INTRODUCTION (continued 11)

POMFRET, JOHN (1667-1702). —Poet, s. of a clergyman, entered the Church. He wrote several rather dull poems, of which the only one remembered, though now never read, is The Choice, which celebrates a country life free from care, and was highly popular in its day.

POPE, ALEXANDER (1688-1744). —Poet, was b. in London, of Roman Catholic parentage. His f. was a linen-merchant, who m. as his second wife Edith Turner, a lady of respectable Yorkshire family, and of some fortune, made a competence, and retired to a small property at Binfield, near Windsor. P. received a somewhat desultory education at various Roman Catholic schools, but after the age of 12, when he had a severe illness brought on by over-application, he was practically self-educated. Though never a profound or accurate scholar, he had a good knowledge of Latin, and a working acquaintance with Greek. By 1704 he had written a good deal of verse, which attracted the attention of Wycherley (q.v.), who introduced him to town life and to other men of letters. In 1709 his Pastorals were pub. in Tonson's Miscellany, and two years later The Essay on Criticism appeared, and was praised by Addison. The Rape of the Lock, which came out in 1714, placed his reputation on a sure foundation, and thereafter his life was an uninterrupted and brilliant success. His industry was untiring, and his literary output almost continuous until his death. In 1713 Windsor Forest (which won him the friendship of Swift) and The Temple of Fame appeared, and in 1715 the translation of the Iliad was begun, and the work pub. at intervals between that year and 1720. It had enormous popularity, and brought the poet £5000. It was followed by the Odyssey (1725-26), in which he had the assistance of Broome and Fenton (q.v.), who, especially the former, caught his style so exactly as almost to defy identification. It also was highly popular, and increased his gains to about £8000, which placed him in a position of independence. While engaged upon these he removed to Chiswick, where he lived 1716-18, and where he issued in 1717 a coll. ed. of his works, including the Elegy on an Unfortunate Lady and the Epistle of Eloisa to Abelard. In 1718, his f. having d., he again removed with his mother to his famous villa at Twickenham, the adornment of the grounds of which became one of his chief interests, and where, now the acknowledged chief of his art, he received the visits of his friends, who included the most distinguished men of letters, wits, statesmen, and beauties of the day. His next task was his ed. of Shakespeare (1725), a work for which he was not well qualified, though the preface is a fine piece of prose. The Miscellanies, the joint work of Pope and Swift, were pub. in 1727-28, and drew down upon the authors a storm of angry comment, which in turn led to the production of The Dunciad, first pub. in 1728, and again with new matter in 1729, an additional book—the fourth—being added in 1742. In it he satirised with a wit, always keen and biting, often savage and unfair, the small wits and poetasters, and some of a quite different quality, who had, or whom he supposed to have, injured him. Between 1731 and 1735 he produced his Epistles, the last of which, addressed to Arbuthnot, is also known as the Prologue to the Satires, and contains his ungrateful character of Addison under the name of "Atticus;" and also, 1733, the Essay on Man, written under the influence of Bolingbroke. His last, and in some respects best, works were his Imitations of Horace, pub. between 1733 and 1739, and the fourth book of The Dunciad (1742), already mentioned. A naturally delicate constitution, a deformed body, extreme sensitiveness, over-excitement, and overwork did not promise a long life, and P. d. on May 30, 1744, aged 56.

His position as a poet has been the subject of much contention among critics, and on the whole is lower than that assigned him by his contemporaries and immediate successors. Of the higher poetic qualities, imagination, sympathy, insight, and pathos, he had no great share; but for the work which in his original writings, as distinguished from translations, he set himself to do, his equipment was supreme, and the medium which he used—the heroic couplet—he brought to the highest technical perfection of which it is capable. He wrote for his own age, and in temper and intellectual and spiritual outlook, such as it was, he exactly reflected and interpreted it. In the forging of condensed, pointed, and sparkling maxims of life and criticism he has no equal, and in painting a portrait Dryden alone is his rival; while in the Rape of the Lock he has produced the best mock-heroic poem in existence. Almost no author except Shakespeare is so often quoted. His extreme vanity and sensitiveness to criticism made him often vindictive, unjust, and venomous. They led him also into frequent quarrels, and lost him many friends, including Lady M. Wortley Montagu, and along with a strong tendency to finesse and stratagem, of which the circumstances attending the publication of his literary correspondence is the chief instance, make his character on the whole an unamiable one. On the other hand, he was often generous; he retained the friendship of such men as Swift and Arbuthnot, and he was a most dutiful and affectionate son.

SUMMARY.—B. 1688, ed. at various Romanist schools, introduced to Wycherley 1704, pub. Pastorals 1709, Essay on Criticism 1711, Rape of the Lock 1714, Windsor Forest and Temple of Fame 1713, translation of Iliad 1715-20, Odyssey 1725-26, coll. Works 1717, buys villa at Twickenham 1718, pub. ed. of Shakespeare 1725, Miscellanies 1727-28, Dunciad 1728 (fourth book 1742), Epistles 1731-35, Essay on Man 1733, Imitations of Horace 1733-39, d. 1744.

The best ed. of the Works is that of Elwin and Courthope, with Life by Courthope (10 vols., 1871-89).

PORDAGE, SAMUEL (1633-1691?). —Poet, s. of a clergyman in Berks, ed. at Merchant Taylor's School, studied law at Lincoln's Inn, and made various translations, wrote some poems, two tragedies, Herod and Mariamne (1673), and The Siege of Babylon (1678), and a romance, Eliana. He is best known by his Azaria and Hushai (1682), in reply to Dryden's Absalom and Achitophel, distinguished from the other replies by its moderation and freedom from scurrility.

PORSON, RICHARD (1759-1808). —Scholar, s. of the parish clerk of E. Ruston, Norfolk, was distinguished from childhood by a marvellous tenacity of memory which attracted the attention of the curate of the parish, who ed. him, after which he was sent by a gentleman to Eton. Subsequently a fund was collected for the purpose of maintaining him at Camb., where he had a brilliant career, and became a Fellow of Trinity Coll. This position he lost by refusing to take orders. In 1792 he was appointed Prof. of Greek in the Univ., but resided for the most part in London, where he was much courted by literary men, but unfortunately fell into extremely intemperate habits. P. was one of the very greatest of Greek scholars and critics; but he has left little permanent work of his own. He ed. four plays of Euripides, viz., Hecuba, Orestes, Phœnissæ, and Medea. His most widely read work was his Letters to Archdeacon Travis on the disputed passage, 1 John v. 7, which is considered a masterpiece of acute reasoning. He is buried in the chapel of Trinity Coll.

PORTER, ANNA MARIA (1780-1832), PORTER, JANE (1776-1850). —Novelists, were the dau. of an Irish army surgeon, and sisters of Sir Robert Ker P., the painter and traveller. After the death of the f. the family settled in Edin., where they enjoyed the friendship of Scott. ANNA at the age of 12 pub. Artless Tales, the precursor of a series of tales and novels numbering about 50, the best being Don Sebastian (1809). JANE, though the elder by four years, did not pub. until 1803, when her first novel, Thaddeus of Warsaw, appeared. The Scottish Chiefs followed in 1810. Both of these works, especially the latter, had remarkable popularity, the Chiefs being translated into German and Russian. She had greater talent than her sister, but like her, while possessed of considerable animation and imagination, failed in grasping character, and imparting local verisimilitude. Both were amiable and excellent women. A romance, Sir Edward Seaward's Diary (1831), purporting to be a record of actual circumstances, and ed. by Jane, is generally believed to have been written by a brother, Dr. William Ogilvie P.

POWELL, FREDERICK YORK (1850-1904). —Historian, ed. at Rugby and Oxf., called to the Bar at the Middle Temple 1874, became an ardent student of history, and succeeded Froude as Prof. of Modern History at Oxf. in 1894. Absorbed in study, he wrote less than his wide and deep learning qualified him for. Among his works are A History of England to 1509, and he also wrote on Early England up to the Conquest, and on Alfred and William the Conqueror.

PRAED, WINTHROP MACKWORTH (1802-1839). —Poet, s. of a sergeant-at-law, was b. in London, ed. at Eton and Camb., and called to the Bar 1829. He sat in Parliament for various places, and was Sec. to the Board of Control 1834-35. He appeared to have a brilliant career before him, when his health gave way, and he d. of consumption in 1839. His poems, chiefly bright and witty skits and satirical pieces, were pub. first in America 1844, and appeared in England with a memoir by Derwent Coleridge in 1864. His essays appeared in 1887.

PRESCOTT, WILLIAM HICKLING (1796-1859). —Historian, b. at Salem, Massachusetts, the s. of an eminent lawyer, was ed. at Harvard, where he graduated in 1814. While there he met with an accident to one of his eyes which seriously affected his sight for the remainder of his life. He made an extended tour in Europe, and on his return to America he m., and abandoning the idea of a legal career, resolved to devote himself to literature. After ten years of study, he pub. in 1837 his History of Ferdinand and Isabella, which at once gained for him a high place among historians. It was followed in 1843 by the History of the Conquest of Mexico, and in 1847 by the Conquest of Peru. His last work was the History of Philip II., of which the third vol. appeared in 1858, and which was left unfinished. In that year he had an apoplectic shock, and another in 1859 was the cause of his death, which took place on January 28 in the last-named year. In all his works he displayed great research, impartiality, and an admirable narrative power. The great disadvantage at which, owing to his very imperfect vision, he worked, makes the first of these qualities specially remarkable, for his authorities in a foreign tongue were read to him, while he had to write on a frame for the blind. P. was a man of amiable and benevolent character, and enjoyed the friendship of many of the most distinguished men in Europe as well as in America.

PRICE, RICHARD (1723-1791). —Writer on morals, politics, and economics, s. of a dissenting minister, was b. at Tynton in Wales, ed. at a dissenting coll. in London, and was then for some years chaplain to a Mr. Streatfield, who left him some property. Thereafter he officiated as minister to various congregations near London. In 1758 his Review of the Principal Questions and Difficulties in Morals, a work of considerable metaphysical power, appeared; and it was followed in 1766 by a treatise on The Importance of Christianity. In 1769 his work on Reversionary Payments was pub., and his Northampton Mortality Table was about the same time constructed. These, though long superseded, were in their day most valuable contributions to economical science. His most popular work, Observations on Civil Liberty and the Justice and Policy of the War with America, appeared in 1776, had an enormous sale, and led to his being invited to go to America and assist in establishing the financial system of the new Government. This he declined chiefly on the score of age. Simplicity, uprightness, and toleration of opinions opposed to his own appear to have been marked traits in his character.

PRIDEAUX, HUMPHREY (1648-1724). —Divine and scholar, belonged to an ancient Cornish family, was b. at Padstow, and ed. at Westminster School and at Oxf. He first attracted notice by his description of the Arundel Marbles (1676), which gained for him powerful patrons, and he rose to be Dean of Norwich. Among his other works are a Life of Mahomet (1697), and The Old and New Testament connected in the History of the Jews and Neighbouring Nations (1715-17), long an important work, of which many ed. were brought out.

PRIESTLY, JOSEPH (1733-1804). —Chemist, theologian, and political writer, s. of a draper at Fieldhead, Yorkshire, where he was b. Brought up as a Calvinist, he gradually became a modified Unitarian, and after attending a dissenting academy at Daventry, he became minister to various congregations. About 1756 he pub. The Scripture Doctrine of Remission, denying the doctrine of atonement, and in 1761 succeeded Dr. Aiken as teacher of languages and belles-lettres in the dissenting academy at Warrington. About the same time he became acquainted with Franklin and Dr. Price (q.v.), and began to devote himself to science, the fruits of which were his History and Present State of Electricity (1767), and Vision, Light, and Colours. He also became a distinguished chemist, and made important discoveries, including that of oxygen. In 1773 he travelled on the Continent as companion to Lord Shelburne, where he was introduced to many men of scientific and literary eminence, by some of whom he was rallied upon his belief in Christianity. In reply to this he wrote Letters to a Philosophical Unbeliever (1774), and in answer to the accusations of Atheism brought against him at home, he pub. (1777) Disquisition relating to Matter and Spirit. In 1780 he settled in Birmingham, in 1782 pub. his Corruptions of Christianity, and in 1786 his History of Early Opinions concerning Jesus Christ. He was one of those who wrote replies to Burke's Reflections on the French Revolution, one consequence of which was his election as a French citizen, and another the destruction of his chapel, house, papers, and instruments by a mob. Some years later he went to America, where he d. P. has been called the father of modern chemistry. He received many scientific and academic honours, being a member of the Royal Society, of the Academies of France, and of St. Petersburg, and an LL.D. of Edin. He was a man of powerful and original mind, of high character, and of undaunted courage in maintaining his opinions, which were usually unpopular.

PRINGLE, THOMAS (1789-1834). —Poet, b. in Roxburghshire, studied at Edin., and became known to Scott, by whose influence he obtained a grant of land in South Africa, to which he, with his f. and brothers, emigrated. He took to literary work in Cape Town, and conducted two papers, which were suppressed for their free criticisms of the Colonial Government. Thereupon he returned and settled in London, where he pub. African Sketches. He also produced a book of poems, Ephemerides.

PRIOR, MATTHEW (1664-1721). —Poet, b. near Wimborne Minster, Dorset, s. of a joiner who, having d., he was ed. by an uncle, and sent to Westminster School. Befriended by the Earl of Dorset he proceeded to Camb., and while there wrote, jointly with Charles Montague, The Town and Country Mouse, a burlesque of Dryden's Hind and Panther. After holding various diplomatic posts, in which he showed ability and discretion, he entered Parliament in 1700, and, deserting the Whigs, joined the Tories, by whom he was employed in various capacities, including that of Ambassador at Paris. On the death of Queen Anne he was recalled, and in 1715 imprisoned, but after two years released. In 1719 a folio ed. of his works was brought out, by which he realised £4000, and Lord Harley having presented him with an equal sum, he looked forward to the peace and comfort which were his chief ambition. He did not, however, long enjoy his prosperity, dying two years later. Among his poems may be mentioned Solomon, which he considered his best work, Alma, or the Progress of the Mind, The Female Phaeton, To a Child of Quality, and some prose tales. His chief characteristic is a certain elegance and easy grace, in which he is perhaps unrivalled. His character appears to have been by no means unimpeachable, but he was amiable and free from any trace of vindictiveness.

PROCTER, ADELAIDE ANN (1825-1864). —Poetess, eldest dau. of Bryan W.P. (q.v.). Many of her poems were first pub. in Household Words and All the Year Round, and afterwards coll. under the title of Legends and Lyrics (1858), of which many ed. appeared. In 1851 Miss P. became a Roman Catholic. She took much interest in social questions affecting women. She wrote the well-known songs, Cleansing Fires and The Lost Chord, and among her many hymns are, I do not ask, O Lord, that Life may be, and My God, I thank Thee who hast made.

PROCTER, BRYAN WALLER ("BARRY CORNWALL") (1787-1874). —Poet, b. at Leeds, and ed. at Harrow, went to London and practised successfully as a solicitor. Thereafter he became a barrister, and was, 1832-61, a Commissioner of Lunacy. By 1823 he had produced four vols. of poetry and a tragedy, Mirandola (1821). His works include Dramatic Scenes (1819), A Sicilian Story, Marcian Colonna (1820), The Flood of Thessaly (1823), and English Songs (1832), which last will perhaps survive his other writings. P. was the friend of most of his literary contemporaries, and was universally beloved.

PROUT, FATHER, (see MAHONY, F.S.).

PRYNNE, WILLIAM (1600-1669). —Controversial writer, b. near Bath, ed. at Oxf., studied law at Lincoln's Inn, of which he became a bencher, but soon became immersed in the writing of controversial pamphlets. After the Unloveliness of Lovelocks and Health's Sicknesse (1627-30) appeared his best known controversial work, Histrio-Mastix, or a Scourge for Stage Players (1633), a bitter attack on most of the popular amusements of the day. It was punished with inhuman severity. P. was brought before the Star Chamber, fined £5000, pilloried, and had both his ears cut off. Undeterred by this he issued from his prison a fierce attack upon Laud and the hierarchy, for which he was again fined, pilloried, and branded on both cheeks with the letters S.L. (seditious libeller). Removed to Carnarvon Castle he remained there until liberated in 1641 by the Long Parliament. He soon after became a member of the House, and joined with extreme, but not inexcusable, rancour in the prosecution of Laud. After this he turned his attention to the Independents, whom he hated scarcely less than the Prelatists, and was among those expelled from the House of Commons by Cromwell, whom he had opposed in regard to the execution of the King with such asperity that he again suffered imprisonment, from which he was released in 1652. He supported the Restoration, and was by Charles II. appointed Keeper of the Records in the Tower. Here he did good service by compiling the Calendar of Parliamentary Writs and Records. He pub. in all about 200 books and pamphlets.

PSALMANAZAR, GEORGE (1679?-1763). —Literary impostor. His real name is unknown. He is believed to have been a native of France or Switzerland, but represented himself as a native of the island of Formosa, and palmed off a Formosan language of his own construction, to which he afterwards added a description of the island. For a time he was in the military service of the Duke of Mecklenburg, and formed a connection with William Innes, chaplain of a Scottish regiment, who collaborated with him in his frauds, and introduced various refinements into his methods. Innes, however, was appointed chaplain to the forces in Portugal, and P. was unable to maintain his impositions, and was exposed. After a serious illness in 1728 he turned over a new leaf and became a respectable and efficient literary hack; his works in his latter days included a General History of Printing, contributions to the Universal History, and an Autobiography containing an account of his impostures.

PURCHAS, SAMUEL (1575?-1626). —Compiler of travels, b. at Thaxton, and ed. at Camb., took orders, and held various benefices, including the rectory of St. Martin's, Ludgate Hill. The papers of R. Hakluyt (q.v.) came into his hands, and he made several compilations relating to man, his nature, doings, and surroundings. His three works are (1) Purchas his Pilgrimage, or Relations of the World and the Religions observed in all Ages and Places, etc.; (2) Purchas his Pilgrim, Microcosmus, or the History of Man, etc.; and (3) Hakluytus Posthumus, or Purchas his Pilgrimes, containing a History of the World in Sea Voyages and Land Travels, etc. Although credulous, diffuse, and confused, these works have preserved many interesting and curious matters which would otherwise have been lost.

PUSEY, EDWARD BOUVERIE (1800-1882). —Scholar and theologian, b. at Pusey, Berks, ed. at Eton and Oxf., belonged to the family of Lord Folkstone, whose name was Bouverie, his f. assuming that of P. on inheriting certain estates. After studying in Germany, he became in 1828 Regius Prof. of Hebrew at Oxf. His first important work was an Essay on the Causes of Rationalism in German Theology, and the arrest of similar tendencies in England became one of the leading objects of his life. He was one of the chief leaders of the Tractarian movement, and contributed tracts on Baptism and on Fasting. In consequence of a sermon on the Eucharist, he was in 1843 suspended from the office of Univ. Preacher which he then held. Later writings related to Confession and The Doctrine of the Real Presence, and in 1865 he issued an Eirenicon in support of union with the Church of Rome. He was prominent in all movements and controversies affecting the Univ., and was foremost among the prosecutors of Jowett (q.v.). Among his other literary labours are commentaries on Daniel and the minor Prophets, a treatise on Everlasting Punishment, and a Catalogue of the Arabic MS. in the Bodleian Library.

PUTTENHAM, GEORGE (1530?-1590). —Was one of the s. of Robert P., a country gentleman. There has been attributed to him the authorship of The Arte of Poesie, a treatise of some length divided into three parts, (1) of poets and poesy, (2) of proportion, (3) of ornament. It is now thought rather more likely that it was written by his brother RICHARD (1520?-1601). George was the author of an Apologie for Queen Elizabeth's treatment of Mary Queen of Scots.

PYE, HENRY JAMES (1745-1813). —A country gentleman of Berkshire, who pub. Poems on Various Subjects and Alfred, an Epic, translated the Poetics of Aristotle, and was Poet Laureate from 1790. In the last capacity he wrote official poems of ludicrous dulness, and was generally a jest and a byword in literary circles.

QUARLES, FRANCIS (1592-1644). —Poet, b. at the manor-house of Stewards near Romford, was at Camb., and studied law at Lincoln's Inn. Thereafter he went to the Continent, and at Heidelberg acted as cup-bearer to Elizabeth of Bohemia, dau. of James I. He next appears as sec. to Archbishop Ussher in Ireland, and was in 1639 Chronologer to the City of London. On the outbreak of the Civil War he sided with the Royalists, and was plundered by the Parliamentarians of his books and rare manuscripts, which is said to have so grieved him as to bring about his death. His first book of poems was A Feast for Worms (1620); others were Hadassa (Esther) (1621), Sion's Elegies (1625), and Divine Emblems (1635), by far his most popular book. His style was that fashionable in his day, affected, artificial, and full of "conceits," but he had both real poetical fire and genuine wit, mixed with much that was false in taste, and though quaint and crabbed, is seldom feeble or dull. He was twice m., and had by his first wife 18 children.

RADCLIFFE, MRS. ANN (WARD) (1764-1823). —Novelist, only dau. of parents in a respectable position, in 1787 m. Mr. William Radcliffe, ed. and proprietor of a weekly newspaper, the English Chronicle. In 1789 she pub. her first novel, The Castles of Athlin and Dunbayne, of which the scene is laid in Scotland. It, however, gave little promise of the future power of the author. In the following year appeared The Sicilian Romance, which attracted attention by its vivid descriptions and startling incidents. Next came The Romance of the Forest (1791), followed by The Mysteries of Udolpho (1794), and The Italian (1797), a story of the Inquisition, the last of her works pub. during her life-time. Gaston de Blondeville, ed. by Sergeant Talfourd, was brought out posthumously. Mrs. R. has been called the Salvator Rosa of British novelists. She excels in the description of scenes of mystery and terror whether of natural scenery or incident: in the former displaying a high degree of imaginative power, and in the latter great ingenuity and fertility of invention. She had, however, little power of delineating character. Though her works belong to a type now out of fashion, they will always possess an historical interest as marking a stage in the development of English fiction.

"RAINE, ALLEN" (MRS. BEYNON PUDDICOMBE). —Novelist. A Welsh Singer (1897), Tom Sails (1898), A Welsh Witch (1901), Queen of the Rushes (1906), etc.

RALEIGH, SIR WALTER (1552?-1618). —Explorer, statesman, admiral, historian, and poet, s. of Walter R., of Fardel, Devonshire, was b. at Hayes Barton in that county. In 1568 he was sent to Oxf., where he greatly distinguished himself. In the next year he began his career of adventure by going to France as a volunteer in aid of the Huguenots, serving thereafter in the Low Countries. The year 1579 saw him engaged in his first voyage of adventure in conjunction with his half-brother, Sir Humphrey Gilbert. Their object was to discover and settle lands in North America; but the expedition failed, chiefly owing to opposition by the Spaniards. The next year he was fighting against the rebels in Ireland; and shortly thereafter attracted the notice of Queen Elizabeth, in whose favour he rapidly rose. In 1584 he fitted out a new colonising expedition to North America, and succeeded in discovering and occupying Virginia, named after the Queen. On his return he was knighted. In the dark and anxious days of the Armada, 1587-88, R. was employed in organising resistance, and rendered distinguished service in action. His favour with the Queen, and his haughty bearing, had, however, been raising up enemies and rivals, and his intrigue and private marriage with Elizabeth Throckmorton, one of the maids of honour, in 1593, lost him for a time the favour of the Queen. Driven from the Court he returned to the schemes of adventure which had so great a charm for him, and fired by the Spanish accounts of the fabulous wealth of Guiana, he and some of his friends fitted out an expedition which, however, though attended with various brilliant episodes, proved unsuccessful. Restored to the favour of the Queen, he was appointed an Admiral in the expeditions to Cadiz, 1596, and in the following year was engaged in an attack on the Azores, in both of which he added greatly to his reputation. The death of Elizabeth in 1603 was the turning point in R.'s fortunes. Thenceforward disaster clouded his days. The new sovereign and his old enemies combined to compass his ruin. Accused of conspiring against the former he was, against all evidence, sentenced to death, and though this was not at the time carried out, he was imprisoned in the Tower and his estates confiscated. During this confinement he composed his History of the World, which he brought down to 130 B.C. It is one of the finest specimens of Elizabethan prose, reflective in matter and dignified and grave in style. Released in 1615 he set out on his last voyage, again to Guiana, which, like the former, proved a failure, and in which he lost his eldest s. He returned a broken and dying man, but met with no pity from his ungenerous King who, urged, it is believed, by the King of Spain, had him beheaded on Tower Hill, October 29, 1618. R. is one of the most striking and brilliant figures in an age crowded with great men. Of a noble presence, he was possessed of a commanding intellect and a versatility which enabled him to shine in every enterprise to which he set himself. In addition to his great fragment the History of the World, he wrote A Report of the Truth of the Fight about the Azores, and The Discoverie of the Empire of Guiana, besides various poems chiefly of a philosophic cast, of which perhaps the best known are The Pilgrimage, and that beginning "Go, Soul, the Body's Guest."

The most recent Lives are by Stebbing (1892), and Hume (1898). Works (1829), with Lives by Oldys and Birch.

RAMÉE, LOUISE DE LA ("OUIDA") (1840?-1908). —Novelist, b. at Bury St. Edmunds, dau. of an English f. and a French mother. For many years she lived in London, but about 1874 she went to Italy, where she d. She wrote over 40 novels, which had considerable popularity. Among the best known of them are Under Two Flags, Puck, Two Little Wooden Shoes, In a Winter City, In Maremma. She also wrote a book of stories for children, Bimbi. Occasionally she shows considerable power, but on the whole her writings have an unhealthy tone, want reality, and are not likely to have any permanent place in literature.

RAMSAY, ALLAN (1686-1758). —Poet, s. of a mine-manager at Leadhills, Dumfriesshire, who claimed kin with the Ramsays of Dalhousie. In his infancy he lost his f., and his mother m. a small "laird," who gave him the ordinary parish school education. In 1701 he came to Edinburgh as apprentice to a wig-maker, took to writing poetry, became a member of the "Easy Club," of which Pitcairn and Ruddiman, the grammarian, were members, and of which he was made "laureate." The club pub. his poems as they were thrown off, and their appearance soon began to be awaited with interest. In 1716 he pub. an additional canto to Christ's Kirk on the Green, a humorous poem sometimes attributed to James I., and in 1719 he became a bookseller, his shop being a meeting-place of the literati of the city. A coll. ed. of his poems appeared in 1720, among the subscribers to which were Pope, Steele, Arbuthnot, and Gay. It was followed by Fables and Tales, and other poems. In 1724 he began the Tea Table Miscellany, a collection of new Scots songs set to old melodies, and the Evergreen, a collection of old Scots poems with which R. as ed. took great liberties. This was a kind of work for which he was not qualified, and in which he was far from successful. The Gentle Shepherd, by far his best known and most meritorious work, appeared in 1725, and had an immediate popularity which, to a certain extent, it retains. It is a pastoral drama, and abounds in character, unaffected sentiment, and vivid description. After this success R., satisfied with his reputation, produced nothing, more of importance. He was the first to introduce the circulating library into Scotland, and among his other enterprises was an unsuccessful attempt to establish a theatre in Edin. On the whole his life was a happy and successful one, and he had the advantage of a cheerful, sanguine, and contented spirit. His foible was an innocent and good-natured vanity.

RAMSAY, EDWARD BANNERMAN (1793-1872). —A clergyman of the Scottish Episcopal Church, and Dean of Edinburgh in that communion from 1841, has a place in literature by his Reminiscences of Scottish Life and Character, which had gone through 22 ed. at his death. It is a book full of the engaging personality of the author, and preserves many interesting and entertaining traits and anecdotes which must otherwise, in all probability, have perished. The Dean was deservedly one of the most popular men in Scotland.

RANDOLPH, THOMAS (1605-1635). —Poet and dramatist, ed. at Westminster School and Camb., was a friend of Ben Jonson, and led a wild life in London. He wrote six plays, including The Jealous Lovers, Amyntas, and The Muses' Looking-glass, and some poems. He was a scholar as well as a wit, and his plays are full of learning and condensed thought in a style somewhat cold and hard.

RAPIN DE THOYRAS, PAUL (1661-1725). —Historian, b. at Castres, Languedoc, belonged to a Protestant Savoyard family, and came to England on the revocation of the Edict of Nantes in 1686. He afterwards served with William III. in Holland, and accompanied him to England in 1688. His History of England, written in French, was translated into English, and continued by various writers, and was the standard history until the appearance of Hume's.

RASPE, RUDOLF ERIC- (1737-1794). —B. in Hanover, was a prof. in Cassel, and keeper of the Landgrave of Hesse's antique gems and medals, in the purloining of some of which he was detected, and fled to England. Here he won for himself a certain place in English literature by the publication in 1785 of Baron Munchausen's Narrative. Only a small portion of the work in its present form is by R., the rest having been added later by another hand. He appears to have maintained more or less during life his character of a rogue, and is the prototype of Douster-swivel in Scott's Antiquary.

RAWLINSON, GEORGE (1812-1902). —Historian, b. at Chadlington. Oxfordshire, and ed. at Oxf., took orders, and was Canon of Canterbury from 1872. He held the Camden Professorship of Ancient History at Oxf. from 1861. Among his works are a translation of Herodotus (1858-62) (with his brother, Sir Henry R., q.v.), Historical Evidences of the Truth of the Scripture Records, The Five Great Monarchies of the Ancient Eastern World (1862-67), Manual of Ancient History (1869), The Sixth and Seventh Great Oriental Monarchies (1873-77), History of Ancient Egypt (1881), Histories of the Phœnicians and Parthians, Memoirs of Sir H.C. Rawlinson (1898).

RAWLINSON, SIR HENRY CRESSWICKE (1810-1895). —Brother of the above, entered the service of the East India Company, and held many important diplomatic posts. He studied the cuneiform inscriptions, and pub. The Cuneiform Inscriptions of Western Asia (1861-80), Outlines of the History of Assyria (1852). He deciphered most of the inscriptions discovered by Sir A.H. Layard (q.v.).

RAY, JOHN (1627-1705). —Naturalist, s. of a blacksmith at Black Notley, Essex, was at Camb., where he became a Fellow of Trinity, and successively lecturer on Greek and mathematics. His first publication was a Latin catalogue of plants growing near Cambridge, which appeared in 1660. Thereafter he made a tour of Great Britain, and pub. in 1670 his Catalogue of the Plants of England and the adjacent Isles. In 1663 he had travelled on the Continent for three years with his pupil-friend, F. Willughby, and in 1673 appeared Observations on his journeys, which extended over the Low Countries, Germany, Italy, and France, with a catalogue of plants not native to England. On the death of Willughby, R. ed. his sons, and in 1679 retired to his native village, where he continued his scientific labours until his death. These included the ed. of W.'s History of Birds and Fishes, a collection of English proverbs, Historia Plantarum Generalis (1686-1704), and Synopsis Methodica Animalium. He was for long popularly known by his treatise, The Wisdom of God manifested in the works of the Creation (1691), a precursor of Paley's Natural Theology. R. is the father of English botany, and appears to have grasped the idea of the natural classification of plants, afterwards developed by Jussieu and other later naturalists. His greatest successors, including Cuvier, highly commended his methods and acquirements.

READ, THOMAS BUCHANAN (1822-1872). —American poet, was a portrait-painter, and lived much abroad. He wrote a prose romance, The Pilgrims of the Great St. Bernard, and several books of poetry, including The New Pastoral, The House by the Sea, Sylvia, and A Summer Story. Some of the shorter pieces included in these, e.g., "Sheridan's Ride," "Drifting," and "The Closing Scene," have great merit.

READE, CHARLES (1814-1884). —Novelist, s. of a country gentleman of Oxfordshire, ed. at Oxf., and called to the Bar at Lincoln's Inn 1843. He did not, however, practise, but began his literary career with some dramas, of which the most remarkable were Masks and Faces, Gold, and Drink. He afterwards rewrote the first of these as a novel, Peg Woffington (1852), which attained great popularity. It is never too late to Mend appeared in 1856, his historical novel, The Cloister and the Hearth, generally regarded as his masterpiece (1861), Hard Cash (1863), Griffith Gaunt (1867), Foul Play (1869), Put Yourself in his Place (1870), and A Terrible Temptation (1871). Critics have differed very widely as to the merits of R. as a novelist, and have attributed to, and denied him the same qualities; but it will be generally admitted that, while very unequal, he was at his best a writer of unusual power and vividness. Nearly all are agreed as to the great excellence of The Cloister and the Hearth, Mr. Swinburne placing it "among the very greatest masterpieces of narrative." Many of his novels were written with a view to the reformation of some abuse. Thus Hard Cash exposes certain private asylums, and Foul Play, written in collaboration with Dion Boucicault, is levelled against ship-knackers.

REED, HENRY (1808-1854). —Critic, was Prof. of English Literature in the Univ. of Pennsylvania. He d. in a shipwreck. He was a sympathetic and delicate critic, and was among the first of American men of letters to appreciate the genius of Wordsworth, of whose works he brought out an ed. in 1837. His lectures on English Literature, English History, and English Poets were pub.

REEVE, CLARA (1729-1807). —Novelist, was the author of several novels, of which only one is remembered—The Old English Baron (1777), written in imitation of, or rivalry with, H. Walpole's Castle of Otranto, with which it has often been printed.

REEVE, HENRY (1813-1895). —Editor, etc., s. of a physician, was on the staff of the Times, the foreign policy of which he influenced for many years. He was ed. of the Edinburgh Review 1855-95, and of the Greville Memoirs 1865. He held a leading place in society, and had an unusually wide acquaintance with men of letters all over the continent.

REID, MAYNE (1818-1883). —Novelist, b. in the north of Ireland, he set off at the age of 20 for Mexico to push his fortunes, and went through many adventures, including service in the Mexican War. He also was for a short time settled in Philadelphia engaged in literary work. Returning to this country he began a long series of novels of adventure with The Rifle Rangers (1849). The others include The Scalp Hunters, Boy Hunters, and Young Voyagers, and had great popularity, especially with boys.

REID, THOMAS (1710-1796). —Philosopher, was the s. of the minister of Strachan, Kincardineshire, where he was b. His mother was one of the gifted family of the Gregorys. At the age of 12 he was sent to Marischal Coll., Aberdeen, where he graduated, and thereafter resided for some time as librarian, devoting himself to study, especially of mathematics and the Newtonian philosophy. He was in 1737 ordained minister of New Machar, Aberdeen, and in 1748 he communicated to the Royal Society an Essay on Quantity. Four years later he became one of the Prof. of Philosophy (including mathematics and natural philosophy) in King's Coll., Aberdeen, and in 1763 he was chosen to succeed Adam Smith as Prof. of Moral Philosophy in Glasgow. In the following year he pub. his great work, Inquiry into the Human Mind on the Principles of Common Sense, directed against Hume's Essay on Human Nature. Up to the appearance of the latter work in 1739 R. had been a follower of Berkeley, but the conclusions drawn therein from the idealistic philosophy led him to revise his theories, and to propound what is usually known as the "common sense" philosophy, by which term is meant the beliefs common to rational beings as such. In 1785 he pub. his Essay on the Intellectual Powers, which was followed in 1788 by that On the Active Powers. R., who, though below the middle size, was strong and fond of exercise, maintained his bodily and mental vigour until his death at 86. His writings, distinguished by logical rigour of method and clearness of style, exercised a profound influence in France as well as at home; but his attempted refutation of Berkeley is now generally considered to have failed.

Works ed. by Sir W. Hamilton and H.L. Mansel. Sketch by Prof. A.C. Fraser (1898).

REID, SIR THOMAS WEMYSS (1842-1905). —Novelist and biographer, b. at Newcastle, and after being connected with various provincial newspapers came to London in 1887 as manager for Cassell and Co. Thereafter he was, 1890-99, ed. of The Speaker. Among his more permanent writings are The Land of the Bey (1882), Gladys Fane (1883), and Lives of W.E. Forster (1888), and Lords Houghton (1891), and Playfair (1899), and William Black (1902). He was knighted in 1894.

REYNOLDS, SIR JOSHUA (1723-1792). —Painter and writer on art, s. of a clergyman and schoolmaster at Plympton, Devonshire. After studying art in Italy, he settled in London, where he attained extraordinary fame as a portrait-painter. He is regarded as the greatest English representative of that art, and was first Pres. of the Royal Academy. He was the intimate friend of Johnson, Burke, Goldsmith, and indeed of most of the celebrated men of his time. He has also a place in literature for his Fifteen Discourses on painting, delivered to the Academy. He also contributed to the Idler, and translated Du Fresney's Art of Painting. He suffered from deafness, and in his latter years from failure of sight. He was a man of great worth and amiability. He was knighted in 1769.

RHODES, WILLIAM BARNES (1772-1826). —Dramatist, was in the Bank of England, of which he became Chief Teller. He wrote a burlesque, Bombastes Furioso, which achieved great popularity.

RHYMER, THOMAS THE, (see ERCILDOUN).

RICARDO, DAVID (1772-1823). —Political economist, s. of a Jewish stockbroker, himself followed the same business, in which he acquired a large fortune. On his marriage he conformed to Christianity. He was an original and powerful writer on economic subjects, his chief work being The Principles of Political Economy and Taxation (1817). After retiring from business he entered the House of Commons, where, owing to his remarkable power of lucid exposition, combined with his reputation as a highly successful man of business, he acquired great influence. The writings of R. are among the classics of his subject.

RICE, JAMES (1844-1882). —Novelist, was ed. at Camb., and studied law, from which he drifted into literature. He wrote a number of successful novels in collaboration with W. Besant (q.v.).

RICH, BARNABE (1540?-1620?). —Writer of romances, b. in Essex, saw military service in the Low Countries. He began to write in 1574, and took Lyly's Euphues as his model. Among his numerous romances is The Strange and Wonderful Adventures of Simonides, a Gentleman Spaniard and Riche, his Farewell to the Military Profession (1581), which furnished Shakespeare with the plot for Twelfth Night.

RICHARDSON, SAMUEL (1689-1761). —Novelist, s. of a joiner, was b. at Derby. His f. had intended him for the Church, but means failed, and at the age of 17 he went to London, and was apprenticed to a printer. Careful and diligent, he prospered in business, became printer of the Journals of the House of Commons, and in the year before his death purchased the moiety of the patent of King's Printer. He was twice m., and each of his wives brought him six children, of whom, however, only four daughters were living at his death. R., who was the originator of the modern novel, did not take seriously to literature until he was past 50 when, in 1740, Pamela appeared. It originated in a proposal by two printers that R. should write a collection of model letters for the use of persons unaccustomed to correspondence, but it soon developed in his hands into a novel in which the story is carried on in the form of a correspondence. With faults and absurdities, it struck a true note of sentiment, and exploded the prevalent idea that dukes and princesses were the only suitable heroes and heroines (Pamela was a maid-servant), and it won immediate and phenomenal popularity. In 1748 Clarissa Harlow, his masterpiece, was pub., and in 1753 Sir Charles Grandison, in which the author embodies his ideal of a Christian gentleman. All these surfer from an elaboration of detail which often becomes tedious; but in deep acquaintance with the motives of conduct, and especially of the workings of the female heart, they are almost unrivalled; their pathos also is genuine and deep. R. had an unusual faculty as the platonic friend and counsellor of women, and was the centre of an admiring circle of the sex, who ministered to a vanity which became somewhat excessive. R. has also the distinction of evoking the genius of Fielding, whose first novel, Joseph Andrews, was begun as a skit or parody upon Pamela. R. is described as "a stout, rosy, vain, prosy little man." Life by Sir W. Scott in Ballantyne's Novelists Library. Works with preface by L. Stephen (12 vols., 1883), etc.

RITCHIE, LEITCH (1800?-1865). —Novelist, b. at Greenock and in business as a clerk in Glasgow, but about 1820 adopted literature as his profession. He wrote several novels of which the best known is Wearyfoot Common; others were The Robber of the Rhine and The Magician. In his later years he ed. Chambers's Journal.

RITSON, JOSEPH (1752-1803). —Antiquary and critic, b. at Stockton-on-Tees, settled in London as a conveyancer, at the same time devoting himself to the study of ancient English poetry. By his diligence as a collector and acuteness as a critic he rendered essential service to the preservation and appreciation of our ancient poetry. His chief works are A Collection of English Songs (1783), Ancient Songs from Henry III. to the Revolution (1790), A Collection of Scottish Songs (1794), and A Collection of all the Ancient Poems, etc., relating to Robin Hood (1795). Of a jealous and quarrelsome temper, R. was continually in controversy with his fellow-collectors and critics, including Johnson, Warton, and Percy. His acuteness enabled him to detect the Ireland forgeries. He d. insane.

ROBERTSON, FREDERICK WILLIAM (1816-1853). —Divine, s. of Captain Frederick R., of the Royal Artillery, was b. in London, and ed. at Edin. and Oxf. After holding various curacies he became in 1847 incumbent of Trinity Chapel, Brighton, where his preaching, though it brought him under the suspicion both of the High and Evangelical parties in the Church, had an extraordinary influence. Always of delicate and highly-strung constitution, his health gave way after his ministry in Brighton had extended to six years, and he d. in 1853. The beauty of his life and character had almost conquered the suspicion and dislike with which his views had inspired many. His sermons, of which five series were pub. posthumously, have had a very wide popularity.

ROBERTSON, THOMAS WILLIAM (1829-1871). —Dramatist, belonged to a family famous for producing actors. Never a successful actor himself, he produced a number of plays, which had unusual popularity. Among these are David Garrick, Society, Caste, and School.

ROBERTSON, WILLIAM (1721-1793). —Historian, s. of the parish minister of Borthwick, Midlothian, where he was b., received his earlier ed. at Dalkeith, which then had a school of some repute; but his f. being translated to Edin., he attended school, and afterwards the Univ. there, studying for the Church. In 1743 he became minister of Gladsmuir, near Prestonpans. In the '45 he showed his loyalty by offering himself to Sir J. Cope as a volunteer, a service which was, however, declined. He soon began to take a prominent part in the debates of the General Assembly, of which he rose to be the undisputed leader. In 1758 he became one of the city ministers of Edin., and in the following year pub. his History of Scotland, which had an extraordinary success, and at once raised him to a foremost place among British historians. Preferment immediately followed: he was made Chaplain of Stirling Castle 1759, King's Chaplain for Scotland 1760, Principal of the Univ. of Edin. 1761, and Historiographer for Scotland 1763. In 1769 appeared the History of the Reign of the Emperor Charles V., in 1777 The History of America, and in 1791 Historical Disquisition on Ancient India. In 1780 R. retired from the management of Church affairs, in which he had shown conspicuous ability, and gave himself to study, and the society of his friends, among whom were most of his distinguished contemporaries. As a writer he possessed a finished style, clear, measured, and stately, which carried his well-arranged narrative as on a full and steady stream; he was also cool and sagacious but, like Hume, he was apt to take his facts at second hand, and the vast additional material which has been in course of accumulation since his day has rendered the value of his work more and more literary, and less and less historical.

Lives by Dugald Stewart (1801), Bishop Gleig (1812), and Lord Brougham in Men of Letters.

ROBINSON, HENRY CRABB (1775-1867). —Diarist, b. at Bury St. Edmunds, was articled to an attorney in Colchester. Between 1800 and 1805 he studied at various places in Germany, and became acquainted with nearly all the great men of letters there, including Goethe, Schiller, Herder, Wieland, etc. Thereafter he became war correspondent to the Times in the Peninsula. On his return to London he studied for the Bar, to which he was called in 1813, and became leader of the Eastern Circuit. Fifteen years later he retired, and by virtue of his great conversational powers and other qualities, became a leader in society, going everywhere and knowing everybody worth knowing. He d. unmarried, aged 91, and his Diary, Reminiscences and Correspondence, which stands in the forefront of its class, was pub. in 1869.

ROCHESTER, JOHN WILMOT (2ND EARL OF) (1647-1680). —Poet, s. of the 1st Earl, b. at Ditchley in Oxfordshire, and ed. at Oxf., saw some naval service when he showed conspicuous bravery. He became one of the most dissolute of the courtiers of Charles II., and wore himself out at 33 by his wild life. He was handsome, and witty, and possessed a singular charm of manner. He wrote a number of light, graceful poems, many of them extremely gross. Bishop Burnet, who attended him on his deathbed, believed him to have been sincerely repentant. In addition to his short pieces he wrote a Satyr against Mankind, and a tragedy, Valentinian, adapted from Beaumont and Fletcher.

ROGERS, HENRY (1806-1877). —Critic and theologian, was a minister of the Congregationalist Church, and ultimately Prof. of English Literature in Univ. Coll., London. He was a contributor to the Edinburgh Review, and is best known by his Eclipse of Faith (1852), a reply to F.W. Newman's Phases of Faith. This work, which displays remarkable acuteness and logical power, had great popularity.

ROGERS, SAMUEL (1763-1855). —Poet, s. of a banker in London, received a careful private education, and entered the bank, of which, on his father's death, he became the principal partner. From his early youth he showed a marked taste for literature and the fine arts, which his wealth enabled him to gratify; and in his later years he was a well-known leader in society and a munificent patron of artists and men of letters, his breakfasts, at which he delighted to assemble celebrities in all departments, being famous. He was the author of the following poems: The Pleasures of Memory (1792), Columbus (1810), Jacqueline (1814), Human Life (1819), and Italy (1822). R. was emphatically the poet of taste, and his writings, while full of allusion and finished description, rarely show passion or intensity of feeling; but are rather the reflections and memory-pictures of a man of high culture and refinement expressed in polished verse. He had considerable powers of conversation and sarcasm. He was offered, but declined, the laureateship.

ROLLE, RICHARD (1290?-1349). —Hermit and poet, b. at Thornton, Yorkshire, was at Oxf. Impressed by the uncertainty and the snares of life he decided to become a hermit, a resolution which he carried out with somewhat romantic circumstances. He wrote various religious treatises in Latin and English, turned the Psalms into English verse, and composed a poem—The Pricke of Conscience—in 7 books, in which is shown the attitude of protest which was rising against certain Papal pretensions and doctrines.

ROLLOCK, ROBERT (1555?-1599). —Theologian and scholar, b. in Stirlingshire, was first a Prof. in St. Andrews, and then the first Principal of the Univ. of Edin. He also held office as Prof. of Theology, and was one of the ministers of the High Church. He was one of the earliest of Protestant commentators. He wrote chiefly in Latin, but some of his sermons and commentaries are in vernacular Scotch.

ROPER, WILLIAM (1496-1578). —Biographer, s. of a Kentish gentleman, m. Margaret, dau. of Sir Thomas More. He has a place in literature for his excellent and appreciative biography of his father-in-law. He was a member of various Parliaments between 1529 and 1558. Although he remained a Roman Catholic, he was permitted to retain his office of prothonotary of the Court of King's Bench after the accession of Elizabeth.

ROSCOE, WILLIAM (1753-1831). —Historian, s. of a market-gardener near Liverpool, for a time assisted his f., devoting all his spare time to mental improvement. Subsequently he entered the office of an attorney, and in due time went into business on his own account, continuing, however, his literary studies. In 1799 he joined a local bank as partner and manager, which proved an unfortunate step, as the bank was obliged, in 1816, to suspend payment. In 1795 he rose into fame at a bound by his Life of Lorenzo de' Medici. It was followed in 1805 by the Life and Pontificate of Leo the Tenth, which, though also a work of great ability, had not the same success—his treatment of the Reformation offending Protestants and Roman Catholics alike. Both works were translated into various languages. He also wrote some poems, including The Butterfly's Ball and the Grasshopper's Feast, and several pamphlets on political questions, including the slave-trade, of which he was a determined opponent. He also took a leading part in the public life of Liverpool, which he represented in Parliament for a few years. He was an accomplished botanist.

ROSCOMMON, WENTWORTH DILLON, 4TH EARL of (1633?-1685). —Poet, nephew of the famous Earl of Strafford, was b. in Ireland. He studied and travelled on the Continent, and enjoyed a considerable literary reputation in his own day on the strength of a poetical Essay on Translated Verse, and translations from Horace's Art of Poetry.

ROSE, WILLIAM STEWART (1775-1843). —Poet and translator, s. of George R., who held various Government offices, including that of Treasurer of the Navy. After being ed. at Eton and Camb., he was appointed Reading Clerk to the House of Lords. He translated the romance of Amadis de Gaul (1803), Partenopex de Blois (1807), etc., and from 1823-31 was occupied with the principal work of his life, his translations from the Italian, including the Orlando Furioso of Ariosto, in which he was encouraged by Sir W. Scott, whose friend he was. He also produced a vol. of poems, The Crusade of St. Louis (1810).

ROSSETTI, CHRISTINA GEORGINA (1830-1894). —Poetess, sister of Dante Gabriel R. (q.v.), was b. in London, where she lived all her life. She began to write poetry in early girlhood, some of her earliest verse appearing in 1850 in the Germ, the magazine of the pre-Raphaelites, of which her brother was one of the founders. Her subsequent publications were Goblin Market and other Poems (1862), The Prince's Progress (1866), A Pageant and other Poems (1881), and Verses (1893). New Poems (1896) appeared after her death. Sing-Song was a book of verses for children. Her life was a very retired one, passed largely in attending on her mother, who lived until 1886, and in religious duties. She twice rejected proposals of marriage. Her poetry is characterised by imaginative power, exquisite expression, and simplicity and depth of thought. She rarely imitated any forerunner, and drew her inspiration from her own experiences of thought and feeling. Many of her poems are definitely religious in form; more are deeply imbued with religious feeling and motive. In addition to her poems she wrote Commonplace and other Stories, and The Face of the Deep, a striking and suggestive commentary on the Apocalypse.

ROSSETTI, DANTE GABRIEL (1828-1882). —Poet and painter, was b. in London. His f. was Gabriele Rossetti, an Italian scholar, who came to England in 1824, and was Prof. of Italian in King's Coll., London. His mother was Frances Polidori, English on her mother's side, so that the poet was three-fourths Italian, and one-fourth English. He was ed. at King's Coll. School, and began the systematic study of painting in 1842, and in 1848, with Holman Hunt, Millais, and others, founded the pre-Raphaelite school of painting. In 1849 he exhibited the "Girlhood of Mary Virgin," and among his other pictures are "Beata Beatrix," "Monna Vanna," and "Dante's Dream." Simultaneously with art he worked hard at poetry, and by 1847 he had written The Blessed Damozel and Hand and Soul (both of which appeared in the Germ, the magazine of the pre-Raphaelites), Retro me Sathanas, The Portrait, and The Choice, and in 1861 he brought out a vol. of translations from the early Italian poets under the title of Dante and his Circle. The death of his wife in 1862, after a married life of less than two years, told heavily upon him, as did various attacks upon his poetry, including that of Robert Buchanan (q.v.)—The Fleshly School of Poetry—to which he replied with The Stealthy School of Criticism. His Poems which, in the vehemence of his grief, he had buried in the coffin of his wife, and which were afterwards exhumed, appeared in 1870; and his last literary effort, Ballads and Sonnets, containing the sonnets forming The House of Life, in 1881. In his later years he suffered acutely from neuralgia, which led to the habit of taking chloral. Rossetti was fastidious in composition; his poems are as remarkable for condensation, finish, and exact expression of the poet's thought as for their sumptuous colouring and rich concrete imagery. In later years he was subject to depression, and became somewhat embittered, and much of a recluse.

Life by A.C. Benson (English Men of Letters). Family Letters and Memoir by W.M. Rossetti. Poetical Works with preface by the same, etc.

ROUS, FRANCIS (1579-1659). —Versifier of the Psalms, a Cornishman, and a prominent Puritan, took a leading part in Parliament, was Provost of Eton, and wrote several theological and devotional works. His memory has, however, been chiefly kept green by his translation of the Psalms into verse, which with some modifications was adopted by the Church and Parliament of Scotland for use in public worship, a position which it held almost exclusively until the middle of the 19th century. It is still in universal use in the Presbyterian churches of that country, though now accompanied by hymns. Though rough, and sometimes, through the endeavour to maintain literalness, grotesque, it is strong and simple, and not seldom rises to a certain severe beauty; and association has endeared it to many generations of Scottish Christians.

ROW, JOHN (1568-1646). —Scottish ecclesiastical historian, b. at Perth, s. of John R., one of the Scottish Reformers, was minister of Carnock in Fife, and a leading opponent of Episcopacy. His Historie of the Kirk of Scotland, 1558-1637, left by him in manuscript, was printed in 1842 for the Wodrow Society. It is an original authority for the period.

ROWE, NICHOLAS (1674-1718). —Dramatist and poet, b. of a good family at Little Barford, Bedfordshire, was bred to the law, but inheriting an income of £300 a year, he devoted himself to literature, and produced several dramas, including The Ambitious Stepmother, The Fair Penitent, and Jane Shore. The last, which is his best, contains some scenes of true pathos, and holds its place. He also wrote some poems, and translated Lucan. R., who was a man of very engaging manners, was the friend of Pope, Swift, and Addison, and received many lucrative appointments, including that of Under-Sec. of State. He has the distinction of being the first ed. and biographer of Shakespeare (1709). He was appointed Poet Laureate in 1715, and was buried in Westminster Abbey, with an epitaph by Pope.

ROWLEY, WILLIAM (1585?-1642?). —Dramatist, was an actor in the Queen's Company 1610. He collaborated with Middleton in A Fair Quarrel and The Changeling, and in others with Dekker, Webster, etc., and wrote unassisted A New Wonder, A Match at Midnight, A Shoemaker, a Gentleman, and several others; also a picture of life in London called A Search for Money. R. was vigorous and humorous, but his verse lacked sweetness and smoothness.

RUDDIMAN, THOMAS (1674-1757). —Grammarian, b. in Banffshire, and ed. at King's Coll., Aberdeen, obtained a position in the Advocates' Library in Edin., of which in 1730 he became Librarian. In 1714 he pub. his Rudiments of the Latin Tongue, which was for long the recognised Latin grammar in the schools of Scotland. He was made printer to the Univ. in 1728. R., who was one of the greatest of Scottish Latinists, produced an ed. of the works of George Buchanan, and an ed. of Livy said to be "immaculate." He also reprinted, with notes, Gavin Douglas's version of the Æneid.

RUSKIN, JOHN (1819-1900). —Writer on art, economics, and sociology, was b. in London, the s. of a wealthy wine merchant, a Scotsman. Brought up under intellectually and morally bracing Puritan influences, his education was mainly private until he went to Oxf. in 1836; he remained until 1840, when a serious illness interrupted his studies, and led to a six months' visit to Italy. On his return in 1842 he took his degree. In 1840 he had made the acquaintance of Turner, and this, together with a visit to Venice, constituted a turning point in his life. In 1843 appeared the first vol. of Modern Painters, the object of which was to insist upon the superiority in landscape of the moderns, and especially of Turner, to all the ancient masters. The earnestness and originality of the author and the splendour of the style at once called attention to the work which, however, awakened a chorus of protest from the adherents of the ancients. A second vol. appeared in 1846, the third and fourth in 1856, and the fifth in 1860. Meanwhile he had pub. The Seven Lamps of Architecture (1849), The Stones of Venice (1851-53), perhaps his greatest work, Lectures on Architecture and Painting (1854), Elements of Drawing (1856), and Elements of Perspective (1859). During the 17 years between the publication of the first and the last vols. of Modern Painters his views alike on religion and art had become profoundly modified, and the necessity of a radical change in the moral and intellectual attitude of the age towards religion, art, and economics in their bearing upon life and social conditions had become his ruling idea. He now assumed the rôle of the prophet as Carlyle, by whose teaching he was profoundly influenced, had done, and the rest of his life was spent in the endeavour to turn the mind of the nation in the direction he desired. The Political Economy of Art (1857) showed the line in which his mind was moving; but it was in Unto this Last, pub. in the Cornhill Magazine in 1860, that he began fully to develop his views. It brought down upon him a storm of opposition and obloquy which continued for years, and which, while it acted injuriously upon his highly sensitive nervous system, had no effect in silencing him or modifying his views. There followed Munera Pulveris (Gifts of the Dust), The Crown of Wild Olive, Sesame and Lilies (1865), Time and Tide by Wear and Tyne, and innumerable fugitive articles. In 1869 R. was appointed first Slade Prof. of the Fine Arts at Oxf., and endowed a school of drawing in the Univ. His successive courses of lectures were pub. as Aratra Pentelici (Ploughs of Pentelicus) (1870), The Eagle's Nest (1872), Ariadne Florentina (1872), and Love's Meinie (1873). Contemporaneously with these he issued with more or less regularity, as health permitted, Fors Clavigera (Chance the Club-bearer), a series of miscellaneous notes and essays, sold by the author himself direct to the purchasers, the first of a series of experiments—of which the Guild of St. George, a tea room, and a road-making enterprise were other examples—in practical economics. After the death of his mother in 1871 he purchased a small property, Brantwood, in the Lake district, where he lived for the remainder of his life, and here he brought out in monthly parts his last work, Præterita, an autobiography, 24 parts of which appeared, bringing down the story to 1864. Here he d. on January 20, 1900. R. was a man of noble character and generous impulses, but highly strung, irritable, and somewhat intolerant. He is one of our greatest stylists, copious, eloquent, picturesque, and highly coloured. His influence on his time was very great, at first in the department of art, in which he was for a time regarded as the supreme authority, later and increasingly in the realms of economics and morals, in which he was at first looked upon as an unpractical dreamer. He m. in 1848, but the union proved unhappy, and was dissolved in 1855.

For his Life see his own works, especially Præterita. Life and Works by Collingwood (2 vols., 1893). Bibliography, T.J. Wise (1889-93). Shorter works by Mrs. Meynell, J.A. Hobson, F. Harrison, etc.

RUSSELL, LORD JOHN, 1ST EARL RUSSELL (1792-1878). —Statesman, biographer, and historical writer, third s. of the 6th Duke of Bedford, was ed. at Westminster School and the Univ. of Edin. He entered Parliament in 1813, and became one of the most eminent English statesmen of the 19th century. He uniformly acted with the Whig and afterwards with the Liberal party, advocated all measures of progress, especially the removal of tests, the extension of education, and Parliamentary reform. He was the leader of his party in the House of Commons from 1834-55, represented the City of London from 1841 until his elevation to the peerage in 1861, and held the offices of Paymaster of the Forces, Home Sec., Colonial Sec., Foreign Sec., and Prime Minister, which last he held twice, 1846-52, and 1865-66. His contributions to literature were considerable, both in number and importance, and include Essay on the English Constitution (1821), Memoirs of the Affairs of Europe from the Peace of Utrecht (1824), Correspondence of the 4th Duke of Bedford, Life, Diary, and Letters of Thomas Moore, Correspondence of Charles James Fox, and a Life of the same statesman, Essays on the Rise and Progress of the Christian Religion in the West of Europe (1873), and Recollections and Suggestions (1875).

RUSSELL, WILLIAM (1741-1793). —Historian, b. in Selkirkshire, and apprenticed to a bookseller in Edin., he was patronised by Lord Elibank, and went to London, where he followed literature as a profession. He wrote poems and fables, a History of America (1779), and a History of Modern Europe, which he left unfinished.

RUSSELL, SIR WILLIAM HOWARD (1821-1907). —War correspondent, b. in Co. Dublin, was called to the Bar in 1850. Having joined the staff of the Times, he was sent as war correspondent to the Crimea, his letters from which caused a profound sensation, and led to an improved condition of things in regard to the army. He was also correspondent in India during the Mutiny, in America during the Civil War, and during the Austro-Prussian War of 1866, and the Franco-German War of 1870-71, in South Africa in 1879, and in Egypt in 1883. Among his books are The Adventures of Dr. Brady (1868), Hesperothen (1882), A Visit to Chili (1890), and The Great War with Russia (1895). He was knighted in 1895, and also received various foreign decorations.

RUTHERFORD, SAMUEL (1600?-1661). —Theologian and controversialist, b. at Nisbet, Roxburghshire, ed. at Edin. Univ., where he became in 1623 Regent of Humanity (Prof. of Latin). In 1627 he was settled as minister of Anwoth in Galloway, whence he was banished to Aberdeen for nonconformity. On the re-establishment of Presbytery in 1638 he was made Prof. of Divinity at St. Andrews, and in 1651 Principal of St. Mary's Coll. there, and he was one of the Scottish Commissioners to the Westminster Assembly. At the Restoration he was deprived of all his offices. He was a formidable controversialist, and a strenuous upholder of the divine right of Presbytery. Among his polemical works are Due Right of Presbyteries (1644), Lex Rex (1644), and Free Disputation against Pretended Liberty of Conscience. Lex Rex was, after the Restoration, burned by the common hangman, and led to the citation of the author for high treason, which his death prevented from taking effect. His chief fame, however, rests upon his spiritual and devotional works, such as Christ Dying and drawing Sinners to Himself, but especially upon his Letters, which display a fervour of feeling and a rich imagery which, while highly relished by some, repel others.

RYCAUT, or RICAUT, SIR PAUL (1628-1700). —Historian, was at Camb., and held various diplomatic positions. He wrote Present State of the Ottoman Empire (1668), and a continuation of Knolles's General Historie of the Turks, and translated Platina's Latin History of the Popes.

RYMER, THOMAS (1641-1713). —Archæologist and critic, ed. at Camb., became a barrister at Gray's Inn. He pub. in 1678 Tragedies of the last Age Considered, in which he passed judgments, very unfavourable, upon their authors, including Shakespeare. He was of much more use as the collector of English treaties, which he pub. under the title of Fædera, in 20 vols., the last 5 of which were ed. after his death by R. Sanderson (q.v.). R. also pub. poems and a play, Edgar. He held the office of historiographer to William III. His learning and industry have received the recognition of many subsequent historians.

ST. JOHN, H., (see BOLINGBROKE).

SALA, GEORGE AUGUSTUS HENRY (1828-1895). —Journalist and novelist, b. in London of Italian ancestry, began life as an illustrator of books and scene-painter, afterwards taking to literature. He contributed to many periodicals, including Household Words, and the Illustrated London News, and was the founder and first ed. of Temple Bar. Among his novels were The Buddington Peerage and Quite Alone. He also wrote books of travel, and an autobiographical work, his Life and Adventures (1895).

SALE, GEORGE (1697?-1736). —Orientalist, a Kentish man, and practising solicitor. In 1734 he pub. a translation of the Koran. He also assisted in the Universal History, and was one of the correctors of the Arabic New Testament issued by the S.P.C.K.

SANDERSON, ROBERT (1587-1663). —Theologian and casuist, b. of good family at Rotherham in Yorkshire, was at Oxf. Entering the Church he rose to be Bishop of Lincoln. His work on logic, Logicæ Artis Compendium (1615), was long a standard treatise on the subject. His sermons also were admired; but he is perhaps best remembered by his Nine Cases of Conscience Resolved (1678), in consideration of which he has been placed at the head of English casuists. He left large collections of historical and heraldic matter in MS.

SANDS, ROBERT CHARLES (1799-1832). —Miscellaneous writer, b. at New York, was a scholarly and versatile writer, but without much originality. His best work is in his short stories. His chief poem was Yamoyden, an Indian story written in collaboration with a friend.

SANDYS, GEORGE (1578-1644). —Traveller and translator, s. of an Archbishop of York, b. at Bishopsthorpe, and ed. at Oxf., is one of the best of the earlier travellers, learned, observant, and truth-loving. He pub. in 1615 an account of his journeys in the East which was highly popular. He also translated when in America the Metamorphoses of Ovid, produced a metrical Paraphrase on the Psalms, with music by Henry Lawes, and another on the Canticles, and wrote Christ's Passion, a tragedy. He held various public offices, chiefly in connection with the colony of Virginia.

SAVAGE, RICHARD (1697?-1743). —Poet, was probably of humble birth, but claimed to be the illegitimate s. of the Countess of Macclesfield. He was the friend of Johnson in the early and miserable days of the latter in London; and in The Lives of the Poets J. has given his story as set forth by himself, which is, if true, a singular record of maternal cruelty. There are strong reasons, however, for doubting whether it was anything but a tissue of falsehoods mingled with gross exaggerations of fact. He led a wildly irregular life, killed a gentleman in a tavern brawl, for which he was sentenced to death, but pardoned; and by his waywardness alienated nearly all who wished to befriend him. For a time he had a pension of £50 from Queen Caroline on condition of his writing an ode yearly on her birthday. He wrote Love in a Veil (1718) (comedy) and Sir Thomas Overbury (1723) (tragedy), and two poems, The Bastard (1728) and The Wanderer (1729). He d. in prison at Bristol.

SAVILE, SIR HENRY (1549-1622). —Scholar, ed. at Oxf., where he lectured on mathematics. He was afterwards Warden of Merton Coll. and Provost of Eton, and made a translation from Tacitus entitled, The Ende of Nero and Beginning of Galba, etc. (1581), and in the same year pub. Rerum Anglicarum Scriptores post Bedam Præcipui, a collection of some of the chronicles subsequent to Bede, William of Malmesbury, Roger of Hoveden, etc. He founded the Savilian Professorship of Astronomy and Geometry at Oxf.

SAXBY, EDWARD (d. 1658). —B. in Suffolk, and was in Cromwell's Horse. His extreme republican views, however, led him into the bitterest antagonism when C. assumed the Protectorship. This received expression in his extraordinary pamphlet, Killing no Murder, in which the assassination of C. is advocated, and which displays in a remarkable degree perverted ingenuity of argument combined with considerable literary power. S. d. demented in the Tower in 1658.

SCOTT, ALEXANDER (1525?-1584?). —Scottish poet. Almost nothing is known of his life, but he is believed to have spent most of his time in or near Edin. Thirty-six short poems are attributed to him, including Ane New Yeir Gift to Quene Mary, The Rondel of Love, and a satire, Justing at the Drum. He has great variety of metre, and is graceful and musical, but his satirical pieces are often extremely coarse.

SCOTT, HUGH STOWELL (1863?-1903). —Novelist (under the name of Henry Seton Merriman). He was an underwriter in Lloyd's, but having a strong literary bent, latterly devoted himself to writing novels, many of which had great popularity. They include The Slave of the Lamp (1892), The Sowers (generally considered his best) (1896), In Kedar's Tents (1897), Roden's Corner (1898), Isle of Unrest (1900), The Velvet Glove (1901), The Vultures (1902), and Barlasch of the Guard (1903). He worked with great care, and his best books hold a high place in modern fiction. He was unusually modest and retiring in character.

SCOTT, JOHN (1730-1783). —Poet, s. of a Quaker draper who in his later years lived at Amwell, a village in Herts, which the poet celebrates in his descriptive poem, Amwell. He wrote much other verse now forgotten.

SCOTT, LADY JOHN (ALICIA ANN SPOTTISWOODE) (1801-1900). —M. Lord John Scott. She was the writer of a number of Scottish songs characterised by true poetic feeling. Among them may be mentioned Annie Laurie, Douglas, and Durrisdeer. She also composed the music for them.

SCOTT, MICHAEL (1789-1835). —Novelist, b. near and ed. at Glasgow, and settled in business at Kingston, Jamaica, which led to his making frequent sea voyages, and thus yielded him experiences which he turned to account in two vivacious novels, Tom Cringle's Log and The Cruise of the Midge, both of which first appeared in Blackwood's Magazine, where they attained deserved popularity. They have frequently been reprinted. The author, however, maintained a strict incognito during his life.

SCOTT, SIR WALTER (1771-1832). —Poet, novelist, and biographer, s. of Walter S., a Writer to the Signet in Edinburgh, and Margaret Rutherford, dau. of one of the Prof. of Medicine in the Univ. there. Through both parents he was connected with several old Border families; his f. was a scion of the Scotts of Harden, well known in Border history. In early childhood he suffered from a severe fever, one of the effects of which was a permanent lameness, and for some time he was delicate. The native vigour of his constitution, however, soon asserted itself, and he became a man of exceptional strength. Much of his childhood was spent at his grandfather's farm at Sandyknowe, Roxburghshire, and almost from the dawn of intelligence he began to show an interest in the traditionary lore which was to have so powerful an influence on his future life, an interest which was nourished and stimulated by several of the older members of his family, especially one of his aunts. At this stage he was a quick-witted, excitable child, who required rather to be restrained than pressed forward. At the age of 7 he was strong enough to be sent to the High School of Edinburgh, where he was more remarkable for miscellaneous and out-of-the-way knowledge and his powers of story-telling than for proficiency in the ordinary course of study; and notwithstanding his lameness, he was to be found in the forefront wherever adventure or fighting were to be had. Thereafter he was for three sessions at the Univ., where he bore much the same character as at school. He was, however, far from idle, and was all the time following the irresistible bent, which ultimately led to such brilliant results, in a course of insatiable reading of ballads and romances, to enlarge which he had by the time he was 15 acquired a working knowledge of French and Italian, and had made the acquaintance of Dante and Ariosto in the original. Percy's Reliques of Ancient Poetry, pub. in 1765, came into his hands in 1784, and proved one of the most formative influences of this period. At 15 he was apprenticed to his f., but preferring the higher branch of the profession, he studied for the Bar, to which he was called in 1792. He did not, however, forego his favourite studies, but ransacked the Advocates' Library for old manuscripts, in the deciphering of which he became so expert that his assistance soon came to be invoked by antiquarians of much longer standing. Although he worked hard at law his ideal was not the attainment of an extensive practice, but rather of a fairly paid post which should leave him leisure for his favourite pursuits, and this he succeeded in reaching, being appointed first in 1799 Sheriff of Selkirk, and next in 1812 one of the Principal Clerks to the Court of Session, which together brought him an income of £1600. Meanwhile in 1795 he had translated Bürger's ballad of Lenore, and in the following year he made his first appearance in print by publishing it along with a translation of The Wild Huntsman by the same author. About the same time he made the acquaintance of "Monk" Lewis, to whose collection of Tales of Wonder he contributed the ballads of Glenfinlas, The Eve of St. John, and The Grey Brother; and he pub. in 1799 a translation of Goethe's Goetz von Berlichingen. In 1797 he was m. to Miss Charlotte Margaret Charpentier, the dau. of a French gentleman of good position. The year 1802 saw the publication of Scott's first work of real importance, The Minstrelsy of the Scottish Border, of which 2 vols. appeared, the third following in the next year. In 1804 he went to reside at Ashestiel on the Tweed, where he ed. the old romance, Sir Tristrem, and in 1805 he produced his first great original work, The Lay of the Last Minstrel, which was received with great favour, and decided that literature was thenceforth to be the main work of his life. In the same year the first few chapters of Waverley were written; but the unfavourable opinion of a friend led to the MS. being laid aside for nearly 10 years. In 1806 S. began, by a secret partnership, that association with the Ballantynes which resulted so unfortunately for him 20 years later. Marmion was pub. in 1808: it was even more popular than the Lay, and raised his reputation proportionately. The same year saw the publication of his elaborate ed. of Dryden with a Life, and was also marked by a rupture with Jeffrey, with whom he had been associated as a contributor to the Edinburgh Review, and by the establishment of the new firm of J. Ballantyne and Co., of which the first important publication was The Lady of the Lake, which appeared in 1810, The Vision of Don Roderick following in 1811. In 1812 S. purchased land on the Tweed near Melrose, and built his famous house, Abbotsford, the adornment of which became one of the chief pleasures of his life, and which he made the scene of a noble and kindly hospitality. In the same year he pub. Rokeby, and in 1813 The Bridal of Triermain, while 1814 saw The Life and Works of Swift in 19 vols., and was made illustrious by the appearance of Waverley, the two coming out in the same week, the latter, of course, like its successors, anonymously. The next year, The Lord of the Isles, Guy Mannering, and The Field of Waterloo appeared, and the next again, 1816, Paul's Letters to his Kinsfolk, The Antiquary, The Black Dwarf, and Old Mortality, while 1817 saw Harold the Dauntless and Rob Roy. The enormous strain which S. had been undergoing as official, man of letters, and man of business, began at length to tell upon him, and in this same year, 1817, he had the first of a series of severe seizures of cramp in the stomach, to which, however, his indomitable spirit refused to yield, and several of his next works, The Heart of Midlothian (1818), by many considered his masterpiece, The Bride of Lammermoor, The Legend of Montrose, and Ivanhoe, all of 1819, were dictated to amanuenses, while he was too ill to hold a pen. In 1820 The Monastery, in which the public began to detect a falling off in the powers of the still generally unknown author, appeared. The immediately following Abbot, however, showed a recovery. Kenilworth and The Pirate followed in 1821, The Fortunes of Nigel in 1822; Peveril of the Peak, Quentin Durward, and St. Ronan's Well in 1823; Redgauntlet in 1824, and Tales of the Crusaders (The Betrothed and The Talisman) in 1825. By this time S. had long reached a pinnacle of fame such as perhaps no British man of letters has ever attained during his lifetime. He had for a time been the most admired poet of his day, and though latterly somewhat eclipsed by Byron, he still retained great fame as a poet. He also possessed a great reputation as an antiquary, one of the chief revivers of interest in our ancient literature, and as the biographer and ed. of several of our great writers; while the incognito which he maintained in regard to his novels was to many a very partial veil. The unprecedented profits of his writings had made him, as he believed, a man of wealth; his social prestige was immense; he had in 1820 been made a baronet, when that was still a real distinction, and he had been the acknowledged representative of his country when the King visited it in 1822. All this was now to change, and the fabric of prosperity which he had raised by his genius and labour, and which had never spoiled the simplicity and generosity of his character, was suddenly to crumble into ruin with, however, the result of revealing him as the possessor of qualities even greater and nobler than any he had shown in his happier days. The publishing and printing firms with which he had been connected fell in the commercial crisis of 1826, and S. found himself at 55, and with failing health, involved in liabilities amounting to £130,000. Never was adversity more manfully and gallantly met. Notwithstanding the crushing magnitude of the disaster and the concurrent sorrow of his wife's illness, which soon issued in her death, he deliberately set himself to the herculean task of working off his debts, asking only that time might be given him. The secret of his authorship was now, of course, revealed, and his efforts were crowned with a marvellous measure of success. Woodstock, his first publication after the crash, appeared in the same year and brought £8000; by 1828 he had earned £40,000. In 1827 The Two Drovers, The Highland Widow, and The Surgeon's Daughter, forming the first series of Chronicles of the Canongate, appeared together with The Life of Napoleon in 9 vols., and the first series of Tales of a Grandfather; in 1828 The Fair Maid of Perth and the second series of Tales of a Grandfather, Anne of Geierstein, a third series of the Tales, and the commencement of a complete ed. of the novels in 1829; a fourth and last series of Tales, History of Scotland, and other work in 1830. Then at last the overworked brain gave way, and during this year he had more than one paralytic seizure. He was sent abroad for change and rest, and a Government frigate was placed at his disposal. But all was in vain; he never recovered, and though in temporary rallies he produced two more novels, Count Robert of Paris and Castle Dangerous, both in 1831, which only showed that the spell was broken, he gradually sank, and d. at Abbotsford on September 21, 1832.

The work which S. accomplished, whether looked at as regards its mass or its quality, is alike marvellous. In mere amount his output in each of the four departments of poetry, prose fiction, history and biography, and miscellaneous literature is sufficient to fill an ordinary literary life. Indeed the quantity of his acknowledged work in other departments was held to be the strongest argument against the possibility of his being the author of the novels. The achievement of such a result demanded a power of steady, methodical, and rapid work almost unparalleled in the history of literature. When we turn to its quality we are struck by the range of subject and the variableness of the treatment. In general there is the same fulness of mind directed by strong practical sense and judgment, but the style is often heavy, loose, and even slipshod, and in most of his works there are "patches" in which he falls far below his best. His poetry, though as a whole belonging to the second class, is full of broad and bold effects, picturesqueness, and an irresistible rush and freshness. As a lyrist, however, he stands much higher, and in such gems as "Proud Maisie" and "A weary lot is thine, Fair Maid," he takes his place among our greatest singers. His chief fame rests, of course, upon the novels. Here also, however, there is the same inequality and irregularity, but there is a singular command over his genius in virtue of which the fusing, creating imagination responds to his call, and is at its greatest just where it is most needed. For the variety, truth, and aliveness of his characters he has probably no equal since Shakespeare, and though, of course, coming far behind, he resembles him alike in his range and in his insight. The most remarkable feature in his character is the union of an imagination of the first order with practical sagacity and manly sanity, in this also resembling his great predecessor.

SUMMARY.—B. 1771, ed. Edin., called to Bar 1792, Sheriff of Selkirk 1799, Principal Clerk of Session 1812, first pub. translation of Lenore, etc., wrote ballads and made translation from German, pub. Minstrelsy of Scottish Border 1802-3, Lay of Last Minstrel 1805, began Waverley 1805, partner with Ballantynes 1806, pub. Marmion 1808, Lady of Lake 1810, began to build Abbotsford 1812, Waverley novels began and continued 1814-31, health began to fail 1817, made Baronet 1820, ruined by failure of Ballantynes 1826, devotes rest of his life to clearing off debt by novels and historical works, Tales of a Grandfather, Life of Napoleon, etc., health finally gave way 1830, d. 1832.

The great authority is the Life by Lockhart, but it has been supplemented by the Journal (1890) and Letters (1893). Short Lives by C. Gilfillan, R.H. Hutton, etc., etc.

SCOTT, WILLIAM BELL (1811-1890). —Poet and painter, s. of Robert S., an engraver, and brother of David S., painter, b. in Edin., settled in London, and painted chiefly historical subjects. He pub. five vols. of poetry, including Hades and The Year of the World, and many fine sonnets, a form of poetry in which he excelled, and in prose Half-hour Lectures on Art and The Little Masters in the Great Artists Series. He also ed. a series of "English Poets," and wrote a Life of his brother and one of Albrecht Dürer, etc.

SEDLEY, SIR CHARLES (1639?-1701). —Poet, s. and heir of a Kentish baronet, was at Oxf. and, coming to the Court of Charles II., became one of the most popular and brilliant members of its dissipated circles. He was the author of two tragedies and three comedies, now forgotten, though extravagantly lauded in their day, and of some poems and songs, of which the best known are Phyllis and Chloris. His only child was the witty and profligate Catherine S., mistress of James II., who created her Countess of Dorset. Bellamira and The Mulberry Garden, founded respectively on Terence and Molière, are his best plays. His prose in pamphlets and essays is better than his verse.

SEELEY, SIR JOHN ROBERT (1834-1895). —Historian and essayist, s. of a publisher in London, ed. at City of London School and Camb. In 1863 he became Prof. of Latin at Univ. Coll., London, and was Prof. of Modern History at Camb. from 1869 until his death. In 1865 appeared anonymously Ecce Homo, a work which created intense excitement and keen controversy in the theological and religious world. Other works were The Life and Times of Stein, the Prussian statesman (1879), Natural Religion (1882), The Expansion of England (1883), Life of Napoleon (1885), and a work on Goethe. The Growth of British Policy (1895) was left finished but unrevised at his death. In recognition of his services to the empire in his political writings he was, in 1894, made K.C.M.G.

SELDEN, JOHN (1584-1654). —Jurist and scholar, b. near Worthing, Sussex, the s. of a farmer who was also a musician, ed. at Chichester and Oxf., and studied law at Clifford's Inn and the Inner Temple. His learning soon attracted attention and, though practising little, he was consulted on points involving legal erudition. His first work, Analecton Anglo-Britannicon, a chronological collection of English records down to the Norman invasion, was written in 1606, though not pub. till 1615. In 1610 appeared a treatise on the Duello, or Single Combat; and in 1614 his largest English work on Titles of Honour, full of profound learning, and still a high authority. Three years later, 1617, he wrote in Latin his treatise, De Deis Syris (on the Gods of Syria), an inquiry into polytheism, specially with reference to the false deities mentioned in Scripture. His reputation as a scholar had now become European. In 1618 he incurred the indignation of the King and the clergy by his History of Tithes, in which he denied their claim to be a divine institution. Called before the High Commission he made a statement regretting the publication of the book though not withdrawing any of its statements. In 1621 he suffered a brief imprisonment for withstanding some of James's doctrines as to the privileges of Parliament. Two years later he was elected member for Lancaster. As a politician his views were moderate, and all along he endeavoured to repress the zeal of the extremists on both sides. He was imprisoned in the Tower for four years, 1630-34. During the final struggle of King and Parliament he was much employed; but like most men of moderate views, was frequently under suspicion, and after the execution of the King, to which he was strongly opposed, he took little to do with public matters. He was a lay member of the Westminster Assembly, 1643, where his profound knowledge of the original tongues made him somewhat of a terror to certain extremists among the divines. He had at an early age been appointed steward to the Earl of Kent, and at the house of his widow, with whom he had long lived in such close friendship as to give rise to the belief that they were m., he d. Among other works may be mentioned a description of the Arundel Marbles (1629), a treatise concerning the Jewish calendar (1646), and, specially, his Table Talk, pub. 1689, of which Coleridge said "there is more weighty bullion sense in this book than I can find in the same number of pages of any uninspired writer." He was likewise the author of various treatises on constitutional matters and the law of nations, including Mare Clausum (a Closed Sea), in defence of the property of England in its circumfluent seas. Most of these were written in Latin.

Coll. Works with Life, Dr. Wilkins (3 vols., folio, 1726), Aikin's Lives of Selden and Ussher.

SELLAR, WILLIAM YOUNG (1825-1890). —Scholar, b. in Sutherlandshire, his f. being factor to the Duke of Sutherland, ed. at Glasgow Univ. and Oxf., became in 1859 Prof. of Greek at St. Andrews and, in 1863, of Latin at Edin. He pub. a work on the Roman Poets of the Republic (1863), followed by The Roman Poets of the Augustan Age. Both of these hold a high place among modern works of scholarship.

SEMPILL, ROBERT (1530?-1595), SEMPILL, ROBERT (1595?-1659?), SEMPILL, FRANCIS (1616?-1682). —Scottish poets, all belonging to the same family, the last two being f. and s. The first was mainly a satirist, was in Paris at the massacre of St. Bartholomew, and belonged to the extremist division of the Reforming party, The Regente's Tragedy laments the death of Murray, Ane Complaint upon Fortoun, the fall of Morton. The second Robert wrote The Life and Death of Habbie Simson, the Piper, a humorous description of old Scottish life. Francis wrote occasional pieces. The song She Rose and let me in, formerly attributed to him, is now known to be by Tom D'Urfey (q.v.).

SENIOR, NASSAU WILLIAM (1790-1864). —Economist and essayist, s. of a clergyman, was b. at Compton Beauchamp, Berks, ed. at Eton and Oxf., studied law, and was called to the Bar in 1819. He twice held the Professorship of Political Economy at Oxf., 1825-30 and 1847-52, rendered important service as a member of the Poor Law Commission of 1833, and wrote its Report. S. holds a high position among English economists, and made many contributions to the literature of the science, including Outline of the Science of Political Economy (1836). He was, moreover, a writer of considerable versatility, his works in general literature including Essays on Fiction (1864), Historical and Philosophical Essays (1865), and specially his notes of conversations with many eminent persons, chiefly political, e.g., De Tocqueville, Thiers, and Guizot, which combine fulness of information with discretion; he also pub. journals of his travels in Turkey, Greece, Egypt, etc.