INTRODUCTION (continued 13)

STRODE, WILLIAM (1600-1645). —Poet, only s. of Philip S., who belonged to an old Devonshire family, he was b. at Plympton, Devonshire, and showing studious tendencies, was sent to Westminster School and Oxf. While at the Univ. he began to manifest his poetic talents, and generally distinguished himself, being elected in 1629 Public Orator. He took orders and, on Richard Corbet (q.v.) becoming Bishop of Oxf., became his chaplain. Later he was Rector of E. Bredenham, Norfolk, and of Badley, Northants, and Canon of Christ Church. On the outbreak of the Civil War he attached himself warmly to the cause of the King. He was a High Churchman, and had a reputation as "a witty and sententious preacher, an exquisite orator, and an eminent poet." It is therefore singular that, until the recovery of his poems by Mr. B. Dobell, he had fallen into absolute oblivion. As a poet he shines most in lyrics and elegies. With much of the artificiality of his age he shows gracefulness, a feeling for the country, and occasional gleams of tenderness. His play, The Floating Island, a political allegory, was produced in 1633 and played before the Court then on a visit to Oxf., where it was a subject of complaint that it had more moralising than amusement. Mr. Dobell, who ed. his poems in 1907, claims for S. the poem on "Melancholy" ("Hence all you vain delights"), hitherto attributed to Fletcher.

STRYPE, JOHN (1643-1737). —Ecclesiastical historian, b. at Hackney, and ed. at St. Paul's School and Camb., took orders and, among other livings, held the Rectory of Low Leyton, Essex, for upwards of 60 years. He made a large collection of original documents, chiefly relating to the Tudor period, and was a voluminous author. Among his works are Memorials of Archbishop Cranmer (1694), Life of Sir Thomas Smith, Secretary of State to Edward VI. and Elizabeth (1698), Annals of the Reformation (1709-31), and Ecclesiastical Memorials (1721); besides Lives of Bishop Aylmer and Archbishops Grindal, Parker, and Whitgift. S., who was a painstaking and honest, but dull and unmethodical, writer, remains an authority.

STUART, GILBERT (1742-1786). —Historical writer, s. of George S., Prof. of Humanity (Latin) at Edin. Among his publications were An Historical Dissertation on the English Constitution (1768), Discourse on the Government and Laws of England (1772), A View of Society in Europe (1778), and a History of Scotland (1782). He was a man of extremely jealous and implacable temper, and made venomous attacks on the historical works of Robertson and Henry. His own writings, though well-written, are inaccurate.

STUBBS, WILLIAM (1825-1901). —Historian, s. of a solicitor, b. at Knaresborough, Yorkshire, and ed. there and at the Grammar School of Ripon, and Oxf. In 1848 he became a Fellow of Trinity Coll., and in the same year took orders and was appointed to the coll. living of Navestock in Essex, where he remained for 16 years, during which he began his historical researches, and pub. his earlier works. His first publication was Hymnale Secundum Usum Sarum. In 1858 appeared Registrum Sacrum Anglicanum, a calendar of English bishops from Augustine; and then followed ed. of several Chronicles in the Rolls Series. The learning and critical insight displayed in these works commanded the attention and admiration of historical scholars both at home and on the Continent. In 1862 he was appointed librarian of Lambeth Palace, and in 1866 Prof. of Modern History at Oxf. There he pub. in 1870 his Select Charters, and his chief work, The Constitutional History of England (3 vols., 1874-78), which at once became the standard authority on its subject. It deals with the period preceding that with which the great work of Hallam begins. In 1879 he was appointed a Canon of St. Paul's, and in 1884 Bishop of Chester, whence he was translated five years later to Oxf. As an active prelate he was necessarily largely withdrawn from his historical researches; but at Chester he ed. two vols. of William of Malmesbury. S. was greater as a historian than as a writer, but he brought to his work sound judgment, insight, accuracy, and impartiality. He was a member of the French and Prussian Academies, and had the Prussian Order "Pour le Mérite" conferred upon him. Since his death his prefaces to the Rolls Series have been pub. separately.

STUKELEY, WILLIAM (1687-1765). —Antiquary, ed. at Camb., and after practising as a physician took orders in 1729 and held benefices at Stamford and in London. He made antiquarian tours through England, and was one of the founders of the Society of Antiquaries, to which he acted as sec. He pub. Itinerarium Curiosum (1724) and Stonehenge (1740). He made a special study of Druidism, and was called "the Arch-Druid."

SUCKLING, SIR JOHN (1609-1642). —Poet, s. of a knight who had held office as Sec. of State and Comptroller of the Household to James I., was b. at Whitton, Middlesex, ed. at Camb., and thereafter went to Gray's Inn. On the death of his f. in 1627, he inherited large estates. After travelling in France and Italy, he is said to have served for a short time under Gustavus Adolphus. On his return he was knighted, and went to Court, where his wealth, generosity, and wit made him a general favourite. When Charles I. was moving against the Scots S. fitted out a gorgeously appointed troop for his service which, however, were said to have fled at first sight of the Scots army at Duns, an exploit which is ridiculed in the ballad of Sir John Suckling's Campaign. He got into trouble in connection with a plot to rescue Strafford from the Tower, and fled to the Continent. He d. at Paris, it is now believed by his own hand. He was a noted gambler, and has the distinction of being the inventor of the game of cribbage. He wrote four plays, Aglaura (1637), Brennoralt (1646), The Goblins, and The Sad One (unfinished), now forgotten; his fame rests on his songs and ballads, including The Wedding, distinguished by a gay and sparkling wit, and a singular grace of expression.

SURREY, HENRY HOWARD, EARL of (1517?-1547). —Poet, s. of Thomas H., 3rd Duke of Norfolk, was ed. by John Clerke, a learned and travelled scholar, and sec. to his f. He became attached to the Court, was cup-bearer to the King (Henry VIII.), ewerer at the Coronation, and Earl Marshall at the trial of Anne Boleyn. In 1542 he was made a Knight of the Garter a few weeks after the execution of his cousin, Queen Catherine Howard. He suffered imprisonment more than once for being implicated in quarrels and brawls, did a good deal of fighting in Scotland and France, and was the last victim of Henry's insensate jealousy, being beheaded on a frivolous charge of conspiring against the succession of Edward VI. The death of Henry saved Norfolk from the same fate. S. shares with Sir Thomas Wyatt (q.v.) the honour of being the true successor of Chaucer in English poetry, and he has the distinction of being, in his translation of the Æneid, the first to introduce blank verse, and, with Wyatt, the sonnet. The poems of S., though well known in courtly circles, were not pub. during his life; 40 of them appeared in Tottel's Miscellany in 1557. He also paraphrased part of Ecclesiastes and a few of the Psalms. The Geraldine of his sonnets was Elizabeth Fitzgerald, dau. of the Earl of Kildare, then a lonely child at Court, her f. being imprisoned in the Tower.

SURTEES, ROBERT SMITH (1802-1864). —Sporting novelist, a country gentleman of Durham, who was in business as a solicitor, but not succeeding, started in 1831 the Sporting Magazine. Subsequently he took to writing sporting novels, which were illustrated by John Leech. Among them are Mr. Sponge's Sporting Tour, Ask Mamma, Plain or Ringlets, and Mr. Facey Romford's Hounds.

SWIFT, JONATHAN (1667-1745). —Satirist, was b. at Dublin of English parents. Dryden was his cousin, and he also claimed kin with Herrick. He was a posthumous child, and was brought up in circumstances of extreme poverty. He was sent to school at Kilkenny, and afterwards went to Trinity Coll., Dublin, where he gave no evidence of ability, but displayed a turbulent and unruly temper, and only obtained a degree by "special grace." After the Revolution he joined his mother, then resident at Leicester, by whose influence he was admitted to the household of Sir William Temple (q.v.) at Moor Park, Lady T. being her distant kinswoman. Here he acted as sec., and having access to a well-stocked library, made good use of his opportunities, and became a close student. At Moor Park he met many distinguished men, including William III., who offered him a troop of horse; he also met Esther Johnson (Stella), a natural dau. of Sir William, who was afterwards to enter so largely into his life. Dissatisfied, apparently, that Temple did not do more for his advancement, he left his service in 1694 and returned to Ireland, where he took orders, and obtained the small living of Kilroot, near Belfast. While there he wrote his Tale of a Tub, one of the most consummate pieces of satire in any language, and The Battle of the Books, with reference to the "Phalaris" controversy (see Bentley), which were pub. together in 1704. In 1698 he threw up his living at the request of Temple, who felt the want of his society and assistance, and returned to Moor Park. On the death of his patron in 1699 he undertook by request the publication of his works, and thereafter returned to Ireland as chaplain to the Lord Deputy, the Earl of Berkeley, from whom he obtained some small preferments, including the vicarage of Laracor, and a prebend in St. Patrick's Cathedral. At this time he made frequent visits to London and became the friend of Addison, Steele, Congreve, and other Whig writers, and wrote various pamphlets, chiefly on ecclesiastical subjects. In 1710, disgusted with the neglect of the Whigs, alike of himself and of the claims of his Church, he abandoned them and attached himself to Harley and Bolingbroke. The next few years were filled with political controversy. He attacked the Whigs in papers in the Examiner in 1710, and in his celebrated pamphlets, The Conduct of the Allies (1712), The Barrier Treaty (1713), and The Public Spirit of the Whigs (1714). In 1713 he was made Dean of St. Patrick's, the last piece of patronage which he received. The steady dislike of Queen Anne had proved an insurmountable obstacle to his further advancement, and her death proved the ruin of the Tories. On the destruction of his hopes S. retired to Ireland, where he remained for the rest of his life a thoroughly embittered man. In 1713 he had begun his Journal to Stella, which sheds so strange a light upon his character, and on his return to Ireland his marriage to her is now generally believed to have taken place, though they never lived together. Now also took place also his final rupture with Miss Van Homrigh (Vanessa), who had been in love with him, with whom he had maintained a lengthened correspondence, and to whom he addressed his poem, Cadenus and Vanessa (1726). Though he disliked the Irish and considered residence in Ireland as banishment, he interested himself in Irish affairs, and attained extraordinary popularity by his Drapier's Letters, directed against the introduction of "Wood's halfpence." In 1726 he visited England and joined with Pope and Arbuthnot in publishing Miscellanies (1727). In the same year, 1726, he pub. Gulliver's Travels, his most widely and permanently popular work. His last visit to England was paid in 1727 and in the following year "Stella," the only being, probably, whom he really loved, d. Though he had a circle of friends in Dublin, and was, owing to his championing the people in their grievances, a popular idol, the shadows were darkening around him. The fears of insanity by which he had been all his life haunted, and which may account for and perhaps partly excuse some of the least justifiable portions of his conduct, pressed more and more upon him. He became increasingly morose and savage in his misanthropy, and though he had a rally in which he produced some of his most brilliant, work—the Rhapsody on Poetry, Verses on the Death of Dr. Swift, and; the Modest Proposal (a horrible but masterly piece of irony)—he gradually sank into almost total loss of his facilities, and d. on October 19, 1745.

The character of S. is one of the gloomiest and least attractive among English writers. Intensely proud, he suffered bitterly in youth and early manhood from the humiliations of poverty and dependence, which preyed upon a mind in which the seeds of insanity were latent until it became dominated by a ferocious misanthropy. As a writer he is our greatest master of grave irony, and while he presents the most humorous ideas, the severity of his own countenance never relaxes. The Tale of a Tub and Gulliver's Travels are the greatest satires in the English language, although the concluding part of the latter is a savage and almost insane attack upon the whole human race. His history is a tragedy darkening into catastrophe, and as Thackeray has said, "So great a man he seems that thinking of him is like thinking of an Empire falling."

S. was tall and powerfully made. His eyes, blue and flashing under excitement, were the most remarkable part of his appearance.

SUMMARY.—B. 1667, ed. at Trinity Coll., Dublin, entered household of Sir W. Temple at Moor Park 1692, and became his sec., became known to William III., and met E. Johnson (Stella), left T. in 1694 and returned to Ireland, took orders and wrote Tale of a Tub and Battle of Books (pub. 1704), returned to Sir W.T. 1698, and on his death in 1699 pub. his works, returned to Ireland and obtained some small preferments, visits London and became one of the circle of Addison, etc., deserts the Whigs and joins the Tories 1710, attacking the former in various papers and pamphlets, Dean of St. Patrick's 1713, death of Anne and ruin of Tories destroyed hopes of further preferment, and he returned to Ireland and began his Journal to Stella, Drapier's Letters appeared 1724, visits England, and joins with Pope and Arbuthnot in Miscellanies 1726, pub. Gulliver's Travels 1727, "Stella" d. 1728, gradually lost his faculties and d. 1745.

Lives by Craik (1882), Leslie Stephen (1882), Churton Collins (1893), etc. Works ed. by Sir Walter Scott (19 vols., 1814, etc.) Bonn's Standard Library (1897-1908).

SWINBURNE, ALGERNON CHARLES (1837-1909). —Poet, s. of Admiral S. and of Lady Jane Ashburnham, dau. of the 3rd Earl of A., b. in London, received his early education in France, and was at Eton and at Balliol Coll., Oxf., where he attracted the attention of Jowett, and gave himself to the study of Latin, Greek, French, and Italian, with special reference to poetic form. He left Oxf. without graduating in 1860, and in the next year pub. two plays, The Queen Mother and Rosamund, which made no impression on the public, though a few good judges recognised their promise. The same year he visited Italy, and there made the acquaintance of Walter Savage Landor (q.v.). On his return he lived for some time in Cheyne Row, Chelsea, with D.G. Rossetti (q.v.), and G. Meredith (q.v.). The appearance in 1865 of Atalanta in Calydon led to his immediate recognition as a poet of the first order, and in the same year he pub. Chastelard, a Tragedy, the first part of a trilogy relating to Mary Queen of Scots, the other two being Bothwell (1874), and Mary Stuart (1881). Poems and Ballads, pub. in 1866, created a profound sensation alike among the critics and the general body of readers by its daring departure from recognised standards, alike of politics and morality, and gave rise to a prolonged and bitter controversy, S. defending himself against his assailants in Notes on Poems and Reviews. His next works were the Song of Italy (1867) and Songs before Sunrise (1871). Returning to the Greek models which he had followed with such brilliant success in Atalanta he produced Erechtheus (1876), the extraordinary metrical power of which won general admiration. Poems and Ballads, second series, came out in 1878. Tristram of Lyonnesse in heroic couplets followed in 1882, A Midsummer Holiday (1884), Marino Faliero (1885), Locrine (1887), Poems and Ballads, third series (1889), The Sisters (1892), Astrophel (1894), The Tale of Balen (1896), Rosamund, Queen of the Lombards (1899), A Channel Passage (1904), and The Duke of Gandia (1908). Among his prose works are Love's Cross Currents (1905) (fiction), William Blake, a Critical Essay (1867), Under the Microscope (1872), in answer to R. Buchanan's Fleshly School of Poetry, George Chapman, a Critical Essay (1875), A Study of Shakespeare (1879), A Study of Victor Hugo (1886), and A Study of Ben Jonson (1889).

S. belongs to the class of "Poets' poets." He never became widely popular. As a master of metre he is hardly excelled by any of our poets, but it has not seldom been questioned whether his marvellous sense of the beauty of words and their arrangement did not exceed the depth and mass of his thought. The Hymn to Artemis in Atalanta beginning "When the hounds of Spring are on Winter's traces" is certainly one of the most splendid examples of metrical power in the language. As a prose writer he occupies a much lower place, and here the contrast between the thought and its expression becomes very marked, the latter often becoming turgid and even violent. In his earlier days in London S. was closely associated with the pre-Raphaelites, the Rossettis, Meredith, and Burne-Jones: he was thus subjected successively to the classical and romantic influence, and showed the traces of both in his work. He was never m., and for the last 30 years of his life lived with his friend, Mr. Theodore Watts-Dunton, at the Pines, Putney Hill. For some time before his death he was almost totally deaf.

SYLVESTER, JOSHUA (1563-1618). —Poet and translator, is chiefly remembered by his translation from the French of Du Bartas' Divine Weeks and Works, which is said to have influenced Milton and Shakespeare. He seconded the Counterblast against Tobacco of James I. with his Tobacco Battered and the Pipes Shattered ... by a Volley of Holy Shot thundered from Mount Helicon (1620), and also wrote All not Gold that Glitters, Panthea: Divine Wishes and Meditations (1630), and many religious, complimentary, and other occasional pieces. S., who was originally engaged in commerce, acted later as a sort of factor to the Earl of Essex.

SYMONDS, JOHN ADDINGTON (1840-1893). —Writer on art and literature, s. of a physician in Bristol, was ed. at Harrow and Oxf. His delicate health obliged him to live abroad. He pub. (1875-86) History of the Italian Renaissance, and translated the Autobiography of Benvenuto Cellini. He also pub. some books of poetry, including Many Moods (1878) and Animi Figura (1882), and among his other publications were Introduction to the Study of Dante (1872), Studies of the Greek Poets (1873 and 1876), Shakespeare's Predecessors in the English Drama (1884), and Lives of various poets, including Ben Jonson, Shelley, and Walt Whitman. He also made remarkable translations of the sonnets of Michelangelo and Campanella, and wrote upon philosophical subjects in various periodicals.

SYNGE, JOHN MILLINGTON (1871-1909). —Miscellaneous writer, b. near Dublin, ed. privately and at Trinity Coll., Dublin. He wrote Riders to the Sea, In the Shadow of the Glen (1905), The Well of the Saints (1905), The Play Boy of the Western World (1907), and The Aran Islands (1907).

TABLEY DE, JOHN BYRON LEICESTER WARREN, 3RD LORD (1835-1895). —Poet, eldest s. of the 2nd Lord, ed. at Eton and Oxf., was for a time attached to the British Embassy at Constantinople. He wrote poems of a very high order, some of them pub. under the pseudonyms of "George F. Preston" and "William Lancaster." They include Ballads and Metrical Sketches, The Threshold of Atrides, Glimpses of Antiquity, etc. These were followed by two dramas, Philoctetes (1866) and Orestes (1868). Later works in his own name were Rehearsals (1870), Searching the Net (1873), The Soldier's Fortune, a tragedy. Poems, Dramatic and Lyrical (1893) included selections from former works. After his death appeared Orpheus in Thrace (1901). He was a man of sensitive temperament, and was latterly much of a recluse. He was an accomplished botanist, and pub. a work on the Flora of Cheshire.

TALFOURD, SIR THOMAS NOON (1795-1854). —Poet and biographer, s. of a brewer at Reading, where he was b., and which he represented in Parliament, 1835-41, was ed. at Mill Hill School. He studied law, was called to the Bar in 1821, and became a Judge in 1849. He d. suddenly of apoplexy while charging the Grand Jury at Stafford. He wrote much for reviews, and in 1835 produced Ion, a tragedy, followed by The Athenian Captive (1838), and The Massacre of Glencoe, all of which were acted with success. T. was the friend and literary executor of Charles Lamb (q.v.), and pub. in two sections his Memoirs and Letters. In 1837 he introduced the Copyright Bill, which was passed with modifications in 1842.

TANNAHILL, ROBERT (1774-1810). —Poet, b. in Paisley where he was a weaver. In 1807 he pub. a small vol. of poems and songs, which met with success, and carried his hitherto local fame over his native country. Always delicate and sensitive, a disappointment in regard to the publication of an enlarged ed. of his poems so wrought upon a lowness of spirits, to which he was subject, that he drowned himself in a canal. His longer pieces are now forgotten, but some of his songs have achieved a popularity only second to that of some of Burns's best. Among these are The Braes of Balquhidder, Gloomy Winter's now awa' and The Bonnie Wood o' Craigielea.

TATE, NAHUM (1652-1715). —Poet, s. of a clergyman in Dublin, was ed. at Trinity Coll. there. He pub. Poems on Several Occasions (1677), Panacea, or a Poem on Tea, and, in collaboration with Dryden, the second part of Absalom and Achitophel. He also adapted Shakespeare's Richard II. and Lear, making what he considered improvements. Thus in Lear Cordelia is made to survive her f., and marry Edgar. This desecration, which was defended by Dr. Johnson, kept the stage till well on in the 19th century. He also wrote various miscellaneous poems, now happily forgotten. He is best remembered as the Tate of Tate and Brady's metrical version of the Psalms, pub. in 1696. T., who succeeded Shadwell as Poet Laureate in 1690, figures in The Dunciad. NICHOLAS BRADY (1659-1726).—Tate's fellow-versifier of the Psalms, b. at Bandon, and ed. at Westminster and Oxf., was incumbent of Stratford-on-Avon. He wrote a tragedy, The Rape, a blank verse translation of the Æneid, an Ode, and sermons, now all forgotten.

TATHAM, JOHN (fl. 1632-1664). —Dramatist. Little is known of him. He produced pageants for the Lord Mayor's show and some dramas, Love Crowns the End, The Distracted State, The Scots Figgaries, or a Knot of Knaves, The Rump, etc. He was a Cavalier, who hated the Puritans and the Scotch, and invented a dialect which he believed to be their vernacular tongue.

TAUTPHOEUS, BARONESS (MONTGOMERY) (1807-1893). —Dau. of an Irish gentleman, m. the Baron T., Chamberlain at the Court of Bavaria. She wrote several novels dealing with German life of which the first, The Initials (1850), is perhaps the best. Others were Cyrilla (1883), Quits (1857), and At Odds (1863).

TAYLOR, BAYARD (1825-1878). —Poet, b. in Pennsylvania of Quaker descent, began to write by the time he was 12. Apprenticed to a printer, he found the work uncongenial and, purchasing his indentures, went to Europe on a walking tour, and thereafter he was a constant and enterprising traveller. After his return from Europe he ed. a paper, got on the staff of the New York Tribune, and pub. several books of travel and poetry, among which are Views Afoot (1846), an account of his travels in Europe, and El Dorado (1850), which described the Californian gold-fields. After some experience and some disappointments in the diplomatic sphere, he settled down to novel-writing, his first venture in which, Hannah Thurston (1863), was very successful, and was followed by John Godfrey's Fortunes (1864), partly autobiographical, and The Story of Kenneth (1866). His poetic works include Poems of the Orient (1854), Poet's Journal (1862), Masque of the Gods (1872), Lars (1873), The Prophet (1874), a tragedy, Prince Deucalion, and Home Pastorals (1875). In 1878 he was appointed to the German Embassy, and d. in Berlin in the following year. His translation of Goethe's Faust is perhaps his best work. He was a man of untiring energy and great ability and versatility, but tried too many avenues to fame to advance very far in any of them.

TAYLOR, SIR HENRY (1800-1886). —Dramatist, s. of a gentleman farmer in the county of Durham. After being at sea for some months and in the Naval Stores Department, he became a clerk in the Colonial Office, and remained there for 48 years, during which he exercised considerable influence on the colonial policy of the Empire. In 1872 he was made K.C.M.G. He wrote four tragedies—Isaac Comnenus (1827), Philip van Artevelde (1834), Edwin the Fair (1842), and St. Clement's Eve (1862); also a romantic comedy, The Virgin Widow, which he renamed A Sicilian Summer, The Eve of the Conquest and other Poems (1847). In prose he pub. The Statesman (1836), Notes from Life (1847), Notes from Books (1849), and an Autobiography. Of all these Philip van Artevelde was perhaps the most successful. T. was a man of great ability and distinction, but his dramas, with many of the qualities of good poetry, lack the final touch of genius.

TAYLOR, ISAAC (1787-1865). —Philosophical and historical writer, artist, and inventor, was the most eminent member of a family known as the Taylors of Ongar, which has shown a remarkable persistence of ability in various departments, but especially in art and literature. His grandfather and f., who bore the same name, were both eminent engravers, and the latter was the author of various books for children. T. was brought up to the hereditary art of engraving, in which he displayed pre-eminent skill, his work gaining the admiration of D.G. Rossetti. He decided, however, to devote himself to literature, and for 40 years continued to produce works of originality and value, including Elements of Thought (1823), Natural History of Enthusiasm (1829), Spiritual Despotism (1831), Ancient Christianity (1839), Restoration of Belief (1855), The Physical Theory of Another Life, History of Transmission of Ancient Books, and Home Education, besides numerous contributions to reviews and other periodicals. Besides his literary and artistic accomplishments T. was an important inventor, two of his inventions having done much to develop the manufacture of calico. Two of his sisters had considerable literary reputation. ANN T., afterwards MRS. GILBERT (1782-1866), and JANE (1783-1824) were, like their brother, taught the art of engraving. In 1804-5 they jointly wrote Original Poems for Infant Minds, followed by Rhymes for the Nursery and Hymns for Infant Minds. Among those are the little poems, "My Mother" and "Twinkle, twinkle, little Star," known to all well-conditioned children. Jane was also the author of Display, a tale (1815), and other works, including several hymns, of which the best known is "Lord, I would own Thy tender Care." The hereditary talents of the family were represented in the next generation by CANON ISAAC T. (1829-1901), the s. of Isaac last mentioned, who, in addition to The Liturgy and the Dissenters, pub. works in philology and archæology, including Words and Places and Etruscan Researches; and by JOSIAH GILBERT, s. of Ann T., an accomplished artist, and author of The Dolomite Mountains, Cadore, or Titian's Country, and ed. of the Autobiography of his mother.

TAYLOR, JEREMY (1613-1667). —Divine, was b. at Camb. His f., though of gentle descent, followed the trade of a barber, and Jeremy entered Caius Coll. as a sizar. After his graduation in 1634 he was asked to preach in London, where his eloquence attracted the attention of Laud, who sent him to Oxf., caused him to be elected a Fellow of All Souls Coll., and made him his chaplain. He also became a chaplain to the King, and soon attaining a great reputation as a preacher, was presented to the living of Uppingham. In 1639 he m. his first wife, and in 1643 he was made Rector of Overstone. On the outbreak of the Civil War T. sided with the King, and was present, probably as a chaplain, at the battle fought in 1645 near Cardigan Castle, when he was taken prisoner. He was soon released, but the Royalist cause being practically lost, he decided to remain in Wales, and with two friends started a school at Newtonhall, Caermarthenshire, which had some success. T. also found a friend in Lord Carbery, whose chaplain he became. During the period of 13 years from 1647-60, which were passed in seeming obscurity, he laid the foundations and raised the structure of his splendid literary fame. The Liberty of Prophesying (that is, of preaching), one of the greatest pleas for toleration in the language, was pub. in 1647, The Life of Christ in 1649, Holy Living in 1650, and Holy Dying in 1651. These were followed by various series of sermons, and by The Golden Grove (1655), a manual of devotion which received its title from the name of the seat of his friend Lord Carbery. For some remarks against the existing authorities T. suffered a short imprisonment, and some controversial tracts on Original Sin, Unum Necessarium (the one thing needful), and The Doctrine and Practice of Repentance involved him in a controversy of some warmth in which he was attacked by both High Churchmen and Calvinists. While in Wales T. had entered into a second marriage with a lady of some property which, however, was seriously encroached upon by the exactions of the Parliamentarians. In 1657 he ministered privately to an Episcopalian congregation in London, and in 1658 accompanied Lord Conway to Ireland, and served a cure at Lisburn. Two years later he pub. Ductor Dubitantium, or the Rule of Conscience in all her General Measures, a learned and subtle piece of casuistry which he dedicated to Charles II. The Restoration brought recognition of T.'s unswerving devotion to the Royalist cause; he was made Bishop of Down and Connor, and to this was added the administration of the see of Dromore. In his new position, though, as might have been expected, he showed zeal, diligence, and benevolence, he was not happy. He did not, probably could not, entirely practise his own views of absolute toleration, and found himself in conflict with the Presbyterians, some of whose ministers he had extruded from benefices which they had held, and he longed to escape to a more private and peaceful position. He d. at Lisburn of a fever caught while ministering to a parishioner. T. is one of the great classical writers of England. Learned, original, and impassioned, he had an enthusiasm for religion and charity, and his writings glow with an almost unequalled wealth of illustration and imagery, subtle argument, and fullness of thought. With a character of stainless purity and benevolence, and gracious and gentle manners, he was universally beloved by all who came under the spell of his presence.

TAYLOR, JOHN (1580-1653). —Known as the "Water Poet," b. at Gloucester of humble parentage, was apprenticed to a London waterman, and pressed for the navy. Thereafter he returned to London and resumed his occupation on the Thames, afterwards keeping inns first at Oxf., then in London. He had a talent for writing rollicking verses, enjoyed the acquaintance of Ben Jonson, and other famous men, superintended the water pageant at the marriage of the Princess Elizabeth 1613, and composed the "triumphs" at the Lord Mayor's shows. He made a journey on foot from London as far as to Braemar, of which he wrote an account, The Pennyless Pilgrimage ... of John Taylor, the King's Majesty's Water Poet (1618). He visited the Queen of Bohemia at Prague in 1620, and made other journeys, each of which was commemorated in a book. His writings are of little literary value, but have considerable historical and antiquarian interest.

TAYLOR, PHILIP MEADOWS (1808-1876). —Novelist, b. at Liverpool, s. of a merchant there. When still a boy went out to a mercantile situation in Calcutta, but in 1826 got a commission in the army of the Nizam of Hyderabad. From this he rose to a high civil position in the service of the Nizam, and entirely reorganised his government. He wrote several striking novels dealing with Indian life, including Confessions of a Thug (1639), Tara, and A Noble Queen. He left an autobiography, The Story of my Life, ed. by his dau.

TAYLOR, THOMAS (1758-1835). —Translator, b. in London and ed. at St. Paul's School, devoted himself to the study of the classics and of mathematics. After being a bank clerk he was appointed Assistant Secretary to the Society for the encouragement of Arts, etc., in which capacity he made many influential friends, who furnished the means for publishing his various translations, which include works of Plato, Aristotle, Proclus, Porphyry, Apuleius, etc. His aim indeed was the translation of all the untranslated writings of the ancient Greek philosophers.

TAYLOR, TOM (1817-1880). —Dramatist, b. at Sunderland, ed. at Glasgow and Camb., and was Prof. of English Literature in London Univ. from 1845-47. In 1846 he was called to the Bar, and from 1854-71 he was Sec. to the Local Government Board. He was the author of about 100 dramatic pieces, original and adapted, including Still Waters run Deep, The Overland Route, and Joan of Arc. He was likewise a large contributor to Punch, of which he was ed. 1874-80, and he ed. the autobiographies of Haydon and Leslie, the painters, and wrote Life and Times of Sir Joshua Reynolds.

TAYLOR, WILLIAM (1765-1836). —Translator, etc., s. of a merchant, travelled on the Continent, learned German, and became an enthusiastic student of German literature, which he was one of the first to introduce to his fellow-countrymen. His articles on the subject were coll. and pub. as Historic Survey of German Poetry (1828-30). He translated Bürger's Lenore, Lessing's Nathan, and Goethe's Iphigenia. He also wrote Tales of Yore (1810) and English Synonyms Described (1813).

TEMPLE, SIR WILLIAM (1628-1699). —Statesman and essayist, s. of Sir John T., Master of the Rolls in Ireland, was b. in London, and ed. at Camb. He travelled on the Continent, was for some time a member of the Irish Parliament, employed on various diplomatic missions, and negotiated the marriage of the Prince of Orange and the Princess Mary. On his return he was much consulted by Charles II., but disapproving of the courses adopted, retired to his house at Sheen, which he afterwards left and purchased Moor Park, where Swift was for a time his sec. He took no part in the Revolution, but acquiesced in the new régime, and was offered, but refused, the Secretaryship of State. His works consist for the most part of short essays coll. under the title of Miscellanea, but longer pieces are Observations upon the United Provinces, and Essay on the Original and Nature of Government. Apart from their immediate interest they mark a transition to the simpler, more concise, and more carefully arranged sentences of modern composition.

TENNANT, WILLIAM (1784-1848). —Poet and scholar, a cripple from his birth, was b. at Anstruther (commonly called Anster) in Fife. As a youth he was clerk to his brother, a corn-merchant, but devoted his leisure to the study of languages, and the literature of various countries. In 1813 he became parish schoolmaster of Lasswade, near Edinburgh, thereafter classical master at Dollar Academy, and in 1835 Prof. of Oriental Languages at St. Andrews. In 1812 he pub. Anster Fair, a mock-heroic poem, in ottava rima, full of fancy and humour, which at once brought him reputation. In later life he produced two tragedies, Cardinal Beaton and John Baliol, and two poems, The Thane of Fife and Papistry Stormed. He also issued a Syriac and Chaldee Grammar.

TENNYSON, ALFRED, 1ST LORD (1809-1892). —Poet, was the fourth s. of George T., Rector of Somersby, Lincolnshire, where he was b. His f. was himself a poet of some skill, and his two elder brothers, Frederick T. (q.v.) and Charles T. Turner (q.v.), were poets of a high order. His early education was received from his f., after which he went to the Grammar School of Louth, whence in 1828 he proceeded to Trinity Coll., Camb. In the previous year had appeared a small vol., Poems by Two Brothers, chiefly the work of his brother Charles and himself, with a few contributions from Frederick, but it attracted little attention. At the Univ. he was one of a group of highly gifted men, including Trench (q.v.), Monckton Milnes, afterwards Lord Houghton (q.v.), Alford (q.v.), Lushington, his future brother-in-law, and above all, Arthur Hallam, whose friendship and early death were to be the inspiration of his greatest poem. In 1829 he won the Chancellor's medal by a poem on Timbuctoo, and in the following year he brought out his first independent work, Poems chiefly Lyrical. It was not in general very favourably received by the critics, though Wilson in Blackwood's Magazine admitted much promise and even performance. In America it had greater popularity. Part of 1832 was spent in travel with Hallam, and the same year saw the publication of Poems, which had not much greater success than its predecessor. In the next year Hallam d., and T. began In Memoriam and wrote The Two Voices. He also became engaged to Emily Sellwood, his future wife, but owing to various circumstances their marriage did not take place until 1850. The next few years were passed with his family at various places, and, so far as the public were concerned, he remained silent until 1842, when he pub. Poems in two volumes, and at last achieved full recognition as a great poet. From this time the life of T. is a record of tranquil triumph in his art and of the conquest of fame; and the publication of his successive works became almost the only events which mark his history. The Princess appearing in 1847 added materially to his reputation: in the lyrics with which it is interspersed, such as "The Splendour Falls" and "Tears, idle Tears" he rises to the full mastery of this branch of his art. The year 1850 was perhaps the most eventful in his life, for in it took place his marriage which, as he said, "brought the peace of God into his life," his succession to the Laureateship on the death of Wordsworth, and the publication of his greatest poem, In Memoriam. In 1852 appeared his noble Ode on the Death of the Duke of Wellington; and two years later The Charge of the Light Brigade. The publication of Maud in 1855 gave his rapidly growing popularity a perceptible set-back, though it has since risen in favour. But this was far more than made up for by the enthusiasm with which the first set of The Idylls of the King was received on its appearance four years later. Enoch Arden, with the Northern Farmer, came out in 1864; The Holy Grail and Gareth and Lynette, both belonging to the Idyll series, in 1869 and 1872 respectively. Three years later in 1875 T. broke new ground by beginning a series of dramas with Queen Mary, followed by Harold (1876), The Falcon (1879), The Cup (1881), The Promise of May (1882), Becket (1884), and Robin Hood (1891). His later poems were The Lovers' Tale (1879) (an early work retouched), Tiresias (1885), Locksley Hall—60 Years after (1886), Demeter and other Poems (1889), including "Crossing the Bar," and The Death of Œnone (1892). T., who cared little for general society, though he had many intimate and devoted friends, lived at Farringford, Isle of Wight, from 1853-69, when he built a house at Aldworth, near Haslemere, which was his home until his death. In 1884 he was raised to the peerage. Until he had passed the threescore years and ten he had, with occasional illnesses, enjoyed good health on the whole. But in 1886 the younger of his two sons d., a blow which told heavily upon him; thereafter frequent attacks of illness followed, and he d. on October 6, 1892, in his 84th year, and received a public funeral in Westminster Abbey.

The poetry of T. is characterised by a wide outlook, by intense sympathy with the deepest feelings and aspirations of humanity, a profound realisation of the problems of life and thought, a noble patriotism finding utterance in such poems as The Revenge, the Charge of the Light Brigade, and the Ode on the Death of the Duke of Wellington, an exquisite sense of beauty, marvellous power of vivid and minute description often achieved by a single felicitous phrase, and often heightened by the perfect matching of sense and sound, and a general loftiness and purity of tone. No poet has excelled him in precision and delicacy of language and completeness of expression. As a lyrist he has, perhaps, no superiors, and only two or three equals in English poetry, and even of humour he possessed no small share, as is shown in the Northern Farmer and in other pieces. When the volume, variety, finish, and duration of his work are considered, as well as the influence which he exercised on his time, a unique place must be assigned him among the poets of his country.

SUMMARY.—B. 1809, ed. Camb., Poems by Two Brothers 1827, Poems chiefly Lyrical 1830, his chief works Poems in two Volumes 1842, Princess 1847, In Memoriam 1850, Maud 1855, Idylls of the King 1869-72, Poet Laureate 1850, d. 1892.

Life by his s. (2 vols., 1897). There are also numerous books, biographical and critical, by, among others, W.E. Wace (1881), A.C. Benson, A. Lang, F. Harrison, Sir A. Lyell, C.F.G. Masterman (T. as a Religious Teacher), Stopford Brooke, Waugh, etc.

TENNYSON, FREDERICK (1807-1898). —Poet, was the eldest s. of the Rector of Somersby, Lincolnshire, and brother of Alfred T. (q.v.). Ed. at Eton and Camb., he passed most of his life in Italy and Jersey. He contributed to the Poems by Two Brothers, and produced Days and Hours (lyrics) (1854), The Isles of Greece (1890), Daphne (1891), and Poems of the Day and Night (1895). All his works show passages of genuine poetic power.

TENNYSON TURNER, CHARLES (1808-1879). —Poet, elder brother of Alfred T. (q.v.), ed. at Camb., entered the Church, and became Vicar of Grasby, Lincolnshire. The name of Turner he assumed in conformity with the will of a relation. He contributed to Poems by Two Brothers, and was the author of 340 sonnets, which were greatly admired by such critics as Coleridge, Palgrave, and his brother Alfred.

THACKERAY, WILLIAM MAKEPEACE (1811-1863). —Novelist, s. of Richmond T., who held various important appointments in the service of the East India Company, and who belonged to an old and respectable Yorkshire family, was b. at Calcutta, and soon after the death of his f., which took place in 1816, sent home to England. After being at a school at Chiswick, he was sent to the Charterhouse School, where he remained from 1822-26, and where he does not appear to have been very happy. Meanwhile in 1818 his mother had m. Major H.W.C. Smythe, who is believed to be, in part at any rate, the original of Colonel Newcome. In 1829 he went to Trinity Coll., Camb., where he remained for a year only, and where he did not distinguish himself particularly as a student, but made many life-long friends, including Spedding (q.v.), Tennyson, Fitzgerald (q.v.), and Monckton Milnes (see Houghton), and contributed verses and caricatures to two Univ. papers, "The Snob" and "The Gownsman." The following year, 1831, was spent chiefly in travelling on the Continent, especially Germany, when, at Weimar, he visited Goethe. Returning he entered the Middle Temple, but having no liking for legal studies, he soon abandoned them, and turning his attention to journalism, became proprietor, wholly or in part, of two papers successively, both of which failed. These enterprises, together with some unfortunate investments and also, it would seem, play, stripped him of the comfortable fortune, which he had inherited; and he now found himself dependent on his own exertions for a living. He thought at first of art as a profession, and studied for a time at Paris and Rome. In 1836, while acting as Paris correspondent for the second of his journals, he m. Isabella, dau. of Colonel Shawe, an Irish officer, and the next year he returned to England and became a contributor to Fraser's Magazine, in which appeared The Yellowplush Papers, The Great Hoggarty Diamond, Catherine, and Barry Lyndon, the history of an Irish sharper, which contains some of his best work. Other works of this period were The Paris Sketch-book (1840) and The Irish Sketch-book (1843). His work in Fraser, while it was appreciated at its true worth by a select circle, had not brought him any very wide recognition: it was his contributions to Punch—the Book of Snobs and Jeames's Diary—which first caught the ear of the wider public. The turning point in his career, however, was the publication in monthly numbers of Vanity Fair (1847-48). This extraordinary work gave him at once a place beside Fielding at the head of English novelists, and left him no living competitor except Dickens. Pendennis, largely autobiographical, followed in 1848-50, and fully maintained his reputation. In 1851 he broke new ground, and appeared, with great success, as a lecturer, taking for his subject The English Humourists of the Eighteenth Century, following this up in 1855 with the Four Georges, first delivered in America. Meanwhile Esmond, perhaps his masterpiece, and probably the greatest novel of its kind in existence, had appeared in 1852, and The Newcomes (1853), The Virginians, a sequel to Esmond, which, though containing much fine work, is generally considered to show a falling off as compared with its two immediate predecessors, came out in 1857-59. In 1860 the Cornhill Magazine was started with T. for its ed., and to it he contributed Lovell the Widower (1860), The Adventures of Philip (1861-62), The Roundabout Papers, a series of charming essays, and Denis Duval, left a mere fragment by his sudden death, but which gave promise of a return to his highest level of performance. In addition to the works mentioned, T. for some years produced Christmas books and burlesques, of which the best were The Rose and the Ring and The Kickleburys on the Rhine. He also wrote graceful verses, some of which, like Bouillabaisse, are in a strain of humour shot through with pathos, while others are the purest rollicking fun. For some years T. suffered from spasms of the heart, and he d. suddenly during the night of December 23, 1863, in his 53rd year. He was a man of the tenderest heart, and had an intense enjoyment of domestic happiness; and the interruption of this, caused by the permanent breakdown of his wife's health, was a heavy calamity. This, along with his own latterly broken health, and a sensitiveness which made him keenly alive to criticism, doubtless fostered the tendency to what was often superficially called his cynical view of life. He possessed an inimitable irony and a power of sarcasm which could scorch like lightning, but the latter is almost invariably directed against what is base and hateful. To human weakness he is lenient and often tender, and even when weakness passes into wickedness, he is just and compassionate. He saw human nature "steadily and saw it whole," and paints it with a light but sure hand. He was master of a style of great distinction and individuality, and ranks as one of the very greatest of English novelists.

SUMMARY.—B. 1811, ed. at Charterhouse and Camb., after trying law turned to journalism, in which he lost his fortune, studied art at Paris and Rome, wrote for Fraser's Magazine and Punch, Barry Lyndon, Book of Snobs, and Jeames's Diary, pub. Vanity Fair 1847-8, Pendennis (1848-50), lectured on Humourists 1851, and on Four Georges in America 1855, pub. Esmond 1852, Newcomes 1853, Virginians 1857-59, ed. Cornhill Magazine 1860, his last great work, Denis Duval, left unfinished, d. 1863.

Lives by Merivale and Marzials (Great Writers), A. Trollope (English Men of Letters), Whibley (Modern English Writers). Article in Dictionary of National Biography by Leslie Stephen.

THEOBALD, LEWIS (1688-1744). —Editor of Shakespeare, and translator, originally an attorney, betook himself to literature, translated from Plato, the Greek dramatists, and Homer, and wrote also essays, biographies, and poems. In 1715 he pub. Shakespeare Restored, etc., in which he severely criticised Pope's ed., and was in consequence rewarded with the first place in The Dunciad, and the adoption of most of his corrections in Pope's next ed. Though a poor poet, he was an acute and discriminating critic, made brilliant emendations on some of the classics, and produced in 1734 an ed. of Shakespeare which gave him a high place among his ed.

THIRWALL, CONNOP (1797-1875). —Historian, was b. at Stepney, the s. of a clergyman, and ed. at the Charterhouse and Camb. He studied law, was called to the Bar in 1825, and in the same year pub. a translation of Schleiermacher's Critical Essay on the Gospel of St. Luke. After this, having changed his mind, he took orders in 1827, and the next year translated, with Julius Hare (q.v.), the first vol. of Niebuhr's History of Rome, and pub., also with him, The Philological Museum (1831-33). He was an advocate for the admission of Dissenters to degrees, and in consequence of his action in the matter had to resign his Univ. tutorship. Thereupon Lord Brougham, then Lord Chancellor, presented him to the living of Kirkby Underdale. Between 1835 and 1847 he wrote his great History of Greece, which has a place among historical classics. In 1840 he was made Bishop of St. David's, in which capacity he showed unusual energy in administering his see. The eleven charges which he delivered during his tenure of the see were pronouncements of exceptional weight upon the leading questions of the time affecting the Church. As a Broad Churchman T. was regarded with suspicion by both High and Low Churchmen, and in the House of Lords generally supported liberal movements such as the admission of Jews to Parliament. He was the only Bishop who was in favour of the disestablishment of the Irish Church.

THOMS, WILLIAM JOHN (1803-1885). —Antiquary and miscellaneous writer, for many years a clerk in the secretary's office of Chelsea Hospital, was in 1845 appointed Clerk, and subsequently Deputy Librarian to the House of Lords. He was the founder in 1849 of Notes and Queries, which for some years he also ed. Among his publications are Early Prose Romances (1827-28), Lays and Legends (1834), The Book of the Court (1838), Gammer Gurton's Famous Histories (1846), Gammer Gurton's Pleasant Stories (1848). He also ed. Stow's London, and was sec. of the Camden Society. He introduced the word "folk-lore" into the language.

THOMSON, JAMES (1700-1748). —Poet, s. of the minister of Ednam, Roxburghshire, spent most of his youth, however, at Southdean, a neighbouring parish, to which his f. was translated. He was ed. at the parish school there, at Jedburgh, and at Edin., whither he went with the view of studying for the ministry. The style of one of his earliest sermons having been objected to by the Prof. of Divinity as being too flowery and imaginative, he gave up his clerical views and went to London in 1725, taking with him a part of what ultimately became his poem of Winter. By the influence of his friend Mallet he became tutor to Lord Binning, s. of the Earl of Haddington, and was introduced to Pope, Arbuthnot, Gay, and others. Winter was pub. in 1726, and was followed by Summer (1727), Spring (1728), and Autumn (1730), when the whole were brought together as The Seasons. Previous to 1730 he had produced one or two minor poems and the tragedy of Sophonisba, which, after promising some success, was killed by the unfortunate line, "Oh! Sophonisba, Sophonisba, oh!" being parodied as "Oh! Jemmy Thomson, Jemmy Thomson, oh!" In 1731 T. accompanied Charles Talbot, s. of the Lord Chancellor, to the Continent, as tutor, and on his return received the sinecure Secretaryship of Briefs which, however, he lost in 1737, through omitting to apply for its continuance to Talbot's successor. He then returned to the drama and produced Agamemnon in 1738, and Edward and Eleanora in 1739. The same year he received from the Prince of Wales a pension of £100, and was made Surveyor-General of the Leeward Islands which, after providing for a deputy to discharge the duties, left him £300 a year. He was now in comfortable circumstances and settled in a villa near Richmond, where he amused himself with gardening and seeing his friends. In conjunction with Mallet he wrote, in 1740, the masque of Alfred, in which appeared Rule Britannia, which M. afterwards claimed, or allowed to be claimed, for him, but which there is every reason to believe was contributed by T. In 1745 appeared Tancred and Sigismunda, the most successful of his dramas, and in 1748 Coriolanus. In May of the latter year he pub. The Castle of Indolence, an allegorical poem in the Spenserian stanza, generally considered to be his masterpiece. In August following he caught a chill which developed into a fever, and carried him off in his 48th year. Though T. was undoubtedly a poet by nature, his art was developed by constant and fastidious polishing. To The Seasons, originally containing about 4000 lines, he added about 1400 in his various revisions. He was the first to give the description of nature the leading place, and in his treatment of his theme he showed much judgment in the selection of the details to be dwelt upon. His blank verse, though not equal to that of a few other English poets, is musical and wielded in a manner suitable to his subject. In all his poems he displays the genial temper and kindly sympathies by which he was characterised as a man. He was never m., and lived an easy, indolent life, beloved by his many friends. (See also Lyttelton, Lord)

THOMSON, JAMES (1834-1882). —Poet, b. at Port Glasgow and brought up in the Royal Caledonian Asylum, was for some years an army teacher, but was dismissed for a breach of discipline. He became associated with Charles Bradlaugh, the free-thought protagonist, who introduced him to the conductors of various secularist publications. His best known poem is The City of Dreadful Night, deeply pessimistic. Others are Vane's Story and Weddah and Omel-Bonain. His views resulted in depression, which led to dipsomania, and he d. in poverty and misery. His work has a certain gloomy power which renders it distinctly noteworthy.

THOREAU, HENRY DAVID (1817-1862). —Essayist, poet, and naturalist, was b. at Concord, Massachusetts. His f., of French extraction, from Jersey, was a manufacturer of lead-pencils. He was ed. at Harvard, where he became a good classical scholar. Subsequently he was a competent Orientalist, and was deeply versed in the history and manners of the Red Indians. No form of regular remunerative employment commending itself to him, he spent the 10 years after leaving coll. in the study of books and nature, for the latter of which he had exceptional qualifications in the acuteness of his senses and his powers of observation. Though not a misanthropist, he appears in general to have preferred solitary communion with nature to human society. "The man I meet," he said, "is seldom so instructive as the silence which he breaks;" and he described himself as "a mystic, a transcendentalist, and a natural philosopher." He made such money as his extremely simple mode of life called for, by building boats or fences, agricultural or garden work, and surveying, anything almost of an outdoor character which did not involve lengthened engagement. In 1837 he began his diaries, records of observation with which in ten years he filled 30 vols. In 1839 he made the excursion the record of which he in 1845 pub. as A Week on the Concord and Merrimac Rivers. Two years later, in 1841, he began a residence in the household of Emerson, which lasted for two years, when he assisted in conducting the Dial, and in 1845, after some teaching in New York, he retired to a hut near the solitary Walden Pond to write his Week on the Concord, etc. Later works were Walden (1854), and The Maine Woods (1864), and Cape Cod (1865), accounts of excursions and observations, both pub. after his death. T. was an enthusiast in the anti-slavery cause, the triumph of which, however, he did not live to see, as he d. on May 6, 1862, when the war was still in its earlier stages. The deliberate aim of T. was to live a life as nearly approaching naturalness as possible; and to this end he passed his time largely in solitude and in the open air. As he says, "I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach." To his great powers of observation he added great powers of reflection, and two of the most characteristic features of his writings are immediateness and individuality in his descriptions of nature, and a remarkable power of giving permanent and clear form to the most subtle and evanescent mental impressions.

TICKELL, THOMAS (1686-1740). —Poet, b. at Bridekirk Vicarage, Cumberland, and ed. at Oxf. became the friend of Joseph Addison (q.v.), contributed to the Spectator and Guardian, and accompanied him when he went to Ireland as sec. to the Lord Lieutenant. His translation of the first book of the Iliad came out at the same time as Pope's, and led to a quarrel between the latter and Addison, Pope imagining that the publication was a plot to interfere with the success of his work. On Addison becoming Sec. of State in 1717 he appointed T. Under-Sec. Among the writings of T. are the well-known ballad, Colin and Lucy, Kensington Gardens, a poem, and an Elegy on the death of Addison, of which Macaulay says that it "would do honour to the greatest name in our literature." In 1725 he became sec. to the Lords Justices of Ireland, and retained the post until his death.

TICKNOR, GEORGE (1791-1871). —Historian and biographer, s. of a rich man, was b. at Boston, Mass., and ed. for the law. He, however, gave himself to study and writing, and also travelled much. After being a Prof. at Harvard, 1819-35, he went in the latter year to Europe, where he spent some years collecting materials for his magnum opus, The History of Spanish Literature (1849). He also wrote Lives of Lafayette and Prescott, the historian. His Letters and Journals were pub. in 1876, and are the most interesting of his writings.

TIGHE, MARY (BLACKFORD) (1772-1810). —Poet, dau. of a clergyman, made an unhappy marriage, though she had beauty and amiable manners, and was highly popular in society. She wrote a good deal of verse; but her chief poem was a translation in Spenserian stanza of the tale of Cupid and Psyche, which won the admiration of such men as Sir J. Mackintosh, Moore, and Keats.

TILLOTSON, JOHN (1630-1694). —Divine, s. of a Presbyterian clothier, was b. near Halifax, and ed. at Camb., where his originally Puritan views became somewhat modified. At the Savoy Conference in 1661 he was still a Presbyterian, but submitted to the Act of Uniformity, and became next year Rector of Keddington, and in 1664 preacher at Lincoln's Inn, where he became very popular. In 1672 he was made Dean of Canterbury. He vainly endeavoured to secure the comprehension of the Nonconformists in the Church. After the Revolution he gained the favour of William III., who made him Clerk of the Closet, and Dean of St. Paul's, and in 1691 he succeeded Sancroft as Archbishop of Canterbury. His sermons, which had extraordinary popularity, give him a place in literature, and he was one of those writers who, by greater simplicity and greater attention to clearness of construction, helped to introduce the modern style of composition.

TIMROD, HENRY (1829-1867). —Poet, b. at Charleston, S. Carolina, of German descent, was ruined by the Civil War, and d. in poverty. He wrote one vol. of poems, pub. 1860, which attained wide popularity in the South. He had notable descriptive power.

TOBIN, JOHN (1770-1804). —Dramatist, was for long unsuccessful, but in the year of his death made a hit with The Honey Moon, which had great success, and maintained its place for many years. Other plays were The Curfew and The School for Authors.

TOLAND, JOHN (1670?-1722). —Deistical writer, b. in Ireland of Roman Catholic parentage, completed his education at Glasgow, Edin., and Leyden. Very early in life he had become a Protestant, and at Leyden he studied theology with the view of becoming a Nonconformist minister, but imbibed Rationalistic views. He then resided for some time at Oxf., and in 1696 pub. his first work, Christianity not Mysterious, which was censured by Convocation and gave rise to much controversy. Next year he returned to Ireland, where, however, he was not more popular than in England, and where his book was burned by the common hangman. Returning to England he took to writing political pamphlets, including one, Anglia Libera, in support of the Brunswick succession, which gained him some favour at Hanover, and he was sent on some political business to the German Courts. He then served Harley in Holland and Germany practically as a political spy. His later years were passed in literary drudgery and poverty. Among his numerous writings may be mentioned Account of Prussia and Hanover, Origines Judaicæ, History of the Druids, and a Life of Milton prefixed to an ed. of his prose works.

TOOKE, JOHN HORNE (1736-1812). —Philologist, s. of a poulterer called Horne, added the name of Tooke in 1782 in anticipation of inheriting from his friend W. Tooke, of Purley. He was at Camb. and took orders, but disliking the clerical profession, travelled abroad. Returning he became prominent as a radical politician, and espoused the cause of Wilkes, with whom, however, he afterwards quarrelled. He also supported the revolted American colonists, and was fined and imprisoned for endeavouring to raise a subscription for them. An effort to be admitted to the Bar was unsuccessful; and in 1786 he published his Diversions of Purley, a work on philology which brought him great reputation, and which, containing muck that has been proved to be erroneous, showed great learning and acuteness. T. twice endeavoured unsuccessfully to enter Parliament for Westminster, but ultimately sat for the rotten burgh of Old Sarum, making, however, no mark in the House. He was the author of numerous effective political pamphlets.

TOPLADY, AUGUSTUS MONTAGUE (1740-1778). —Hymn-writer, s. of an officer in the army, was b. at Farnham, ed. at Westminster and Trinity Coll., Dublin, after which he took orders and became incumbent of Broad Hembury. He was a strong Calvinist and entered into a bitter controversy with Wesley. His controversial works are forgotten; but he will always be remembered as the author of "Rock of Ages," perhaps the most widely known of English hymns.

TOURNEUR, or TURNER, CYRIL (1575?-1626). —Dramatist, perhaps s. of Richard T., Lieutenant of the Brill, served in the Low Countries, and was sec. to Sir Edward Cecil in his unsuccessful expedition to Cadiz, returning from which he was disembarked with the sick at Kinsale, where he d. He wrote two dramas, The Revenger's Tragedy (pr. 1607), and The Atheist's Tragedy (pr. 1611), in both of which, especially the former, every kind of guilt and horror is piled up, the author displaying, however, great intensity of tragic power. Of The Revenger Lamb said that it made his ears tingle. Another play of his, Transformed Metamorphosis, was discovered in 1872.

TRAHERNE, THOMAS (1636?-1674). —Poet and theological writer, s. of a shoemaker at Hereford where, or at Ledbury, he was probably b. Very few facts concerning him have been preserved, and indeed his very existence had been forgotten until some of his MS. were discovered on a bookstall in 1896, without, however, anything to identify the author. Their discoverer, Mr. W.T. Brooke, was inclined to attribute them to Henry Vaughan (q.v.), in which he was supported by Dr. Grosart (q.v.), and the latter was about to bring out a new ed. of Vaughan's poems in which they were to be included. This was, however, prevented by his death. The credit of identification is due to Mr. Bertram Dobell, who had become the possessor of another vol. of MS., and who rejecting, after due consideration, the claims of Vaughan, followed up the very slender clues available until he had established the authorship of Traherne. All the facts that his diligent investigations were successful in collecting were that T. was "entered as a commoner at Brasenose Coll., Oxf., in 1652, took one degree in arts, left the house for a time, entered into the sacred function, and in 1661 was actually created M.A. About that time he became Rector of Crednell, near Hereford ... and in 1669 Bachelor of Divinity;" and that after remaining there for over 9 years he was appointed private chaplain to the Lord Keeper, Sir Orlando Bridgeman, who on his retirement from office retained him as a member of his household at Teddington until his death in 1674, T. himself dying three months later. T. also appears to have been incumbent of Teddington, or perhaps more probably, curate to a pluralist incumbent. The complete oblivion into which T. had fallen is the more remarkable when the quality of his poetry, which places him on a level with Herbert, Vaughan, and Crashaw, is considered; and that he appears in his own day to have had some reputation as a scholar and controversialist. His Roman Forgeries (1673) achieved some note. His next work, Christian Ethics, which was not pub. until after his death, appears to have fallen dead, and is extremely rare: it is described by Mr. Dobell as "full of eloquence, persuasiveness, sagacity, and piety." Centuries of Meditations consists of short reflections on religious and moral subjects, etc. The Poems constitute his main claim to remembrance and, as already stated, are of a high order. With occasional roughness of metre they display powerful imagination, a deep and rich vein of original thought, and true poetic force and fire. It has been pointed out that in some of them the author anticipates the essential doctrines of the Berkeleian philosophy, and in them is also revealed a personality of rare purity and fascination.

TRELAWNY, EDWARD JOHN (1792-1881). —Biographer, entered the navy, from which, however, he deserted, after which he wandered about in the East and on the Continent. In Switzerland he met Byron and Shelley, and was living in close friendship with the latter when he was drowned, and was one of the witnesses at the cremation of his remains. He took part in the Greek war of independence, and m. the sister of one of the insurgent chiefs. After various adventures in America he settled in London, where he was a distinguished figure in society, and enjoyed the reputation of a picturesque, but somewhat imaginative, conversationalist. He wrote The Adventures of a Younger Son (1831), a work of striking distinction, and the intensely interesting Records of Shelley, Byron, and the Author (1858). The last survivor of that brilliant group, he was buried by the side of Shelley.

TRENCH, RICHARD CHENEVIX (1807-1886). —Poet and theologian, b. in Dublin, and ed. at Harrow and Camb., took orders, and after serving various country parishes, became in 1847 Prof. of Theology in King's Coll., London, in 1856 Dean of Westminster, and in 1864 Archbishop of Dublin. As Primate of the Irish Church at its disestablishment, he rendered valuable service at that time of trial. In theology his best known works are his Hulsean Lectures, Notes on the Parables, and Notes on the Miracles. His philological writings, English Past and Present and Select Glossary of English Words are extremely interesting and suggestive, though now to some extent superseded. His Sacred Latin Poetry is a valuable collection of mediæval Church hymns. He also wrote sonnets, elegies, and lyrics, in the first of which he was specially successful, besides longer poems, Justin Martyr and Sabbation.

TREVISA, JOHN of (1326-1412). —Translator, a Cornishman, ed. at Oxf., was Vicar of Berkeley, Gloucestershire, and chaplain to the 4th Lord Berkeley, and Canon of Westbury. He translated for his patron the Polychronicon of Ranulf Higden, adding remarks of his own, and prefacing it with a Dialogue on Translation between a Lord and a Clerk. He likewise made various other translations.

TROLLOPE, ANTHONY (1815-1882). —Novelist, s. of Thomas Anthony T., a barrister who ruined himself by speculation, and of Frances T. (q.v.), a well-known writer, was b. in London, and ed. at Harrow and Winchester. His childhood was an unhappy one, owing to his father's misfortunes. After a short time in Belgium he obtained an appointment in the Post Office, in which he rose to a responsible position. His first three novels had little success; but in 1855 he found his line, and in The Warden produced the first of his Barsetshire series. It was followed by Barchester Towers (1857), Doctor Thorne (1858), Framley Parsonage (1861), The Small House at Allington (1864), and The Last Chronicle of Barset (1867), which deal with the society of a small cathedral city. Other novels are Orley Farm, Can you forgive Her?, Ralph the Heir, The Claverings, Phineas Finn, He knew he was Right, and The Golden Lion of Grandpré. In all he wrote about 50 novels, besides books about the West Indies, North America, Australia, and South Africa, a translation of Cæsar, and monographs on Cicero and Thackeray. His novels are light of touch, pleasant, amusing, and thoroughly healthy. They make no attempt to sound the depths of character or either to propound or solve problems. Outside of fiction his work was generally superficial and unsatisfactory. But he had the merit of providing a whole generation with wholesome amusement, and enjoyed a great deal of popularity. He is said to have received £70,000 for his writings.

TROLLOPE, MRS. FRANCES (MILTON) (1780-1863). —Novelist and miscellaneous writer, b. at Stapleton near Bristol, m. in 1809 Thomas A.T., a barrister, who fell into financial misfortune. She then in 1827 went with her family to Cincinnati, where the efforts which she made to support herself were unsuccessful. On her return to England, however, she brought herself into notice by publishing Domestic Manners of the Americans (1832), in which she gave a very unfavourable and grossly exaggerated account of the subject; and a novel, The Refugee in America, pursued it on similar lines. Next came The Abbess and Belgium and Western Germany, and other works of the same kind on Paris and the Parisians, and Vienna and the Austrians followed. Thereafter she continued to pour forth novels and books on miscellaneous subjects, writing in all over 100 vols. Though possessed of considerable powers of observation and a sharp and caustic wit, such an output was fatal to permanent literary success, and none of her books are now read. She spent the last 20 years of her life at Florence, where she d. in 1863. Her third s. was Anthony T., the well-known novelist (q.v.). Her eldest s., Thomas Adolphus, wrote The Girlhood of Catherine de Medici, a History of Florence, and Life of Pius IX., and some novels.

TRUMBULL, JOHN (1750-1831). —Poet, b. at Waterbury, Conn., was a lawyer, and became a judge. He wrote much verse, his principal productions being The Progress of Dulness (1772) and McFingal (1782), written in support of the Revolution in imitation of Hudibras.

TUCKER, ABRAHAM (1705-1774). —Philosophic writer, b. in London, and ed. at Oxf., was a country gentleman, who devoted himself to the study of philosophy, and wrote under the name of Edward Search, a work in 7 vols., The Light of Nature Followed (1768-78). It is rather a miscellany than a systematic treatise, but contains much original and acute thinking.

TUCKER, GEORGE (1775-1861). —Economist, etc., b. in Bermuda, became Prof., of Moral Philosophy, etc., in the Univ. of Virginia. He wrote a Life of Jefferson, Political History of the United States, Essays Moral and Philosophical, The Valley of the Shenandoah, a novel, A Voyage to the Moon (satire), and various works on economics.

TUCKER, NATHANIEL BEVERLY (1784-1851). —B. in Virginia, became a Prof., of Law in William and Mary Coll. He wrote a novel, The Partisan Leader (1836), a prophecy of the future disunion which led to the Civil War. It was re-pub. in 1861 as A Key to the Southern Conspiracy. Another novel was George Balcombe.

TUCKERMAN, HENRY THEODORE (1813-1871). —Essayist, etc., b. in Boston, Mass. He was a sympathetic and delicate critic, with a graceful style. He lived much in Italy, which influenced his choice of subjects in his earlier writings. These include The Italian Sketch-book, Isabel, or Sicily, Thoughts on the Poets, The Book of the Artists, Leaves from the Diary of a Dreamer, etc.

TULLOCH, JOHN (1823-1886). —Theologian and historical writer, b. at Bridge of Earn, Perthshire, studied at St. Andrews and Edin. He was ordained to the ministry of the Church of Scotland at Dundee, whence he was translated to Kettins, Forfarshire, and became in 1854 Principal and Prof. of Theology in St. Mary's Coll., St. Andrews. He was a leader of the liberal party in the Church of Scotland, and wrote Literary and Intellectual Revival of Scotland in the Eighteenth Century (1883), Movements of Religious Thought in the Nineteenth Century (1884-85), Rational Theology and Christian Philosophy in England in the Seventeenth Century, and a book on Pascal, etc.

TUPPER, MARTIN FARQUHAR (1810-1889). —Versifier, s. of a surgeon, was b. in London, ed. at Charterhouse School and Oxf., and called to the Bar in 1835. He, however, believed that literature was his vocation, and wrote many works in prose and verse, only one of which, Proverbial Philosophy, had much success. But the vogue which it had was enormous, especially in America. It is a singular collection of commonplace observations set forth in a form which bears the appearance of verse, but has neither rhyme nor metre, and has long since found its deserved level. He also wrote War Ballads, Rifle Ballads, and Protestant Ballads, various novels, and an autobiography. T. was likewise an inventor, but his ideas in this kind had not much success.

TURBERVILLE, or TURBERVILE, GEORGE (1540?-1610). —Poet, belonging to an ancient Dorsetshire family, was b. at Whitchurch, and ed. at Winchester and Oxf. He became sec. to Thomas Randolph, Ambassador to Russia, and made translations from the Latin and Italian, and in 1570 pub. Epitaphes, Epigrams, Songs, and Sonets. He also wrote books on Falconrie and Hunting, and was one of the first to use blank verse.

TURNER, SHARON (1768-1847). —Historian, b. in London, was a solicitor, and becoming interested in the study of Icelandic and Anglo-Saxon literature, pub. the results of his researches in his History of the Anglo-Saxons (1799-1805). Thereafter he continued the narrative in History of England (1814-29), carrying it on to the end of the reign of Elizabeth. These histories, especially the former, though somewhat marred by an attempt to emulate the grandiose style of Gibbon, were works of real research, and opened up, and to a considerable extent developed, a new field of inquiry. T. also wrote a Sacred History of the World, and a poem on Richard III.

TUSSER, THOMAS (1524?-1580). —Versifier on agriculture, was an Essex man. Having a good voice he was trained in music, and was a chorister in St. Paul's, and afterwards in Norwich Cathedral, and held the post of musician to Lord Paget. He tried farming at different places, but unsuccessfully, which did not, however, prevent his undertaking to instruct others. This he does with much shrewdness and point in his Hundreth Goode Pointes of Husbandrie (1557), expressed in rude but lively verse; thereafter he added Hundreth Goode Pointes of Husserie (Housewifery). The two joined, and with many additions, were repeatedly reprinted as Five Hundredth Pointes of Goode Husbandrie united to as many of Goode Huswifery. Many proverbs may be traced back to the writings of T., who, in spite of all his shrewdness and talent, d. in prison as a debtor.

TYNDALE, WILLIAM (1484?-1536). —Translator of the Bible, belonged to a northern family which, migrating to Gloucestershire during the Wars of the Roses, adopted the alternative name of Huchyns or Hychins, which T. himself bore when at Oxf. in 1510. After graduating there, he went to Camb., where the influence of Erasmus, who had been Prof. of Theology, still operated. He took orders, and in 1522 was a tutor in the household of Sir John Walsh of Old Sodbury, and was preaching and disputing in the country round, for which he was called to account by the Chancellor of the diocese. At the same time he translated a treatise by Erasmus, the Enchiridion Militis Christiani (Manual of the Christian Soldier), and in controversy with a local disputant prophesied that he would cause that "a boye that driveth the plough" should know the Scriptures better than his opponent. Having formed the purpose of translating the New Testament T. went in 1523 to London, and used means towards his admission to the household of Tunstal, Bishop of London, but without success; he then lived in the house of a wealthy draper, Humphrey Monmouth, where he probably began his translation. Finding, however, that his work was likely to be interfered with, he proceeded in 1524 to Hamburg, whence he went to visit Luther at Wittenberg. He began printing his translation at Cologne the following year, but had to fly to Worms, where the work was completed. The translation itself is entirely T.'s work, and is that of a thorough scholar, and shows likewise an ear for the harmony of words. The notes and introduction are partly his own, partly literal translations, and partly the gist of the work of Luther. From Germany the translation was introduced into England, and largely circulated until forcible means of prevention were brought to bear in 1528. In this year T. removed to Marburg, where he pub. The Parable of the Wicked Mammon, a treatise on Justification by Faith, and The Obedience of a Christian Man, setting forth that Scripture is the ultimate authority in matters of faith, and the King in matters of civil government. Thereafter, having been at Hamburg and Antwerp, T. returned to Marburg, and in 1530 pub. his translation of the Pentateuch and The Practice of Prelates, in which he attacked Wolsey and the proposed divorce proceedings of Henry VIII., the latter of whom endeavoured to have him apprehended. Thereafter he was involved in a controversy with Sir Thomas More. In 1533 he returned to Antwerp, Henry's hostility having somewhat cooled, and was occupied in revising his translations, when he was in 1535 betrayed into the hands of the Imperial officers and carried off to the Castle of Vilvorde, where the next year he was strangled and burned. T. was one of the most able and devoted of the reforming leaders, and his, the foundation of all future translations of the Bible, is his enduring monument. He was a small, thin man of abstemious habits and untiring industry.

TYNDALL, JOHN (1820-1893). —Scientific writer, b. at Leighlin Bridge, County Carlow, was in early life employed in the ordnance survey and as a railway engineer. He was next teacher of mathematics and surveying at Queenwood Coll., Hampshire, after which he went to Marburg to study science, and while there became joint author of a memoir On the Magneto-optic Properties of Crystals (1850). After being at Berlin he returned in 1851 to Queenwood, and in 1853 was appointed Prof. of Natural Philosophy in the Royal Institution, which in 1867 he succeeded Faraday as Superintendent. With Huxley (q.v.) he made investigations into the Alpine glaciers. Thereafter he did much original work on heat, sound, and light. In addition to his discoveries T. was one of the greatest popularisers of science. His style, remarkable for lucidity and elegance, enabled him to expound such subjects with the minimum of technical terminology. Among his works are The Glaciers of the Alps (1860), Mountaineering (1861), Fragments of Science, two vols. (1871), including his address to the British Association at Belfast, which raised a storm of controversy and protest in various quarters, Hours of Exercise on the Alps, etc. T. d. from an overdose of chloral accidentally administered by his wife.

TYTLER, ALEXANDER FRASER (1747-1813). —Historian, s. of William T. (q.v.), studied at Edin., was called to the Bar in 1770 and raised to the Bench as Lord Woodhouselee in 1802. He was Prof. of History in Edin., and wrote Elements of General History (1801), An Essay on the Principles of Translation (1791), besides various legal treatises.

TYTLER, PATRICK FRASER (1791-1849). —Historian, s. of the above, studied at Edin., and was called to the Bar in 1813. Among his many writings are an Essay on the History of the Moors in Spain, The Life of the Admirable Crichton (1819), History of Scotland (1828-43), and England under the Reigns of Edward VI. and Mary (1839). His History of Scotland, which was the result of 20 years of study and research, is still authoritative.

TYTLER, WILLIAM (1711-1792). —Historical writer, was a lawyer in Edin., and wrote An Inquiry into the Evidence against Mary Queen of Scots, in which he combated the views of Robertson. He discovered the King's Quhair of James I., and pub. in 1783 The Poetical Remains of James I., King of Scotland, with a Life.

UDALL, NICOLAS (1505-1556). —Dramatist and scholar, b. in Hampshire, and ed. at Oxf. In 1534 he became headmaster of Eton, from which he was dismissed for misconduct, 1541. In 1537 he became Vicar of Braintree, in 1551 of Calborne, Isle of Wight, and in 1554 headmaster of Westminster School. He translated part of the Apophthegms of Erasmus, and assisted in making the English version of his Paraphrase of the New Testament. Other translations were Peter Martyr's Discourse on the Eucharist and Thomas Gemini's Anatomia, but he is best remembered by Ralph Roister Doister (1553?), the first English comedy, a rude but lively piece.

UNDERDOWN, THOMAS (fl. 1566-1587). —Translator. He translated the Æthiopian History of Heliodorus 1566; also from Ovid.

UNDERWOOD, FRANCIS HENRY (1825-1894). —Critic and biographer, b. in Massachusetts, was American Consul at Glasgow and Leith. He wrote Hand-books of English Literature, Builders of American Literature, etc., some novels, Lord of Himself, Man Proposes, and Dr. Gray's Quest, and biographies of Lowell, Longfellow, and Whittier.

URQUHART, SIR THOMAS (1611-1660). —Eccentric writer and translator, was ed. at King's Coll., Aberdeen, after leaving which he travelled in France, Spain, and Italy. He was bitterly opposed to the Covenanters, and fought against them at Turriff in 1639. His later life was passed between Scotland, England (where he was for some time a prisoner in the Tower), and the Continent, where he lived, 1642-45. A man of considerable ability and learning, his vanity and eccentricity verged upon insanity, and he is said to have d. from the effects of an uncontrollable fit of joyful laughter on hearing news of the Restoration. Among his extravagances was a genealogy of his family traced through his f. to Adam, and through his mother to Eve, he himself being the 153rd in descent. He pub. Trissotetras, a work on trigonometry (1645), an invective against the Presbyterians (1652), a scheme for a universal language, Logopandecteision (1653), and a partial translation of Rabelais (1653), a further portion being pub. in 1693. In the last he was assisted by Peter Anthony Motteux, a Frenchman who had established himself in England, who continued the work.

USK, THOMAS (d. 1388). —Poet, b. in London, was sec. to John of Northampton, the Wyclifite Lord Mayor of London, whom he betrayed to save himself, in which, however, he failed, being executed in 1388. During his imprisonment, which lasted from 1384 until his death, he composed The Testament of Love, a didactic poem long attributed to Chaucer.

USSHER, JAMES (1581-1656). —Divine and scholar, b. in Dublin, the s. of a lawyer there, and ed. at Trinity Coll., took orders, and became Chancellor of St. Patrick's, Dublin, 1605, and Prof. of Divinity, 1607-21. On the Irish clergy, in 1715, deciding to assert themselves as an independent church, U. had the main hand in drawing up the constitution, certain features of which led to the suspicion of his being in favour of Puritanism. To defend himself he went in 1619 to England, and had a conference with the King (James I.), in which he so completely succeeded that he was in 1621 made Bishop of Meath, and four years later Archbishop of Armagh. He constantly used his influence in favour of reform, and endeavoured to introduce such modifications of Episcopacy as would conciliate and comprehend the Presbyterians. During the troubles which led to the Civil War U. maintained the unlawfulness of taking up arms against the King. The Rebellion in Ireland in 1641 drove him away, and he settled first at Oxf., but ultimately at the house of Lady Peterborough at Reigate, where he d. in 1656. His works dealt chiefly with ecclesiastical antiquities and chronology, his magnum opus being Annales, a chronology of the world from the creation to the dispersion of the Jews in the reign of Vespasian, a work which gained him great reputation on the Continent as well as at home. The date of the creation was fixed as 4004 B.C., which was long universally received. It has, of course, been altogether superseded, alike by the discovery of ancient records, and by geology.

VANBRUGH, SIR JOHN (1664-1726). —Dramatist and architect, b. in London of Flemish descent, was in France from 1683 to 1685, studying architecture, for which he had early shown a taste. The next year he got a commission in the army, and in 1690 he was a prisoner first at Vincennes and then in the Bastille. In 1696 he began his dramatic career with The Relapse, which had great success. Æsop followed in 1697, and The Provoked Wife in the same year. The latter was severely handled by Jeremy Collier (q.v.) in his Short View, etc., which produced a vindication by the author. In addition to these he wrote or collaborated in various other plays. His leading features as a dramatist are the naturalness of his dialogue and his lively humour. Like all his contemporaries he is frequently extremely gross. He obtained great fame as an architect, as well as a dramatist. Among his most famous designs are Castle Howard, Blenheim Palace, and Dalkeith Palace. He was knighted by George I., was controller of the Royal works, and succeeded Wren as architect to Greenwich Hospital. In addition to the plays above mentioned V. wrote The Confederacy and The Country House. He was a handsome and jovial person, and highly popular in society.

VAUGHAN, HENRY (1622-1695). —Poet, b. in the parish of Llansaintffraed, Brecknock, and as a native of the land of the ancient Silures, called himself "Silurist." He was at Jesus Coll., Oxf., studied law in London, but finally settled as a physician at Brecon and Newton-by-Usk. In his youth he was a decided Royalist and, along with his twin brother Thomas, was imprisoned. His first book was Poems, with the Tenth Satire of Juvenal Englished. It appeared in 1646. Olor Iscanus (the Swan of Usk), a collection of poems and translations, was surreptitiously pub. in 1651. About this time he had a serious illness which led to deep spiritual impressions, and thereafter his writings were almost entirely religious. Silex Scintillans (Sparks from the Flint), his best known work, consists of short poems full of deep religious feeling, fine fancy, and exquisite felicities of expression, mixed with a good deal that is quaint and artificial. It contains "The Retreat," a poem of about 30 lines which manifestly suggested to Wordsworth his Ode on the Intimations of Immortality, and "Beyond the Veil," one of the finest meditative poems in the language. Flores Solitudinis (Flowers of Solitude) and The Mount of Olives are devout meditations in prose. The two brothers were joint authors of Thalia Rediviva: the Pastimes and Diversions of a Country Muse (1678), a collection of translations and original poems.

VAUGHAN, ROBERT (1795-1868). —A minister of the Congregationalist communion, Prof. of History in London Univ., 1830-43, and Pres. of the Independent Coll., Manchester, 1843-57. He founded, and for a time ed. the British Quarterly. He wrote, among various other works, A History of England under the Stuarts, Revolutions of History, and a Life of Wycliffe.

VEITCH, JOHN (1829-1894). —Philosophic and miscellaneous writer, b. at Peebles, ed. at Univ. and New Coll., Edin., was assistant to Sir Wm. Hamilton (q.v.), 1856-60, Prof. of Logic at St. Andrews, 1860-64, and Glasgow, 1864-94. He was a voluminous and accomplished writer, his works including Lives of Dugald Stewart (1857) and Sir W. Hamilton (1869), Tweed and other Poems (1875), History and Poetry of the Scottish Border (1877), Feeling for Nature in Scottish Poetry (1887), Merlin and other Poems (1889), Border Essays (1896), and Dualism and Monism (1895).

VERY, JONES (1813-1880). —Essayist and poet, b. at Salem, Mass., where he became a clergyman and something of a mystic. He pub. one small volume, Essays and Poems, the latter chiefly in the form of the Shakespearian sonnet. Though never widely popular, he appealed by his refined, still thoughtfulness to a certain small circle of minds.

WACE (fl. 1170). —Chronicler, b. in Jersey, and ed. at Caen, was influenced by the Chronicle of Geoffrey of Monmouth (q.v.), and based upon it a French metrical romance, Brut. Later, at the command of Henry II., he rewrote with additions a chronicle of the life of William the Conqueror and entitled it Roman de Rou.

WADE, THOMAS (1805-1875). —Poet, b. at Woodbridge, pub. poems, dramas, sonnets, and a translation of Dante's Inferno. Among his writings are Tasso and the Sisters (1825), Mundi et Cordis Carmina (1835); Duke Andrea (1828), and The Jew of Arragon (1830), both tragedies, and the Phrenologists (1830), a farce.

WAKEFIELD, GILBERT (1756-1801). —Scholar and controversialist, b. at Nottingham, ed. at Camb., took orders, but becoming a Unitarian renounced them and acted as classical tutor in various Unitarian academies. He was a strong defender of the French Revolution, and was imprisoned for two years for writing a seditious pamphlet. He pub. ed. of various classical writers, and among his theological writings are Early Christian Writers on the Person of Christ (1784), An Examination of Paine's Age of Reason (1794), and Silva Critica (1789-95), illustrations of the Scriptures.

WALLACE, LEWIS (1827-1905). —Novelist, b. at Brookville, Indiana, served with distinction in the Mexican and Civil Wars, and rose to the rank of General. He was also a politician of some note, and was Governor of Utah and Minister to Turkey. His novel, Ben Hur (1880), dealing with the times of Christ, had great popularity, and was followed by The Fair God, The Prince of India, and other novels, and by a work on the Boyhood of Christ.

WALLER, EDMUND (1606-1687). —Poet, b. at Coleshill, Herts, and ed. at Eton and Camb., belonged to an old and wealthy family, and in early childhood inherited the estate of Beaconsfield, Bucks, worth £3500 a year. He was related to John Hampden, and was distantly connected with Oliver Cromwell, his own family, however, being staunch Royalists. He studied law at Lincoln's Inn, and at the age of 16 became a member of Parliament, in which he sat for various constituencies for the greater part of his life, and in which his wit and vivacity, as well as his powers of adapting his principles to the times, enabled him to take a prominent part. In 1631 he added to his fortune by marrying Anne Banks, a London heiress, who d. in 1634, and he then paid assiduous but unsuccessful court to Lady Dorothea Sidney, to whom, under the name of Sacharissa, he addressed much of his best poetry. Though probably really a Royalist in his sympathies, W. supported the popular cause in Parliament, and in 1641 conducted the case against Sir Francis Crawley for his opinion in favour of the legality of ship-money. His speech, which was printed, had an enormous circulation and brought him great fame. Two years later, however, he was detected in a plot for seizing London for the King, was expelled from the House, fined £10,000, and banished. On this occasion he showed cowardice and treachery, humiliating himself in the most abject manner, and betraying all his associates. He went to the Continent, living chiefly in France and Switzerland, and showing hospitality to Royalist exiles. Returning by permission in 1652 he addressed some laudatory verses, among the best he wrote, to Cromwell, on whose death nevertheless he wrote a new poem entitled, On the Death of the late Usurper, O.C. On the Restoration the accommodating poet was ready with a congratulatory address to Charles II., who, pointing out its inferiority as a poem to that addressed to Cromwell, elicited the famous reply, "Poets, Sire, succeed better in fiction than in truth." The poem, however, whatever its demerits, succeeded in its prime object, and the poet became a favourite at Court, and sat in Parliament until his death. In addition to his lighter pieces, on which his fame chiefly rests, W. wrote an epic, The Summer Islands (Bermudas), and a sacred poem, Divine Love. His short poems, such as "On a Girdle," often show fancy and grace of expression, but are frequently frigid and artificial, and exhibit absolute indifference to the charms of Nature. As a man, though agreeable and witty, he was time-serving, selfish, and cowardly. Clarendon has left a very unflattering "character" of him. He m. a second time and had five sons and eight daughters.

WALLER, JOHN FRANCIS (1810-1894). —Poet, b. at Limerick, and ed. at Trinity Coll., Dublin, became a contributor to and ultimately ed. of the Dublin University Magazine, usually writing under the pseudonym of "Jonathan Freke Slingsby." His works include Ravenscroft Hall (1852), The Dead Bridal (1856), and Peter Brown (1872).

WALPOLE, HORATIO or HORACE (1717-1797). —Miscellaneous writer, third s. of Sir Robert W., the great minister of George II., was b. in London, and ed. at Eton and Camb., after which he travelled on the Continent with Gray, the poet (q.v.). His f. bestowed several lucrative appointments upon him, and he sat in Parliament for various places, but never took any prominent part in public business. By the death of his nephew, the 3rd Earl, he became in 1791 4th Earl of Orford. In 1747 he purchased the villa of Strawberry Hill, Twickenham, the conversion of which into a small Gothic Castle and the collection of the works of art and curios with which it was decorated was the main interest of his subsequent life. His position in society gave him access to the best information on all contemporary subjects of interest, and he was as successful in collecting gossip as curios. He also erected a private press, from which various important works, including Gray's Bard, as well as his own writings, were issued. Among the latter are Letter from Xo Ho to his Friend Lien Chi at Pekin (1757), The Castle of Otranto, the forerunner of the romances of terror of Mrs. Radcliffe and "Monk" Lewis, The Mysterious Mother (1768), a tragedy of considerable power, Catalogue of Royal and Noble Authors, Anecdotes of Painting, Catalogue of Engravers (1763), Essay on Modern Gardening, Memoirs of the Last Ten Years of George II., Memoirs of the Reign of George III., and above all his Letters, 2700 in number, vivacious, interesting, and often brilliant. W. never m.