INDEX.

By L. E. JONES.

A B C D E F G H I J K L M

N O P - R S T U V W - - Z

“Abraham and the Three Angels” (Navarrete), 211

Academia Leonardi Vinci, 87

Adams, John, portrait by Copley, 264

Adams, Samuel, portrait by Copley, 264

“Adoration of the Kings” (Vinci), 89

“Adoration of the Shepherds” (Velasquez), 216

“Agrippina Weeping over the Urn of Germanicus” (West), 265

Albani, Francesco, 148

“Aldobrandini Marriage,” 27

Alexander the Great, portrait by Apelles, 18

Allen, James, portrait by Copley, 264

Allston, portrait of West, 266

“Analysis of Beauty” (Hogarth), 254

Ancient painting, 1-40

“Ancient Rome” (Turner), 287

Andalusia school of painting, 213

Angelico, Fra, 72-78

Animal painters— Snyders and Fyt, 167; Potter, 187; Landseer, 293

Anne of Cleves, portrait by Holbein, 190

“Annunciation” (Titian), 127

Apelles, 18-20, 40

“Apollo and Daphne in the Vale of Tempe” (Turner), 287

Apollodorus, 13-14

“Archangel Michael” (Raphael), 114

Architecture, a fine art, 1; more advanced than painting among Oriental nations, 12; development of Greek, from Egyptian and Assyrian, 13; during the Romanesque period, 150. See also Gothic

Ariosto, portrait by Bassano, 132

Aristides, 17

Assisi, wall-paintings of Cimabue in Upper Church at, 62; frescoes of Giotto in Lower Church at, 66

Assyrian painting, 9-11

Augsburg Cathedral contains earliest painted windows, 51

Augsburg school of art, 188

Augustine, St., quoted, 2

“Aurora” (Guido Reni), 145

Avignon, the Vernet Gallery at, 247

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Babylonian painting, 11-13

“Bacchus and Ariadne” (Titian), 124

“Bacchus and Ariadne” (Turner), 288

Balen, Henry van, 168

“Banishment of Ovid from Rome” (Turner), 287

“Baptism of Christ,” 84-86

Barbarelli, Giorgio, 118-120

Bartolommeo, Fra, 93-94; and Raphael, 110

Bartolozzi, engraved pictures of Angelica Kauffman, 206

Bas-reliefs in Egyptian painting, 3-5

Bassano family, 132

“Bathing Soldiers” (Michael Angelo), 108

“Battle of the Standard” (Vinci), 108

Bazzi, or Razzi, 118

“Beauties at Hampton Court” (Lely), 251

“Beggar Boy” (Velasquez), 216

“Beggar Boy Munching a Piece of Pastry” (Velasquez), 216

Belgium. See Flanders

“Bella, La” (Titian), 124

“Belle Ferronière, La” (Vinci), 87

“Belle Jardinière, La” (Raphael), 110

Bellini, Gentile, 80-81

Bellini, Giovanni, 80, 81-82; and Titian, 123; and Dürer, 197

Bellini, Jacopo, 80

Bellotti, Bernardo, 153

Beltraffio, Giovanni Antonio, 93

Bembo, Pietro, epitaph on Raphael, 116

“Benci, Ginevra” (Vinci), 89

Bentivoglio, Cardinal, and Vandyck, 171

Benvenuti, Lorenzo, 153

Bernardo di Daddo, 69

Berreguette, Alonzo, 208-209

Bertoldo, 96-97

“Birth of John the Baptist” (Dürer), 198

“Birth of the Virgin Mary,” 58

Blucher, portrait by Lawrence, 270

Boleyn, Anne, and Holbein, 189

Bologna school, 71, 82

“Bolton Abbey in the Olden Time” (Landseer), 298

“Bonaparte on the Bridge of Arcola” (Gros), 242

Borgia, Cæsar, appoints Da Vinci engineer, 90

Borgognone, Ambrogio, 93

Both, Jan and Andries, 187

Botticelli, Sandro, 79

Bourdon, Sebastian, 238

Bowditch, N. I., quoted, 261

“Boy with a Squirrel” (Copley), 261

Boylston, Miss Rebecca, portrait by Copley, 260

Brattle, General William, portrait by Copley, 260

Brauwer, Adrian, 178

Brenghel, Jan, 162

Brenghel, Pieter, 162

Bril, Paul, 162

“Broken Jug” (Greuze), 240

Brunn, cited, 21

“Bull, The” (Potter), 187

Burch, Bishop Van der, and Vandyck, 172

Burgkmair, Hans, instructor of Holbein, 189

Burial-places, mediæval paintings in, 41. See also Catacombs

“Burning of the House of Lords and Commons” (Turner), 287

Byron’s Works illustrated by Turner, 286

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“Calumny” (Apelles), 19

Calvert, Denis, instructor of Domenichino, 141

Cammuccini, Vincenzio, 153

Canaletto, 153

Cano, Alonso, 230-232

Canova, designed a monument for Titian, 128; portrait by Lawrence, 271

“Cantarilla de Miel, La” (Utande), 212

“Capitoline Doves,” 34

“Caprices” (Goya), 233

Caracci, Annibale, 140; quoted on Correggio, 135; on Domenichino, 141; instructor of Guido Reni, 143

Caracci family and school, 140

Caravaggio, 150

“Card Players” (Wilkie), 292

Carew, Thomas, portrait by Vandyck, 174

Carreño, Juan de, 211-212

Carvings of Dürer, 198

Casa Grande, the home of Titian, 126

Castelfranco, altar-piece painted by Giorgione, 119

Castile school of painting, 208

Castillo, Juan de, instructor of Murillo, 221

Catacombs, paintings of, 42-45

“Cato of Utica” (Ribera), 151

“Cat’s Paw” (Landseer), 295

Celtic illuminated MSS., early, 49

Cenci, Beatrice, portrait by Guido Reni, 145-147

Cennino, quoted, 68

Central period of Middle Ages. See Romanesque

Cespedes, Pablo de, 213-214

Charles I., and Rubens, 164; and Vandyck, 172-173; portraits by Vandyck, 174; and Dobson, 249

Charles II. and Lely, 251

Charles IV. and Goya, 232

Charles V., and Titian, 124, 126-127; and Dürer, 199-201; and Berreguette, 209

Charles X., and Gros, 242; and Vernet, 246

Chartres Cathedral, glass-painting in, 53

“Chevy Chase” (Landseer), 296-298

“Chief’s (The) Return from Deer-stalking” (Landseer), 298

Christ, paintings by Joanes of, 229

“Christ Bearing the Cross” (Morales), 210

“Christ Blessing Little Children” (Rembrandt), 186

“Christ Crowned with Thorns” (Morales), 210

“Christ Healing the Sick” (West), 266

“Christ in Glory” (Correggio), 134

Christian art. See Early

Church decoration in Gothic period of Middle Ages, 60

Cimabue, G., 61-64

Cistercian monks, painted windows in churches of, 54

Clay used by Babylonian tile-painters, 12

Clement VII., portrait by Titian, 124

Club of St. Luke founded by Vandyck, 173

Coello, Alonso Sanchez, 210

Coello, Claudio, 208, 212-213

“Collocation of the Host” (Coello), 213

Cologne school of art, 188

Colonna, Vittoria, friendship with Michael Angelo, 103

Colors, Egyptian rules for use of, 5-7; in Assyrian paintings, 11; in Pompeian wall-paintings, 32; in illumination, 47; Raphael’s skill in, 110; discoveries by Hubert van Eyck in use of, 156

“Communion of St. Jerome” (Domenichino), 141

“Condemnation of Marie Antoinette” (Delaroche), 242

Consalvi, Cardinal, portrait by Lawrence, 271

Cook’s “Southern Coast,” illustrated by Turner, 282

Cooper, Samuel, 249

Copley, John Singleton, 259-264

“Copley Family” (Copley), 264

Corday, Charlotte, portrait by Goya, 233

Cornaro, Caterina, portrait by Titian, 124

Correggio, 132-139

“Cottage Door” (Gainsborough), 258

“Cottage Girl” (Gainsborough), 258

Court influence upon art during Romanesque period, 50

Coxie, Michael, copies Van Eyck’s altar-piece for Philip I., 156

Cranach, Lucas, 202

“Cromwell at the House of Sir Walter Stewart” (Landseer), 293

“Cromwell Contemplating the Remains of Charles I.” (Delaroche), 242

Cromwell’s directions to Lely for painting his portrait, 251

Crucifixion as represented by Giotto, 68-69

“Crucifixion” (Fra Angelico), 75-76

“Crucifixion” (Tintoretto), 130

“Crucifixion” (Vandyck), 169, 171

“Crucifixion of St. Peter” (Bourdon), 238

Cunningham, Allan, quoted, 267

Cupid, statue of, by Michael Angelo, 98-99

Curran, portrait by Lawrence, 270

Cuyp, Albert, 186-187

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Damophilos, 21

“Danäe” (Titian), 129

Dance, George, portrait of Turner, 279

“Dance of Death” (Holbein), 192-193

Daniell, William, portrait by Wilkie, 293

Dante, portrait by Giotto, 64-66; and Michael Angelo, 103

Dante’s “Inferno,” painting by Delacroix of scene from, 245

David, Jacques Louis, 240-242

“David” (Michael Angelo), 99

“Dead Warrior, The” (Landseer), 298

“Death of the Duke of Guise” (Delaroche), 242, 244

“Death of Lord Chatham” (Copley), 262

“Death of Wolfe” (Romney), 267

“Death of Wolfe” (West), 266

“Decline of the Carthaginian Empire” (Turner), 282

“Decoration of a Roof,” 44-45

Delacroix, Eugene, 244-245

Delaroche, Paul, 242

“Demeter Enthroned,” 34

“Descent from the Cross” (Ribera), 151

“Descent from the Cross” (Volterra), 104

“Dido Building Carthage” (Turner), 282

“Dionysus, or Bacchus” (Aristides), 17

“Discovery of the Herb Mandragora,” 47-48

Dobson, William, 249-251; and Vandyck, 173

“Dodwell Vase (The),” 38

Domenichino, 141-143; and Poussin, 234

Dorian school of Sikyon, 15-17

Dow, Gerhard, 181

Drawing first regularly taught in Sikyon school, 17

“Drunken Bacchus” (Michael Angelo), 99

Duccio, 64

Dupper, portrait of Landseer, 301

Dürer, Albert, 193-202

Dutch. See Holland

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Early Christian art, 41, 42-49

Early period of Middle Ages. See Early Christian art

Eastern. See Oriental

Eclectics of the seventeenth century, 140

“Edward the Confessor” (Mortimer), 267

Edward III., paintings by West from the life of, 266

Eeckhout, Gerbrandt van der, 186

Eginhard, 49

Egyptian mosaics, 36

Egyptian painting, 3-9

“Ehrenbreitstein” (Turner), 287

Ekphantos, 21

Encaustic paintings of Nikias, 18

England, painting in, 249-303; glass-painting in, 53; wall-painting in, 60

“England and Wales” (Turner), 282

Engravings, by Rembrandt, 185; by Dürer, 194, 198; by Hogarth, 254. See also Etchings

“Entombment of Christ” (Caravaggio), 150

“Entombment of Christ” (Titian), 128-129

Erasmus and Holbein, 189

Escorial, Giordano painted walls of, 213

Etching, Rembrandt’s use of, 182

Etchings, of Salvator Rosa, 152; of Teniers, 180; of Rembrandt, 186

Etruscan tombs, decorated with mural paintings, 23; stone-paintings found in, 36

Etruscans introduced painting into Italy from Greece, 13, 20-21

Euphranor, 17

“Extract from a Journal whilst at Abbotsford” (Landseer), 295

Eyck, Hubert van, 155-156

Eyck, Jan van, 156-158

Eyck, Lambert van, 158

Eyck, Margaretha van, 158

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Faes, Peter van der, 251

“False Players” (Caravaggio), 150

“Family of Darius” (Veronese), 131

“Family Picture” (Copley), 262

Farnesina Villa, frescoes by Raphael in, 111

Farrari, Gaudenzio, 93

Fawkes, H., friend and patron of Turner, 277

“Feast of Rose Garlands” (Dürer), 197

Fernandez, Louis, 221

Ferrara, Duke of, and Titian, 124

“Field of Eylau” (Gros), 242

“Fifth Plague of Egypt” (Turner), 278-279

Figure-painting in ancient Greece, 20

Final period of Middle Ages. See Gothic

“Five Senses” (Teniers), 180

Flanders, painting in, 155-176

“Flaying of St. Bartholomew” (Ribera), 151

“Flemish Kermes” (Teniers), 180

“Flora” (Titian), 124

Florentine school, 72-80, 93

Fonesca, portrait by Velasquez, 216

“Font, The” (Landseer), 300

Foreshortening of Correggio, 134

“Fortune Teller” (Caravaggio), 150

“Four Apostles, The” (Dürer), 201

France, painting in, 234-248; glass-painting in, 51. See also Gaul

Francia, Francisco, 82-83

Francis I., and Da Vinci, 90-92; and Sarto, 105; and Raphael, 114

“Francis I. and Charles V. Visiting the Tombs at St. Denis” (Gros), 242

Franconian school, 193

Frederick Henry, Prince, scenes from the life of, painted by Jordaens, 167

Fuseli, and Angelica Kauffman, 204; and Landseer, 294

Fyt, Jan, 167

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Gaddi, A., 69

Gaddi, T., 69

Gainsborough, Thomas, 258

“Gamba, La” (Vargas), 213

Gardiner, quoted, 260

Gardiner, Miss Rebecca, portrait by Copley, 260

Gargasos, 21

Garrick, David, epitaph on Hogarth, 254

Gaul, miniature-painting in, 49

George III., and West, 265; and Lawrence, 270

Géricault, Jean Louis, 244

German illuminated MSS., early, 49

Germany, painting in, 188-206; glass-painting in, 51; wall-painting in, 60

Gelée, Claude. See Lorraine

Ghirlandajo, Domenico, 79-80, 96

Giordano, Luca, 213

Giorgione, 118-120; and Titian, 123

Giotteschi, 69

Giotto di Bondone, 64-69

“Girl and Pigs” (Gainsborough), 258

Girtin, Tom, 274

Glass-painting, 51-54, 58-60

“Glykera” (Pausias), 17

Goes, Hugo van der, 158

Goethe, quoted, 205

Goldsmith, Oliver, and Reynolds, 258

Gomez, Sebastian, 228-229

Gongora, portrait by Velasquez, 216

Gonzaga, Giulia, portraits by Piombo, 120

Gothic architecture, its influence upon painting and sculpture in Middle Ages, 54; its influence upon glass-painting, 58

Gothic period of Middle Ages, 42, 54-71

Gower family, portraits by Romney, 267

Goya y Lucientes, Francisco, 232-233

Goyen, Jan van, 187

Gozzoli, Benozzo, 80

“Graces Decorating a Statue of Hymen” (Reynolds), 257

Granacci, Francisco, 80, 96

Great Book of the Hours, illumination of, 58

Greek painting, ancient, 13-34, 40; on stone, 36

Greuze, Jean-Baptiste, 239-240

Grimm, quoted, 100-101

Grisaille glass, 54

Gros, Antoine Jean, 242

Guardi, Francesco, 153

Guérin, instructor of Géricault, 244; of Delacroix, 245

Guido, Tommaso, 78-79

Guido of Siena, 64

Guido Reni, 143-148

Guilds among painters in Gothic period of Middle Ages, 56

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Hals, Franz, 177; and Vandyck, 169

Hamerton, on Turner, 286; on Landseer, 298

Hamilton, Lady, portraits by Romney, 267-268

“Hamlet and Ophelia” (West), 266

“Harlot’s Progress” (Hogarth), 252

Haydon, instructor of Landseer, 294

Hayman, Francis, instructor of Gainsborough, 258

Hayter, J., portrait of Landseer, 301

“Heidelberg Castle in the Olden Time” (Turner), 287

Hellenic school, 18

“Hemicycle” (Delaroche), 242-244

Henrietta Maria, Queen, portraits by Vandyck, 174

“Henry I.,” 54-55

Henry III. and Titian, 127

Henry VIII. and Holbein, 189-192

Hercules, statue of, by Michael Angelo, 98

Herrera, Francisco de, 212, 214-215, 216

Hobbema, Mindert, 188

Hogarth, William, 252-254

Holbein, Hans, 188-193

Holland, painting in, 176-188; fidelity to detail, 11

“Holy Family” (Vandyck), 169-170

Honthorst, Gerard, 180

Hooge, Pieter de, 181

Houssaye, A., 92

Hudson, instructor of Reynolds, 255

“Hundred Guilders Print” (Rembrandt), 186

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Illumination of MSS., 41, 46-49, 58

Illustrations used in Egyptian papyrus rolls, 8

“Immaculate Conception” (Murillo), 224, 225-227, 228

Inquisition, its influence on Spanish painting, 207-208

Intaglios in Egyptian painting, 6

Interiors, Dutch painters of, 180-181

Ionian school, 15

Ireland, miniature-painting in ancient, 49

Isabella, Empress, portrait by Titian, 127

Isabella, Infanta, sends Rubens to Spain, 164

Isabella of Portugal, portrait by Jan van Eyck, 156

Italy, painting in, 13-34, 40, 72-154

“Ixion on the Wheel” (Ribera), 151

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Jameson, Mrs., quoted, 119

Joanes, Vicente de, 229

“John Knox Preaching” (Wilkie), 293

Johnson, Samuel, and Sir Joshua Reynolds, 255

Jonah, statue of, modelled by Raphael, 115

Jordaens, Jacob, 167-168

Julius II., Pope, and Michael Angelo, 99-100; and Raphael, 111

“Julius II., Tomb of,” (Michael Angelo), 100, 101

“Justinian, Theodora, and Attendants,” 45-46

Justus of Ghent, 158

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Kauffman, Angelica, 203-206

“King David,” 51

Kneller, Sir Godfrey, 251-252

“Knight (The), Death, and the Devil” (Dürer), 202

Kugler, quoted, 129

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Landseer, Charles, 293

Landseer, Sir Edwin, 293-301

Landseer, John, 293

Landseer, Thomas, 293

Landscape-painting, in ancient Greece, 20; in ancient Rome, 27-29; in Holland, 186-187

“Larder Invaded” (Landseer), 295

“Large Holy Family of the Louvre” (Raphael), 114

“Last Judgment” (Michael Angelo), 101

“Last Supper” (Vinci), 87-89, 92

“Last Supper” (Titian), 211

“Last Supper” (Cespedes), 214

Last Supper, paintings by Joanes of, 229-230

Lastman, Pieter, 181

“Laughing Peasant” (Velasquez), 216

Lawrence, Sir Thomas, 269-271; portrait of West, 266

“Lear” (West), 266

Le Brun, Charles, 238

Lee, Colonel and Mrs., portraits by Copley, 260

Lely, Sir Peter, 251

Leo X., and Da Vinci, 90; and Raphael, 111; and Titian, 124

Leonardo da Vinci, 84-93

Leopold William, Archduke, portrait by Teniers, 179

Leslie, portrait of West, 266; portrait by Landseer, 301

Le Sueur, Eustache, 238

“Liber Fluviorum” (Turner), 286

“Liber Studiorum” (Turner), 280

“Liber Veritatis” (Claude Lorraine), 237

“Line-fishing off Hastings” (Turner), 287

Lippi, Fillipino, 79

Lippi, Filippo, 79

“Little Girl with a Lap Dog in her Arms” (Greuze), 240

Lombard school, 93

“Lomellini Family” (Vandyck), 171

“Lorelei Twilight” (Turner), 278

Lorenzo di Credi, 79

Lorraine, Claude, 236-238

Louis XII. and Da Vinci, 90

Louis XIII. and Poussin, 234-236

Louis XIV., and Le Brun, 238; and Mignard, 239; portraits by Rigaud, 239

Louis XV. and Vernet, 240

Louis Philippe and Vernet, 246

Lübke, quoted, 82, 237

“Lucretia” (Rembrandt), 186

Ludius, 21-23

Luini, Bernardino, 93

Luther, Dürer’s admiration for, 201

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Madonna del Sacco (Sarto), 107

“Madonna della Gran Duca” (Raphael), 108

“Madonna di San Francesco” (Correggio), 134

“Madonna di San Francesco” (Sarto), 107

“Madonna Enthroned” (Cimabue), 62

Madonnas of Fra Bartolommeo, 93

Madonnas of Raphael, 110

Madonnas of Elisabetta Sirani, 148

“Maids of Honor” (Velasquez), 218

Mannerists, 139-140

Mansfield, Lord, portrait by Copley, 263

Mantegna, Andrea, 82, 132

Mantua, Duke of, a patron of Rubens, 162-164

Manuscripts. See Illumination

Margaritone of Arezzo, 64

Marochetti, Baron, portrait of Landseer, 301

“Marriage at Cana” (Veronese), 131

“Marriage à la Mode” (Hogarth), 252

“Marriage of St. Catharine” (Coello), 210

“Mars, Venus, and Vulcan” (Copley), 259-260

“Martyrdom of St. Andrew” (Utande), 212

“Martyrdom of St. Lawrence” (Titian), 127

Masaccio, 78-79

Maso, 69

Masolino, 78-79

“Massacre of the Innocents” (Volterra), 104

Matsys, Quintin, 161

Maximilian, Emperor, and Dürer, 198-199

Mazzuoli, Francesco, 139

Mediæval painting, 41-71

Medici, Lorenzo de, patron of Michael Angelo, 96-97

“Medusa’s Head” (Vinci), 86

Meire, Gerard van der, 158

Memling, Hans, 160-161

Memorial windows, origin of, 58

Mengs, Raphael, 153

“Meniñas, Las” (Velasquez), 218

Metsu, Gabriel, 181

“Meyer Madonna” (Holbein), 192

Michael Angelo, 94-104; his frescoes of Sistine Chapel, 112; and Raphael, 115; and Piombo, 120-121

Middle Ages. See Mediæval

Mignard, Pierre, 238-239

Milan, Academia Leonardi Vinci, 87

Miniaturists in England, 249. See also Illumination

“Miracle of St. Mark” (Tintoretto), 130

Miranda, Juan Carreño de, 211-212

Modena school, 71

“Modern Rome” (Turner), 287

“Mona Lisa” (Vinci), 89-90

Morales, Luis de, 209-210

More, Sir Thomas, portraits by Holbein, 189

Morland, George, 268

“Morning Among the Corriston Fells” (Turner), 277

Moro, Antonio, 162

Mosaics, found in ancient Italy, 34-36; of the Middle Ages, 41, 45-46; none by early Germans or Celts left, 49; transparent, 51

“Moses,” 42-44

Mountfort, Dr. de, portrait by Copley, 259

“Mouth of the Seine” (Turner), 284

Mural paintings, Egyptian, 3; Assyrian, 9; Oriental, 13; Pompeian, 15; ancient Greek, 20; of Ludius, 21; ancient Italian, 23-24; mosaics as, 35; in catacombs, 44-45; no early German or Celtic left, 49; in Middle Ages, 60-61

Murillo, 220-228

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“Napoleon and the Pope at Fontainebleau” (Wilkie), 293

Napoleon III., portrait by Horace Vernet, 247

“Nativity” (Navarrete), 211

“Nativity of the Saviour” (Correggio), 135

“Nativity of the Virgin” (Murillo), 224

Naturalists of the seventeenth century, 140, 150

Navarrete, Juan Fernandez, 211

“Navicella” (Giotto), 66

“Nest of Cupids,” 34

Nicholas V., epitaph on Fra Angelico, 78

Nikias, 17-18

Nikomachos, 17

“Nile Mosaic (The),” 36

“Niobe,” 36

Noort, Adam van, instructor of Rubens, 162; of Jordaens, 167

“Notte” (Correggio), 135

Nude paintings forbidden by Spanish Inquisition, 208

Nuremburg school, 193

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“Old Téméraire” (Turner), 287-288

Ophem, Anna van, and Vandyck, 169

Oppert, J., quoted, 9, 11

Orcagna, Andrea, 70-71

“Orestes and Pylades” (West), 265

Oriental nations more advanced in architecture and sculpture than in painting, 2

Oriental origin of mosaics, 34

Orsay, Count d’, portrait of Landseer, 301

Ostades, Van, 178

Outline drawing the best part of Egyptian painting, 7

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Pacheco, Francisco, 208, 214, 216

Palma, Jacopo, 121

Panel-pictures, 23, 50-51, 60, 61

Papyrus rolls, Egyptian illustrations in, 8

“Paradise” (Tintoretto), 130

Pareja, Juan de, 220

Parmigianino, 139

Parrhasius, 14-15

“Parting of Hero and Leander” (Turner), 287

Paul III., portrait by Titian, 126

Pausias, 17

Pavement mosaics, 35-36

“Peep-o’-Day Boy’s Cabin” (Wilkie), 293

Pelham, Charles, portrait by Copley, 259

Pembroke, Earl of. See Wilton Family

Perkins, A. T., quoted, 260

Perkins, C. C., quoted, 70

Perkins, Mrs. Edmund, portrait by Copley, 260

Perspective, unknown to Egyptians, 5; and to Oriental nations, 13; first used by Apollodorus, 14; its use in Middle Ages, 58; Turner’s lectures on, 280-281

Perugino, Pietro, 82, 84, 107

Petrus, Christus, 158

Philip I., and Berreguette, 209; employs Coxie to copy Van Eyck’s altar-piece, 156

Philip II., and Titian, 127; and Morales, 209; and Coello, 210; and Navarrete, 211

Philip IV., and Carreño, 212; and Zurbaran, 215; and Herrera, 215; and Velasquez, 216-218; and Cano, 231

Philip of Burgundy, employs Jan van Eyck, 156

Philip of Macedon, portraits by Apelles, 18

“Phryne Going to the Public Baths as Venus” (Turner), 287

“Pietà, La” (Michael Angelo), 99

Pirkheimer, Willibald, and Dürer, 195

“Plague at Jaffa” (Gros), 242

Pliny, quoted, 14, 21-23

“Pointers, To-ho!” (Landseer), 295

Pollajuolo, Antonio, 79

Ponte, Da, family, 132

“Portrait of Dante” (Giotto), 64-66

“Portrait of a Young Woman” (Rembrandt), 186

“Ports of England” (Turner), 282

Potter, Paul, 187

Pourbus, Frans, 162

Pourbus, Peter, 162

Poussin, Nicholas, 175, 234-236

“Presentation in the Temple” (Titian), 123

“Presentation of Christ in the Temple” (Cammuccini), 154

“Prodigal Son” (Teniers), 180

Protogenes, 19-20

“Provincial Antiquities of Scotland,” illustrated by Turner, 282

“Purisima, La” (Joanes), 229

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“Raising of Lazarus” (Piombo), 115

“Rake’s Progress” (Hogarth), 252

Raphael, 107-118

Razzi, or Bazzi, 118

“Reading Magdalen” (Correggio), 135, 139

Redgrave, quoted, 277

“Regulus Leaving Rome to Return to Carthage” (Turner), 287

“Rejected Christ” (West), 266

Religious influence, upon Egyptian artists, 8-9; in Romanesque period, 50; in Gothic period, 56; upon Spanish painters, 207

Rembrandt, 181-186

Renaissance, 41, 72

“Rent Day” (Wilkie), 292

“Repulse and Defeat of the Spanish Floating Batteries at Gibraltar” (Copley), 262

Reynolds, Sir Joshua, 251-258; and Angelica Kauffman, 204; portrait of, 250; and Romney, 267

Ribalta, Francisco de, 230

Ribera, Giuseppe, 150-151

Ribera, Josef de, 230

Rigaud, Hyacinthe, 238, 239

Rincon, Antonio del, 207

Ritchie, Leitch, on Ruskin, 286-287

“Rivers of England” (Turner), 282

Robusti, Jacopo, 130

Robusti, Marietta, 130-131

Rogers’s “Poems,” illustrated by Turner, 286

Roman painting, ancient. See Italian

Roman school, 107

Romanesque period of Middle Ages, 42, 50-54

Romano, Giulio, 116, 118

Romney, George, 266-268

Rosselli, Cosimo, 80

Rossi, de, quoted, 204

“Rotello del Fico” (Vinci), 86

“Rotterdam Ferry-boat” (Turner), 284

Rubens, 162-167; and Vandyck, 168, 169; as an alchemist, 175; in England, 249

Rubrics, 47

Rupert, Prince, portraits by Vandyck, 174

Ruskin, on Turner, 280-281, 282, 283-284, 288

Ruysdael, Jacob, 187-188

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Sacchi, Andrea, instructor of Poussin, 234

“Sacrifice of Iphigenia” (Timanthes), 15

“St. Anthony Adoring the Virgin and Child” (Sirani), 149

“St. Anthony of Padua” (Murillo), 224

“St. Cecilia” (Raphael), 118

“St. Clara of Assisi” (Murillo), 223

“St. Diego of Alcalá” (Murillo), 223

“St. Francis” (Murillo), 223

“St. George Slaying the Dragon” (Raphael), 108, 110

“St. Hermengild” (Herrera), 215

“St. Margaret” (Titian), 212

“St. Margaret Overcoming the Dragon” (Raphael), 114

“St. Martin” (Vandyck), 170

“St. Michael” (Guido Reni), 147

“St. Michael Attacking Satan” (Raphael), 108

“St. Peter Martyr” (Titian), 129

St. Peter’s, Michael Angelo the architect of, 103; supervision of building by Raphael, 114

“St. Sebastian” (Coello), 210

“St. Sebastian” (Vinci), 90

Salvator Rosa, 151-152

Sarto, Andrea del, 104-107

Savonarola, 94-97

Saxony, school of, 202

“Scene at Abbotsford” (Landseer), 295

“Scene in the Lower World,” 38

“School of Anatomy” (Rembrandt), 182-184

Scott, Walter, “Poems” and “Life of Napoleon” illustrated by Turner, 284; portrait by Leslie, 295; and Landseer, 295-296

“Scourging of St. Andrew” (Domenichino), 141

Sculpture, more advanced than painting among Oriental nations, 112; Greek, developed from Egyptian and Assyrian, 13

Sebastian del Piombo, 115, 120-121

Segnier, Chancellor, and Le Brun, 238

Seneca, head by Cespedes, 214

Seville in time of Murillo, 221

Seville Academy of Art, founded by Murillo, 225

Seville school of painting, 208, 213

Shakespeare’s characters, painted by Romney, 268

“Shepherd Boy in a Shower” (Gainsborough), 258

“Shepherds Adoring the Infant Saviour” (Correggio), 135-137

“Shrine of St. Ursula” (Memling), 160-161

“Sibyl (The) and the Emperor” (Van der Weyden), 158-159

Siddons, Mrs., portrait by Reynolds, 255

Signorelli, Luca, 76, 80

Sikyon school, 15-17

Simone, Martini, 69-70

Sirani, Elisabetta, 148-150

“Sistine Madonna” (Raphael), 114

“Slave Ship” (Turner), 288-289

Smith, Sydney, and Landseer, 299

Snyders, Frans, 167

Solario, Andrea, 93

Sosos, 34

Spain, painting in, 207-233

“Sposalizio, Lo” (Raphael), 107-108

“Staffa Madonna” (Raphael), 108

Steen, Jan, 178

Still-life, Dutch excellence in painting, 177

Stirling, quoted, 215, 218, 228

Stone, paintings on, 36

Strada, portrait by Marietta Robusti, 130

Strafford, Earl of. See Wentworth, Thomas

Studius. See Ludius

Suckling, Sir John, portrait by Vandyck, 174

Suger, Abbot, 53

Sunder, Lucas, 202

“Surrender of Arundel Castle” (Landseer), 293

Swanenburg, J. J. van, instructor of Rembrandt, 181

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Tadius. See Ludius

Tafi, A., 64

Tasso, portrait by Bassano, 132

“Temporal Generation of Our Lord” (Vargas), 213

Teniers, David, 178-180

Terburg, Gerhard, 181

Thackeray’s (Miss) “Miss Angel” the story of Angelica Kauffman, 203

Thornbury, quoted, 283

Thornhill, Sir James, 252

“Three Graces” (Palma), 121

“Three Graces” (Raphael), 110

Thurlow, Lord Chancellor, portrait by Romney, 267

Tile-painting, Assyrian, 9-11; Babylonian, 11-12

Timanthes, 15

Tintoretto, 130

Titian, 121-130; and Correggio, 135; his “Last Supper,” 211; instructor of Navarrete, 211; Carreño’s copy of his “St. Margaret,” 212

Tobar, Alonzo Miguel de, 213, 229

Toledo, Coello painter to the Cathedral of, 213

Torrigiano, Piètro, 98

“Tragic Muse” (Reynolds), 255

“Transfiguration” (Raphael), 115

Transitional period, 61

“Trattato della Pittura” (Vinci), 93

“Triumphal Arch of Maximilian” (Dürer), 199

Tulp, Professor, portrait by Rembrandt, 184

Turner, Charles, 280

Turner, J. M. W., 271-292

“Turner’s Annual Tour,” 286

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Uccello, Paolo, 79

“Ulysses Dividing Polyphemus” (Turner), 283

“Ulysses in the Under-world” (Nikias), 17

Umbrian school, 82

Urban VIII. and Claude Lorraine, 236

Utande, Gregorio, 212

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Vænius, Otto, instructor of Rubens, 162

Velde, Adrian van de, 186

Valencia school, 208, 229

Vandyck, Anthony, 168-176; in England, 249

Vargas, Luis de, 213

Varnish, improvements by the Van Eycks in the use of, 156

Vasari, quoted, 75

Vase-painting by the ancients, 36-40

Vatican, decoration by Raphael of the halls of, 111

Vega, Lope de, on Coello, 210; on Navarrete, 211

Velasquez, 215-220; and Murillo, 222, 227

“Venice from the Salute Church” (Turner), 287

Venetian school, 80-82, 118

“Venus” (Titian), 124

“Venus Anadyomene” (Apelles), 19

Vernet, Carle, 245

Vernet, Claude Joseph, 240

Vernet, Horace, 245-248

Veronese, Paul, 131

Verrocchio, Andrea, 79, 84

Vescovi, Marco dei, portrait by Marietta Robusti, 130

Victoria, Queen, and Landseer, 298-299

Vien, Joseph Marie, 240

“Vierge, La, au Panier” (Correggio), 137-139

“View of Rome from the Aventine Hill” (Turner), 287

“Village Festival” (Wilkie), 292

“Village Politicians” (Wilkie), 292

Vincent, instructor of Horace Vernet, 245

Vinci, Leonardo da, 84-93, 99

Virgin, pictures by Murillo of, 227; by Joanes, 229

“Virgen de la Sevilletá” (Murillo), 225

“Vision of St. Jerome” (Parmigianino), 139

Vitruvius, quoted, 20

Volterra, Daniele de, 104

“Von Tromp Returning from Battle” (Turner), 284

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Waagen, Dr., on Turner, 290

Walls. See Mural

Washington, George, portrait by Copley, 260

Water, Egyptian painting of, 5

“Water Carrier of Seville” (Velasquez), 216

Watson, Elkanah, portrait by Copley, 262-263

“Watson and the Shark” (Copley), 262

Watteau, Antoine, 239

“Way to Calvary” (Morales), 210

Wellington, Duke of, portrait by Lawrence, 270

Wells and Turner, 278

Welsteed, Rev. William, portrait by Copley, 259

Wentworth, Thomas, portrait by Vandyck, 174

Wentworth, Lady, and Angelica Kauffman, 204

West, Benjamin, 265-266; and Copley, 261

Weyden, Rogier van der, 158-159

Weyden, Rogier van der, the younger, 159-160

Wilkie, Sir David, 292-293

Williams, quoted, 270

Wilson, Richard, 254

"Wilton Family, The" (Vandyck), 174

Winckelmann and Angelica Kauffman, 204

“Wind-Mills” (Hobbema), 188

Window-painting. See Glass

Wohlgemuth, Michael, instructor of Dürer, 194

“Woodman and Dog in a Storm” (Gainsborough), 258

Wornum, on Turner, 290

Wouverman, Philip, 187

“Wreck of the Medusa” (Géricault), 244

Wynants, Jan, 187

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Zeuxis, 14-15

Zuccaro, on Cespedes, 214

Zuccato, Sebastian, instructor of Titian, 123

Zurbaran, Francisco, 215

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