A.

A. (Mr), vi. 390.

Aaron (Shakespeare’s Titus Andronicus), i. 357; v. 207.

Aaron’s Rod, iv. 63.

Abbot’s Ford, iv. 245.

Abbott, William, vi. 277; viii. 235, 266, 292, 333, 335, 413, 455; xi. 402.

—— Mr Speaker (Lord Colchester), iv. 199; xii. 370.

À Becket, Thomas, v. 143.

A’Beckett, Gilbert, v. 143.

Abednego, iii. 265.

Abel Drugger (Ben Jonson’s The Alchemyst), ii. 76 n., 79; vi. 273, 418; viii. 227, 228; xii. 33.

Abelard and Eloise (Pope’s), v. 75.

—— Peter, iv. 213; v. 75; vii. 96; ix. 146, 354; xii. 165.

Aben Hamet (in Dimond’s Conquest of Taranto), viii. 368.

Aberdeen, ii. 209; viii. 290; ix. 492.

Abernethy, John, vi. 62.

Abhorson (in Shakespeare’s Measure for Measure), i. 346.

Abimelech Henley (in Holcroft’s Anna St Ives), ii. 128.

Abinger, Lord (Mr Scarlett), vii. 174 n., 516.

Abington, Mrs, i. 157; vi. 426, 453; viii. 74, 174, 393; ix. 147; xii. 24.

Aboam (in Southerne’s Oroonoko), xi. 302.

Abraham Adams (in Fielding’s Joseph Andrews), viii. 106; x. 328.

Abruzzi, The Passes of the, ix 255, 259; x. 283, 291.

Absalom and Achitophel (Dryden), v. 80.

Abstract Ideas, On, xi. p. v., 1.

—— —— xi. 1.

Abstraction, On, xi. 180.

Academie de Musique, viii. 363.

Academy, at Bologna, ix. 205, 264.

—— of Compliments, i. 235.

—— of Painting (Venice), ix. 273, 274.

—— of St Luke, x. 280, 296.

Accusation. See Anglade Family.

Acetto, Count, ix. 213.

Achilles, i. 221; iv. 225; v. 15, 54, 64; vii. 255; x. 6, 98; xii. 8.

Achitophel (Dryden’s), iii. 400; v. 80.

Achmet (in John Brown’s Barbarossa), viii. 372.

Acis and Galatea (by John Gay), vii. 103.

Ackerman, Rudolf, i. 366; viii. 143; ix. 313.

Acropolis, ix. 379; x. 343; xi. 227, 486.

Actæon—Hunting (Titian), i. 27, 78.

Acted Drama in London, Essays on the, viii. 381.

Actium, i. 229; v. 50; viii. 192.

Acton, Sir Francis, v. 213.

Actor, The (Holcroft’s paper), ii. 87.

Actors and Acting, On, i. 153, 156, 382.

—— ought to sit in the Boxes? Whether, vi. 272.

Actors and the Public, xi. 348.

Acts of Uniformity, xi. 314.

Adair, Sir R., ii. 169, 214, 227.

Adam, i. 38, 105 seq., 385, 425; iv. 337; v. 60, 66; vi. 96, 396, 411; vii. 36; xi. 233, 452; xii. 276, 455 n.

—— (in Shakespeare’s As You Like It), i. 340.

—— (Michael Angelo’s), ix. 241, 332, 362.

—— (in Milton’s Paradise Lost), v. 357, 371.

—— and Eve (Barry’s), ix. 418.

—— —— (Martin’s), vi. 398; vii. 292 n.; xi. 553.

—— —— in Paradise (Poussin), vii. 291, 292; ix. 109.

—— —— driven out of Paradise (Ribera’s), ix. 70.

Adam Bell (in Holcroft’s The Noble Peasant), ii. 110.

Adams, Mr (Sec. of the Constitutional Soc.), ii. 153.

Addington, Henry, Viscount Sidmouth, iii. 3, 38; viii. 17; xii. 206, 450.

—— Hiley, iii. 238, 300.

Addison, Joseph, i. 2, 8, 9, 370, 372, 374, 380, 382, 415; ii. 43, 212; iv. 233, 269, 367; v. 78, 319, 373; vii. 6, 36; viii. 22, 89, 97, 98, 99, 101, 105, 158; ix. 276; x. 112, 206, 359; xi. 391, 489, 543, 546; xii. 35, 170, 330, 331, 375.

Address to the Inhabitants of New Lanark (Robert Owen’s), iii. 121.

Adela (in Holcroft’s The Noble Peasant), ii. 110.

Adelaide, or The Emigrants (Sheil’s), viii. 308, 530.

Adelard (in L. Bonaparte’s Charlemagne), xi. 232.

Adelinde (in L. Bonaparte’s Charlemagne), xi. 235.

Adelphi, i. 35; viii. 404, 411, 412; ix. 420, 421, 422; x. 200; xi. 242; xii. 168, 195, 196.

Adige, The, ix. 277.

Admetus, iii. 206.

Admirable Crichton, viii. 459; xii. 34.

Admiralty, vii. 115.

Adonis, Gardens of, v. 38.

Adoration, An (Raphael’s), ix. 73.

—— of the Angels (Poussin’s), ix. 51.

—— of the Shepherds (Caracci’s), ix. 26.

Adrian (Pope), xi. 235.

Adriana (in Shakespeare’s Comedy of Errors), i. 352.

Adriano de Armada (in Shakespeare’s Love’s Labour’s Lost), v. 324.

Adrian’s Villa, ix. 256; xi. 199.

Adriatic, ix. 200, 264, 266, 284.

Adventurer, The (Hawksworth’s), vii. 226; viii. 104.

Adventures of Friar Albert (Chaucer), xii. 30.

—— at Madrid, or Gallantry (a play), viii. 399.

Advertisement and Biographical and Critical Notes from the Eloquence of the British Senate, iii. 388.

Advice to a Patriot; in a Letter addressed to a Member of the Old Opposition, iii. 1.

Ægeon of Syracuse (Shakespeare’s Comedy of Errors), iv. 341; vi. 58.

Æmilia (in Two Noble Kinsmen), v. 261.

—— (Shakespeare’s Othello), i. 201 seq., 293; vi. 303.

Æneas, i. 416; iii. 461; v. 54; ix. 171; x. 20; xi. 492; xii. 19.

—— Escaping, etc. (Barry’s), ix. 415.

—— (in Opera Didona Abandonnata), viii. 197.

—— and Dido (Guérin’s), ix. 135.

Æneid (Gawin Douglas’ version), v. 399.

—— (Virgil’s), xi. 492.

Ænobarbas (in Shakespeare’s Antony and Cleopatra), see Enobarbus.

Ænone, v. 203.

Æschylus, i. 194; iv. 216; v. 56; vi. III; viii. 12; x. 33; xi. 284, 506; xii. 240, 260.

Æsop. See Fables by Æsop.

Ætna, v. 122.

Afrancesadoes (Spaniards), i. 428.

African (or Negro), i. 69.

Agamemnon (Æschylus), i. 221; v. 54; x. 81, 94, 98; xi. 284, 421; xii. 240, 260.

Agar (Welbore Ellis), vi. 369.

Agatha Friburg (in Kotzebue’s Lovers’ Vows), viii. 335.

Age of Elizabeth, The Lectures on, etc.; Lecture I.—Introductory, v. 175.

Agincourt, i. 285, 289, 425.

Aglaura (Suckling’s), viii. 57.

Agli, Messer, x. 300.

Agnes, or the Triumph of Principle, iv. 243 n.

—— (Mrs Radcliffe’s), viii. 126

—— (in Lillo’s Fatal Curiosity), ii. 212.

—— (in Molière’s School for Wives), viii. 76; xi. 276.

Agnese (opera by Paer), viii. 540.

Agnolo, Andrea d’. See Andrea del Sarto.

Agreeable Surprise, The (O’Keeffe’s), viii. 166, 167, 319, 387, 463.

Agriculture, On (Cowley), viii. 60.

Aickin, James, ii. 197, 199, 201.

Aikin, Dr John (Dr A.), ii. 198; xi. 505.

Ailsa, Craig of, ii. 64.

Aimwell (Farquhar’s Beaux’ Stratagem), viii. 10, 88.

Airy, Sir George, viii. 503.

Ajax, x. 94; xii. 10.

Akenside, Mark, i. 114; ii. 79; iii. 222; v. 68, 119, 375; xi. 573.

Aladdin, ix. 269.

Alastor, or the Spirit of Solitude (Shelley’s), x. 261, 265.

Albano, Francesco, i. 77; vi. 441; ix. 34, 111, 236.

—— Hills of, ix. 234, 254, 376.

Albany, The, xi. 486.

—— Duke of, ii. 80.

Albemarle Street, i. 370; iii. 217; iv. 367; xi. 423, 486, 487.

Albergo di Venezia (an inn), ix. 264.

Alberigi, Frederigo, i. 163, 331; vii. 303; x. 68; xi. 501.

Albigeois, The Civil Wars of the, x. 56.

Alcæus, iv. 271.

Alcamenes (painter), ix. 466.

Alcantara (town), iii. 290 n.

Alceste (in Molière’s Misanthrope), ix. 150–1

Alcestis, vi. 179; x. 97.

Alchymist, The (Ben Jonson’s), viii. 45, 227; x. 117, 171.

Alcibiades, i. 211 seq.; vii. 213; xi. 228.

Alcides, The (acrobats), vi. 442.

Alcinous, Gardens of, ix. 325; xi. 514.

Alderman Gripe (Wycherley’s Love in a Wood), viii. 78.

Aldermanbury, xi. 441.

Aldobrand (in Maturin’s Bertram), viii. 306–7.

Aldridge’s, ii. 174.

Ale-house Door (Wilkie’s), viii. 140; ix. 15; xi. 252.

Aleman, Mateo. See Guzman D’Alfarache.

Aleppo (referred to in Shakespeare’s Othello), xi. 283.

Alexander and Campaspe (John Lyly’s), v. 197, 201, 202.

—— Battle of (a picture), ix. 41.

—— of Aberdeen, ii. 209.

—— I. of Russia, iii. 56, 160, 306; iv. 189; ix. 479; xi. 415.

—— the Great, i. 291; ii. 67, 173; iv. 71; v. 124; vi. 106, 107; x. 15, 17, 26, 329; xi. 3, 234, 553; xii. 37, 204.

Alexander the Great (by Lee, Nathaniel), v. 357; vi. 342; vii. 301.

—— VI., Pope, Bower’s Life of, ii. 172.

—— the Spy, ii. 154 n.

Alexander’s Feast (Dryden’s), iv. 276; v. 81, 372; vi. 204 n.; xii. 347.

Alfieri, Count, x. 45, 232, 241; xi. 424.

Alfred (Wilkie’s), ix. 389.

Algiers, iii. 335, 442.

Alhambra, The, ix. 349.

Alice (in Scott’s Old Mortality), iv. 247.

—— Bridgenorth (in Scott’s Peveril of the Peak), xi. 540.

Alicia (in Rowe’s Jane Shore), viii. 352.

Alien Bill, The Scotch, ix. 214.

—— Office, The, ii. 248.

Alighieri, Family of the, x. 63.

Alithea (in Wycherley’s adaptation of Molière’s School for Wives), viii. 76, 153, 554; xi. 276.

Allan, The bog of, v. 34.

Allen, Bobbie (Lamb’s schoolfellow), xi. 585.

Allen-a-Dale (in Scott’s Ivanhoe), iv. 209.

Allen, John, M.D., ix. 17.

All Fools (Chapman’s), v. 234.

All for Love (Dryden’s), viii. 190.

All-Foxden, vi. 183; xii. 269, 271.

All in the Wrong (Murphy’s), viii. 164.

Allston, Washington, xi. 189, 190, 456 n.

All’s Well that Ends Well (Shakespeare’s), i. 329; also referred to, iii. 437; viii. 330; xi. 296.

Allworthy (in Fielding’s Tom Jones), vi. 452.

Almack’s, xi. 343.

Almanach des Gourmands, The, xi. 501.

Almeria (Congreve’s Mourning Bride), viii. 75.

Almeyda (in Dryden’s Don Sebastian), v. 357.

Alonzo (in Maywood’s Zanga), xi. 398.

Alphonso VI. of Castile and Leon, x. 57.

Alps, The, iv. 193; vii. 368; ix. 182, 188, 190, 195, 199, 207, 208, 240, 263, 264, 273, 277, 288, 290, 297, 303, 360; xi. 231; xii. 134.

Alpuente, Romero (Landor’s), x. 251.

Alric (in Holcroft’s The Noble Peasant), ii. 110.

Alsop, Mrs, viii. 252, 355, 361, 369, 370, 412, 524; xi. 277, 305.

Alsop’s Rosalind, Mrs, viii. 252.

Altarpiece of St Mark (Tintoretto’s), ix. 113.

Alton (town), vii. 126.

Altona (town), ii. 256.

Alwyn, or the Gentleman Comedian (Holcroft’s), ii. 95 seq., 280.

Amadis de Gaul (early romance), i. 133; vii. 253; x. 14, 19, 20, 57; xii. 62.

Amadis of Greece, x. 57.

Amanda (Vanbrugh’s Relapse), viii. 83.

Amanthis (in Mrs Inchbald’s Child of Nature), viii. 196.

Amaryllis, vii. 41.

—— (in Fletcher’s Faithful Shepherdess), v. 255.

Ambrogetti, Signor, viii. 365; xi. 308.

Ambrose Lamela (in Le Sage’s Gil Blas), vii. 380.

Ambrose (Wilson’s Noctes Ambrosianæ), xii. 367.

Amelia (Fielding’s), i. 130; vi. 457; vii. 84; viii. 114, 115, 152, 555; x. 32, 33; xi. 501; xii. 64.

—— Mammonton (in Ups and Downs), xi. 385, 387.

Amelia, the Princess (George II.’s daughter), x. 159.

—— Carolina Wilhelmina Skeggs (in Goldsmith’s Vicar of Wakefield), iii. 313.

—— Wildenheim (in Lovers’ Vows, Mrs Inchbald’s adap. of Kotzebue’s Natural Son), viii. 249, 336.

American Farmer’s Letters, The, x. 314.

—— Lion (Kean’s), xi. 332.

—— Literature—Dr Channing, x. 310.

—— Revolution, ii. 133; iii. 32 n., 279, 302, 304; vii. 52.

—— War, The, iii. 250, 420, 422, 424; vi. 385; x. 150–2; xii. 263, 293.

Americans, ix. 257.

Amiens, ii. 216; iii. 6, 61, 83, 99; vii. 227 n.

—— (Shakespeare’s As You Like It), xi. 367, 378; xii. 122.

Amine (in Arabian Nights), viii. 14.

Aminta (Tasso’s), x. 73.

Amintor (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251, 252.

Amlet, Mrs (Vanbrugh’s Confederacy), viii. 14, 80.

Ammerbach (philosopher), x. 143.

Amory, John, i. 52.

Amours of Peter the Long (L. E. Billardson de Sauvigny), ii. 107.

Amphion, xi. 282.

Amphitheatre of Titus, ix. 234.

—— The (at Verona), ix. 277.

Amsterdam, vii. 100; ix. 295, 300, 301.

Amy Robsart (in Scott’s Kenilworth), ii. 314; iv. 248, 251.

Anabaptists, x. 360.

Anacharsis (traveller), vii. 255.

Anacreon, iv. 356; vii. 372 n.

Anacreon (Herrick’s translation), v. 312.

Anacreontics (Cowley’s), v. 372; viii. 59.

Anah (Byron’s), vii. 85.

Analogy (Butler’s), vi. 224; ix. 415; xii. 266, 346.

Analytical Review, The, ii. 116.

Ananias (Raphael’s), ix. 272 n.

Anastasius, vii. 220.

Anatomy of Melancholy (Burton’s), iv. 365; vi. 225.

Ancient Britons (the corps), ii. 176.

—— Mariner (Coleridge’s), iii. 205; iv. 218; v. 166, 377; viii. 14; xii. 236, 273, 319, 460.

—— Pistol (Shakespeare’s Henry IV., etc.), i. 425; iii. 54.

—— and Modern Literature, On Spirit of; On German Drama contrasted with that of Age of Elizabeth, v. 345.

Ancona, View of (Wilson’s), xi. 199.

Andalusia, Castle of (O’Keeffe’s), viii. 329.

Anderson, Dr, v. 124.

Andes, iv. 193; vii. 255; viii. 415.

Andrea del Sarto, vi. 11; ix. 25, 51, 226.

Andromache (Racine’s), viii. 334.

Andromeda (Guido’s), vi. 441; viii. 253; ix. 61, 237.

Andrugio (in Marston’s Antonio and Mellida), v. 225.

Angelica (Congreve’s Love for Love), i. 133; viii. 15, 152, 555.

—— and Medora (a picture), ii. 212, 227; v. 3; x. 71.

Angelo (in Shakespeare’s Measure for Measure), i. 346, 347.

—— Michael. See Michael Angelo.

Angerstein, John Julius, vi. 174, 346; ix. 9, 35, 75, 113, 439.

Angerstein’s Collection, ix. 7.

Angiers, i. 311.

Anglade Family (or Accusation, by Payne), viii. 279.

Anglaises pour rire (a play), xi. 366.

Angler. See Complete Angler.

Angrisani (Signor), viii. 365, 371; xi. 308.

Anhalt (in Lovers’ Vows, Mrs Inchbald’s version of Kotzebue’s Natural Son), viii. 249.

Anjou, Charles of, x. 56.

Anlaff the Dane (in Holcroft’s The Noble Peasant), ii. 110.

Anna, Verses upon (Gifford’s), iv. 302; vi. 221.

—— St Ives (Holcroft’s), ii. 128, 132, 136, 201, 279.

Annabel (in Holcroft’s The Man of Ten Thousand), ii. 160.

Annabella (in Ford’s ’Tis a Pity She’s a Whore), v. 269.

Anne Page (in Shakespeare’s Merry Wives), i. 350; ix. 36.

—— Queen, i. 8, 138; iii. 405; iv. 212, 217, 367; v. 82, 104, 105; vi. 113, 322, 323, 376, 445; viii. 96; x. 73, 205, 310, 358, 373, 374, 377, 378; xii. 405.

Annecy (town), i. 17; v. 100; vii. 304.

Annesley (a novel), x. 392.

Annual Anthology, iii. 211.

—— Register, ii. 56.

Annunciation (Guido’s), ix. 111.

Annus Mirabilis, The (Dryden’s), v. 81.

Anselme (in Molière’s L’Avare), xi. 379.

Anstey, Christopher, viii. 560.

Antæus, i. 160; iv. 38.

Antigone (Sophocles), x. 81, 97.

Antigonus (Shakespeare’s Winter’s Tale), i. 324.

Anti-Jacobin Review, i. 401; iii. 219, 238, 261, 262, 295; v. 164; x. 139, 158, 225.

Antinous, The (statue), vii. 167; viii. 149; ix. 107, 350, 378; xi. 228, 486, 542.

Antipholis (in Shakespeare’s Comedy of Errors), i. 351; iv. 341; vi. 58; viii. 401.

Antipodes, xii. 279.

Antiquary (Scott’s), iv. 248; vii. 156; viii. 413, 425; ix. 202; xi. 558.

Antiquaries, Society of, viii. 335.

Antiquity, On, vii. 252.

Antonines, The, ix. 366.

Antonio (in Middleton’s Witch), v. 218.

—— (Shakespeare’s Merchant of Venice), i. 321; viii. 179, 250, 374; xi. 417.

—— (Godwin’s), iv. 210 n.; xii. 326.

—— and Mellida (Marston’s), v. 224, 225.

Antony (Shakespeare’s Julius Cæsar and Antony and Cleopatra), i. 197; iv. 183; vii. 264.

—— and Cleopatra (Shakespeare’s), i. 228; v. 50, 253; viii. 190; also referred to, i. 195; v. 253; viii. 31, 389; ix. 27.

Antwerp, ix. 110, 300, 302, 492; xii. 48 n.

A. P. E., vii. 124, 207.

Ape, Lines on the Story of the (Merry’s), iv. 309 n.

Apelles (sculptor), vi. 74.

—— (in Lyly’s Alexander and Campaspe), v. 201.

Apemantus (Shakespeare’s Timon of Athens), i. 210 et seq.

Apennines, The, ix. 199, 207, 208, 209, 210, 254, 260, 263, 264, 276, 303; xii. 57, 134.

Apicius, xii. 141.

Apocalypse, The, vii. 199; xii. 280, 441.

Apollo, i. 34, 416; v. 83, 192; vi. 141; vii. 157; x. 349, 350; xi. 544; xii. 341.

—— (statues), iii. 169; v. 164; vi. 141; ix. 28, 107, 147, 164, 165 n., 169 n., 222, 223, 237, 240, 339, 340, 341, 350, 378, 379, 381, 430, 491–2; x. 341, 342, 344; xi. 196, 227, 228, 493.

Apollo and Daphne (Titian’s), ix. 74.

—— giving a Poet a Cup of Water (Poussin’s), vi. 172; ix. 24.

—— and the Seasons (R. Wilson’s), ix. 392; xi. 198.

Apollodorus, x. 100.

Apology for His Own Life (Cibber), viii. 160, 359.

Apostate, The (by Richard Lalor Sheil), v. 345; viii. 538.

Apostates, On Modern, iii. 155.

Apothecary (in Shakespeare’s Romeo and Juliet), ii. 368 n.

Apparitions, History of (Defoe’s), x. 382.

Appeal to Honour and Honesty (Defoe’s), x. 369 n.

—— from the New to the Old Whigs (Burke’s), iii. 32.

Appius and Virginia (Webster’s), v. 234.

Appleby, iii. 423; v. 148.

Application to Study, On, vii. 55.

Apprentice, The (Murphy’s), viii. 514.

Apuleius, Lucius, v. 199; vi. 201; x. 17, 18.

Apullius and Apullia (Turner’s), xi. 190.

Aquapendente (town), ix. 230.

Aquinas, Thomas, iv. 217; xii. 35.

Arabia, v. 88, 340 n.; xi. 560.

Arabian Nights, i. 46; ii. 347; iv. 337; v. 113; vi. 53, 408; vii. 23, 421 n.; viii. 12, 13, 14; ix. 69; x. 46.

Aram, Eugene, vi. 314; xii. 34.

Araminta (Vanbrugh’s Relapse), viii. 83.

Arbaces (in Beaumont and Fletcher’s King and no King), v. 252.

—— (in the opera Artaxerxes), viii. 248, 321, 451.

Arbe, The (river), ix. 292.

Arbela, The Battle of, vi. 107.

Arbuthnot, John, iii. 33; iv. 217; v. 78, 104, 105.

Arcadia, i. 338; ix. 324, 325.

—— Sir Philip Sidney’s, v. 98, 318, 319, 320, 321, 323, 324, 325, 326; ix. 9, 10, 58; x. 14; xii. 282.

Arch of Constantine (Claude), ix. 54.

—— of Constantine, ix. 232.

Archangel, ii. 251.

Archbishop of Grenada, The (in Le Sage’s Gil Blas), x. 31.

Archer (in Farquhar’s Beaux’ Stratagem), viii. 14, 88; xii. 451, 452.

Archimago (in Spenser), v. 36.

Archimedes, iii. 151; vi. 377; x. 13; xii. 36.

Arcite (Chaucer), v. 21, 29, 30, 258.

Arctic Circle, The, xii. 253.

Arden of Feversham (play), i. 357.

—— Forest of, i. 185, 338, 339; xi. 367; xii. 122.

Arethusa, xii. 200.

—— (in Beaumont and Fletcher’s Philaster), v. 262.

Aretine, Peter, iii. 218; iv. 225; v. 186; viii. 10.

Aretino, Pietro (Titian’s supposed portrait of), ix. 354; xii. 30.

Arezzo, ix. 262, 302.

Argenis (Barclay’s), x. 145.

Arguing in a Circle, xii. 285.

Argus, The (a newspaper), xi. 386.

Argyll, Duke of, vi. 521.

—— 2nd Duke of, John Campbell, iii. 415.

—— The Duchess of, vi. 450.

—— in Prison (Northcote’s), vi. 341.

—— Place, vi. 358.

Ariadne, vi. 238; vii. 125; xii. 203.

Ariel (Shakespeare’s Tempest), i. 23, 238, 241, 245; iv. 216; v. 15, 151; viii. 235, 236; ix. 177, 463; x. 116; xi. 179.

Ariosto, i. 161; iv. 257, 356; v. 3, 35, 45, 224; vi. 425; vii. 94, 252; ix. 29, 239, 266, 301; x. 9, 13, 16, 20, 45, 69, 70, 71, 73, 77, 409; xi. 235, 492.

Ariosto (Titian’s portrait of), ix. 270; xi. 30.

—— (Harington’s), v. 186; vi. 319 n.

Aristarchus, iv. 307.

Ariste (should be Valère), (in Molière’s L’Ecole des Femmes), xi. 356.

Aristocracy of Letters, On the, vi. 205.

Aristophanes, v. 56; viii. 28, 166; x. 99, 100, 112 n.

—— of Byzantium, i. 183.

Aristotle, i. 13, 123, 139; iv. 9 n., 143, 144, 283, 285; v. 360; vi. 107, 109, 198; vii. 248, 316; viii. 63, 93, 305; x. 143, 248, 249; xi. 97, 262; xii. 164, 326, 361, 370.

Arkwright (Sir Richard), ii. 175; vi. 456; vii. 165, 186; ix. 243 n.

Armelie (in L. Bonaparte’s Charlemagne), xi. 232, 235.

Armida (Ariosto’s), x. 71.

Armitage (racket-player), vi. 89.

Armstrong, John, ii. 169, 183, 194, 195; v. 119, 376; vi. 332.

Arnaud, Anthony, xi. 289.

—— Daniel, x. 55.

Arne, Michael, ii. 86.

—— Dr Thomas Augustine, ii. 86; viii. 451, 452.

Arno, The, ix. 211, 212, 221; xii. 134.

Arnold, S. J., viii. 224, 243, 244, 314, 322, 323, 463, 476.

Arpasia (in Bajazet), xi. 275.

Arragon, x. 56.

Arruntius (in Ben Jonson’s Sejanus), v. 264.

Arsinoe (in Molière’s Misanthrope), ix. 149.

Art, Fragments on, ix. 489.

—— of Walking the Streets. See Trivia.

Artamène (in Mlle. de Scudéry’s Artamène ou Le Grand Cyrus), xii. 61.

Artaxerxes (F. A. Arne’s), viii. 192; also referred to in viii. 248, 320, 330, 451, 532; xi. 455 n.

Arthur, King, x. 20–21, 56; xii. 221.

—— (in Shakespeare’s King John), i. 306 et seq.; vii. 344.

Arthur’s Seat, ii. 314; ix. 98, 324, 336, 337.

—— —— View of (Nasmyth’s), xi. 247.

Artist, The (a magazine), vi. 416.

Artists, On the Old Age of, vii. 88.

Arts, On the Progress of the, i. 372.

—— are not Progressive, Why the, i. 160; ix. 489; referred to, ix. 478.

Arundel, Thomas Howard, Earl of, ix. 34.

Arviragus (in Shakespeare’s Cymbeline), i. 182 seq.; v. 258; xi. 293.

Ascham, Roger, x. 236–7.

Ascot Heath, ii. 4, 5, 6.

Ashburton, Baron. See Dunning, John.

—— the Inn at, vi. 407.

Ashby-de-la-Zouch, ii. 14.

Ashmole, Elias, iii. 141.

Asia Minor, v. 199.

Aspasia (Landor’s), ii. 396; vii. 299.

Aspatia (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251.

Aspin, Mr, ii. 205.

Ass (of Apuleius), x. 17, 18.

Assembly of the Just (Raphael’s), iii. 142; xii. 208.

—— of Saints (Raphael’s), ix. 380; xi. 227.

Assignation Scene, The (Hogarth’s), viii. 134.

Assizi, ix. 261.

Ass’s Foal, Ode to an (Coleridge’s), v. 164.

Assumption (Titian’s), ix. 273.

Astley, John, vii. 111.

Astley’s, xii. 49.

Astolpho (Ariosto’s), vii. 252.

Astræa, xi. 384.

Astrea and Cleopatra, Histories of, x. 14.

Astronomical Discourses, Dr Chalmers’s, iv. 230; xii. 279.

Asturias, xi. 317.

As You Like It (Shakespeare’s), i. 338; also referred to in i. 185; vii. 260 n.; viii. 513; xi. 396.

Atala at the Tomb (Girodet’s), ix. 132.

At-all (in Abbe’s Double Gallant), viii. 162, 360.

Athalie (Racine’s), x. 106; xi. 452.

Athanasius, Creed of St, iii. 139, 269.

Athenæ Oxonienses (Wood’s), iii. 276.

Athenæum, The, xi. 386.

Athenians, xi. 312.

Athens, i. 4, 212; vi. 188, 448; vii. 95, 185, 254; ix. 381, 379, 466, 492; x. 347; xii. 170.

Atherstone, ii. 14.

Atkins, Mr (actor), viii. 275.

—— Mrs, ii. 219.

Atkinson (in Fielding’s Tom Jones), vii. 214; viii. 114; x. 33.

Atlas (the horse), ii. 22.

—— The, vi. 505, 517, 520, 521, 522; ix. 484–5; x. 403; xii. 320, 339, 342, 346, 348, 350, 353, 354, 357, 360, 363, 364, 367, 369, 370, 377, 381, 386, 391, 394, 402.

Atterbury, Francis, iii. 408; v. 79; vii. 24; viii. 14.

Attica, ix. 325; xi. 495.

Atticus (Pope’s), ii. 79, 199.

Attila, ix. 267.

—— (Raphael’s), ix. 364.

Attributes (Samuel Clarke’s), xi. 118.

Attwood, Mr (actor), ii. 195, 222, 225.

Audrey (in Shakespeare’s As You Like It), i. 185, 340; iv. 348; v. 146; viii. 167, 252, 319; xi. 367, 397.

Aufidius (in Shakespeare’s Coriolanus), i. 217; iii. 435; viii. 375.

Augustus (in Shakespeare’s Antony and Cleopatra), i. 230.

—— (statue), ix. 165, 221.

Auld Reekie School, The, viii. 478 n.

Auld Robin Gray (ballad), v. 141; vii. 253.

Aumerle (Shakespeare’s Richard II.), i. 273.

Aurelia, Duchess of Pietro Jacomo (in Marston’s Malcontent), v. 230.

Aurelio and Miranda (Boaden’s), ii. 218.

Aurora (newspaper), xi. 386.

—— (in Le Sage’s Gil Blas), xii. 141.

—— (Guido’s), ix. 237; xii. 36.

—— (Poussin’s), vi. 171.

Ausias (Italian author), x. 56.

Austerlitz, i. 415; iii. 99, 112; vi. 13, 237.

Austria, iii. 14, 104, 179.

—— Archduke of, i. 310, 311.

—— Emperor of, iii. 106, 107; ix. 277.

Austrian Catechism, The, xi. 343–4.

—— Troops, ix. 259.

Austrians, ix. 187 n.

Authors, On the Conversation of, vii. 24.

——, The Royal Society of, vii. 105.

Autolycus (in Shakespeare’s Winter’s Tale), i. 155, 326; viii. 230, 388.

Auvergne, Countess of, i. 292.

Avare (Molière). See L’Avare.

Avarice (in Spenser), v. 39.

Avon, v. 297.

Aylesbury, iii. 422.

Ayr, ii. 78.

Ayrton, William, vi. 195, 201; vii. 37.

Ayton, Miss Fanny, xi. 378.