AMERICA.

In this part of the world, so lately discovered, nothing is a stronger proof of the universality of dancing, of its being, in short, rather an human instinct, than an art, than the fondness for dancing every where diffused over this vast continent.

In Brazil, the dancers, whether men or women, make a point of dancing bare-headed. The reason of this is not mentioned: it cannot however be thought a very serious one, since nothing can be more comical than their gestures, their contortions of body, and the signs they make with the head to each other.

In Mexico, they have also their dances and music, but in the most uncouth and barbarian stile. For their simphony they have wooden drums, something in form of a kettle-drum, with a kind of pipe or flageolet, made of a hollow cane or reed, but very grating to an European ear. It is observed they love every thing that makes a noise how disagreeable soever the sound is. They will also hum over something like a tune, when they dance Dd2

In Virginia, according to the author of the history of that country,

In the first kind one person only dances, or two, or three at most. While during their performance, the rest, who are seated round them in a ring, sing as loud as they can scream, and ring their little bells. Sometimes the dancers themselves sing, dart terribly threatening looks, stamp their feet upon the ground, and exhibit a thousand antic postures and grimaces.

In the other dance, consisting of a more numerous company of performers, the dance is executed round stakes set in the form of a circle, adorned

In Peru, the manner of dancing has something very particular. Instead of laying any stress on the motion of the arms, in most of their dances, their arms hang down, or are wrapped up in a kind of mantle, so that nothing is seen but the bending of the body, and the activity of the feet; they have however many figure-dances, in which they lay aside their cloaks or mantles, but the graces they add, are rather actions than gestures.

The Peruvian Creolians dance after the same manner, without laying aside their long swords, the point of which they contrive to keep up before them so that it may not hinder them from rising, or in coupeeing, which is sometimes to such a degree that it looks like kneeling.

They have a dance there, adopted from the natives, which they call Zapatas, (shoes) because in dancing they alternately strike with the heels and toes, taking some steps, and coupeeing, as they traverse their ground.

Among the savages of North-America, we are told there are various dances practised, such as that of the calumet, the leaders dance, the war-dance, the marriage-dance, the sacrifice-dance, all which, respectively differ in the movements,

The Americans, in some parts, prescribe this exercise by way of phisic, in their distempers: a method of treatment, not, it seems unknown to the antients: but, in general, their motive for dancing, is the same as with the rest of the world, to give demonstrations of joy and welcome to their guests, or to divert themselves. On some occasions indeed, they make them part of the ceremony at their assemblies upon affairs, when even

The foregoing summary sketch of some of the various dances, which are practised in different parts of the globe, and which, to describe universally and minutely, would fill whole volumes, may serve to show that nature has, in all parts of the inhabited world, given to man the instinct of dancing, as well as of speaking, or of singing. But it certainly depends on the nations who encourage the polite arts, once more to carry it up to that pitch of excellence, of which the history of the Ee

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