Lyrics, Elegies, &c. from Madrigals, Canzonets, &c. John Dowland, Bachelor of Music, &c., and Lutenist to Christian IV., King of Denmark. The Second Book of Songs Or Airs. 1600.
Reading edition
To the Right Honourable, the Lady LUCY, Countess of BEDFORD.

Excellent Lady! I send unto your Ladyship from the Court of a foreign Prince, this Volume of my Second Labours, as to the worthiest Patroness of Music; which is the noblest of all sciences. For the whole frame of Nature is nothing but Harmony, as well in souls, as [in] bodies. And because I am now removed from your sight, I will speak boldly; that your Ladyship shall be unthankful to Nature herself, if you do not love and defend that Art, by which she hath given you so well tuned a mind!
Your Ladyship hath in yourself, an excellent agreement of many virtues; of which, though I admire all, yet I am bound by my profession, to give especial honour to your knowledge of Music: which, in the judgement of ancient times, was so proper an excellency in women, that the Muses took their name from it; and yet so rare, that the world durst imagine but Nine of them.
I most humbly beseech your Ladyship to receive this work into your favour; and the rather, because it cometh far, to beg it of you.
From Elsinore in Denmark, the first of June, 1600.
Your Ladyship's, in all humble devotion,
John Dowland.

To the Right Noble and Virtuous Lady Lucy, Countess of Bedford, G[eorge]. Eastland. To J. Dowland's Lute.
L ute! Arise, and charm the air, U ntil a thousand forms she bear! C onjure them all, that they repair I nto the circles of her car; E ver to dwell in concord there! B y this, thy tunes may have access E ven to her spirit, whose flowing treasure D oth sweetest harmony express; F illing all ears and hearts with pleasure: O n earth, observing heavenly measure. R ight well can she judge and defend them! D oubt not of that, for she can mend them!


To the Courteous Reader.
Gentlemen,

If the consideration of mine own estate, or the true worth of money had prevailed with me above the desire of pleasuring you and shewing my love to my friend, these Second Labours of Master Dowland—whose very name is a large Preface of commendations to the book—had for ever lain hid in darkness, or at the least frozen in a cold and foreign country.
I assure you that both my charge and pains in publishing it, hath exceeded ordinary [ones]: yet thus much I have to assure me of requital, that neither the work is ordinary; nor are your judgements ordinary, to whom I present it! so that I have no reason but to hope for good increase in my labours, especially of your good favours towards me; which of all things I most esteem. Which if I find in this, I mean shortly, GOD willing, to set at liberty for your service, a prisoner taken at Cadiz: who, if he discovers not something, in [the] matter of music, worthy [of] your knowledge; let the reputation of my judgement in music answer [for] it!
In the meantime, I commend my absent friend to your remembrance! and myself, to your favourable conceits!
GEORGE EASTLAND.
From my house near The Green Dragon and Sword, in Fleet Street.

Lyrics, Elegies, &c. from Madrigals, Canzonets, &c. John Dowland. The Second Book of Songs or Airs.
To the most famous Anthony Holborne.

I saw my Lady weep! And Sorrow proud! to be advancèd so In those fair eyes, where all perfections keep. Her face was full of woe! But such a woe (believe me!) as wins more hearts Than Mirth can do, with her enticing parts. Sorrow was there made fair! And Passion, wise! Tears, a delightful thing! Silence, beyond all speech, a wisdom rare! She made her sighs to sing, And all things with so sweet a sadness move; As made my heart at once both grieve and love. O Fairer than ought else The world can shew! leave off, in time, to grieve! Enough, enough! Your joyful look excels! Tears kill the heart, believe! O strive not to be excellent in woe, Which only breeds your beauty's overthrow!
Lacrimæ.

Flow, my tears! fall from your springs! Exiled for ever, let me mourn Where night's black bird, her sad infamy sings! There, let me live forlorn! Never may my woes be relieved, since pity is fled; And tears, and sighs, and groans, my weary days, of all joys, have deprivèd. Down vain lights! Shine you no more! No nights are dark enough for those, That in despair, their last fortunes deplore. Light doth but shame disclose! From the highest spire of contentment, my fortune is thrown; And fear, and grief, and pain, for my deserts, are my hopes; since hope is gone. Hark, you shadows! that in darkness dwell, Learn to contemn light! Happy! happy they, that, in hell, Feel not the world's despite!

Sorrow! Sorrow, stay! Lend true repentant tears To a woful wretched wight! Hence! hence, Despair! with thy tormenting fears. O do not, my poor heart affright! Pity! Pity, help now, or never! Mark me not to endless pain! Alas, I am condemnèd ever, no hope there doth remain, But down, down, down, down I fall; And arise, I never shall.

"Die not before thy day! poor man condemned! But lift thy low looks from th' humble earth! Kiss not Despair, and see sweet Hope contemned! The hag hath no delight, but moan for mirth! O fie, poor fondling! fie, be willing To preserve thyself from killing! Hope, thy keeper, glad to free thee, Bids thee go! and will not see thee. Hie thee, quickly, from thy wrong!" So She ends her willing song.

Mourn! Day is with darkness fled! What heaven then governs earth? O none, but hell, in heaven's stead, Chokes with his mists, our mirth. Mourn! Look, now, for no more day! Nor night, but that from hell! Then all must, as they may, In darkness learn to dwell! But yet this change must change our delight, That thus the Sun should harbour with the Night.

Time's eldest son, Old Age (the Heir of Ease, Strength's Foe, Love's Woe, and Foster to Devotion) Bids gallant Youth in martial prowess please! As for himself, he hath no earthly motion; But thinks Sighs, Tears, Vows, Prayers, and Sacrifices, As good as Shows, Masks, Jousts, or Tilt devices. Then sit thee down! and say thy Nunc dimitis! With De profundis, Credo, and Te DEUM! Chant Miserere, for what now so fit is As that, or this, Paratum est cor meum! O that thy Saint would take in worth thy heart! Thou canst not please her with a better part. When others sing Venite exultemus! Stand by, and turn to Noli emulari! For Quare fremuerunt, use Oremus! Vivat Eliza! for an Ave Mari! And teach those Swains that live about thy cell; To sing Amen, when thou dost pray so well!

Praise blindness, Eyes! for seeing is deceit. Be dumb, vain Tongue! words are but flattering winds. Break Heart, and bleed! for there is no receipt To purge inconstancy from most men's minds. And so I waked amazed, and could not move; I know my dream was true, and yet I love! And if thine Ears, false heralds to thy heart, Convey into thy head, hopes to obtain; Then tell thy hearing, thou art deaf by Art! Now, Love is Art; that wonted to be plain. And so I waked amazed, and could not move; I know my dream was true, and yet I love! Now none is bald, except they see his brains! Affection is not known, till one be dead! Reward for love, are labours for his pains! Love's quiver made of gold, his shafts of lead. And so I waked amazed, and could not move; I know my dream was true, and yet I love!
To Master Hugh Holland.

From Fame's desire, from Love's delight retired; In these sad groves, an hermit's life I lead: And those false pleasures, which I once admired, With sad remembrance of my fall, I dread. To birds, to trees, to earth, impart I this; For she less secret, and as senseless is! O sweet woods! the delight of solitariness! O how much do I love your solitariness! Experience which repentance only brings, Doth bid me, now, my heart from Love estrange! Love is disdained, when it doth look at kings; And Love low placed, base and apt to change. There, Power doth take from him his liberty! Her Want of Worth makes him in cradle die! O sweet woods! the delight of solitariness! O how much do I love your solitariness! You men that give false worship unto Love, And seek that which you never shall obtain; The endless work of Sisyphus you procure! Whose end is this, to know you strive in vain. Hope and Desire, which now your idols be! You needs must lose, and feel Despair with me! O sweet woods! the delight of solitariness! O how much do I love your solitariness! You woods! in you, the fairest Nymphs have walked! Nymphs, at whose sights all hearts did yield to love. You woods! in whom dear lovers oft have talked, How do you now a place of mourning prove? Wansted, my Mistress, saith, "This is the doom! Thou art Love's childbed! nursery! and tomb!" O sweet woods! the delight of solitariness! O how much do I love your solitariness!

Fine knacks for ladies! cheap! choice! brave! and new! Good pennyworths! but money cannot move! I keep a fair, but for the Fair to view! A beggar may be liberal of love. Though all my wares be trash, the heart is true, The heart is true, The heart is true. Great gifts are guiles, and look for gifts again, My trifles come, as treasures from my mind! It is a precious jewel to be plain! Sometimes in shell, th' orientest pearls we find. Of others, take a sheaf! of me, a grain! Of me, a grain! Of me, a grain! Within this pack, pins! paints! laces! and gloves! And divers toys fitting a country fair! But my heart, where duty serves and loves, Turtles and twins! Court's brood! a heavenly pair! Happy the heart that thinks of no removes! Of no removes! Of no removes!

Now cease my wand'ring eyes, Strange beauties to admire! In change least comfort lies. Long joys yield long desire. One faith, one love, Make our frail pleasures eternal, and in sweetness prove! New hopes, new joys Are still, with sorrow, declining unto deep annoys. One man hath but one soul Which Art cannot divide; If all one soul must love, Two loves must be denied! One soul, one love, By faith and merit united, cannot remove! Distracted spirits Are ever changing, and hapless in their delights. Nature, two eyes hath given, All beauty to impart, As well in earth as heaven: But She hath given one heart! That though we see, Ten thousand beauties, yet in us One should be! One stedfast love! Because our hearts stand fixed, although our eyes do move.

Come, ye heavy States of Night! Do my father's spirit right; Soundings baleful, let me borrow, Burthening my song with sorrow. Come Sorrow, come! Her eyes that sings, By thee, are turnèd into springs. Come, You Virgins of the Night, That, in dirges' sad delight! Quire my anthems! I do borrow Gold nor pearl, but sounds of sorrow! Come Sorrow, come! Her eyes that sings, By thee, are turnèd into springs.

White as lilies was her face! When She smiled, She beguiled! Quitting faith, with foul disgrace. Virtue, Service, thus neglected, Heart with sorrows hath infected. When I swore my heart her own, She disdained! I complained, Yet She left me overthrown! Careless of my bitter groaning, Ruthless, bent to no relieving. Vows, and oaths, and faith assured, Constant ever, Changing never; Yet She could not be procurèd, To believe my pains exceeding! From her scant neglect proceeding. O that Love should have the art, By surmises, And disguises, To destroy a faithful heart! Or that wanton looking women, Should reward their friends, as foemen! All in vain, is Ladies' love; Quickly choosèd, Shortly losèd. For their pride is to remove! Out, alas! Their looks first won us, And their pride hath straight undone us! To thyself, the sweetest Fair! Thou hast wounded, And confounded Changeless Faith, with foul Despair! And my service hath envièd; And my succours hath denièd! By thine error, thou hast lost Heart unfeignèd, Truth unstainèd; And the Swain, that lovèd most: More assured in love than many, More despised in love than any. For my heart, though set at nought; Since you will it, Spoil and kill it! I will never change my thoughts! But grieve that Beauty e'er was born. [? But grieve that Beauty e'er was born.]

Woful Heart, with grief oppressèd! Since my fortunes most distressèd, From my joys hath me removed. Follow those sweet eyes adorèd! Those sweet eyes, wherein are storèd, All my pleasures best beloved. Fly, my Breast! Leave me forsaken! Wherein Grief his seat hath taken; All his arrows through me darting. Thou mayest live by her sunshining! I shall suffer no more pining By thy loss, than by her parting.

A shepherd in a shade, his plaining made Of love, and lover's wrong, Unto the fairest Lass, that trode on grass, And thus began his song: "Since Love and Fortune will, I honour still Your fair and lovely eye! What conquest will it be, sweet Nymph! for thee! If I, for sorrow die? Restore! restore, my heart again! Which love, by thy sweet looks hath slain! Lest that, enforced by your disdain, I sing 'Fie on love! it is a foolish thing!' "My heart where have you laid, O cruel Maid! To kill, when you might save! Why have ye cast it forth, as nothing worth, Without a tomb, or grave? O let it be entombed, and lie In your sweet mind and memory! Lest I resound on every warbling string, 'Fie! fie on love! that is a foolish thing!' Restore! restore, my heart again! Which love, by thy sweet looks hath slain! Lest that, enforced by your disdain, I sing 'Fie on love! it is a foolish thing!'"

Shall I sue? shall I seek for grace? Shall I pray? shall I prove? Shall I strive to a heavenly joy, With an earthly love? Shall I think that a bleeding heart, Or a wounded eye, Or a sigh, can ascend the clouds, To attain so high? Silly wretch! Forsake these dreams Of a vain Desire! O bethink what high regard, Holy hopes do require! Favour is as fair as things are! Treasure is not bought! Favour is not won with words, Nor the wish of a thought. Pity is but a poor defence For a dying heart: Ladies' eyes respect no moan In a mean desert. She is too worthy far, For a worth so base! Cruel, and but just is She, In my just disgrace. Justice gives each man his own. Though my love be just, Yet will not She pity my grief! Therefore die I must! Silly heart! then yield to die! Perish in despair! Witness yet, how fain I die, When I die for the Fair!

Toss not my soul, O Love! 'twixt hope and fear! Show me some ground where I may firmly stand, Or surely fall! I care not which appear! So one will close me in a certain band. When once of ill, the uttermost is known; The strength of sorrow quite is overthrown! Take me, Assurance! to thy blissful hold! Or thou, Despair! unto thy darkest cell! Each hath full rest! The one, in joys enroll'd: Th' other, in that he fears no more, is well. When once the uttermost of ill is known, The strength of sorrow quite is overthrown!

Clear or cloudy, sweet as April show'ring, Smooth or frowning, so is her Face to me. Pleased or smiling, like mild May all flow'ring: When skies, blue silk, and meadows, carpets be. Her Speeches, notes of that night bird that singeth, Who, thought all sweet, yet jarring notes outringeth. Her Grace, like June, when earth and trees be trimmed In best attire, of complete beauty's height. Her Love again, like Summer's days be dimmed, With little clouds of doubtful constant faith. Her Trust, her Doubt, like rain and heat in skies; Gently thund'ring, She light'ning to mine eyes. Sweet Summer! Spring! that breatheth life and growing In weeds, as into herbs and flowers; And sees of service, divers sorts in sowing, Some haply seeming, and some being yours: Rain on your herbs and flowers that truly seem! And let your weeds lack dew, and duly starve!
A Dialogue.

Humour, say! What mak'st thou here In presence of a Queen? Thou art a heavy leaden mood! Chorus. But never Humour yet was true, But that which only pleaseth you! Princes hold conceit most dear, All conceit in Humour seen; Humour is Invention's food. Chorus. But never Humour yet was true, But that which only pleaseth you! O, I am as heavy as earth, Say, then, who is Humour now? Why, then, 'tis I am drowned in woe? Chorus. But never Humour yet was true, But that which only pleaseth you! I am now inclined to mirth, Humour I, as well as thou! No, no Wit is cherished so. Chorus. But never Humour yet was true, But that which only pleaseth you! Mirth, then, is drowned in Sorrow's brim. No, no, fool! The light things swim; Heavy things sink to the deep! Chorus. But never Humour yet was true, But that which only pleaseth you! O, in sorrow, all things sleep! In her presence, all things smile; Humour, frolic then awhile! Chorus. But never Humour yet was true, But that which only pleaseth you!
[Then follows a piece of instrumental music, entitled
Lowland's Adieu for Master Oliver Cromwell.]