Part 3 — APPENDIX.
Reading edition
To make this essay complete, the writer appends, first, a list of the prominent female composers during the past three centuries: and, second, a list of the dedications made to women by the composers mentioned in the body of the work, so far as it has been possible to obtain them.
FEMALE COMPOSERS.
Seventeenth Century.
Caccini, Francesca. Italy. Songs.
Calegari, Cornelia. Italy. Songs.
Guerre, Elizabeth Claude. France. Operas.
Strozzi, Barbara. Italy. Songs.
Eighteenth Century.
Lebrun, Francesca. Germany. Sonata for piano.
Dussek, Sophia. Scotland. Piano and harp music.
Cianchettini, Veronica. Bohemia. Concertos and sonatas.
Agnesi, Maria Teresa. Italy. Operas.
Anna Amalia, Duchess of Saxe Weimar. Dramatic music.
Anna Amalia, Princess of Prussia. Cantatas.
Paradies, Maria Theresa. Austria. Operettas.
Pouillau, Mlle. France. Three sonatas.
Reichardt, Julia. Germany. Songs.
Schroeter, Corona Elizabeth. Poland. Songs.
Sernien, Maddalena. Italy. Violin music.
Wensley, Frances Foster. England. Songs.
Abrams, Miss. England. Songs.
Bayer, Mlle. Austria. Songs.
Blangini, Mlle. Italy. Violin music.
Brandenstein, Charlotte de. Germany. Sonatas.
Brandes, Charlotte Wilhelmina. Germany. Songs and piano music.
Bresson, Mlle. France. Songs.
Gretry, Lucile. France. Dramatic music.
Guenin, Mlle. France. Operas.
Lannoy, La Comtesse. Italy. Romances and sonatas.
Lilien, Antoinette de. Austria. Piano music.
Louis, Mme. France. Sonatas.
Martinez, Mariane. Austria. Masses.
Montgerault, Mme. France. Sonatas.
Travanet, Mme. de. France. Romances.
Blahetka, Leopoldine. Austria. Songs.
Nineteenth Century.
Mounsey, Ann Shepard. England. Oratorio of “The Nativity.”
Mounsey, Elizabeth. England. Pieces for organ and piano.
Loder, Kate Fanny. England. One opera, one overture, and three sonatas.
Lang, Josephine. Germany. Songs.
Hensel, Fanny Cecile. Germany. Songs and piano music.
Gabriel, Mary Ann Virginia. England. Operettas and songs.
Blahetka, Leopoldine. Austria. Concert pieces for piano.
Bonne, d’Alpy. France. Songs.
Caradori, Allan. Italy. Songs.
Gail, Sophie. France. Dramatic music.
Miles, Mrs. England. Concertos.
Beardsmore, Mrs. England. Sonatas and songs.
Schumann, Clara. Germany. Songs and piano music.
Dufferin, Countess of. England. Songs.
Polko, Élise. Germany. Songs.
Puget, Louise. France. Songs.
Sainton-Dolby, Mme. England. Songs.
DEDICATIONS.
MOZART.
Two sonatas for piano and violin, to Princess Victoire of France.
Two sonatas for piano and violin, to Countess de Tessè.
Six sonatas for piano and violin, to Queen Charlotte of England.
Six sonatas for piano and violin, to Princess Caroline of Nassau.
Aria, “Fra cento affanni,” to Countess Firmian of Milan.
Two-act serenade, “Ascanio in Alba,” to Maria Theresa.
Concerto for three pianos, to Countess Lodron and her daughters Aloysia and Giuseppa.
Concerto, to Countess Lützow.
Serenade, to Elizabeth Haffner.
Aria, “Ah! t’invola agli,” to Josephine Duschek.
Aria, “Non so donde vienes,” to Aloysia Weber.
Sonata for piano and violin, to Thérèse Pierron.
Six sonatas for piano and violin, to Princess Marie Elizabeth.
Song, “Oiseaux si tous,” to Mlle. Wendling.
Aria, “Io non chiedo,” to Aloysia Weber.
Aria, “Ah, non sò io,” to Countess Baumgarten.
Aria, “Nehmt meinen Dank,” to Aloysia Weber.
Solfeggien, to Constance Mozart.
Sonata for piano to Constance and Sophie.
Sonata for piano, to Constance Mozart.
Aria, “Ah! non sai, qual pena,” to Aloysia Weber.
Aria, “Vorrei spiegar-vi,” to Aloysia Weber.
Aria, “No, no, che non sei capace,” to Aloysia Weber.
Mass (comp. 1783), to Constance Mozart.
Concerto, to Barbara Plöyer.
Sonata for piano and violin, to Regina Strinassacchi.
Trio, to Francisca von Jacquin.
Rondo, to Nancy Storace.
Aria, “Resta, O caras,” to Josephine Duschek.
Aria, “Ah se in Ciel,” to Aloysia Weber.
Aria, “Schon lacht der holde Frühling,” to Mme. Hofer.
Aria, “Chi sa, chi sa, qual sia,” to Mlle. Villeneuve.
Aria, “Vado ma Dove?” to Mlle. Villeneuve.
BEETHOVEN.
Sonata, op. 7, to Countess von Keglevics.
Three sonatas, op. 10, to Countess von Browne.
Trio in B major, op. 11, to Countess von Thun.
Two sonatas, op. 14, to Baroness de Braun.
First concerto, op. 15, to Princess Odescalchi.
Sonata in F major, op. 17, to Baroness de Braun.
Septet in E major, op. 20, to Empress Maria Theresa.
Sonata, op. 27, No. 1, to Princess Lichtenstein.
Sonata, op. 27, No. 2, to Countess Guicciardi.
Variations in F major, op. 34, to Princess Odescalchi.
Marches, op. 45, to Princess Esterhazy.
Rondo in G major, op. 51, No. 2, to Princess von Lichnowsky.
Aria, “Ah! perfido,” op. 65, to Countess von Clary.
Trios in D and E major, op. 70, to Countess von Erdödy.
Six songs, op. 75, to Princess Kinsky.
Sonata, op. 78, to Countess Therese von Brunswick.
Three songs, op. 83, to Princess Kinsky.
Polonaise, op. 89, to Empress Elizabeth of Russia.
Song, “An die Hoffnung,” to Princess Kinsky.
Sonata, op. 101, to Dorothea Ertmann.
Sonatas, op. 102, Nos. 1 and 2, to Countess von Erdödy.
Sonata, op. 109, to Fraulein Brentano.
Thirty-three variations, op. 120, to Frau Brentano.
Twelve variations in F major, to Eleanore von Breuning.
Trio in B major (one movement), to Fraulein Brentano.
Twelve variations in G major, to Princess von Lichnowsky.
Six variations in D major, to Princesses Deym and Brunswick.
Lichte sonata in C major, to Eleanore von Breuning.
Nine variations in C minor, to Countess von Wolf-Metternich.
Twenty-four variations in D major, to Countess von Hatzfeld.
Twelve variations in A major, to Countess von Browne.
Ten variations in B major, to Countess Keglevich.
Eight variations in F major, to Countess von Browne.
Song, “An die Geliebte,” to Regina Lang.
March in F major, to Empress of Austria.
SCHUBERT.
Three songs, op. 20, to Justina von Bruchmann.
Zuleika’s Second Song, op. 31, to Anna Milder.
“Der zürnenden Diana,” to Katharina von Lacsny.
“Nachtstück,” to Katharina von Lacsny.
Seven songs from Scott’s “Lady of the Lake,” op. 52, to Countess of Wessenwolf.
“Divertissement à la Hongroise,” to Katharina von Lacsny.
Overture to “Alphonso and Estrella,” to Anne Honig.
Three songs, op. 92, to Josephine von Frank.
Four songs, op. 96, to Princess von Kinsky.
Fantasie, op. 103, to Countess Caroline Esterhazy.
Four songs, op. 106, to Marie Pachler.
“Der Hirt auf dem Felsen,” op. 129, to Anna Milder.
Sonata in C major, op. 140, to Clara Wieck.
SCHUMANN.
Variations on name “Abegg,” op. 1, to Countess d’Abegg.
“Papillons,” op. 2, to Thérèse, Rosalie, and Émélie.
Impromptus, op. 5, to Clara Wieck.
Allegro, op. 8, to Baroness de Fricken.
Sonata No. 1, op. 11, to Clara Wieck.
“Fantasie Stücke,” op. 12, to Anna R. Laidlav.
“Arabeske,” op. 18, to Majorin Serre.
“Blumenstück,” op. 19, to Majorin Serre.
“Humoreske,” op. 20, to Julie von Webenau.
Sonata No. 1, op. 22, to Henrietta Voigt.
“Liederkreis,” op. 24, to Pauline Garcia.
“Myrthen,” op. 28, to Clara Wieck.
Three songs, op. 30, to Josephine B. Cavalcabo.
Three songs, op. 31, to Countess von Zedtwitz.
Scherzo, gigue, romance and fugue, op. 32, to Amalie Rieffel.
Six songs, op. 36, to Livia Frege.
Quintet, op. 44, to Clara Schumann.
Andante and variations, op. 46, to Harriet Parish.
“Dichterliebe,” op. 48, to Wilhelmine Schröder-Devrient.
“Bilder aus Osten,” op. 66, to Lida Bendemann.
“Waldscenen,” op. 82, to Annette Preusser.
“Fantasie Stücke,” op. 88, to Sophie Peterson.
Six songs, op. 89, to Jenny Lind.
Three songs, op. 95, to Constanze Jacobi.
“Bunte Blätter,” op. 99, to Mary Poltz.
Six songs, op. 104, to Elizabeth Rutmann.
Six songs, op. 107, to Sophie Schloss.
“Jugend Album,” op. 109, to Henrietta Reichmann.
Three “Fantasie Stücke,” op. 111, to Princess Reuss-Kostritz.
Three sonatas, op. 118, to Julie, Élise, and Marie.
Three songs, op. 119, to Mathilde Hartmann.
“Albumblätter,” op. 124, to Alma von Wasielewski.
Seven piano pieces, op. 126, to Rosalie Leser.
Five piano pieces, op. 133, to Bettina.
Overture to “Hermann and Dorothea,” op. 136, to “Seiner lieben Clara.”
Four songs, op. 142, to Livia Frege.
MENDELSSOHN.
Six vocal quartets, op. 59, to Henriette Bennecke.
Songs, op. 57, to Livia Frege.
Motets, op. 39, to the nuns of Trinita da Monti Rome.
Songs without words, op. 53, to Sophie Horsley.
Songs, op. 34, to Julie Jeanrenaud.
Songs without words, op. 67, to Sophie Rosen.
Concerto, op. 25, to Delphine von Schaurotte.
Songs, op. 47, to Constanze Schleinitz.
Songs without words, op. 62, to Clara Schumann.
Symphony (Third), to Queen Victoria.
Songs without words, op. 30, to Elisa von Worringen.
Songs without words, op. 38, to Rosa von Worringen.
CHOPIN.
Études, op. 25, to Countess d’Agoult.
Nocturnes, op. 27, to Countess d’Appony.
Polonaise, op. 44, to Princess de Beauvan.
Nocturnes, op. 32, to Baroness de Billing.
Valse, op. 64, No. 3, to Baroness Bronicka.
Rondo, op. 14, to Princess Czartoryska.
Scherzo, op. 54, to Mlle. Caraman.
Prelude, op. 45, to Princess Czernicheff.
Mazurkas, op. 63, to Countess Czosnowska.
Nocturnes, op. 48, to Mlle. Duperré.
Grande Polonaise, op. 22, to Baroness Est.
Allegro, op. 51, to Countess Esterhazy.
Bolero, op. 19, to Countess de Flahault.
Mazurkas, op. 17, to Mme. Freppa.
Scherzo, op. 31, to Countess Fürstenstein.
Berceuse, op. 57, to Mlle. Gavard.
Rondo, op. 16, to Mlle. Hartmann.
Valse, op. 18, to Mlle. Horsford.
Variations, op. 12, to Mlle. Horsford.
Nocturnes, op. 62, to Mlle. Köuneritz.
Rondo, op. 1, to Mme. de Linde.
Impromptu, op. 29, to Countess Loban.
Mazurkas, op. 56, to Mlle. Maberly.
Rondo, op. 5, to Countess Moriolles.
Mazurkas, op. 33, to Countess Mostowska.
Allegro de Concert, op. 46, to Mlle. Müller.
Ballade, op. 47, to Mlle. Noailles.
Sonata, op. 58, to Countess Perthius.
Nocturnes, op. 9, to Mme. Camille Pleyel.
Mazurkas, op. 6, to Countess Plater.
Concerto, op. 21, to Countess Potocka.
Valse, op. 64, No. 1, to Countess Potocka.
Valse, op. 64, No. 2, to Baroness Rothschild.
Ballad, op. 52, to Baroness Rothschild.
Fantasie, op. 49, to Princess Souzzo.
Nocturnes, op. 55, to Mlle. Stirling.
Barcarole, op. 60, to Baroness Stockhausen.
Polonaise Fantasie, op. 61, to Mme. Veyret.
Mazurkas, op. 30, to Princess of Würtemberg.
WEBER.
Two allemandes for piano, op. 4, to Mlle. Lisette d’Arnhard.
Variations for piano, op. 5, to the Empress Maria Theresa.
Variations for piano, op. 7, to the Queen of Westphalia.
Polonaise for piano, op. 21, to Margaret Lang.
Six pieces for piano, op. 10, to the Princesses Marie and Amélie of Würtemberg.
Recitative and rondo, op. 16, to Luise Frank.
Vocal duett, op. 31, to Queen Caroline of Bavaria.
Canzonet, op. 29, to Queen Caroline of Bavaria.
Six-voice song, to Madame Schröck.
Grand sonata for piano, op. 24, to the Grand Duchess Marie Paulowna.
Seven variations for piano, op. 28, to Fanny von Wiebeking.
Six waltzes, to the Empress Marie Louise.
Scene and aria, op. 52, to Therese Grünbaum.
Air Russe, op. 40, to the Grand Duchess Marie Paulowna.
Scene and aria, op. 51, to Hélène Harlas.
Cavatina for soprano, to Madame Weixelbaum.
Cantata “L’Accoglienza,” to Maria Anna Carlina of Saxony.
Scene and aria, op. 56, to Mme. Milder-Hauptmann.
Mass in G, op. 76, to Queen Maria Amalia Augusta of Saxony.
“Invitation to the Dance,” op. 65, to “his Caroline.”
Concert-Stück, op. 79, to the Princess Marie August of Saxony.
Cantata, to the Duchess Marie Amalia of Saxony.
Cantata, to the Princess Therese of Saxony.
Song, “Nourmahal,” to Miss Stevens.
