Book 3 — INDEX.
Reading edition
A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z
(The ordinary figures refer to the numbers of the illustrations, and those in black type to the pages of the book.)
Abrasion, 60, 62
Aix-la-Chapelle, 14
Alabaster windows, 380, 381
Alençon, 366
Angels, 375
Angers, 61, 62, 63, 256
museum, 168
(S. Serge), 17, 85, 86
Annealing, 63
Antwerp, 80, 82, 226, 227, 258
Arab glass, 19, 15, 16, 18, 19, 20, 21, 22, 23
Architecture (due consideration of), 356
Arezzo, 248, 41, 43, 181, 254
Assisi, 262, 53, 177, 187
Auch, 233, 280, 393, 410
Augsburg, 118
Auxerre, 55, 75, 220
Background, 251
(architectural), 209, 211
(landscape), 209, 211
Bars, 101, 113, 114, 122, 158, 267, 275
(shaped), 68, 69
Beauvais, 374, 394, 247
Beverley minster, 74
Black paint (used for local colour), 89
Bologna, 264, 180
Bonlieu, 11
Borders (Early), 114, 327
(Decorated), 174-7, 335
(Perpendicular), 190, 344
Bourges, 392, 70, 72, 234
(S. Bonnet), 208, 157
Brabourne church, 16
Bristol (S. Mary’s), 407
British Museum, 1
Brou, 393
Brussels (S. Gudule), 69, 79, 80, 233, 395, 42
Bull’s-eye windows, 267
Cambridge (King’s College), 216, 257, 396
Canopies (Early), 135, 313, 334
(Decorated), 155, 197, 313
(Italian), 264, 265
(Perpendicular), 184 et seq., 340
(Renaissance), 205, 221, 224, 225, 347
Canopy (the beginning of the), 135
Canterbury, 385, 23, 73, 79, 81, 214
Carcassonne, 362, 369
Cartouches, 229
Châlons, 393, 12, 13, 98, 121, 122, 227
Chantilly, 303, 160
Chartres, 144, 387, 27, 71, 76, 103, 117, 216, 219
(S. Pierre), 96, 115
Chetwode church, 201
Choice of glass, 60, 101
Clerestory windows, 283
Clok (Cornelius), 399
Coated glass, 49
Cologne, 392, 147
(S. Kunibert), 25, 28, 77, 222, 223
(S. Peter), 240
Colour (Early),122, 328, 330
(Decorated), 338
in quarry windows, 287
(Italian), 268, 270
(Perpendicular), 346
Conches, 394
Confused effect, 42, 134, 217
Costa (Lorenzo), 264
Coutances, 101
Crabeths (the), 247, 399
Cutting, 8
(economy of), 25
Da Udine (Giovanni), 300
Decay, 219
Decline of glass painting, 86
Decorated borders, 176, 335
canopies, 155, 313, 334
colour, 338
composition, 334
figure design, 157, 337
grisaille, 163, 337
Jesse windows, 363
medallion windows, 152
quarries, 290
style, 333-338
tracery, 278
Design (banded), 160
(Early), 36, 111, 112
(effect of window-shape upon), 113
(essential conditions of), 96
(Perpendicular), 187, 340
Detail (ornamental), 328
Devils, 374
Diaper (geometric), 133
(German), 171
(painted or picked out), 35, 32, 33, 36, 49, 56
Donors, 221
“Doom” windows, 372
Dramatic effect, 378
Drawing, 346
Early canopies, 313
colour, 328, 330
design, 36, 111, 112
English, 327
figures, their crudity, 41
glass (confusion in effect of), 42
glazing, 330
grisaille, 137 et seq., 408
Jesse windows, 362
mosaic windows, 32 et seq.
ornament, 40, 115, 130
rose windows, 273
tracery, 274
Ecouen, 394
Enamel, 12 et seq., 77 et seq., 99, 232
(influence of Byzantine), 17
(objections to), 84
(use of in ornament), 78
Enamel plus POT-METAL, 79
English (Early), 327
(Perpendicular), 190
Evreux, 176, 177, 113, 118, 190, 191
Fairford, 374, 391, 34, 143, 144, 150, 173, 236, 237, 248, 249, 250, 253
Fifteenth century glass, 322, 340
Figure-and-canopy windows, 326
Figure design, 157, 337
Figures (Early), 41, 42
Figures and ornament, 126, 319
Five Sisters (the), 146, 147
Flashed glass, 49, 50
Flesh tints, 77, 106
Florence, 264, 270, 300, 179, 182, 183
(Certosa in Val d’Ema), 202, 203, 204, 242
(S. Maria Novella), 178, 199
Fourteenth century glass, 322, 333
painting, 47
Freiburg, 105, 126, 127, 244
French glass painting, 75
medallion windows, 125
Geometric diaper (German), 171
(mosaic), 133
German foliated pattern windows, 174
geometric diaper, 171
Glazing, 6, 15 et seq., 80, 82, 101, 229, 282, 168
(Early), 330
(economy in), 144
(ingenuity in), 56
Glazing plus painting, 43, 44, 53, 54
in rectangular panes, 80, 225
shadows in pot-metal, 72, 224
Gontier (Linard), 80, 81, 229, 230
Gothic influence, 203
(Italian), 263
landscape, 253
pattern windows, 291
tracery, 280
Gouda, 223, 256, 258, 398, 401, 46, 161, 162, 165, 172, 176
Grisaille (Early), 137 et seq., 331, 408
Grisaille (Decorated), 163, 337
(Perpendicular), 192, 343
and colour, 106, 120, 157
Heraldry, 198
Hitchin church, 21
Interlacing, 167
Italian canopies, 265
Gothic, 263
glass, 248, 260 et seq., 299
Jesse windows, 360 et seq.
(Early), 362
(Decorated), 363
(Renaissance), 367
Jewellery (glass related to), 21
Johnson (N.), 399
Kaleidoscopic effect, 42
King’s College, Cambridge, 216, 257, 396
Landscape, 209, 251, 256
Last Judgment windows, 372
Late Gothic pattern windows, 291
style, 343
technique, 346
tracery, 280
windows, 178 et seq.
Late Renaissance canopies, 225
Lead lines, 38
outlines, 23
Leading (its influence on colour), 39
Leads (contrivances for avoiding), 61, 62, 63, 97
(scheming of), 27, 28
Le Mans, 20, 218
Lichfield, 214, 395
Liège, 214, 395
Lincoln, 67, 93, 95, 185, 189, 192
Lisieux, 167
Local schools, 261
London (S. George’s, Hanover Square), 214, 159
Lucerne, 403
Lyons, 26, 83, 84, 153, 188, 239
Malvern, 55, 37
Many lights (windows of), 151 et seq.
Map of a window, 8
Marseilles (William of), 248
Material and design, 107
Medallion windows, 123 et seq., 324, 325
(Decorated), 152
(French), 125
of many lights, 153
Mediæval artlessness, 376
Mending (judicious), 407
Middle Gothic glass, 162 et seq.
Milan, 263
Misuse of shading, 68
Montmorency, 394, 40, 158
Mosaic, 5, 6
(marble and glass), 29
diaper, 133
Mullions, 151, 195, 197, 198, 240, 272
Munich museum, 124, 128, 129, 131
Naturalism, 337
Needle-point work, 87 et seq.
Netherlandish glass, 73, 302
New departures, 109
Nimbus (the), 208
Norbury, 114
Nuremberg, 224, 125
(S. Lorenz), 164
(S. Sebald), 163
Obscuration, 68, 79, 82
Old work (the spirit of), 358
Ornament (a plea for), 317 et seq.
(Early), 40, 115, 130
(Decorated), 160
(Perpendicular), 343
(possibilities in), 321
(Renaissance), 349
Orvieto, 380, 19
Oxford (All Souls’ College), 35, 141
(New College), 179, 401, 48, 109, 137
Paint (brushing out), 64
(early use of), 33
(first use of), 11
Paint as local colour, 57
Painted mosaic glass, 43 et seq.
Painter as glass designer (the), 69
Painting, 6, 44, 45, 47, 53, 59 et seq., 64, 68, 85, 89, 103, 105, 190, 211, 247, 263, 331, 338, 346
Painting out, 11, 34, 35, 44, 45, 278
Palette (the early), 328
Paris (Louvre), 208
(Musée des Arts Décoratifs), 243
Paris (S. Eustache), 223
(S. Gervais), 166
Pattern windows (German), 174
(Late Gothic), 291
Peckitt, 233
Perpendicular, 340
(English), 188, 190
(German), 188
Perpendicular borders, 344
canopies, 184, 340
colour, 346
design, 187, 340
detail, 343
drawing, 346
grisaille, 343
ornament, 343
style, 340
tracery, 278, 279, 343
Picking out, 35, 103
Pictorial versus Decorative, 238
Picture (achievement in), 250
(the ideal glass), 246
Pictures (a medley of), 195
Picture-windows, 236 et seq.
Pisa, 263
Plain glazing, 226, 166, 167
and painted grisaille, 139
Poictiers, 388, 24, 58, 59, 60
Possibilities in the way of ornament, 321
Pot-metal, 5
Prato, 184
Quarries, 146, 168, 192, 283 et seq.
Quarry-like patterns, 169
Quarry windows (colour in), 287
Regensburg, 389, 123, 128, 131, 252
Reims, 92, 99
(S. Remi), 118, 22, 65, 66, 213
Renaissance canopies, 205, 347
(Late), 225
Renaissance Jesse windows, 367
landscape, 255
ornament, 349
tracery, 280-282, 349
Resources of the glass painter, 95 et seq.
Restoration, 404 et seq.
Reynolds (Sir Joshua), 401, 402
Rose windows, 272 et seq., 326
(Early), 273
Ross (S. Mary), 55, 145, 232
Rouen, 392, 394, 45, 119, 238
(S. Godard), 154
(S. Ouen), 29, 229
(S. Patrice), 377, 378, 155
(S. Vincent), 375, 377, 44, 156, 175
Roundels, 293, 199
S. Denis, 404
S. Jean-aux-Bois, 87, 88, 100, 224, 257
S. Miniato, 381
Salisbury, 385, 15, 30, 64, 97, 102, 221, 225, 251
Scraps, 409
Sens, 90
Seventeenth century glass, 233, 323
style, 352
Shading (misuse of), 68, 70, 73, 79, 80, 247
(the beginning of), 13, 45
Shrewsbury, 38, 39, 57, 139, 142, 152, 171, 174
Silver stain, 52
Single-figure windows, 118, 197
Sixteenth century glass, 323, 347
style, 348
technique, 350
windows, 201 et seq.
Soissons, 89, 91
South Kensington Museum, 205
Stain, 50, 52, 60, 61, 62, 105, 182, 336, 344
Stanton S. John, 120
Storied windows, 195, 209, 371 et seq.
Strassburg, 388, 134
Style, 111, 112, 156, 177, 178, 323
(Early), 324
(Decorated), 335, 338
(Late Gothic), 343
(Perpendicular), 340
(16th century), 348
(17th century), 352
(the characteristics of), 322 et seq.
in modern glass, 354 et seq.
Subjects not within mullions, 198
Subject-windows, 197
Swiss glass, 87, 94, 308
Thirteenth century glass, 322
ornament, 130
Tibaldi (Pellegrino), 264
Tibault (Wilhelmus), 399
Time of day to see windows (the), 382
Tours, 362, 389
Tracery (Early), 274
(Decorated), 278
(Gothic), 280
(Perpendicular), 343
(Renaissance), 280-2, 349
Tracery lights, 272 et seq.
Transition, 165, 178, 181, 333
from Gothic to Renaissance, 65, 202, 204
from plain glazing to painted grisaille, 139
Tree of Life (the), 370
Triforium windows, 284
Troyes, 32, 366, 401, 112, 148, 149, 151, 228, 246
(museum), 211
(private collection), 207
(S. Jean), 241
(S. Martin ès Vignes), 230, 47, 169, 170, 255
(S. Urbain), 31, 108, 114, 226
Van Linge, 233
Van Orley (Bernard), 69, 222, 245
Van Ort (Lambrecht), 399
Van Thulden, 233
Verona (S. Anastasia), 199
Warwick Castle, 54, 206, 209
Water Perry, 94
Wells, 390, 136, 231, 245
White and colour (combination of), 193
White as a frame for colour, 192, 315
White-line work, 91
Winchester, 407
Window plane (the), 242
Window shape (effect of, upon design), 113, 211, 212, 240
Windows (how to see), 380 et seq.
Wine press (the), 368
Workmanlikeness, 244
Workmanship (Early), 330
Yellow stain, 52
York, 147, 192, 277, 387, 146
(All Saints), 371, 36
Note—The name of a town without mention of a church may be taken to mean that the glass is in the cathedral or principal church.
THE END.
BRADBURY, AGNEW, & CO. LD., PRINTERS, LONDON AND TONBRIDGE.