INDEX

A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, U, V, W, Y, Z

Albigensian crusade, 99 American and Chinese art, 74 Architecture, domestic, 183 ——, styles in, 180 Art and Christianity, 87 —— and the Franciscan movement, 87, 88 —— and Poetry, 194 ——, associated ideas in, 159 ——, classic, 159 ——, emotion and form in, 194 ——, public indifference to, 168 ——, Realistic, 159 ——, Romantic, 159 Artist and the community, 168 ——, pure, 175 Asselin, 158 Associated ideas in art, 159 Assisi, upper church at, 103 ——, great church at, 87 Assyrian art, 80 “Athenæum,” 52 Author and Cézanne, 191 —— and Gauguin, 191 —— and Impressionists, 190 —— and the public, 192 —— and Old Masters, 190, 191 —— and Seurat, 191 —— and van Goch, 191 —— and Mr. Walter Sickert, 190 —— and Mr. Wilson Steer, 190 Author’s æsthetic, 188, 189 —— house, 180 Aztecs and Incas, 70 Babelon, M., 77 Babylon and Nineveh bas-reliefs, 78 Baldovinetti, 126 —— and Ucello, 126 Baldovinetti’s Madonna and Child, 126 —— portrait in Nat. Gall., 126 —— Trinity; Accademia, Florence, 126 Balfour, Mr., 60 Baroque architect, 136 —— art and Catholic reaction, 138 —— art and Poussin, 138 —— idea and El Greco, 135-139 —— idea and Michelangelo, 136, 138 —— idea and Signorelli, 138 —— in Spanish and Italian art, 138 Bartolommeo, Fra, 164 Bastien-Lepage, 17 Beardsley and Antonio Pollajuolo, 153 —— and Mantegna, 153 —— and Nature, 153 Beardsley’s art, influences on, 153 Beauty, nature of, 193, 194 Beethoven, 19 Bell, Mr. Clive, book on art, 195, 199 Bellini, Giovanni, and Dürer, 133 Berenson, Mr., 100 Bernini and El Greco, 135, 136, 137 Besnard, M., 96, 97 Blake and the Byzantine style, 142 —— and Giotto, 111, 142 —— and the Old Testament, 140, 141 —— and Michelangelo, 141 —— and Tintoretto, 141 —— on poetry, 143 Blake’s temperament, 141 Bleek, Miss, 64 Blow, Mr., 180 Bobrinsky, Prince, 79, 80 Bode, Dr., 134 Bourgeois attitude to art, 168 Bramante, 136 Braque, 158 Bridges, Robert, 147 British public, 190 Browning, 42 Brunelleschi, 4 Bumble, 42 Bushman and Assyrian art, 58 —— and Palæolithic art, 61-63 Byzantine style and Blake, 142 Cabaner, 172 Caravaggio, 5 Cézanne, 42, 158 —— and Delacroix, 173 —— and El Greco, 139 —— and Ingres, 173 —— and Marchand, 184 —— and Poussin, 173 —— and Renoir, 177, 178 —— and Rubens’ method, 173 —— and Tintoretto’s method, 173 —— and Zola, 172 ——, criticism of, 156 —— misunderstood by his contemporaries, 169 ——, Poussin and El Greco, 138, 139 —— the perfect type of artist, 168, 171 Cézanne’s character, 169, 170, 171 Chateaubriand, 6 Charpentier family, by Renoir, 178 Chelsea Book Club, 65 Chinese and American art, 74 —— and Negro cultures, 67 —— art and Matisse, 158 —— landscape, Claude and, 150 —— painting, 21 Chosroes relief, 78, 79 Christianity and art, 87 Cimabue and Giotto, 103, 106, 107n Cinematograph, 13 Cinquecento art and Giotto, 114 Classic art, 159 Claude and Chinese landscape, 150 —— and Corot, 150 —— and Turner, 146 Claude and Whistler, 150 ——, Ruskin on, 145, 146 —— and Leonardo da Vinci, 146 —— and Rembrandt, 146 —— “Liber Veritatis,” 149 ——, influence of Virgil on, 148, 152 Claude’s articulations, 145 —— figures, 146 —— romanticism, 150 Coco style, 29 Colour, Giotto’s, 114 Conceptual art, 62, 63 Contour in painting, 160, 161 Copée, 172 Corot and Claude, 150 —— as a draughtsman, 165 Corot’s drawing of a seated woman, 165 Cosima Tura, 176 Cosmati, 99, 100, 104 Cossa, 132 Credi, Lorenzo di, and Dürer, 133 Critic’s function, 189 Cubism, 192 —— and Marchand, 186 —— and Ucello, 124 Daddi, Bernardo, and Giotto, 108n Dante, 2, 97, 98, 108, 110, 116 David, 5 “Decorators,” 190 Degas, 20, 176, 190 —— as a draughtsman, 165 Delacroix and Cézanne, 173 Derain, 158, 159, 193 —— and Marchand, 185 Dickens, 175 Dickey Doyle, 153 Doucet, 158 Drama, Italian, beginning of, 101n Drawing of contours, great examples, 166 —— of the figure, 164 —— of Italian Primitives, 163 —— of Renoir and Ingres compared, 178 ——, Persian, 163 Druet’s, M., photographs, 158 Duccio and Giotto, 106 Dürer and the Gothic tradition, 129 —— and Leonardo da Vinci, 127 —— and Lorenzo di Credi, 133 —— and Giovanni Bellini, 133 Dürer and Jacopo de’Barbari, 133 —— and Mantegna, 131, 132 —— and Pollajuolo, 133 —— and Raphael, 127 —— and Schongauer, 132 Dürer’s “Beetle,” 164 —— letters and diary, 127 El Greco and Baroque idea, 135-139 —— and Bernini, 135, 136, 137 —— and British public, 134 —— and Cézanne, 139 ——, Poussin and Cézanne, 138, 139 Emotion and form in art, 194, 197 England and French Impressionism, 190 English Art considered, 190 Fatimite textiles, 79 Figure drawing, 164 Filippino Lippi, 163 Flaubert, 199 Flemish and Florentine art, 124 —— painting and Giotto, 110 Florentine art, a characteristic of, 125 —— and Flemish art, 124 Forli, Melozzo da, 104 Form in art, 107 Francesca, Piero della, 4 Franciscan movement and art, 87, 88 Francis, St., 2, 87, 88, 112 French art classic, 158, 159, 184 French, English and Russian art compared, 158 Gamp, Mrs., 97 Gauguin, 158, 175 Germans, the, 129 Ghiberti’s commentary, 87 Giorgione, 175 Giotto and Barnardo Daddi, 108n —— and Blake, in, 142 —— and Cimabue, 103, 106, 107n —— and Cinquecento art, 114 —— and classical architecture, 113 —— and Duccio, 106 —— and European art, 115 —— and Flemish painting, 110 —— and Leonardo da Vinci, 116 —— and Lorenzetti, 113 —— and Masaccio, 113 —— and pre-Raphaelitism, 103 Giotto and Raphael, 115 —— and Rembrandt, 110 —— as draughtsman, 115, 116 Giotto’s colour, 114 —— figure of Joachim, 111 —— invention of Tempera, 105 —— Pietà, 110, 198 —— place as an artist, 116 Goethe, 197, 198 Gothic tradition and Dürer, 129, 130 Græco-Roman art, 76, 77, 78 Grunwedel, Dr., 76 Guatemala and Yucatan, 71 Head, Henry, F.R.S., 62 Herbin, 158 Hermitage, 79 Holmes, Mr. C. J., 134 Homer, 97 House, author’s, 180 Houses, architects’, 179 ——, builders’, 179 ——, dwelling, 180 Huxley, 8 Jacquemart-André collection, 123-126 “Jane Eyre,” 185 Jeremiah of Michelangelo, 23 Johnson, Dr., 65 Joyce, Mr., 69, 73, 75 Kaiser Friedrich Museum, 47, 134 ——, the, 47 Karlsruhe Museum, 78 Keats, 147 Keene, Charles, as a draughtsman, 165 Kingsborough, Lord, 71 Kraft’s stonework, 129 Krell, Oswald, 130 Kunsthistorisches Akademie, Vienna, 129 Incas and Aztecs, 70 Ingres, 164 —— and Cézanne, 173 —— as a designer, 163 —— as a draughtsman, 162 ——, effect of poverty on his art, 162 Ingres’ drawing, The Apotheosis of Napoleon, 163 —— painting and drawing compared, 163 Lecoq, Dr., 76 Leeche’s drawings, 28 Lehmann, Dr., 74 Leonardo da Vinci, 4, 24 —— and Claude, 146 —— and Dürer, 127 —— and Giotto, 116 L’Hote, 158 ——, M., writings of, 192 “Liber Veritatis” of Claude, 149 Limoges enamels, 77 Lincoln Cathedral, 78 Line, the function of, in drawing, 160 ——, qualities of, 115 ——, rarity of great design expressed in, 163 Loewy, Prof., 56, 57 Lorenzetti and Giotto, 113 Malatesta, Sigismondo, 87 Mantegna and Beardsley, 153 —— and Dürer, 131, 132 —— and Rembrandt, 132 Marchand, 158 ——, a classic artist, 184 —— and Cézanne, 184 —— and Cubism, 186 —— and Derain, 185 Masaccio and Giotto, 113 Matisse, 158, 193 —— and Chinese art, 158 —— as a draughtsman, 167 Maya art, 71, 72, 73 Melozzo da Forli, 105 Meredith, 28 Mesopotamian art, 79 Michelangelo, 19, 23, 24, 109 —— and Baroque idea, 136, 138 —— and Blake, 141 Middle Ages, 29 Millais’ drawing, 165 Milton, 147 Minzel as a draughtsman, 165 Modigliani as a draughtsman, 167 Monet, 17, 190 Money, Mr., 48 Music, 15 ——, psychology of, 199 National Gallery, 134 Nature, 24, 25 Naturalists, 190 Navicella mosaic, 104 Negro and European sculpture, 66 Neolithic art, 63 Nuremberg school, 130 Old Testament and Blake, 140, 141 Ottley’s prints, 142 Oxford movement, 6 Pall Mall Gazette, 154 Parapluies, Les, by Renoir, 176 Patine, 38, 39 Pelliot, M., 76 Perspective, 124, 125 Picasso, 157, 158, 193 Pietà, by Giotto, 110 Pindar, 87 Pliny on painting, 160, 161 Podsnap, Mr., 179 Poetry and art, 194 ——, Blake on, 143 Pollajuolo, Antonio and Beardsley, 153 ——, 147 —— and Dürer, 133 Pompeii, 30, 79 Post-Impressionism, 194 Post-Impressionists at the Grafton Gallery, 191, 193 ——, criticism of, 156, 157 Poussin, 159 —— and Baroque art, 138 —— and Cézanne, 173 ——, El Greco, and Cézanne, 138 Pre-Raphaelite movement, 190 Primitives, study of, in England, 198 Primum Mobile in Tarocchi prints, 133 Psychologists and art, 54 Public indifference to art, 168 Racine, 147 Raphael, 19, 164 —— and Dürer, 127 Raphael’s “Transfiguration,” 196, 198 Realistic art, 159 Rembrandt, 5, 20, 147 —— and Claude, 146 —— and Giotto, 110 —— and Mantegna, 132 —— as a draughtsman, 165, 166 Rembrandt’s characteristics, 165 Renaissance, 76 Renoir and Cézanne, 177, 178, 190 —— and Titian, 178 Renoir compared to Giorgione and Titian, 175 Renoir’s “Charpentier Family,” 178 —— “Les Parapluies,” 176, 178 Robida, 153 Rodin, 38 Romans, the, 129 Romantic art, 159 Romanticism, Claude’s, 150 Ross, Dr. Denman, 21 Rossetti’s relationship to Millais, 165 Rousseau, 156 Rowlandson’s style in drawing, 165 Rubens, 164, 175 Ruskin, 14, 38 —— on Claude, 145, 146 S. Bonaventura, 87, 101, 102 S. Francis, 2, 87, 88, 112 S. Peter’s Crucifixion, by Giotto, 107 Sassanid art, 76, 77, 78, 79, 80 Schongauer and Dürer, 132 Scrovegni, 110 Sculpture, Greek, 57 Shakespeare, 147 Shaw, Mr. Bernard, 41 Shelley, 42 Sickert, Mr. Walter, 175 Sicily, 77 Siegfried, 153 Sigismondo Malatesta, 87 “Significant Form,” 199 Signorelli and Baroque idea, 138 —— and Florence, 126 —— and Ucello, 126 —— and Umbrian art, 126 Signorelli’s Holy Family, 126 Smith, Robertson, 9 Song, psychology of, 199 Spectator of a picture, psychology of, 196, 197 Spencer, Herbert, 8, 9 Stefaneschi, Cardinal, 103, 104, 105, 108n Stein, Dr., 76 Storr’s woodwork, 129, 130 Subject picture, 53 Sung, 32 Tahiti, 175 Tarrocchi engravings, 132 Tempera, Giotto’s invention, 105 Tennyson, 24, 26 Tiepolo, 161, 162 Tintoretto and Blake, 141 Titian, 19, 175 —— and Renoir compared, 178 Tolstoy, 16, 18, 19 Tolstoy’s “What is Art?” 193, 199 Todi, Jacopone di, 87 Tondo of Michelangelo, 23 Tongue, Miss, 57, 59 Tura, Cosima, 177 Turner and Claude, 146 Tussaud, Mme., 5 Ucello, 4 —— and Baldovinetti, 126 —— and Cubism, 124 Ucello and Van Eyck, 124 —— and perspective, 124, 125 —— and Signorelli, 126 Ucello’s “St. George,” 123, 125 Vandyke, 164 Van Eyck and Ucello, 124 —— Gogh, 158 Varnish, 139 Vasari, 87, 169 —— and Ucello, 123 Victorians and art, 65 Viollet-le-Duc, 185 Virgil’s influence on Claude, 148, 152 Von Tschudi, 139 Waldus, Petrus, 99, 100 Watteau, 164 Wells, H. G., 36 “What is Art?” by Tolstoy, 18 Whistler, 7 —— and Beardsley, 154 —— and Claude, 150 —— and Ruskin, 190 Whistler’s Impressionism, 190 Whittier, 26 Young, Brigham, 74 Yucatan and Guatemala, 71 Zola, 5 —— and Cézanne, 172 Zuloaga, Señor, 155

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