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A Select Collection of Old English Plays, Volume 12

Act 5 — THE ORDINARY

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EDITION.

The Ordinary, a Comedy, Written by William Cartwright, M.A. Ch. Ch. Oxon. London, Printed for Humphrey Moseley, and are to be sold at his shop at the Sign of The Princes Armes in St Paul's Churchyard. 1651. 8o.[109]

FOOTNOTES:

INTRODUCTION

William Cartwright was, according to Lloyd,[110] born the 16th of August 1615, though Wood[111] says he was born at Northway, near Tewksbury, Gloucestershire, in September 1611, and christened on the 26th of the same month. There is as much difference between these two writers, with respect to his father, as there is concerning the time of his birth. Lloyd says he was the son of Thomas Cartwright of Burford, in Oxfordshire. Wood asserts that his father's name was William Cartwright, one who had dissipated a fair inheritance, and was at last reduced to keep an inn at Cirencester. These contradictory accounts are totally irreconcilable. Wood's, however, is probably the true one.[112] That author says that Cartwright received part of his education under Mr William Top, master of the Free School at Cirencester; was from thence sent to Westminster, where he completed his education under Mr Lambert Osbaldiston; and in the year 1628[113] was chosen a student of Christ Church in Oxford, and placed under the care of Mr Terrent. He took his several degrees of Bachelor and Master of Arts—the latter in 1635; and afterwards entering into holy orders, became, as Wood[114] expresses it, "the most florid and seraphical preacher in the University." In October 1642, Bishop Duppa conferred on him the place of Succentor in the Church of Salisbury; and on the 12th of April 1643, he was admitted junior proctor of the University. He died the 29th of November following of a malignant fever, universally lamented by every person who knew him, even by his sovereign, who showed him particular marks of his respect.[115] He was buried at the upper end of the south aisle, adjoining to the choir of the cathedral of Christ Church. "He was," says Langbaine, "extremely remarkable both for his outward and inward endowments, his body being as handsome as his soul. He was an expert linguist, understanding not only Greek and Latin, but French and Italian, as perfectly as his mother tongue. He was an excellent orator, and yet an admirable poet, a quality which Cicero, with all his pains, could not attain to. Nor was Aristotle less known to him than Cicero and Virgil; and those who heard his metaphysical lectures gave him the preference to all his predecessors, the present Bishop of Lincoln (Dr Barlow) excepted. His sermons were as much admired as his other composures; and one fitly applied to our author that saying of Aristotle concerning Æschrion the poet, that he could not tell what Æschrion could not do."

Ben Jonson said of him with some passion, My son Cartwright writes all like a man; and Dr Fell, Bishop of Oxford, gave him this character: Cartwright was the utmost man could come to.

Besides a sermon and some Greek and Latin poems, he was the author of four plays, one only of which, I believe, was published in his lifetime, viz.—

1. "The Royal Slave, a Tragi-Comedy, presented to the king and queen by the students of Christ Church in Oxford, August 30, 1636; presented since to both their majesties, at Hampton Court, by the king's servants." 4o, 1639-40; 8vo, 1651.

This play, in which the celebrated Dr Busby performed a part, gave so much satisfaction to their majesties, that it was by their orders performed at Hampton Court by their own servants. Langbaine says the preference was given to the representation by the collegians, as much superior to that of the players.

2. "The Lady Errant, a Tragi-Comedy."

3. "The Ordinary, a comedy," [probably written in 1634.]

4. "The Siege; or, Love's Convert, a Tragi-Comedy."

FOOTNOTES:

DRAMATIS PERSONÆ.

Hearsay, an intelligencer. } complices

Slicer, a lieutenant. } in

Meanwell, (Littleworth disguised), } the

a decayed knight's son. } Ordinary

Shape, a cheater.

Sir Thomas Bitefig, a covetous knight.

Simon Credulous, a citizen.

Andres, his son, suitor to Mistress Jane.

Robert Moth, an antiquary.

Caster, } gamesters.

Have-at-all, }

Rimewell, a poet.

Bagshot, a decayed clerk. } clubbers

Sir Christopher, a curate. } at

Vicar Catchmey, a cathedral } the

singing-man. } Ordinary.

Mistress Jane, daughter to Sir Thomas.

Priscilla, her maid.

Joan Potluck, a vintner's widow.

Shopkeeper, Chirurgeon, Officers, Servants.

The scene, London.

THE PROLOGUE.

'Twould wrong our author to bespeak your ears; Your persons he adores, but judgment fears: For where you please but to dislike, he shall Be atheist thought, that worships not his fall. Next to not marking, 'tis his hope that you, Who can so ably judge, can pardon too. His conversation will not yet supply Follies enough to make a comedy: He cannot write by th' poll; nor act we here Scenes, which perhaps you should see liv'd elsewhere. No guilty line traduceth any; all We now present is but conjectural; 'Tis a mere guess: those then will be to blame Who make that person, which he meant but name. That web of manners which the stage requires, That mass of humours which poetic fires Take in, and boil, and purge, and try, and then With sublimated follies cheat those men That first did vent them, are not yet his art; But, as drown'd islands or the world's fifth part, Lie undiscover'd; and he only knows Enough to make himself ridiculous. Think, then, if here you find nought can delight, He hath not yet seen vice enough to write.

THE ORDINARY.

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