M.

M——, Lord, vi. 380.

M——, Mr (? Malthus), iv. 241.

M——, (? Tom Moore), vi. 358.

M—— (T.), vi. 454.

MacAdam, John Loudon, iv. 250; ix. 94.

MacAlpine, Mr, xii. 379.

—— Mrs, xii. 379.

—— Miss, viii. 275.

Macartney, Lord, vi. 455.

Macauley, Elizabeth Wright, iv. 223.

Macbeth (Shakespeare’s), i. 186; also referred to in i. 138, 179, 200, 201, 238, 293, 300, 311, 394, 395; iii. 168; v. 10, 52, 56, 188, 218, 220, 223; vi. 39, 392, 394, 409, 410; viii. 31, 49, 185, 199, 203, 208–9, 249, 272, 305, 314, 378, 472, 518; ix. 401, 474; x. 81, 82, 111, 117; xi. 192, 315, 404, 451, 482, 506, 601; xii. 33, 365.

Macbriar (Scott’s Old Mortality), iv. 247; viii. 129; xi. 531; xii. 277.

Maccabees, The Book of, xi. 321.

Macclesfield, ii. 12, 14, 18.

Macculloch, John Ramsay, ii. 415; xii. 131, 141, 320, 345, 361, 412.

Macdonald, Chevalier, ii. 107.

Macduff (in Shakespeare’s Macbeth), v. 48; vi. 39; viii. 333; xi. 316.

MacFane (in Holcroft’s Anna St Ives), ii. 128.

Macflecknoe (Dryden’s), v. 80.

M’Gibbon, Mrs, viii. 192, 459.

Macgregor, Sanders, viii. 105.

Machiavelli, Niccolo, iv. 283; v. 186; vii. 28; xi. 424.

Macintosh, Sir James, iv. 279; also referred to in ii. 196; iii. 86; iv. 211, 319; vi. 205 n.; vii. 447, 448, 451 n., 460; ix. 490; xi. 465, 467, 468; xii. 264, 275, 347.

Macirone, Francis, Interesting Facts relating to the Fall and Death of Joachim Murat, etc., iii. 177, 183.

MacIvor, Fergus, ix. 367.

Mackenzie, Henry, ii. 195, 200; iv. 367; vii. 227; x. 399; xi. 546 n.; xii. 67.

Macklin, Charles, i. 157, 158; ii. 56, 57, 58, 59, 60, 61, 62, 63, 109 n.; viii. 166, 351.

Maclean, Dr, ii. 232.

Macready, William Charles, ii. 302; vi. 277, 278; viii. 334, 335, 337, 338, 356, 368, 391, 426, 440, 442, 457, 465, 534; xi. 315, 391.

Macready’s Macbeth, Mr, xi. 315.

—— Othello, viii. 338.

Macullamores, The, xii. 255.

Mad Tom (in Shakespeare’s King Lear), i. 260, 268; viii. 302, 440, 441.

Madame Centaur (in Ben Jonson’s Silent Woman), viii. 43.

—— d’Orbe (in Rousseau’s New Eloise), ix. 146.

—— Haughty (in Ben Jonson’s Silent Woman), viii. 43.

—— Mavis (in Ben Jonson’s Silent Woman), viii. 43.

—— Valmont (in Tyran Domestique), xi. 356.

Madamira (song in Shadwell’s Libertine), viii. 372.

Madge Wildfire (Scott’s Heart of Midlothian), iv. 248; vii. 342; xi. 388.

Madison, James, iii. 172 n.

Madman, The (Hogarth’s), xii. 242.

Mad Mother, The (Wordsworth’s), xii. 270.

Madoc (Southey’s), iv. 265.

Madonna, The (Correggio’s), xii. 356.

—— Guido’s, ix. 34.

—— Raphael’s, ix. 261, 433.

—— of Foligno, The (Raphael’s), x. 191.

—— and Child (Cranach’s), ix. 354.

—— of the Crown, or of the Garland (Raphael’s), ix. 67; xi. 485.

Madonna and Infant Christ (Vandyke’s), ix. 21.

—— Pia, ix. 252.

—— della Seggia (Raphael’s), ix. 226.

Madras System, Southey’s Tract on, iii. 149.

Madrid, i. 123; iii. 119.

Maeviad (Gifford’s), i. 379 n., 380, 385, 396; iv. 304, 309; vi. 221.

Maffei, Counts, x. 303.

Magdalen (Dolci’s), ix. 41.

—— (Guido’s), ix. 57.

—— (Titian’s), ix. 269, 270.

Magellan, v. 187; xi. 601.

Maggiore, Lago, ix. 278.

Magna Charta, iv. 93; vi. 155.

Magnus Troil (in Scott’s The Pirate), xi. 534, 536.

Magpie; or, Maid of Palisseau (? Dibdin’s version), xi. 304, 381.

Mahomet, xi. 472 n.

—— (Voltaire’s), vi. 383.

Mahomet’s Coffin, iii. 138.

Maid’s Tragedy, The (Beaumont and Fletcher’s), v. 251.

Maid and Magpie (Arnold’s version), viii. 244; also referred to in vii. 339; viii. 280; ix. 175; xi. 304, 381.

—— of Orleans (Shakespeare’s 1st Henry VI.), i. 292.

—— of The Vale (Holcroft’s adaptation), ii. 86.

Maiden Queen (Dryden’s), i. 195.

Maidstone, ii. 186.

Main Chance, The, xii. 78.

Maintenon, Madame de, vi. 419; ix. 179.

Maitland, General, ii. 218, 222.

Maître Jacques (a play), xi. 380.

Major Bath (in Fielding’s Joseph Andrews), vii. 223.

—— Dumpling (in Jones’s The Green Man), viii. 468.

—— Galbraith (Scott’s), iv. 248.

—— Oakley (in G. Colman the elder’s Jealous Wife), viii. 532.

—— O’Flaherty (in The West Indian), ii. 83; viii. 511.

Major Sturgeon (Foote’s Mayor of Garratt), viii. 167, 168, 246, 317, 318, 392; xi. 366, 368, 396.

Makins, Mr (in Amory’s John Buncle), i. 54; iii. 142.

Malades, Mont des, ix. 98.

Malatesta, Anthony, ix. 218.

Malbecco (Spenser’s Faëry Queen), iii. 55; v. 42, 43.

Malcolm (in Shakespeare’s Macbeth), v. 48.

Malcontent, The (Marston’s), v. 226, 228, 229, 271 n., 272.

Malebranche, Nicolas, iv. 216; vii. 144, 146; xi. 286, 288.

Malevole (in Marston’s The Malcontent), v. 225, 228, 230.

Malibran (de Beriot, Maria Felicita), xii. 384.

Mall in St James’s Park, View of (Gainsborough’s), vi. 437.

Mallet, David, v. 375.

Malmesbury, x. 143.

Malone, Edmond, ii. 184; vi. 366, 510, 511; x. 172, 173.

Malta, ii. 173, 175; iii, 3, 5, 7.

Malthus, Thomas Robert, iv. 287; also referred to in iii. 95; iv. 241; vi. 269; vii. 193; x. 403; xii. 40, 141.

Malthus’s Doctrines, An Examination of: (1) the Geometrical and Arithmetical Series, iii. 356.

—— Essay, On the Originality of, iii. 361.

—— Principle to the Poor Laws, On the application of, iii. 374.

—— Reply to the Essay on Population, by Rev. T. R., iv. 1; also referred to in iii. 462; xii. 412.

Malthuses, The, xii. 255.

Malvil (Murphy’s), viii. 164.

Malvolio (in Shakespeare’s Twelfth Night), iii. 213; v. 97; viii. 12, 32, 164, 302.

Mambrino (in Cervantes’ Don Quixote), viii. 108; x. 27.

Man, The, in the Louvre (Titian’s), ix. 273.

Man, Aphorisms on, xii. 209.

—— The Essay on (Pope’s), v. 76, 373; xi. 491; xii. 31.

—— in Black, portrait (in the Louvre), xii. 192.

—— of Business (G. Colman, the elder), ii. 109 n.

—— of Feeling, The (Mackenzie’s), ii. 336; vii. 227; viii. 105; xii. 67.

—— with a Hawk (Northcote’s), ix. 55.

—— —— (Rembrandt’s), ix. 49.

—— in the Iron Mask, The, iii. 290.

—— was made to Mourn (Burns), v. 139.

—— of Mode, The (Etherege’s), viii. 68.

—— in Mourning for Himself, A (a play), viii. 323.

—— of Ten Thousand, The (Holcroft’s), ii. 159, 161, 201.

—— of the World, The (Macklin), viii. 318, 350; also referred to in ii. 58; viii, 105, 166.

Manager in Distress, The (G. Colman, the elder), viii. 428.

Manchester, ii. 267; iv. 4; vi. 103, 203, 204 n., 346; vii. 28; ix. 290, 302; xii. 93.

—— Duke of, ii. 105.

Mandane (in Arne’s Artaxerxes), vi. 292; viii. 192, 194, 248, 320, 451, 453; xi. 304, 317.

Mandeville. See De Mandeville, Bernard.

—— (Godwin’s), iv. 209; viii. 131, 420; x. 399.

Mandrake (Farquhar’s Twin Rivals), viii. 22.

Manfred (Byron’s), iv. 258; viii. 421.

Manfrini, Signor, ix. 270.

Mangeon, Miss, viii. 372.

Manly (in Wycherley’s The Plain Dealer), viii. 14, 78.

Manner, On, i. 41.

Manners, Essay On, xi. 269.

Manners and Treatment of Animals, An Account of the (D’Obsonville), ii. 107.

Mannheim (town), ix. 298, 299.

Manning, Thomas (M.), vi. 68.

Manoah (in Jephson’s The Italian Lover), viii. 338.

Mansfield, ii. 18, 19.

—— Lord, iii. 419; v. 77; vi. 414; xii. 31.

Mansion House, The, vii. 68.

Mantes (town), ix. 105.

Mantua (town), vii. 96; ix. 355; x. 73.

Manwaring, Dr, iii. 395, 400.

Mary Morison, Lines to (by Burns), v. 140.

Manzotti (an Italian), xi. 341.

Maquerella (in Marston’s Malcontent), v. 229.

Mar, Earl of, iii. 415.

Marall (in Massinger’s A New Way to Pay Old Debts), v. 269 n.; viii. 274, 304; x. 172.

Maratti, Carlo, vi. 124, 128; ix. 19, 21, 409, 482; xi. 211.

Marcella (Sackville’s Ferrex and Porrex), v. 195, 243.

—— (in Don Quixote), viii. 110; x. 30.

March, Lord, ii. 28, 31, 35, 48.

—— to Finchley (Hogarth’s), i. 31; viii. 138; ix. 81.

Marchant, Nathaniel, vi. 438.

Marchese Pallavicini and Walter Landor (Landor’s), x. 244.

Marconi, Madame, viii. 297.

Marcus Sextus, The Return of (Guérin’s), xi. 240.

Mardyn, Mrs, viii. 249, 252, 270, 278, 285, 316, 336, 361, 463, 465, 475, 524, 525, 531, 537.

Marengo (a town), iii. 112; ix. 290.

Maret, H. B., iii. 154.

Margaret of Anjou, i. 293.

—— (in Lamb’s John Woodvil), v. 346.

—— Street, ii. 163, 203.

Margaret’s Ghost (an old ballad), ii. 42.

Margate Hoy, A, viii. 435.

Marguerite (in Godwin’s St Leon), viii. 131; x. 389.

Maria (in Holcroft’s Alwyn), ii. 95.

—— (in Holcroft’s He’s much to Blame), ii. 162.

—— The tale of (Sterne’s), viii. 121; ix. 178, 179; x. 39.

—— (in Sheridan’s School for Scandal), viii. 251.

—— Heartley (in Leigh’s Where to Find a Friend), viii. 258, 259.

Maria-Louisa, Queen, ix. 199, 200, 203.

Mariage de Figaro (Beaumarchais), ii. 112, 114, 115.

—— Forcé (Molière), v. 228.

Marialva (Le Sage’s Gil Blas), x. 214.

Marian, ii. 224.

Marianne (Claude Prosper Jolyot de Marivaux), x. 16.

Marianne’s Dream (Shelley’s), x. 264.

Marie Antoinette, i. 71 n., 427; xii. 290.

Marina (in Shakespeare’s Pericles of Tyre), i. 357; ix. 27.

Mariner’s Glee, The (Pinkerton’s), ii. 185.

Marino (Italian poet), v. 315.

—— Faliero (Byron’s), xi. p. viii.

Maritorneses (Cervantes’ Don Quixote), ix. 176.

Marivaux, Pierre Carlet de Chamblain de, iv. 217; vii. 311; viii. 112, 369; x. 31.

Mark Antony (in Shakespeare’s Julius Cæsar). See Antony.

Marlborough, Duke of, i. 8, 44; iii. 415; viii. 96; ix. 74.

—— Duchess of, viii. 160; ix. 71.

Marlow (Goldsmith’s), viii. 507.

Marlowe (Christopher), v. 192; also referred to in i. 356; iv. 309; v. 99, 176, 181, 189, 202, 229, 298; vi. 218 n., 243 n.; vii. 134, 224, 313, 320; x. 205, 274; xii. 34.

Marmion (Scott’s), iv. 242; v. 155.

Marmontel, Jean François, vii. 311; ix. 118.

Marmozet (in Smollett’s Peregrine Pickle), viii. 513.

Marmozette (Thompson’s Dumb Savoyard), xi. 364.

Marplot (in Mrs Centlivre’s Busy-Body), viii. 156, 270, 503.

Marriage of Cana (Paul Veronese’s), vi. 319; ix. 53, 113, 491; xi. 197.

—— of St Catherine (Caracci’s copy of Correggio’s), ix. 35.

—— of Figaro (Chalon’s), xi. 245.

—— à la Mode (Hogarth’s), i. 25 et seq.; vi. 453; viii. 133, 134, 136, 141, 143; ix. 15, 75, 389, 391, 392; xi. 212, 252 n.; xii. 24.

—— of Two Children, The (Northcote’s), vi. 296.

—— of the Virgin (Caminade’s), ix. 125.

Mars, v. 30; vii. 202; viii. 375; x. 6, 7.

—— Mademoiselle, vii. 324; also referred to in ix. 147, 148, 151; xi. 354, 355, 366, 379; xii. 24, 146.

—— Subdued by Peace (Miss Jackson’s), xi. 245.

—— and Venus (Titian’s), ix. 74.

Marsac, Mr, ii. 89, 261.

Marsan, Madame, ix. 152.

Marsennus (Marin Mersenne), xi. 53.

Marshall, Mr, ii. 172, 181.

Marston, John, v. 176, 181, 193, 224, 234, 280; vi. 164.

—— Chapman, Deckar, and Webster, On, v. 223.

Martello Tower, iv. 257.

Martigny (town), ix. 283, 288, 290.

Martin (in Voltaire’s Candide), v. 114.

—— Jack (fighter), xii. 4.

—— John (a bookseller), vi. 490.

Martin, John (painter), vi. 397; ix. 109, 336, 337; xi. 381, 553.

—— Richard, xi. 344.

Martin’s Muir (in Lancashire), ii. 2, 167.

Martinet, Mr (an emigrant), ii. 217, 219.

Martinus Scriblerus, v. 104; xi. 288.

Martorell, Jean, x. 56.

Martyrs, Book of (Foxe’s), vii. 129, 320; xi. 443; xii. 384.

Martyrdom of Saint Damian and Saint Cosmas, The (Salvator’s), x. 305.

—— of St Lawrence (Titian’s), ix. 273.

—— of St Placide (Correggio’s), ix. 204.

—— of St Sebastian (Guido’s), ix. 26.

Marullus (in Shakespeare’s Julius Cæsar), i. 195.

Marveil, Arnaud de, x. 55.

Marvell, Andrew, iii. 277; iv. 61; v. 83, 258, 311, 313, 372; vii. 232; xi. 123, 282, 514; xii. 47.

Marville, Vignuel de, vi. 170 n.

Mary, Lines to (Cowper’s), v. 95; vi. 210.

—— the Cookmaid (Swift’s), v. 110.

—— the Maid of the Inn (Southey’s), viii. 362.

—— Magdalen Anointing the Feet of our Saviour (Hilton’s), xi. 190.

—— Queen of Scots, viii. 460; ix. 23, 66; xi. 320, 324.

—— Stuart (Schiller’s), viii. 391.

Marys with the Dead Body of Christ, The Three (L. Caracci’s), ix. 112.

Mary-le-bone Street, ii. 163, 242.

Masaccio (painter), iv. 217; vi. 45, 126, 346; ix. 409, 427; xi. 211.

Masetto (in Byron’s Don Juan), viii. 365, 366, 371; xi. 307.

Mask of Arthur and Emmeline, The (Dryden’s), v. 356.

Mask of Cupid, The (Spenser’s), v. 35, 38, 40; x. 74.

—— of Semele (Congreve’s), viii. 76.

Maskwell (Congreve’s Double Dealer), viii. 72.

Mason, William, i. 171; x. 164.

Massacre of Glencoe, Apology for the (Defoe’s), x. 378.

—— of the Innocents (Le Brun’s), ix. 25.

—— of the Mamelukes (Vernet’s), ix. 137.

—— in Piedmont (Milton), vi. 176, 178.

Massachusetts, x. 315.

Massaniello (Tommaso Aniello), x. 301.

Massena, André, ix. 146.

Massinger, Philip, v. 248; also referred to in iv. 309, 310; v. 193, 265, 269 n., 345; viii. 272, 287, 290.

Massys, Quentin, ix. 40.

Master Baillie (in Still’s Gammer Gurton’s Needle), v. 286.

—— Barnardine (in Shakespeare’s Measure for Measure), i. 241, 346, 347, 425; iv. 248; vi. 249; viii. 283.

—— Bobby (Sterne’s Tristram Shandy), xii. 152.

—— Edward Knowell (in Ben Jonson’s Every Man in His Humour), viii. 312.

—— Froth (in Shakespeare’s Measure for Measure), i. 391; viii. 283.

—— Kerneguy (in Scott’s Woodstock), vi. 410.

—— Matthew (in Ben Jonson’s Every Man in His Humour), viii. 45, 311.

—— Nicolas the Barber (in Cervantes’ Don Quixote), viii. 108.

—— Oliver the Barber (Scott’s), iv. 248.

—— Silence (Shakespeare’s 2nd Henry IV.), iv. 365.

Master Stephen (in Ben Jonson’s Every Man in His Humour), vi. 194 n.; viii. 45, 311.

—— Well-bred (Ben Jonson’s Every Man in His Humour), viii. 312.

Mater Dolorosa (Carlo Dolce’s), ix. 20, 41.

Matheo (in Dekker’s Honest Whore), v. 238, 239, 241, 247.

Matilda (General Burgoyne’s Richard Cœur de Lion), viii. 195.

Matsys, Quintin. See Massys, Quentin.

Matter and Manner (Hazlitt), i. 421; xi. p. x n.

Matthew (Wordsworth’s), xii. 57.

—— Bramble (Smollett’s Humphry Clinker), viii. 117, 165, 510; x. 35.

Matthews, Charles, vi. 273, 278, 350, 417, 418 n.; vii. 300, 508; viii. 177, 243, 281, 317, 412, 428, 430–5, 459, 484, 523; xi. p. viii, 367, 483, 554; xii. 6, 140 n., 353.

—— (John), viii. 497.

—— Miss, vi. 293; viii. 231, 235, 236, 275, 531; xi. 395.

—— (in Fielding’s Amelia), viii. 114; x. 33.

Matthias (Massinger’s The Picture), v. 266.

Matrimony (a Comedy), viii. 392.

Maturin, Rev. Robert Charles, viii. 308, 368, 416, 421, 478; xi. 418.

Maud the Milkmaid (in Walton’s The Complete Angler), i. 56; v. 98.

Maurice of Nassau, Prince, xi. 289.

Maurice’s Parrot, Prince, iii. 101.

Maurocordato, Prince, x. 232, 251.

Mawworm (in Bickerstaff’s Hypocrite), i. 59; ii. 84; viii. 163, 246, 392; xi. 396; xii. 366.

Maximilian of Bavaria, xi. 289.

Maxims on Love, xii. 354.

Maxwell, Mr, ii. 173.

May-Day (Chapman’s), v. 234.

May-Day Night (Shelley’s, from Goethe), x. 261, 271.

May Fair, xii. 132.

Mayence, ix. 298, 299.

Mayor of Garratt, The (Foote’s), viii. 166, 167, 168, 316; xi. 368.

Maywood (actor), viii. 374; xi. 397, 405, 406.

—— as Iago, viii. 513.

—— —— Shylock, viii. 374.

—— —— Zanga, xi. 397; also referred to in viii. 513.

Mazarin, Cardinal, vi. 238.

Mazeres, Baron, xii. 302, 303.

Mazzuola, Francesco. See Parmegiano.

Meadows, Mr (actor), xi. 373.

—— (in Bickerstaff’s Love in a Village), viii. 329.

—— (in Madame D’Arblay’s The Wanderer), viii. 123; x. 42.

—— (in Godwin’s Cloudesley), x. 392.

Means and Ends, On, xii. 184.

Measure for Measure (Shakespeare’s), i. 345; viii. 281; also referred to, i. 241, 391; v. 226; vi. 249.

Mecca, x. 120.

Mechel (print-seller), ii. 185.

Medea, The (Euripides), x. 97.

Medecin malgré lui (Molière’s), viii. 28, 159, 558; x. 107.

Medici Family, ix. 212, 221, 225.

—— Cosmo de, vi. 353.

—— Hippolito de (Titian’s portrait of), ix. 345, 385; xi. 222.

—— Lorenzo de, The Chapel of, x. 354.

Meditations (Harvey’s), vii. 163.

Mediterranean, The, viii. 126; ix. 182.

Medoro (Ariosto’s Orlando Furioso), v. 3.

Medusa’s Head (Leonardo da Vinci’s), ix. 225; x. 261; xii. 195.

Medwin, Captain, vii. 313, 343.

Meeting of Abram and Melchisedec (Rubens’), ix. 52.

Meeting of Christ and St John (Raphael’s), ix. 30.

—— of Jacob and Laban (Murillo’s), ix. 54.

—— of Jacob and Rachel (Murillo’s), ix. 23.

—— between Louis XIV. and the Spanish Ambassador (Gérard’s), ix. 123.

Meggett, Mr (actor), viii. 239, 240, 241, 532.

Meg Merrilees (in Scott’s Heart of Midlothian), iv. 248; vii. 341, 343; viii. 129, 146 n., 292; ix. 206; xi. 531.

Meggy Macgilpin (in O’Keeffe’s Highland Reel), xi. 364.

Méhul, Étienne Nicolas, viii. 325.

Meillerie (Rousseau’s Nouvelle Héloïse), i. 133; ii. 326; ix. 281; xii. 25.

Melancholy, Address to (in Beaumont and Fletcher’s Nice Valour), v. 295.

Melanchthon, Philip, iv. 228; x. 143.

Melaric (in L. Bonaparte’s Charlemagne), xi. 236.

Melchior, Friedrich. See Grimm, Baron.

Meleager and Atalanta (Wilson’s), xi. 200.

—— ix. 433; x. 208.

Melford (Cherry’s The Soldier’s Daughter), xi. 297.

Melissa (Holcroft’s), ii. 264, 265.

Mellida (in Marston’s Antonio and Mellida), v. 225.

Mellon, Miss, vii. 127.

Melmoth (Maturin’s), viii. 478.

—— Wm., i. 93.

Melrose Abbey, ix. 235.

Memnon (mythological), v. 60; ix. 108; x. 221, 337.

Memoirs of Anastasius the Greek (Thomas Hope’s), v. 363.

—— (Baron de Bausset), xii. 135.

Memoirs of De Tott (translated by Holcroft), ii. 107.

—— (Count Grammont’s), iii. 307; xi. 276.

—— (of Margravine of Bareuth), vi. 445.

—— (Cardinal Retz), vi. 238, 349; x. 301.

—— (Sir J. Reynolds), i. 442.

—— of Granville Sharp (by Prince Hoare), vii. 48 n., 49.

Memoires de Voltaire écrits par lui-même, ii. 267.

—— of a Cavalier, The (Defoe’s), x. 382.

—— on Chivalry, The (by M. de St Palaye), x. 20.

—— of an Heiress, or Cecilia. See Cecilia.

—— of Fanny Hill (Cleland’s), iv. 102 n.

—— of Lady Vane, The (in Smollett’s Peregrine Pickle), vii. 221.

Memorabilia of Mr Coleridge, xii. 346.

Memory (in Spenser), v. 38.

Menæchmi (Plautus), i. 351.

Menander, viii. 552; x. 100, 232.

Mendacio (in Brewer’s Lingua), v. 293.

Menenius, Agrippa (in Shakespeare’s Coriolanus), viii. 403.

Mengs, Anton Rafael, vi. 345, 431; ix. 203, 349, 409, 472 n., 482; xi. 230, 255.

Menjaud, Mlle., ix. 150.

Merchant of Bruges, The (Kinnaird’s), viii. 264.

—— of Venice (Shakespeare’s), i. 320; also referred to in i. 391, 392; ii. 71; v. 210; viii. 249.

Merciers, The, ii. 107, 114, 168, 181, 195, 218, 219, 228, 230, 234, 272; vii. 241.

Mercury, i. 33, 71; v. 83; vii. 203; x. 93, 350, 387.

—— The Elgin, ix. 340, 341.

Mercury teaching Cupid to Read (Correggio’s), xii. 356.

—— and Herse (Turner’s), xi. 191.

—— inventing the Lyre (Barry’s), ix. 419.

Mercutio (in Shakespeare’s Romeo and Juliet), i. 257; viii. 32, 200.

Meredith, Sir W., iii. 422; vi. 88.

Mergées (Merger, Mr), ii. 280.

Mérimée, Madame (Madame M.), vi. 319, 503.

Merlin the Enchanter (early romance), x. 20, 21, 56.

Mermaid Inn, v. 297; xii. 207.

Merrimee, J. F. L., vii. 333.

Merry, Miss, viii. 323, 329.

—— England, xii. 15.

—— Robert, iv. 309 and n.

—— Devil of Edmonton, The, v. 289, 293.

—— Sherwood, xii. 15.

—— Wives of Windsor, The (Shakespeare’s), i. 349; also referred to in viii. 31, 32, 43.

Mertoun, the elder (in Scott’s The Pirate), xi. 535.

Merveilleuses in Bedlam (Hogarth’s), vi. 167.

Meshech, iii. 265.

Message, The (in Liber Amoris), ii. 290.

Messalina, ix. 221.

Messiah (Handel’s), xi. 455.

Messora, M. (a painter), xi. 245.

Metamorphoses (Ovid), iii. 287.

Metastasio, x. 45; xii. 128.

Methodism, vii. 351; x. 158.

—— On the Causes of, i. 57.

Methuselah, xii. 263.

Metzu, Gabriel, ii. 225; ix. 35.

Meux, Mr, iii. 308.

Mexicans, xi. 319.

Mexico, iii. 290 n.; iv. 189.

Mezentius, ix. 132.

Mezzofanti, Prof. Joseph Caspar, ix. 205.

Michael, Poem of (Wordsworth’s), xii. 316.

Michael Angelo, i. 78, 85, 148, 161, 164; ii. 276; iv. 276; v. 18, 45, 247, 297; vi. 10, 74, 85, 127, 128, 132, 137–9, 145, 212, 297, 346, 347, 353, 363, 368, 392, 413; vii. 59, 61, 94, 96, 103, 107, 118, 157, 158, 199, 203; viii. 55, 284, 364, 470; ix. 11, 28, 42, 134, 165, 211, 219, 220, 232, 235, 236, 239, 240–1, 273, 274, 327, 360–4, 366, 369, 380–2, 394, 403, 409, 427, 491; x. 63, 77, 180, 181, 206–8, 279–82, 336, 354; xi. 202, 212, 214, 215, 217, 227–9 n., 234 n., 424, 449, 482, 590; xii. 36.

—— Cassio (in Shakespeare’s Othello), vi. 195; viii. 189, 214, 339, 340, 473, 560; xi. 294.

Mickle, William Julius, v. 122.

Micklestane Moor, iv. 246; vii. 343.

Microcosmus (Nabbes’s), v. 289, 290, 292, 334.

Midas, v. 197, 199, 201; ix. 105.

Middle Passage, The, vii. 47; ix. 185.

—— Temple, The, x. 363.

Middlesex, iii. 423.

Middleton, Conyers, ii. 169, 173, 176, 190, 194; x. 249.

—— Thomas, v. 176, 181, 193, 214, 223, 224.

Midhurst, iii. 421.

Midsummer Night’s Dream (Shakespeare’s), i. 61, 244; viii. 274; also referred to in i. 137, 178, 242, 244, 359; v. 190; viii. 305; x. 116; xi. 451; xii. 74 n.

Mieris (a family of painters), ix. 60, 92.

Mignet, François Auguste Marie, ix. 186.

Milan, vii. 169; viii. 291, 429; ix. 187 n., 198, 260, 264, 275, 277, 278, 419; x. 192.

Mile-end, ix. 480.

Milford (in Holcroft’s The Road to Ruin), ii. 124.

—— Haven, i. 182; xi. 292.

Milking (by John Burnett), xi. 247.

Mill, James, vii. 160, 183, 186, 495; xii. 131, 255.

Mill, John Stuart, xii. 255.

Millamant (Congreve’s Way of the World), i. 12; vi. 165; vii. 121; viii. 14, 37, 73, 74, 151, 152, 465, 555; xi. 346.

Millamour (in Murphy’s All in the Wrong), viii. 164.

Millar, Andrew, vii. 220.

Miller, Miss, viii. 128.

—— The (Chaucer), v. 24.

—— and his Men, The (Pocock’s), xi. 394.

Miller’s Wife (in Pocock’s Miller and His Men), viii. 292.

Millennium (in Cowper’s Task), v. 94.

Millisent (in Merry Devil of Edmonton), v. 293.

Millot, Claude François Xavier, x. 46.

Mills, Dr (Milles, Dr Jeremiah), v. 122.

Mills, Mr, Mrs and Miss (actors), ii. 70 n., 77, 78, 195.

Milman, Henry Hart, iv. 421; v. 379; viii. 416, 478.

Milner, Miss (in Mrs Inchbald’s Simple Story), vii. 304; ix. 237; xii. 65.

Miltiades, x. 232.

Milton, John, v. 44; also referred to in i. 3, 22, 49, 79, 94, 138, 153, 156, 161, 164, 319, 381, 397–401, 425; ii. 79, 91, 166, 275, 358, 397 n., 436; iii. 1, 168, 258, 270, 299, 326, 336; iv. 45, 61, 190, 217, 229, 244, 275, 276, 355, 365; v. 11, 68, 70, 123, 125, 145–6, 148, 180, 183, 230, 247, 256, 316–8, 369, 371; vi. 42, 68, 73, 77, 85, 96, 100, 106, 110, 163, 169, 210, 218, 223–4, 316, 347, 350, 356, 362, 380, 392–3, 399, 401, 413, 423, 427, 433; vii. 8, 17, 36, 117, 119–20, 153, 158, 160, 169, 197, 203, 249, 268, 320, 322, 371; viii. 23, 43, 55, 58, 68, 101–2, 230, 232–3, 273, 298, 385, 478 n., 535, 561; ix. 15, 159, 167, 186, 196, 211, 218, 232, 238, 243 n., 283, 320, 321, 427, 431, 483, 491; x. 13, 62–4, 71–2, 77, 116, 118, 155, 156, 200, 204, 232, 244, 324, 325, 327, 377, 399, 406, 416; xi. 215, 233, 235, 294, 431, 450–2, 457, 464, 486–7, 506, 514, 518, 546, 573; xii. 27, 39, 67, 116, 142, 192, 207–8, 273, 277, 341, 346, 372, 433.

Milton’s Eve, Character of, i. 105.

—— Lycidas, On, i. 31.

—— Sonnets, On, vi. 174; also referred to in v. 371.

—— Versification, On, i. 36.

Milwood (in Lillo’s George Barnwell), viii. 269.

Mina, General, x. 250.

Mincing, Mrs (in Congreve’s Way of the World), viii. 465.

Mind and Motive, vi. 496; xi. p. x.

Mind, On the (Helvetius), xi. 173 n.

Minehead, xii. 272.

Mine Host (Ben Jonson’s New Inn), v. 263.

—— —— of the George (Merry Devil of Edmonton), v. 293.

—— —— of The Tabard (Chaucer), xii. 30.

Minerva (statue), ix. 341, 430, 466; x. 343, 350.

—— Sunias, Temple of the, ix. 325, 381.

—— Press, The, vii. 222; xi. 459.

Minna (in Scott’s The Pirate), xi. 532

Minor, The (Foote’s), ii. 170.

—— Theatres, viii. 403, 478.

Minstrel, The (Beattie’s), v. 100.

Minstrel’s Song in Ælla, The (Chatterton’s), v. 126.

Minucci (an Italian), x. 303.

Minuet de la Cour, The (a dance), xii. 122.

Minute Philosopher (Berkeley’s), vi. 198; xii. 397 n.

Mirabaud, J. Bapt. de, i. 408; vii. 430; xi. 579; xii. 116.

Mirabel (Farquhar’s The Inconstant), i. 154; viii. 73, 74, 75; xi. 367.

Miracles, Essay on (Hume’s), xii. 266.

Miracle of Bolseno (Raphael’s), vi. 340; ix. 240, 364.

Miracle of the Conversion (Raphael’s), ix. 380; xi. 227.

—— of St Mark (Tintoretto’s), ix. 274.

Miraculous Draught of Fishes (Raphael’s), vi. 220; viii. 147; ix. 47.

Miranda (in Mrs Centlivre’s The Busy-Body), viii. 270, 503.

—— (in Shakespeare’s The Tempest), i. 105, 238; x. 116; xi. 296, 417.

Mirandola (Barry Cornwall’s), vi. 96.

Mirror, The (a periodical), viii. 105.

Mirrour for Magistrates, The Induction to the (Thomas Sackville’s), v. 196.

Misanthrope (Molière’s), viii. 28, 31, 554, 558; ix. 147–9; x. 107, 108; xi. 354, 383; xii. 24.

Miscellaneous Poems, F. Beaumont, P. Fletcher, Drayton, Daniel, etc., Sir P. Sidney’s Arcadia, and other works, v. 295

Miser, The (Molière’s), xi. 379, 380.

Miserere, The, ix. 235.

Misers (Massys’), ii. 417; ix. 40.

Misnah, The, iii. 274.

Miss Mactab (in The Poor Gentleman), xi. 376.

—— Prue (Congreve’s Love for Love), vii. 127, 226; viii. 14, 72, 77, 82, 152, 278, 555.

Mistress, Lines to his (Donne’s), xii. 28.

—— (Titian’s), vii. 282; ix. 33, 112, 121, 224, 270.

Mitre, The (an inn), vi. 193; viii. 103.

—— Court, vii. 37; xii. 35 n.

Mock Doctor, The (Fielding’s), viii. 159.

Modena (town), ix. 207.

Modern Comedy, On, i. 10; viii. 551

—— Midnight Conversation (Hogarth’s), viii. 142, 143.

—— Tory Delineated, xi. p. vii.

Mogul, The, ii. 224.

Mohun, Michael, viii. 160.

Moiano (a town), ix. 211.

Molesworth, Robert, Lord, iv. 93.

Molière, i. 81, 314; ii. 166, 229; v. 227, 228; vi. 49, 85, 86, 111, 196 n., 417; vii. 311, 323; viii. 28, 29, 31, 42, 76–8, 122, 133, 159, 160, 162, 167, 193, 195, 244, 319, 554, 558; ix. 129, 146–50, 152, 166, 214, 242, 391; x. 40, 107, 108, 298; xi. 276, 288, 354, 358, 366, 371, 379, 383, 395, 452, 460; xii. 22, 37, 346.

Molineaux, Tom (pugilist), iv. 223.

Moll Flagon (in Burgoyne’s Lord of the Manor), xi. 316, 388.

—— Flanders (Defoe’s), x. 380; xii. 367.

Molly, Old, xi. 311.

—— Jollop (G. Colman the elder’s The Jealous Wife), viii. 168, 318, 392.

—— Seagrim (in Fielding’s Tom Jones), vii. 221; viii. 113.

Molteno’s print-shop, ix. 8.

Mombelli, Esther, ix. 174.

Momus, The Elgin, ix. 340.

Monaghan, Mr (in Amory’s John Buncle), i. 54; iii. 142.

Monarchy, On the Spirit of, xii. 241.

Monastery (Scott’s), vii. 201; viii. 439

Monasticon (Dugdale’s), v. 120; vii. 317.

Moneses (Congreve’s Bajazet), xi. 275.

Money, On the want of, xii. 136.

Monimia (in Otway’s Orphan), i. 157; v. 355; viii. 263, 310.

—— (in Smollett’s Count Fathom), xii. 64.

Moniteur, The (a newspaper), ix. 165.

Monk Lewis, xii. 271.

—— The (Lewis), viii. 127.

Monkeys, The (Gay’s Fable), v. 107.

Monmouth’s Rebellion, x. 357.

Monmouth Street, vi. 459; vii. 69; xii. 210.

Monrose (in Holcroft’s Knave or Not?), ii. 161, 162.

Monsieur Jourdain (in Molière), i. 81; viii. 160; xi. 355.

—— D’Olive (Chapman’s), v. 231.

—— Pourceaugnac (Molière’s), i. 81; viii. 28, 160; x. 107.

—— Thomas (Beaumont and Fletcher’s), v. 261.

Montagu, Mrs Basil, vii. 41, 132.

—— Edward Wortley, iv. 90 n.

—— Lady Mary Wortley, vii. 207; ix. 477; xii. 32, 134, 153 n.

Montaigne, Michael, Lord of, i. 7; ii. 410; iv. 195, 373; v. 334; vi. 86; vii. 26, 28, 219 n., 230, 311, 313, 323; viii. 92, 93, 94, 95, 100; ix. 166; x. 72; xi. 383; xii. 37.

Mont-Mirail, The Battle of (Vernet’s), ix. 128.

Mont St Jean, The Battle of, ix. 128.

Montargis (a town), ix. 175, 176, 177.

Monte-Fiascone, ix. 231.

Monte Pincio, The, x. 303.

Monte-Pulciano, xi. 487.

Monte Rosa, ix. 279, 281, 296.

Montesquieu, Charles de St Bavon de, iv. 9 n.; vii. 40, 311; x. 184; xii. 247.

Montfort (actor), i. 440.

Montgomery, James, v. 378; vi. 156; vii. 14.

Monthly Magazine, The, ii. 175, 177, 192; iv. 9 n.; vii. 230; x. 221, 222; xii. 136, 150, 161, 173, 184, 198, 209, 230, 235.

—— Mirror, The, ii. 228.

—— Review, The, ii. 95, 163, 225; iv. 284, 311 n.; vi. 65, 216.

Montmartre, vii. 332; ix. 161; xii. 189.

Montmorenci, vii. 307; ix. 161.

Montpelier Tea Gardens, vi. 257.

Montroses, The, xii. 255.

Montrose (the town), ii. 308.

Monument, The, iii. 128; vi. 421; vii. 68; viii. 435; ix. 59.

—— of the Two Children (Chantrey’s), vi. 326.

Moody or Pinchwife (in Garrick’s adaptation of Wycherley’s Country Wife), vi. 68; viii. 77; xi. 277.

Moonshine (in Shakespeare’s Midsummer Night’s Dream), i. 248; viii. 276.

Moor (Schiller’s), xii. 67.

—— The (in Shakespeare’s Titus Andronicus), x. 117.

Moor of Venice, or Othello (Shakespeare’s). See Othello.

Moore, Edward, v. 6, 359; vi. 368.

—— Sir John, ii. 375.

—— Peter, viii. 413.

—— Dr, ii. 171, 198; vi. 360.

—— Thomas, iii. 122, 311, 312; iv. 9, 13, 213, 258, 312, 353; v. 151, 152, 153, 155, 369, 378; vi. 67, 334 n., 454, 495, 509; vii. 123, 153, 314, 319, 365–72, 378–82; viii. 10, 166, 284, 422; ix. 34 n., 73, 106, 160 n., 190, 218, 246, 257, 281, 283; x. 233, 314; xi. 372, 386; xii. 138, 155 n., 307, 323.

—— Sir Graham, vi. 385.

Moorish Alhambra, The, ix. 349.

Mopsa and Dorcas (Sir Philip Sidney’s), ix. 58.

Moral Epistles (Pope’s), v. 373.

Morals (Seneca’s), viii. 557.

Moral and Political Philosophy, Paley’s, iii. 224, 276; iv. 166 n.; vii. 49; xi. 336.

Morales, Luis de, ix. 26.

Morceaux, from Wat Tyler (Southey’s), iii. 194 et seq.

Mordaunt, Mertoun (in Scott’s The Pirate), xi. 532.

Mordent (Holcroft’s The Deserted Daughter), ii. 159.

More, Hannah, i. 66; v. 108, 147; vi. 363; viii. 194, 256, 257, 284.

Moreau, Jean Victor, iii. 53, 56.

Moredens, The (in Leigh’s Where to Find a Friend), viii. 258–260.

Morgan (in Holcroft’s Old Clothesman), ii. 173, 174, 176, 177.

—— (in Smollett’s Roderick Random), iii. 218; vii. 378.

—— Lady, iv. 308; vii. 220; ix. 226, 267; x. 233, 276 et seq., 305 n.

Morganti Maggiore (Pulci’s), x. 69.

Mori, Miss, viii. 341.

Morland, George, ii. 202; vii. 56.

Morn (Michael Angelo’s), ix. 363.

Morning (C. V. Fielding’s), xi. 248.

—— (Hogarth’s), viii. 144; ix. 80.

—— Chronicle, The, i. p. xxx., 415–6, 418, 425, 426, 434–5, 441–2; ii. 94, 204, 205, 207, 221, 222; iii. 47 et seq., 51, 101 n., 107, 205, 232, 339 n., 453–4; vi. 190, 292, 293; vii. 205; viii. 174, 241, 459, 502, 512 et seq., 522–3, 531, 551; ix. 84, 85, 186, 315, 462, 489; x. 213–6; xi. p. ix., 162, 167, 172, 180, 187, 191, 195, 420, 447, 566, 567, 602; xii. 319.

—— Herald, The, ii. 106, 109, 224; iii. 97; vi. 190.

—— Post, i. 383 n.; ii. 143, 144; iii. 18 n., 76, 93, 126, 243 n., 350; x. 138, 150, 220; xi. 495.

—— and Evening of the Roman Empire (Claude’s), ix. 54, 57.

Morocchius (in Shakespeare’s Merchant of Venice), i. 322, 391, 392.

Morocco, Emperor of (in Peter Pindar), viii. 168.

Moroni, Giovanni Battista, ix. 34.

Morose (in Jonson’s Silent Woman), viii. 42.

Morpeth, Lord, xi. 386.

Mortimer (in Cumberland’s Faithless Lover), ii. 83.

—— (in Shakespeare’s Henry IV.), i. 284.

Morton, Charles, x. 357.

—— Thomas, iii. 162; vi. 453; viii. 442; xi. 374.

—— (Scott’s Old Mortality), iv. 247.

Mosaics of the Church of St Mark, Venice, ix. 274.

Mosca (in Jonson’s Fox or Volpone), viii. 44.

Moscow, iii. 99, 178; vi. 241; xi. 195, 196.

Moses, iii. 265, 297; viii. 58; xi. 233, 472 n.; xii. 263.

—— Cosmogony of, xii. 279.

—— (Michael Angelo’s), ix. 362; x. 208.

—— (Poussin’s), ix. 473.

—— (Sheridan’s), viii. 250.

—— in Egypt (an Oratorio), ix. 202.

—— (in a play), viii. 387; xii. 24.

Mosheim, Johann Lorenz von, iii. 276.

Mossop, Henry, ii. 63, 64.

Moth (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.

Mother Bombie (by John Lyly), v. 197, 198.

—— Cole (in Foote’s The Minor), viii. 167.

—— and Child, The (Raphael’s), viii. 148.

—— Hubberd’s Tale (Spenser’s Shepherds’ Calendar), v. 98.

—— and a Sleeping Child (Guido’s), ix. 51.

Mother’s Picture, Verses on his (by Cowper), v. 95.

Motto, or Invocation to his Muse (Cowley’s), viii. 58.

Moudon (a town), ix. 285, 295, 296.

Mouldy (Shakespeare’s 2nd Henry IV.), viii. 33.

Moulins (a town), ix. 178, 179.

Mounsey, George, vi. 192, 195, 197, 198, 199, 201.

Mount, Sermon from the, v. 184.

Mountaineers, The (G. Colman, junr.), ii. 109; viii. 239.

Mountford, Sir Charles, v. 213.

Mountfort, Susanna, i. 157; viii. 160.

Mountjoy, Lady, ix. 473.

Mourning Bride (Congreve’s), i. 176; vi. 195; vii. 306; xi. 382.

Mourritt (operatic singer), ix. 171.

Moustache (Macready’s Henry IV.), viii. 442.

Mowbray (Shakespeare’s Richard II.), i. 273.

Mozart, Johann Chrysostom Wolfgang Amadeus, ii. 174, 178, 200, 201; iii. 311; vi. 74; vii. 239; viii. 325–7, 362–4, 370–1, 452, 535; xi. 427, 455, 500; xii. 168, 345, 384.

Mrs Battle’s Opinions on Whist (Lamb’s), iv. 364; vi. 199, 245.

Mrs James (in Fielding’s Amelia), viii. 114; x. 33.

—— Leicester’s School (Lamb’s), v. 146.

—— Malaprop (in Sheridan’s Rivals), viii. 165, 508; x. 142; xi. 307.

—— Marwood (Congreve’s Way of the World), viii. 74.

—— Oakley (in Geo. Colman the elder’s The Jealous Wife), viii. 316, 505; xi. 304.

—— Patch (in Mrs Centlivre’s Busy-Body), viii. 503.

Much Ado about Nothing (Shakespeare’s), i. 335; iii. 200; viii. 32, 401 n.

Mucklewrath (Scott’s Old Mortality), iv. 247.

Mudford, William, vi. 111, 196, 293 n.; x. 219; xi. 547.

Mudge, Dr, vi. 368, 419, 512.

Mudges, The, vi. 366, 367, 374, 510, 512.

—— Zachary, vi. 368.

Muiopotmos (Spenser’s), viii. 404.

Mulberry Tree, The (a song), viii. 301.

Muleteers (Correggio’s), ix. 35.

Muley-Muloch (in Dryden’s Don Sebastian), v. 357, 358.

Mulgrave, Lord, i. 374.

Müller, Johannes von, iii. 154.

Mumps (in Oulton’s Frightened to Death), viii. 359.

Munchausen, Baron, vii. 37, 138.

Munden, Joseph Shepherd, ii. 147, 148, 368; v. 269 n.; vi. 275–6 n., 418, 453; viii. 71, 226–7, 256, 264–5, 278, 286, 310, 317, 343, 359, 386, 392, 400, 416, 459, 465, 525, 534, 536; xi. 303, 306, 366, 377–8, 392; xii. 24, 198 n.

Munden’s Sir Peter Teazle, xi. 392.

Mundungus, x. 149 n.

Mungo (in Bickerstaffe’s Padlock), ii. 84.

Müntz, John Henry, x. 164.

Murder of Dentatus (Haydon’s), xi. 482.

Murillo, Bartolomeo Esteban, vi. 219; ix. 23, 25, 26, 54, 158, 186, 389, 390; xi. 205 n., 249; xii. 262.

Murphys, The, v. 359; viii. 164.

Murray, Chas., viii. 309.

—— John, i. 376, 379, 380; iii. 124, 194, 217, 218; iv. 302, 312; vi. 89, 211; vii. 376, 378, 515; ix. 247 n.; xi. 423, 486, 489, 580; xii. 267, 320.

—— Lindley, iii. 445; iv. 241 n., 391; xii. 232.

Murray, William (Earl of Mansfield), iii. 416.

—— Mr (Pope’s friend), viii. 555.

—— Miss, viii. 529.

Muse, Invocation to, or Motto (Cowley’s), viii. 58.

Music, History of (Burney’s), x. 288 n.

—— Messora’s, xi. 245.

Music-piece (Giorgione’s), ix. 271.

—— (Titian’s), ix. 11, 70.

Musical Instruments, Personification of (in Tatler), i. 9; viii. 98.

—— Party (Giorgione’s), ix. 26.

Musician and the Nightingale, The Contest between the (by Crashaw), viii. 53.

Musidorus and Philoclea (Sir Philip Sidney’s), ix. 58.

Mustapha and Alaham (by Fulke Greville), v. 231; vii. 255; xii. 34.

Mustard Seed (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.

My Aunt (a farce), viii. 239, 240.

—— Father (in Sterne’s Tristram Shandy), i. 12; viii. 121, 151.

—— First Acquaintance with Poets, xii. 259.

—— Grandmother (by Prince Hoare), i. 155; vi. 416; viii. 230.

—— Landlady’s Night-Gown (Oulton’s), viii. 328.

—— Spouse and I (C. Dibdin’s), viii. 525.

—— Uncle Toby (in Sterne’s Tristram Shandy), i. 12; viii. 11, 121, 151; x. 39; xi. 553.

—— Wife! What Wife? (by Barrett), viii. 237.

Myrrha (Byron’s Sardanapalus), ii. 307.

Myrtle (in Steele’s Conscious Lovers), viii. 158.

Mysie Happer (in Scott’s Monastery), viii. 454.

Mysterious Mother, The (Walpole’s), x. 165.

Mysteries, The, x. 60.

—— of Udolpho, The (by Mrs Radcliffe), viii. 125; xii. 64.

Mystery of the Passions, x. 60.