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A history of Italian painting

Chapter III · —MASACCIO AND THE NEW REALISM

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On the general matter of the realists of the Early Renaissance not much has been added to Crowe and Cavalcaselle, but Mr. Berenson’s comment in Florentine Painters and Central Italian Painters of the Renaissance is of high critical value. Vasari is interesting, but never more inaccurate than when dealing with this group. As usual the latest collected information is in Venturi. Storia, Vol. VII, part I, and elsewhere.

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