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A Treatise on the Art of Dancing

AFRICA.

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The spirit of dancing prevails, almost beyond imagination, among both men and women, in most parts of Africa. It is even more than instinct, it is a rage, in some countries of that part of the globe.

Upon the Gold-coast especially, the inhabitants are so passionately fond of it, that in the midst of their hardest labor, if they hear a person

There are even well attested stories of some Negroes flinging themselves at the feet of an European playing on a fiddle, entreating him to desist, unless he had a mind to tire them to death; it being impossible for them to cease dancing, while he continued playing. Such is the irresistible passion for dancing among them.

With such an innate fondness for this art, one would imagine that children taken from this country, so strong-made and so well-limbed as they generally are, and so finely disposed by nature, might, if duly instructed, go great lengths towards perfection in the art. But I do not remember to have heard that the experiment Cc2

Upon the Gold-coast, there long existed and probably still exists a custom, for the greater part of the inhabitants of a town or village to assemble together, most evenings of the year, at the market-place to dance, sing, and make merry for an hour or two, before bed-time. On this occasion, they appear in their best attire. The women, who come before the men, have a number of little bells tinkling at their feet. The men carry little fans or rather whisks in their hand made of the tails of elephants and horses, much like the brushes used to brush pictures; only that theirs are gilt at both

Artus and Villault add, that they strike each another’s shoulders alternately with those fans; also that the women, laying straw-ropes in circles on

They are strangely delighted with these gambols; but do not care to be seen at them by strangers, who can scarce refrain laughing, and consequently putting them out of countenance.

After an hour or two spent in this kind of exercise, they retire to their respective homes.

Their dances vary according to times, occurrences, and places. Those which are in honor of their religious festivals, are more grave and serious. There have been sometimes public dances instituted by order of their Kings, as at Abrambo,

They have also their kind of Pirrhic dances, which they execute by mock-skirmishing in cadence, and striking on their targets with their cutlasses.

I have already mentioned that it is from Africa, the Moresc-dances originally came. But what is somewhat surprising, the Portugueze themselves, among whom I will not however include the higher ranks of life in that nation, but, at least, the number of the people who adopted, from the Caffrees, or Negroes of their African possessions, a dance called by them LasCheganças, (Approaches) was so great that the late King of Portugal was obliged to prohibit it by a formal edict. The reason of which was, that some of the motions and gestures had so lascivious an air, and were so contrary to modesty, that the celebrated Frey Gaspar, a natural son, if I mistake not, of the late King of Portugal, represented so efficaciously to his Portugueze Majesty, the shame and scandal of this dance being any longer suffered, Frey Gaspar, against whom there were lampoons and ballads publickly sung, upon his having used his influence to procure that prohibition.

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