,” I said, “put on the ring.”
He did so, trembling all the time.
“This is not enough. Go and bring me two notaries to draw up the contract.” Then, addressing the girl and her mother in French:
“While the notaries and witnesses are coming, I will give you a word of advice. The first of you that I know to utter a word about my affairs, I will kill you—all three. So remember.”
I afterward said in Italian to Paolo:
“If you offer the slightest opposition to the least thing I choose to propose, I will cut you up into mince-meat with this good sword.”
“It is enough,” he interrupted in alarm, “that you will not kill me. I will do whatever you wish.”
So this singular contract was duly drawn out and signed. My rage and fever were gone. I paid the notaries, and went home.—The Biography.
CRITICISM OF A STATUE OF HERCULES
Bandinello was incensed to such a degree that he was ready to burst with fury, and turning to me said, “What faults have you to find with my statues?”
I answered, “I will soon tell them, if you have but the patience to hear me.”
He replied, “Tell them, then.”
The duke and all present listened with the utmost attention. I began by promising that I was sorry to be obliged to lay before him all the blemishes of his work, and that I was not so properly delivering my own sentiments as declaring what was said of it by the artistic school of Florence. However, as the fellow at one time said something disobliging, at another made some offensive gesture with his hands or his feet, he put me into such a passion that I behaved with a rudeness which I should otherwise have avoided.
“The artistic school of Florence,” said I, “declares what follows: If the hair of your Hercules were shaved off, there would not remain skull enough to hold his brains. With regard to his face, it is hard to distinguish whether it be the face of a man, or that of a creature something between a lion and an ox; it discovers no attention to what it is about; and it is so ill set upon the neck, with so little art and in so ungraceful a manner, that a more shocking piece of work was never seen. His great brawny shoulders resemble the two pommels of an ass’s packsaddle. His breasts and their muscles bear no similitude to those of a man, but seem to have been drawn from a sack of melons. As he leans directly against the wall, the small of the back has the appearance of a bag filled with long cucumbers. It is impossible to conceive in what manner the two legs are fastened to this distorted figure, for it is hard to distinguish upon which leg he stands, or upon which he exerts any effort of his strength; nor does he appear to stand upon both, as he is sometimes represented by those masters of the art of statuary who know something of their business. It is plain, too, that the statue inclines more than one-third of a cubit forward; and this is the greatest and the most insupportable blunder which pretenders to sculpture can be guilty of. As for the arms, they both hang down in the most awkward and ungraceful manner imaginable; and so little art is displayed in them that people would be almost tempted to think that you had never seen a naked man in your life. The right leg of Hercules and that of Cacus touch at the middle of their calves, and if they were to be separated, not one of them only, but both, would remain without a calf, in the place where they touch. Besides, one of the feet of the Hercules is quite buried, and the other looks as if it stood upon hot coals.”—The Biography.
SPANISH WIT AND HUMOR
The Spanish literature of this time contains little that can be quoted as humor.
Hurtado de Mendoza, a novelist, historian and poet, and Lope de Vega, dramatist, are the principal names among the Spanish writers.
About 1600 there flourished a poet named Baltazar del Alcazar, whose work shows a rather modern type of humor.
SLEEP
Sleep is no servant of the will; It has caprices of its own; When most pursued, ’tis swiftly gone; When courted least, it lingers still. With its vagaries long perplext, I turned and turned my restless sconce, Till, one fine night, I thought at once I’d master it. So hear my text. When sleep doth tarry, I begin My long and well-accustomed prayer, And in a twinkling sleep is there, Through my bed-curtains peeping in. When sleep hangs heavy on my eyes, I think of debts I fain would pay, And then, as flies night’s shade from day, Sleep from my heavy eyelids flies. And, thus controlled, the winged one bends E’en his fantastic will to me, And, strange yet true, both I and he Are friends—the very best of friends. We are a happy wedded pair, And I the lord and he the dame; Our bed, our board, our dreams the same, And we’re united everywhere. I’ll tell you where I learned to school This wayward sleep: a whispered word From a church-going hag I heard, And tried it, for I was no fool. So, from that very hour I knew That, having ready prayers to pray, And having many debts to pay, Will serve for sleep, and waking too.
In 1605 was published the first part of Don Quixote de la Mancha the celebrated satirical work of Miguel de Cervantes.
Of this book Hallam says, “it is the only Spanish book which can be said to possess a European reputation.”
Its reputation is world wide and fine translations have given us the spirit of the original.
HE SECURES SANCHO PANZA AS HIS SQUIRE
In the meantime, Don Quixote tampered with a laborer, a neighbor of his and an honest man (if such an epithet can be given to one that is poor), but shallow-brained; in short, he said so much, used so many arguments and made so many promises, that the poor fellow resolved to sally out with him and serve him in the capacity of a squire. Among other things, Don Quixote told him that he ought to be very glad to accompany him, for such an adventure might, some time or the other, occur that by one stroke an island might be won, where he might leave him governor. With this and other promises, Sancho Panza (for that was the laborer’s name) left his wife and children and engaged himself as squire to his neighbor. Don Quixote now set about raising money; and, by selling one thing, pawning another, and losing by all, he collected a tolerable sum. He fitted himself likewise with a buckler, which he borrowed of a friend, and, patching up his broken helmet in the best manner he could, he acquainted his squire Sancho of the day and hour he intended to set out, that he might provide himself with what he thought would be most needful. Above all, he charged him not to forget a wallet, which Sancho assured him he would not neglect; he said also that he thought of taking an ass with him, as he had a very good one, and he was not used to travel much on foot. With regard to the ass, Don Quixote paused a little, endeavoring to recollect whether any knight-errant had ever carried a squire mounted on ass-back, but no instance of the kind occurred to his memory. However, he consented that he should take his ass, resolving to accommodate him more honorably, at the earliest opportunity, by dismounting the first discourteous knight he should meet. He provided himself also with shirts, and other things, conformably to the advice given him by the innkeeper.
All this being accomplished, Don Quixote and Sancho Panza, without taking leave, the one of his wife and children, or the other of his housekeeper and niece, one night sallied out of the village unperceived; and they travelled so hard that by break of day they believed themselves secure, even if search were made after them. Sancho Panza proceeded upon his ass like a patriarch, with his wallet and leathern bottle, and with a vehement desire to find himself governor of the island which his master had promised him. Don Quixote happened to take the same route as on his first expedition, over the plain of Montiel, which he passed with less inconvenience than before; for it was early in the morning, and the rays of the sun, darting on them horizontally, did not annoy them. Sancho Panza now said to his master, “I beseech your worship, good Sir Knight-errant, not to forget your promise concerning that same island, for I shall know how to govern it, be it ever so large.” To which Don Quixote answered: “Thou must know, friend Sancho Panza, that it was a custom much in use among the knights-errant of old to make their squires governors of the islands or kingdoms they conquered; and I am determined that so laudable a custom shall not be lost through my neglect; on the contrary, I resolve to outdo them in it, for they, sometimes, and perhaps most times, waited till their squires were grown old; and when they were worn out in their service, and had endured many bad days and worse nights, they conferred on them some title, such as count, or at least marquis, of some valley or province of more or less account; but if you live and I live, before six days have passed I may probably win such a kingdom as may have others depending on it, just fit for thee to be crowned king of one of them. And do not think this any extraordinary matter, for things fall out to knights by such unforeseen and unexpected ways, that I may easily give thee more than I promise.” “So, then,” answered Sancho Panza, “if I were a king, by some of those miracles your worship mentions, Joan Gutierrez, my duck, would come to be a queen, and my children infantas!” “Who doubts it?” answered Don Quixote. “I doubt it,” replied Sancho Panza; “for I am verily persuaded that, if God were to rain down kingdoms upon the earth, none of them would set well upon the head of Mary Gutierrez; for you must know, sir, she is not worth two farthings for a queen. The title of countess would sit better upon her, with the help of Heaven and good friends.” “Recommend her to God, Sancho,” answered Don Quixote, “and He will do what is best for her; but do thou have a care not to debase thy mind so low as to content thyself with being less than a viceroy.” “Sir, I will not,” answered Sancho; “especially having so great a man for my master as your worship, who will know how to give me whatever is most fitting for me and what I am best able to bear.”
OF THE VALOROUS DON QUIXOTE’S SUCCESS IN THE DREADFUL AND NEVER-BEFORE-IMAGINED ADVENTURE OF THE WINDMILLS
Engaged in this discourse, they came in sight of thirty or forty windmills which are in that plain; and as soon as Don Quixote espied them, he said to his squire, “Fortune disposes our affairs better than we ourselves could have desired; look yonder, friend Sancho Panza, where thou mayest discover somewhat more than thirty monstrous giants, whom I intend to encounter and slay, and with their spoils we will begin to enrich ourselves; for it is lawful war, and doing God good service, to remove so wicked a generation from off the face of the earth.” “What giants?” said Sancho Panza. “Those thou seest yonder,” answered his master, “with their long arms; for some are wont to have them almost of the length of two leagues.”
“Look, sir,” answered Sancho, “those which appear yonder are not giants, but windmills, and what seem to be arms are the sails, which, whirled about by the wind, make the millstone go.” “It is very evident,” answered Don Quixote, “that thou art not versed in the business of adventures. They are giants; and if thou art afraid, get thee aside and pray, whilst I engage with them in fierce and unequal combat.” So saying, he clapped spurs to his steed, notwithstanding the cries his squire sent after him, assuring him that they were certainly windmills, and not giants. But he was so fully possessed that they were giants, that he neither heard the outcries of his squire Sancho, nor yet discerned what they were, though he was very near them, but went on, crying out aloud, “Fly not, ye cowards and vile caitiffs! for it is a single knight who assaults you.” The wind now rising a little, the great sails began to move, upon which Don Quixote called out, “Although ye should have more arms than the giant Briareus, ye shall pay for it.”
Thus recommending himself devoutly to his lady Dulcinea, beseeching her to succor him in the present danger, being well covered with his buckler and setting his lance in the rest he rushed on as fast as Rozinante could gallop and attacked the first mill before him, when, running his lance into the sail, the wind whirled it about with so much violence that it broke the lance to shivers, dragging horse and rider after it, and tumbling them over and over on the plain in very evil plight. Sancho Panza hastened to his assistance as fast as the ass could carry him; and when he came up to his master he found him unable to stir, so violent was the blow which he and Rozinante had received in their fall.
“God save me!” quoth Sancho, “did not I warn you to have a care of what you did, for that they were nothing but windmills? And nobody could mistake them but one that had the like in his head.”
“Peace, friend Sancho,” answered Don Quixote; “for matters of war are, of all others, most subject to continual change. Now I verily believe, and it is most certainly the fact, that the sage Freston, who stole away my chamber and books, has metamorphosed these giants into windmills, on purpose to deprive me of the glory of vanquishing them, so great is the enmity he bears me! But his wicked arts will finally avail but little against the goodness of my sword.”
“God grant it!” answered Sancho Panza. Then, helping him to rise, he mounted him again upon his steed, which was almost disjointed.—Don Quixote.
THE SEVENTEENTH CENTURY
Though still serious-minded in the main, the world at the beginning of the Seventeenth century recognized and appreciated humor.
And, growing with what it fed upon the vein of humor became more marked and more important in literature.
Wherefore our outline must from now on be less comprehensive and more discriminating.
The field is getting too wide, the harvest too bountiful for gleaning, even for general reaping; we can now only pluck spears of ripened grain.
An Outline can touch only the high spots, and though many wonderful flashes of wit and humor occur in the works of the most serious writers space cannot be given to such, it must be conserved for the definitely and intentionally humorous writers.
This is greatly to be regretted, for not infrequently the jests of the serious-minded are more intrinsically witty than those of professed humorists.
As an example may be mentioned George Herbert, the famous clergyman who was called Holy George Herbert.
His religious writings are interspersed with flashes of exquisite wit.
“God gave thy soul brave wings; put not those feathers Into a bed to sleep out all ill weathers,”
is a most graceful bit of word play.
And so with scores, even hundreds of worthy writers, among whose pages brilliant shafts of wit are found.
Such excursions we have no room for, and must abide by the inexorable laws of limitation.
Nor can such a matter as the Ballads be touched upon.
The historical ballads of this time were narrative poems of exceeding great length and usually, of exceeding great dulness. Fun they show, here and there, but the bulk of them are destitute of mirth-provoking lines.
Not so the Ballad Literature intended for social diversion and lovers of ribaldry. These, in large numbers, were put forth, and were oftener than not, founded on the old Jest Books, the Merry Tales, and even the Gesta and Fabliaux of earlier days.
Collections of these include the effusions of the balladists from the short stanzas, mere epigrams, to the intolerably long tales based on political or religious matters.
Yet it is at this juncture we must mention the name of Thomas Hobbes, the Malmesbury Philosopher, and a most important figure of the seventeenth century.
Not because of his own wit or humor, but of his understanding and valuation of it.
His observations on laughter, hereinbefore referred to, must be quoted entire.
From Human Nature LAUGHTER
There is a passion that hath no name; but the sign of it is that distortion of the countenance which we call laughter, which is always joy: but what joy, what we think, and wherein we triumph when we laugh, is not hitherto declared by any. That it consisteth in wit, or, as they call it, in the jest, experience confuteth; for men laugh at mischances and indecencies, wherein there lieth no wit nor jest at all. And forasmuch as the same thing is no more ridiculous when it groweth stale or usual, whatsoever it be that moveth laughter, it must be new and unexpected. Men laugh often—especially such as are greedy of applause from everything they do well—at their own actions performed never so little beyond their own expectations as also at their own jests: and in this case it is manifest that the passion of laughter proceedeth from a sudden conception of some ability in himself that laugheth. Also, men laugh at the infirmities of others by comparison wherewith their own abilities are set off and illustrated. Also men laugh at jests the wit whereof always consisteth in the elegant discovering and conveying to our minds some absurdity of another; and in this case also the passion of laughter proceedeth from the sudden imagination of our own odds and eminency; for what is else the recommending of ourselves to our own good opinion, by comparison with another man’s infirmity or absurdity? For when a jest is broken upon ourselves, or friends, of whose dishonour we participate, we never laugh thereat. I may therefore conclude that the passion of laughter is nothing else but sudden glory arising from a sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly; for men laugh at the follies of themselves past, when they come suddenly to remembrance, except they bring with them any present dishonour. It is no wonder, therefore, that men take heinously to be laughed at or derided—that is, triumphed over. Laughing without offence must be at absurdities and infirmities abstracted from persons, and when all the company may laugh together; for laughing to one’s self putteth all the rest into jealousy and examination of themselves. Besides, it is vain-glory, and an argument of little worth, to think the infirmity of another sufficient matter for his triumph.
Robert Herrick, among the most exquisite of lyric poets, was a classical scholar, addicted to Martial. His works, neglected for long years, came into their own about a century ago, and his spontaneous gayety and tenderness is not frequently equalled.
The temptation is to quote his lyrics, but his whimsical humor is more clearly shown in his waggish lines.
THE KISS—A DIALOGUE
1. Among thy fancies, tell me this: What is the thing we call a kisse? 2. I shall resolve ye, what it is. It is a creature born and bred Between the lips, (all cherrie red,) By love and warme desires fed; Chorus.—And makes more soft the bridal bed. 2. It is an active flame, that flies First to the babies of the eyes,pupils And charms them there with lullabies; Chorus.—And stils the bride too, when she cries. 2. Then to the chin, the cheek, the eare It frisks and flyes; now here, now there; ’Tis now farre off, and then ’tis nere; Chorus.—And here, and there, and every where. 1. Has it a speaking virtue?—2. Yes. 1. How speaks it, say?—2. Do you but this, Part your joyn’d lips, then speaks your kisse; Chorus.—And this loves sweetest language is. 1. Has it a body?—2. Ay, and wings, With thousand rare encolourings; And as it flies, it gently sings, Chorus.—Love honie yeelds, but never stings.
A TERNARY OF LITTLES, UPON A PIPKIN OF JELLY SENT TO A LADY
A little saint best fits a little shrine, A little prop best fits a little vine; As my small cruse best fits my little wine. A little seed best fits a little soil, A little trade best fits a little toil; As my small jar best fits my little oil. A little bin best fits a little bread, A little garland fits a little head; As my small stuff best fits my little shed. A little hearth best fits a little fire, A little chapel fits a little choir; As my small bell best fits my little spire. A little stream best fits a little boat, A little lead best fits a little float; As my small pipe best fits my little note. A little meat best fits a little belly, As sweetly, lady, give me leave to tell ye, This little pipkin fits this little jelly.
Thomas Carew, Edmund Waller, Sir John Suckling and Richard Lovelace all followed more or less in Herrick’s footsteps, and though each possessed what is called a pretty wit, they were not primarily humorous writers.
A few poems are given, perhaps of more lyric than witty value.
Richard Lovelace SONG
Why should you swear I am forsworn, Since thine I vowed to be? Lady, it is already morn, And ’twas last night I swore to thee That fond impossibility. Have I not loved thee much and long, A tedious twelve hours’ space? I must all other beauties wrong, And rob thee of a new embrace, Could I still dote upon thy face. Not but all joy in thy brown hair By others may be found; But I must search the black and fair, Like skilful mineralists that sound For treasure in unploughed-up ground. Then, if when I have loved my round, Thou prov’st the pleasant she; With spoils of meaner beauties crowned I laden will return to thee, Even sated with variety.
Sir John Suckling THE CONSTANT LOVER
Out upon it! I have loved Three whole days together, And am like to love three more, If it prove fair weather. Time shall moult away his wings Ere he shall discover In the whole wide world again Such a constant lover. But the spite on ’tis, no praise Is due at all to me: Love with me had made no stays, Had it any been but she. Had it any been but she, And that very face, There had been at least ere this A dozen dozen in her place.
THE REMONSTRANCE
Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can’t move her, Looking ill prevail? Prithee, why so pale? Why so dull and mute, young sinner? Prithee, why so mute? Will, when speaking well can’t win her, Saying nothing do’t? Prithee, why so mute? Quite, quit, for shame! this will not move, This cannot take her; If of herself she will not love, Nothing can make her: The devil take her!
John Milton, second only to Shakespeare in all literature, is not usually looked upon as a humorist.
A wise commentator (of more wisdom than wit), has said, of Milton, “Few great poets are so utterly without humor; alone among the greatest poets he has not sung of love.”
We take objection to both these statements, though with the second we are not now concerned.
But surely no humorless pen could have indited L’Allegro, and as to less subtle humor, we give in evidence the well known Epitaph on the Carrier.
FROM L’ALLEGRO
But come, thou goddess fair and free, In heaven yclep’d Euphrosyne, And by men, heart-easing Mirth; Whom lovely Venus, at a birth, With two sister Graces more, To ivy-crowned Bacchus bore: Or whether (as some sages sing) The frolic wind that breathes the spring, Zephyr, with Aurora, playing, As he met her once a-Maying! There on beds of violets blue, And fresh-blown roses wash’d in dew, Fill’d her with thee, a daughter fair, So buxom, blithe, and debonair. Haste thee, nymph, and bring with thee Jest, and youthful jollity, Quips, and cranks, and wanton wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe’s cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides Come, and trip it, as you go, On the light fantastic toe; And in thy right hand lead with thee The mountain nymph, sweet Liberty; And if I give thee honor due, Mirth, admit me of thy crew, To live with her, and live with thee, In unreproved pleasures free: ***** Then to the spicy nut-brown ale, With stories told of many a feat, How faery Mab the junkets ate; She was pinch’d, and pulled, she said; And he, by friar’s lantern led, Tells how the drudging goblin sweat To earn his cream-bowl duly set, When in one night, ere glimpses of morn, His shadowy flail had thresh’d the corn, That ten day-laborers could not end; Then lies him down, the lubber fiend, And, stretched out all the chimney’s length, Basks at the fire his hairy strength; And, crop-full, out of doors he flings, Ere the first cock his matin rings. Thus done the tales, to bed they creep, By whispering winds soon lull’d asleep. Tower’d cities please us then, And the busy hum of men. Where throngs of knights and barons bold, In weeds of peace, high triumphs hold, With store of ladies, whose bright eyes Rain influence, and judge and prize Of wit or arms, while both contend To win her grace, whom all commend. There let Hymen oft appear In saffron robes, with taper clear, And pomp, and feast, and revelry, With mask and antique pageantry; Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson’s learned sock be on, Or sweetest Shakespeare, Fancy’s child, Warble his native wood-notes wild. And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse; Such as the melting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out, With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus’ self may heave his head From golden slumber on a bed Of heap’d Elysian flowers, and hear Such strains as would have won the ear Of Pluto, to have quite set free His half-regain’d Eurydice. These delights if thou canst give, Mirth, with thee I mean to live.