THE TEAPOT SERIES: (continued 2)

"Do you know, dear Vanity, that it is not impossible that King Asoka (of the Edict Pillars), the 'Constantine of Buddhism,' was an Eurasian? I have not got the works of Arrian, or Mr. Lethbridge's 'History of the World' at hand, but I have some recollection of Sandracottus, or one of Asoka's fathers or grandfathers, marrying a Miss Megasthenes, or Seleucus. With such memories no wonder they call us 'Mean Whites.'"—ALI BABA, K.C.B.

No. XIV

THE VILLAGER

"Venio nunc ad voluptates agricolarum, quibus ego" (like the Famine Commissioners) "incredibiliter delector."

[November 8, 1879.]

I missed two people at the Delhi Assemblage of 1877. All the gram-fed secretaries and most of the alcoholic chiefs were there; but the famine-haunted villager and the delirium-shattered, opium-eating Chinaman, who had to pay the bill, were not present.

I cannot understand why Viceroys and English newspapers call the Indian cultivator a "riot." He never amounts to a riot if you treat him properly. He may be a disorderly crowd sometimes; but that is only when you embody him in a police force or convert him into cavalry. The atomic disembodied villager has no notion of rioting, ça-ira singing, or any of the tomfooleries of revolution. These pastimes are for men who are both idle and frivolous. When our villager wants to realise a political idea, he dies of famine. This has about it a certain air of seriousness. A man will not die of famine unless he be in earnest.

Lord Bacon's apothegm was that Eating maketh a full man; and it would be better to give the starving cultivator Bacon than the report of that Commission (which we cannot name without tears and laughter) which goes to work on the assumption that writing maketh a full man—that to write over a certain area of paper will fill the collapsed cuticles of the agricultural class throughout India.

When [Sir Richard Temple] first started the idea of holding famines, I proposed that he should illustrate his project by stopping the pay and allowances of the Government of India for a month. But he did not listen to my proposal. People seldom listen to my proposals; and sometimes I think that this accounts for my constitutional melancholy.

You will ask, "What has all this talk of food and famine to do with the villager?" I reply, "Everything." Famine is the horizon of the Indian villager; insufficient food is the foreground. And this is the more extraordinary since the villager is surrounded by a dreamland of plenty. Everywhere you see fields flooded deep with millet and wheat. The village and its old trees have to climb on to a knoll to keep their feet out of the glorious poppy and the luscious sugar-cane. Sumptuous cream-coloured bullocks move sleepily about with an air of luxurious sloth; and sleek Brahmans utter their lazy prayers while bathing languidly in the water and sunshine of the tank. Even the buffaloes have nothing to do but float the livelong day deeply immersed in the bulrushes. Everything is steeped in repose. The bees murmur their idylls among the flowers; the doves moan their amorous complaints from the shady leafage of pipal trees; out of the cool recesses of wells the idle cooing of the pigeons ascends into the summer-laden air; the rainbow-fed chameleon slumbers on the branch; the enamelled beetle on the leaf; the little fish in the sparkling depths below; the radiant kingfisher, tremulous as sunlight, in mid-air; and the peacock, with furled glories, on the temple tower of the silent gods. Amid this easeful and luscious splendour the villager labours and starves.

Reams of hiccoughing platitudes lodged in the pigeon-holes of the Home Office by all the gentlemen clerks and gentlemen farmers of the world cannot mend this. While the Indian villager has to maintain the glorious phantasmagoria of an imperial policy, while he has to support legions of scarlet soldiers, golden chuprassies, purple politicals, and green commissions, he must remain the hunger-stricken, overdriven phantom he is.

While the eagle of Thought rides the tempest in scorn, Who cares if the lightning is burning the corn?

If Old England is going to maintain her throne and her swagger in our vast Orient she ought to pay up like a—man, I was going to say; for, according to the old Sanscrit proverb, "You can get nothing for nothing, and deuced little for a halfpenny." These unpaid-for glories bring nothing but shame.

But even the poor Indian cultivator has his joys beneath the clouds of Revenue Boards and Famine Commissions. If we look closely at his life we may see a soft glory resting upon it. I am not Mr. Caird, and I do not intend entering into the technical details of agriculture—"Quid de utilitate loquar stercorandi?"—but I would say something of that sweetness which a close communion with earth and heaven must shed upon the silence of lonely labour in the fields. God is ever with the cultivator in all the manifold sights and sounds of this marvellous world of His. In that mysterious temple of the Dawn, in which we of noisy mess-rooms, heated courts, and dusty offices are infrequent worshippers, the peasant is a priest. There he offers up his hopes and fears for rain and sunshine; there he listens to the anthems of birds we rarely hear, and interprets auguries that for us have little meaning.

The beast of prey skulking back to his lair, the stag quenching his thirst ere retiring to the depths of the forest, the wedge of wild fowl flying with trumpet notes to some distant lake, the vulture hastening in heavy flight to the carrion that night has provided, the crane flapping to the shallows, and the jackal shuffling along to his shelter in the nullah, have each and all their portent to the initiated eye. Day, with its fierce glories, brings the throbbing silence of intense life, and under flickering shade, amid the soft pulsations of Nature, the cultivator lives his daydream. What there is of squalor, and drudgery, and carking care in his life melts into a brief oblivion, and he is a man in the presence of his God with the holy stillness of Nature brooding over him. With lengthening shadows comes labour and a re-awaking. The air is once more full of all sweet sounds, from the fine whistle of the kite, sailing with supreme dominion through the azure depths of air, to the stir and buzzing chatter of little birds and crickets among the leaves and grass. The egret has resumed his fishing in the tank where the rain is stored for the poppy and sugarcane fields, the sand-pipers bustle along the margin, or wheel in little silvery clouds over the bright waters, the gloomy cormorant sits alert on the stump of a dead date-tree, the little black divers hurry in and out of the weeds, and ever and anon shoot under the water in hot quest of some tiny fish; the whole machinery of life and death is in full play, and our villager shouts to his patient oxen and lives his life. Then gradual darkness, and food with homely joys, a little talk, a little tobacco, a few sad songs, and kindly sleep.

The villages are of immemorial antiquity; their names, their traditions, their hereditary offices have come down out of the dim past through countless generations. History sweeps over them with her trampling armies and her conquerors, her changing dynasties and her shifting laws—sweeps over them and leaves them unchanged.

The village is self-contained. It is a complete organism, protoplastic it may be, with the chlorophyll of age colouring its institutions, but none the less a perfect, living entity. It has within itself everything that its existence demands, and it has no ambition. The torment of frustrated hope and of supersession is unknown in the village. We who are always striving to roll our prospects and our office boxes up the hill to Simla may learn a lesson here:

Sisyphus in vita quoque nobis ante oculos est Qui petere a populo fasces sævasque secures Imbibit et semper victus tristisque recedit. Nam petere imperium quod inanest nec datur umquam, Atque in eo semper durum sufferre laborem, Hoc est adverse nixantem trudere monte Saxum quod tamen e summojam vertice rusum Volvitur et plani raptim petit sequora campi.

In this idyllic existence, in which, as I have said, there is no ambition, several other ills are also wanting. There is, for instance, no News in the village. The village is without the pale of intelligence. This must indeed be bliss. Just fancy, dear Vanity, a state of existence in which there are no politics, no discoveries, no travels, no speculations, no Garnet Wolseleys, no Gladstones, no Captain Careys, no Sarah Bernhardts! If there be a heaven upon earth, it is surely here. Here no Press Commissioner sits on the hillside croaking dreary translations from the St. Petersburg press; here no Pioneer sings catches with Sir John Strachey in Council. But here the lark sings in heaven for evermore, the sweet corn grows below, and the villager, amid these quiet joys with which the earth fills her lap, dreams his low life.—ALI BABA, K.C.B.

No. XV

THE OLD COLONEL

[Illustration: THE OLD COLONEL—"Ripening for pension."]

"Kwaihaipeglaoandjeldikaro"—Rigmarole Veda.

[November 15, 1879.]

The old Indian Colonel ripening for pension on the shelf of General Duty is an object at once pitiful and ludicrous. His profession has ebbed away from him, and he lies a melancholy derelict on the shore, with sails flapping idly against the mast and meaningless pennants streaming in the wind.

He has forgotten nearly everything he ever learnt of military duty, and what he has not forgotten has been changed. It is as much as he can do to keep up with the most advanced thoughts of the Horse Guards on buttons and gold lace. Yet he is still employed sometimes to turn out a guard, or to swear that "the Service is going," &c.; and though he has lost his nerve for riding, he has still a good seat on a boot-lace committee.

He is a very methodical old man. He rises at an early hour, strolls down to the club on the Mall—perhaps the Wheler Club, perhaps some other—has his tea, newspaper, and gossip there, and then back to his small bungalow, [where he turns out his servants for swearing parade. Each one gets it pretty hot; and then breakfast]. After breakfast he arrays himself for the day in some nondescript white uniform, and with a forage cap stuck gaily on one side of his head, a cheroot in his mouth, and a large white umbrella in his hand, he again sallies forth to the Club. An old horse is led behind him.

Now the serious business of life again begins—to get through the day. There are six newspapers to read, twelve pegs to drink, four-and-twenty Madras cheroots to smoke, there is kindly tiffin to linger over, forty winks afterwards, a game of billiards, the band on the Mall, dinner, and over all, incessant chatter, chatter, old scandal, old jokes, and old stories. Everyone likes the old Colonel, of course. Everyone says, "Here comes poor old Smith; what an infernal bore he is!" "Hulloa, Colonel, how are you? glad to see you! what's the news? how's exchange?"

The old Colonel is not avaricious, but he saves money. He cannot help it. He has no tastes and he draws very large pay. His mind, therefore, broods over questions relating to the investment of money, the depreciation of silver, and the saving effected by purchasing things at co-operative stores. He never really solves any problem suggested by these topics. His mind is not prehensile like the tail of the Apollo Bundar; everything eludes its grasp, so its pursuits are terminable. The old Colonel's cerebral caloric burns with a feeble flicker, like that of Madras secretariats, and never consumes a subject. The same theme is always fresh fuel. You might say the same thing to him every morning, at the same hour till the crack of doom, and he would never recollect that he had heard your remark before. This certainly must give a freshness to life and render eternity possible.

The old Colonel is not naturally an indolent man, but the prominent fact about him is that he has nothing to do. If you gave him a sun-dial to take care of, or a rain-gauge to watch, or a secret to keep, he would be quite delighted. I once asked Smith to keep a secret of mine, and the poor old fellow was so much afraid of losing it that in a few hours he had got everybody in the station helping him to keep it. It always surprises me that men with so much time on their hands do not become Political Agents.

Sometimes our old Colonel gets into the flagitious habit of writing for the newspapers. He talks himself into thinking that he possesses a grievance, so he puts together a fasciculus of lop-sided sentences, gets the ideas set straight by the Doctor, the spelling refurbished by the Padré, and fires off the product to the Delhi Gazette or the Himalayan Chronicle. Then days of feverish excitement supervene, hope alternating with fear. Will it appear? Will the Commander-in-Chief be offended? Will the Government of India be angry? What will the Service say?

The old Colonel is always rather suspicious of the great cocked-hats at head-quarters. He knows that to maintain an air of activity they must still be changing something or abolishing something, and he is always afraid that they will change or abolish him. But how could they change the old Colonel? In a regiment he would be like Alice in Wonderland; on the Staff he would be like old wine in a new bottle. They might make him a K.C.B., it is true; but he does not belong to the Simla Band of Hope, and stars must not be allowed to shoot madly from their sphere. As to abolishing the old Colonel, this too presents its difficulties, for Sir Norman Henry and all the celebrated cocked-hats at home and abroad look upon the Indian Staff Corps as Pygmalion looked on his Venus. They dote on its lifeless charms, and (figuratively) love to clasp it in their foolish arms. [Now the old Colonel is the trunk of this Frankenstein—to change the scene. So we must not abolish the old Colonel.]

It is better to dress him up in an old red coat, and strap him on to an old sword with a brass scabbard, that he may stand up on high ceremonials and drink the health of the good Queen for whom he has lived bravely through sunshine and stormy weather, in defiance of epidemics, retiring schemes and the Army Medical Department. It is good to ask him to place his old knees under your hospitable board, and to fill him with wholesome wine, while he decants the mellow stories of an Anglo-India that is speedily dissolving from view.

The old Colonel has no harm in him; his scandal blows upon the grandmothers of people that have passed away, and his little improprieties are such as might illustrate a sermon of the present day. [A rabbit might play with him if there were no chutni lying about.]

But you must never speak to him as if his sun were setting. He is as hopeful as a two-year-old. Every Gazette thrills him with vague expectations and alarms. If he found himself in orders for a Brigade he would be less surprised than anyone in the Army. He never ceases to hope that something may turn up—that something tangible may issue from the circumambient world of conjecture. But nothing will ever turn up for our poor old Colonel till his poor old toes turn up to the daisies. This change only, which we harshly call "Death," will steal over his prospects; this new slide only will be slipped into the magic lantern of his existence, accompanied by funeral drums and slow marching.

Soon we shall hardly be able to decipher his name and age on the crumbling gravestone among the weeds of our horrible station cemetery—but what matters it?

"For his bones are dust, And his sword is rust, And his soul is with the saints, we trust."

ALI BABA, K.C.B.

No. XVI

THE CIVIL SURGEON

"Throw physic to the dogs, I'll none of it."

[November 22, 1879.]

Perhaps you would hardly guess from his appearance and ways that he was a surgeon and a medicine-man. He certainly does not smell of lavender or peppermint, or display fine and curious linen, or tread softly like a cat. Contrariwise.

He smells of tobacco, and wears flannel underclothing. His step is heavy. He is a gross, big cow-buffalo sort of man, with a tangled growth of beard. His ranting voice and loud familiar manner amount to an outrage. He laughs like a camel, with deep bubbling noises. Thick corduroy breeches and gaiters swaddle his shapeless legs, and he rides a coarse-bred Waler mare.

I pray the gods that he may never be required to operate upon my eyes, or intestines, or any other delicate organ—that he may never be required to trephine my skull, or remove the roof of my mouth.

Of course he is a very good fellow. He walks straight into your drawing-room with a pipe in his mouth, bellowing out your name. No servant announces his arrival. He tramples in and crushes himself into a chair, without removing his hat, or performing any other high ceremonial. He has been riding in the sun, and is in a state of profuse perspiration; you will have to bring him round with the national beverage of Anglo-India, a brandy-and-soda.

Now he will enter upon your case. "Well, you're looking very blooming; what the devil is the matter with you? Eh? Eh? Want a trip to the hills? Eh? Eh? How is the bay pony? Eh? Have you seen Smith's new filly? Eh?"

This is very cheerful and reassuring if you are a healthy man with some large conspicuous disease—a broken rib, cholera, or toothache; but if you are a fine, delicately-made man, pregnant with poetry as the egg of the nightingale is pregnant with music, and throbbing with an exquisite nervous sensibility, perhaps languishing under some vague and occult disease, of which you are only conscious in moments of intense introspection, this mode of approaching the diagnosis is apt to give your system a shock.

Otherwise it may be bracing, like the inclement north wind. But, speaking for myself, it has proved most ruinous and disastrous. Since I have known the Doctor my constitution has broken up. I am a wreck. There is hardly a single drug in the whole pharmacopoeia that I can take with any pleasure, and I have entirely lost sight of a most interesting and curious complaint.

You see, dear Vanity, that I don't mince matters. I take our Doctor as I find him, rough and allopathic; but I am sure he might be improved in the course of two or three generations. We may leave this, however, to Nature and the Army Medical Department. Reform is not my business. I have no proposals to offer that will accelerate the progress of the Doctor towards a higher type.

Happily his surgical and medicinal functions claim only a portion of his time. He is in charge of the district gaol, a large and comfortable retreat for criminals. Here he is admirable. To some eight or nine hundred murderers, robbers, and inferior delinquents he plays the part of maître d'hôtel with infinite success. In the whole country side you will not find a community so well bathed, dressed, exercised, fed and lodged as that over which the Doctor presides. You observe on every face a quiet, Quakerish air of contentment. Every inmate of the gaol seems to think that he has now found a haven of rest.

If the sea-horse on the ocean Own no dear domestic cave, Yet he slumbers without motion On the still and halcyon wave; If on rainy days the loafer Gamble when he cannot roam, The police will help him so far As to find him here a home.

This is indeed a quiet refuge for world-wearied men; a sanctuary undisturbed by the fears of the weak or the passions of the strong. All reasonable wants are gratified here; nothing is hoped for any more. The poor burglar burdened with unsaleable "grab" and the reproaches of a venal world sorrowfully seeks an asylum here. He brings nothing in his hand; he seeks nothing but rest. He whispers through the key-hole—

Nil cupientium Nudus castra peto.

Look at this prisoner slumbering peacefully beside his huqqa under the suggestive bottle tree (there is something touching in his selecting the shade of a bottle tree: Horace clearly had no bottle tree; or he would never have lain under a strawberry (and cream) tree). You can see that he has been softly nurtured. What a sleek, sturdy fellow he is! He is a covenanted servant here, having passed an examination in gang robbery accompanied by violence and prevarication. He cannot be discharged under a long term of years. Uncovenanted pilferers, in for a week, regard him with respect and envy. And certainly his lot is enviable; he has no cares, no anxieties. Famine and the depreciation of silver are nothing to him. Rain or sunshine, he lives in plenty. His days are spent in an innocent round of duties, relieved by sleep and contemplation of [Greek: to on]. In the long heats of summer he whiles away the time with carpet-making; between the showers of autumn he digs, like our first parents, in the Doctor's garden; and in winter, as there is no billiard-table, he takes a turn on the treadmill with his mates. Perhaps, as he does so, he recites Charles Lamb's Pindaric ode:—

Great mill! That by thy motion proper (No thanks to wind or sail, or toiling rill) Grinding that stubborn-corn, the human will, Turn'st out men's consciences, That were begrimed before, as clean and sweet As flour from purest wheat, Into thy hopper.

Yet sometimes a murmur rises like a summer zephyr even from the soft lap of luxury and ease. Even the hardened criminal, dandled on the knee of a patriarchal Government, will sometimes complain and try to give the Doctor trouble. But the Doctor has a specific—a brief incantation that allays every species of inflammatory discontent. "Look here, my man! If I hear any more of this infernal nonsense, I'll turn you out of the gaol neck and crop." This is a threat that never fails to produce the desired effect. To be expelled from gaol and driven, like Cain, into the rude and wicked world, a wanderer, an outcast—this would indeed be a cruel ban. Before such a presentiment the well-ordered mind of the criminal recoils with horror.

The Civil Surgeon is also a rain doctor, and takes charge of the Imperial gauge. If a pint more or a pint less than usual falls, he at once telegraphs this priceless gossip to the Press Commissioner, Oracle Grotto, Delphi, Elysium. This is one of our precautions to guard against famine. Mr. Caird is the other.

[I was once in a very small station where our Civil Surgeon was an Eurasian. He was a pompous little fellow, but a capital doctor, gaoler, and metereologist.

"Omnis Aristippum decint, color et status, et res."

We liked him so much that we all got ill; crime increased, the gaol filled, and no one ever passed the rain-gauge without either emptying it or pouring in a brandy-and-soda. With women and children he was a great favourite; for he had not become brutalised by familiarity with suffering in hospitals. His heart was still tender, his voice soft, and he had a gentle way with his hands. I never knew anyone who was so unwilling to inflict pain; yet he was not unnerved when it had to be done. But, poor little physician! he was not able to cure himself when fever laid her hot hand on him. He tried to go on with his work and live it down; but the recuperative forces of Nature were weak within him, and he died. "The good die first, and those whose hearts are dry as summer dust burn to the socket." Our cow-buffalo doctor is still alive, I fear.]—ALI BABA, K.C.B.

No. XVII

THE SHIKARRY

[November 29, 1879.]

I have come out to spend a day in the jungle with him, to see him play on his own stage. His little flock of white tents has flown many a march to meet me, and have now alighted at this accessible spot near a poor hamlet on the verge of cultivation. I feel that I have only to yield myself for a few days to its hospitable importunities and it will waft me away to profound forest depths, to the awful penetralia of the bison and the tiger. Even here everything is strange to me; the common native has become a Bheel, the sparrowhawk an eagle, the grass of the field a vast, reedy growth in which an elephant becomes a mere field mouse. Out of the leaves come strange bird-notes, a strange silence broods over us; it is broken by strange rustlings and cries; it closes over us again strangely. Nature swoons in its glory of sunshine and weird music; it has put forth its powers in colossal timber and howling beasts of prey; it faints amid little wild flowers, fanned by breezes and butterflies.

My heart beats in strange anapæsts. This dream world of leaf and bird stirs the blood with a strange enchantment. The Spirit of Nature touches us with her caduceus:—

Fair are others, none behold thee; But thy voice sounds low and tender Like the fairest, for it folds thee From the sight, that liquid splendour; And all feel, yet see thee never, As I feel now ….

Our tents are played upon by the flickering shadows of the vast pipal-tree that rises in a laocoön tortuosity of roots out of an old well. The spot is cool and pleasant. Round us are picketed elephants, camels, bullocks, and horses, all enjoying the shade. Our servants are cooking their food on the precincts; each is busy in front of his own little mud fireplace. On a larger altar greater sacrifices are being offered up for our breakfast. A crowd of nearly naked Bheels watch the rites and snuff the fragrant incense of venison from a respectable distance. Their leader, a broken-looking old man, with hardly a rag on, stands apart exchanging deep confidences with my friend the Shikarry. This old Bheel is girt about the loins with knives, pouches, powder-horns, and ramrods; and he carries on his shoulder an aged flintlock. He looks old enough to be an English General Officer or a Cabinet Minister; and you might assume that he was in the last stage of physical and mental decay. But you would be quite wrong. This old Bheel will sit up all night on the branch of a tree among the horned owls; he will see the tiger kill the young buffalo tied up as a bait beneath; he will see it drink the life-blood and tear the haunch; he will watch it steal away and hide under the karaunda bush; he will sit there till day breaks, when he will creep under the thorn jungle, across the stream, up the scarp of the ravine, through the long grass to the sahib's camp, and give the word that makes the hunter's heart dance. From the camp he will stride from hamlet to hamlet till he has raised an army of beaters; and he will be back at the camp with his forces before the sahib has breakfasted. Through the long heats of the day he will be the life and soul of the hunt, urging on the beaters with voice and example, climbing trees, peeping under bushes, carrying orders, giving advice, changing the line, until that supreme moment when shots are fired, when the rasping growl tells that the shots have taken effect, and when at length the huge cat lies stretched out dead. And all this on a handful of parched grain!

[Is this nothing? Why then the world, and all that's in't, is nothing; The covering sky is nothing, Ali Baba's nothing.]

My friend the Shikarry delights to clothe himself in the coarse fabrics manufactured in gaol, which, when properly patched and decorated with pockets, have undoubtedly a certain wild-wood appearance.

As the hunter does not happen to be a Bheel with the privileges of nakedness conferred by a brown skin, this is perhaps the only practical alternative. If he went out to shoot in evening clothes, a crush hat, and a hansom cab, the chances are that he would make an example of himself and come to some untimely end. What would the Apollo Bundar say? What would the Bengali Baboo say? What would the sea-aye-ees say? Yes, our hunter affects coarse and snuffy clothes; they carry with them suggestions of hardship and roughing it; and his hat is umbrageous and old.

As to the man under the hat, he is an odd compound of vanity, sentiment, and generosity. He is as affected as a girl. Among other traits he affects reticence, and he will not tell me what the plans for the day are, or what khabbar[W] has been received. Knowing absolutely nothing, he moves about with a solemn and important air, [as if six months gone with a bandobast[X]]; and he says to me, "Don't fret yourself my dear fellow; you'll know all about it time enough. I have made arrangements." Then he dissembles and talks of irrelevant topics transcendentally. This makes me feel such a poor pen-and-ink fellow, such a worm, such a [Famine-commissioner, such a] Political Agent!

With this discordant note still vibrating we go in to breakfast; and then, dear Vanity, he bucks with a quiet, stubborn determination that would fill an American editor or an Under-Secretary of State with despair. [His lies are really that awful (as the Press Commissioner would say) which you couldn't tell as what he was joking, or inebriated, or drawing your leg.] He belongs to the twelve-foot-tiger school; so, perhaps, he can't help it.

If the whole truth were told, he is a warm-hearted, generous, plucky fellow, with boundless vanity and a romantic vein of maudlin sentiment that seduces him from time to time into the gin-and-water corner of an Indian newspaper. Under the heading of "The Forest Ranger's Lament," or "The Old Shikarry's Tale of Woe," he hiccoughs his column of sickly lines (with St. Vitus's dance in their feet), and then I believe he feels better. I have seen him do it; I have caught him in criminal conversation with a pen and a sheet of paper; bottle at hand—

A quo, ceu fonte perenni, Vatum Pieriis ora rigantur aquis.

In appearance he is a very short man with a long black beard, a sunburnt face, and a clay pipe. He has shot battalions of tigers and speared squadrons of wild pig. He is universally loved, universally admired, and universally laughed at.

He is generous to a fault. All the young fellows for miles round owe him money. He would think there was something wrong if they did not borrow from him; and yet, somehow, I don't think that he is very well off. There is nothing in his bungalow but guns, spears, and hunting trophies; he never goes home, and I have an idea that there is some heavy drain on his purse in the old country. But you should hear him troll a hunting song with his grand organ voice, and you would fancy him the richest man in the world, his note is so high and triumphant!

So when in after days we boast Of many wild boars slain, We'll not forget our runs to toast Or run them o'er again;

And when our memory's mirror true Reflects the scenes of yore, We'll think of him it brings to view, Who loved to hunt the boar.

ALI BABA, K.C.B.

No. XVIII

THE GRASS-WIDOW IN NEPHELOCOCCYGIA

[Illustration: THE GRASS WIDOW—"Sweet little Mrs. Lollipop."]

Her bosom's lord sits lightly on his throne?

[December 6, 1879]

Little Mrs. Lollipop has certainly proved a source of disappointment to her lady friends. They have watched her for three seasons going lightly and merrily through all the gaieties of Cloudland; they have listened to the scandal of the cuckoos among the pine-trees and rhododendrons, but they have not caught her tripping. Oh, no, they will never catch her tripping. She does not trip for their amusement: perhaps she trips it when they go on the light fantastic toe, but there is no evidence; there is only a zephyr of conjecture, only the world's low whisper not yet broken into storm—not yet.

Yes, she is a source of disappointment to them. They have noted her points; her beauty has burned itself into their jealousy; her merry laugh has fanned their scorn; her bountiful presence is an affront to them, as is her ripe and lissom figure. They pronounce her morally unsound; they say her nature has a taint; they chill her popularity with silent smiles of slow disparagement. But they have no particulars; their slander is not concrete. It is an amorphous accusation, sweeping and vague, spleen-born and proofless.

She certainly knows how to dress. Her weeds sit easily and smoothly on their delightful mould. You might think of her as a sweet, warm statue painted in water-colours. (Who wouldn't be her Pygmalion?) If she adds a garment it is an improvement; if she removes a garment it is an improvement; if she dresses her hair it is better; if she lets it fall in a brown cascade over her white shoulders it is still better; when it is yet in curl-papers it is charming. If you smudge the tip of her nose with a burnt cork the effect is irresistible; if you stick a flower in her hair it is a fancy dress, a complete costume—she becomes Flora, Aurora, anything you like to name. Yet I have never clothed her in a flower, I have never smudged her nose with a burnt cork, I have never uncurled her hair. Ali Baba's character must not go drifting down the stream of gossip with the Hill Captains and the Under-Secretaries. But I hope that this does not destroy the argument. The argument is that she is quite too delightful, and therefore blown upon by poisonous whispers.

Her bungalow is an Elysium, of course; it is a cottage with a verandah, built on a steep slope, and buried deep in shrubbery and trees. Within all is plain, but exquisitely neat. A wood fire is burning gaily, and the kindly tea-tray is at hand. It is five o'clock. Clean servants move silently about with hot water, cake, &c. The little boy, a hostage from papa in the warm plains below, is sitting pensive, after the fashion of Anglo-Indian children, in a little chair. His bearer crouches behind him. The unspeakable widow, in a tea-gown dimly splendid with tropical vegetation in neutral tints, holds a piece of chocolate in her hand, while she leans back in her fauteuil convulsed with laughter. (It is not necessary to say that Ali Baba is relating one of his improving tales.) How pretty she looks, showing her excellent teeth and suffused with bright warm blushes, [which, I beg leave to explain, proceed from drinking hot tea and indulging in immoderate laughter, not from listening to A.B.'s improving tales!] As I gaze upon her with fond amazement, I murmur mechanically:—

Mine be a cot beside the hill; A tea-pot's hum shall soothe my ear, A widowy girl, that likes me still, With many a smile shall linger near.

I have been asked to write a philosophical minute on the mental and moral condition of delightful Mrs. Lollipop's husband, who lives down in the plains. I have been requested by the Press Commissioner to inquire in Government fashion, with pen and ink, as to whether the complaisant proprietor of so many charms desires to have a recheat winded in his forehead, and to hang his bugle in an invisible baldrick; whether it is true in his case that Love's ear will hear the lowest cuckoo note, and that Love's perception of gossip is more soft and sensible than are the tender horns of cockled snails. Towards all these points I have directed my researches. I have resolved myself into a Special Commission, and I have sat upon grass-widowers in camera. If I sit a little longer a Report will be hatched, which, of course, I shall take to England, and when there I shall go to the places of amusement with the Famine Commission, and have rather a good time of it. Already I can see, with that bright internal eye which requires no limelight, grim Famine stalking about the Aquarium after dinner with a merry jest preening its wings on his lips.

But what has all this talk of country matters to do with little Mrs. Lollipop? Absolutely nothing. She thinks no ill of herself. She is the most charitable woman in the world. There is no veil of sin over her eye; no cloud of suspicion darkens her forehead; no concealment feeds upon her damask cheek. Like Eve she goes about hand in hand with her friends, in native innocence, relying on what she has of virtue. Sweet simplicity! sweet confidence! My eagle quill shall not flutter these doves.

Have you ever watched her at a big dance? She takes possession of some large warrior who has lately arrived from the battle-fields of Umballa or Meerut, and she chaperones him about the rooms, staying him with flagons and prattling low nothings. The weaker vessel jibs a little at first; but gradually the spell begins to work and the love-light kindles in his eye. He dances, he makes a joke, he tells a story, he turns round and looks her in the face. He is lost. That big centurion is a casualty; and no one pities him. "How can he go on like that, odious creature!" say the withered wall-flowers, and the Hill Captains fume round, working out formulae to express his baseness. But he is away on the glorious mountains of vanity; the intoxicating atmosphere makes life tingle in his blood; he is an [Greek: aerobataes], he no longer treads the earth. In a few days Mrs. Lollipop will receive a post-card from the Colonel of her centurion's regiment.

MY DEAR MRS.

Lollipop, dic, per omnes Te deos oro, Robinson cur properes amando Perdere? cur apricum Oderit campum, patiens pulveris atque solis.

Yrs. Sincy.

HORACE FITZDOTTREL.

Ten to one an Archdeacon will be sent for to translate this. Ten to one there is a shindy, ending in tea and tearful smiles; for she is bound to get a blowing up.

After what I have written I suppose it would be superfluous to affirm with oaths my irrefragable belief in Mrs. Lollipop's innocence; it would be superfluous to deprecate the many-winged slanders that wound this milk-white hind. If, however, by swearing, any of your readers think I can be of service to her character, I hope they will let me know. I have learnt a few oaths lately that I reckon will unsphere some of the scandal-mongers of Nephelococcygia. I had my ear one morning at the keyhole when the Army Commission was revising the cursing and swearing code for field service.—(Ah! these dear old Generals, what depths of simplicity they disclose when they get by themselves! I sometimes think that if I had my life to live over again I would keep a newspaper and become a really great General. I know some five or six obscure aboriginal tribes that have never yet yielded a single war or a single K.C.B.)

But this is a digression. I was maintaining the goodness of Mrs. Lollipop—little Mrs. Lollipop! sweet little Mrs. Lollipop! I was going to say that she was far too good to be made the subject of whisperings and innuendoes. Her virtue is of such a robust type that even a Divorce Court would sink back abashed before it, like a guilty thing surprised. Indeed, she often reminds me of Cæsar's wife.

The harpies of scandal protest that she dresses too low; that she exposes too freely the well-rounded charms of her black silk stockings; that she appears at fancy-dress balls picturesquely unclothed—in a word, that the public sees a little too much of little Mrs. Lollipop; and that, in conversation with men, she nibbles at the forbidden apples of thought. But all this proves her innocence, surely. She fears no danger, for she knows no sin. She cannot understand why she should hide anything from an admiring world. Why keep her charms concealed from mortal eye, like roses that in deserts bloom and die? She often reminds me of Una in Hypocrisy's cell.

I heard an old Gorgon ask one of Mrs. Lollipop's clientèle the other day whether he would like to be Mrs. Lollipop's husband. "No," he said, "not her husband; I am not worthy to be her husband—

"But I would be the necklace And all day long to fall and rise Upon her balmy bosom With her laughter or her sighs; And I would lie so light, so light, I scarce should be unclasped at night."

That old Gorgon is now going through a course of hysterics under medical and clerical advice. Her ears are in as bad a case as Lady Macbeth's hands. Hymns will not purge them.—ALI BABA, K.C.B.

No. XIX

THE TRAVELLING M.P.

THE BRITISH LION RAMPANT

[December 13, 1879.]

There is not a more fearful wild fowl than your travelling M.P. This unhappy creature, whose mind is a perfect blank regarding Faujdari[Y] and Bandobast,[Z] and who cannot distinguish the molluscous Baboo from the osseous Pathan, will actually presume to discuss Indian subjects with you, unless strict precautions be taken.

When I meet one of these loose M.P.'s ramping about I always cut his claws at once. I say, "Now, Mr. T.G., you must understand that, according to my standard, you are a homunculus of the lowest type. There is nothing I value a man for that you can do; there is nothing I consider worth directing the human mind upon that you know. If you ask for any information which I may deem it expedient to give to a person in your unfortunate position, well and good; but if you venture to argue with me, to express any opinion, to criticise anything I may be good enough to say regarding India, or to quote any passage relating to Asia from the works of Burke, Cowper, Bright, or Fawcett, I will hand you over to Major Henderson for strangulation, I will cause your body to be burnt by an Imperial Commission of sweepers, and I will mention your name in the Pioneer."

In dangerous cases, where a note-book is carried, your loose M.P. must be made to reside within the pale of guarded conversation. If you are wise you will speak to him in the interrogative mood exclusively; and you will treat his answers with contumelious laughter or disdainful silence.

About a week after your M.P. has landed in India he will begin his great work on the history, literature, philosophy and social institutions of the Hindoos. You will see him in a railway carriage when stirred by the [Greek: oistros] studying Forbes's Hindustani Manual. He is undoubtedly writing the chapter on the philology of the Aryan Family. Do you observe the fine frenzy that kindles behind his spectacles as he leans back and tries to eject a root? These pangs are worth about half-a-crown an hour in the present state of the book market. One cannot contemplate them without profound emotion.

The reading world is hunger-bitten about Asia, and I often think I shall take three months' leave and run up a précis of Sanskrit and Pali literature, just a few folios for the learned world. Max Müller begs me to learn these languages first; but this would be a toil and drudgery, whereas to me the pursuit of literary excellence and fame is a mere amusement, like lawn-tennis or rinking. It is the fault of the age to make a labour of what is meant to be a pastime.

Telle est de nos plaisirs la surface légère; Glissez, mortels, n'appuyez pas.

The travelling M.P. will probably come to you with a letter of introduction from the last station he has visited, and he will immediately proceed to make himself quite at home in your bungalow with the easy manners of the Briton abroad. He will acquaint you with his plans and name the places of interest in the neighbourhood which he requires you to show him. He will ask you to take him, as a preliminary canter, to the gaol and lunatic asylum; and he will make many interesting suggestions to the civil surgeon as to the management of these institutions, comparing them unfavourably with those he has visited in other stations. He will then inspect the Brigadier-General commanding the station, the chaplain, and the missionaries. On his return—when he ought to be bathing—he will probably write his article for the Twentieth Century, entitled "Is India Worth Keeping?" And this ridiculous old Shrovetide cock, whose ignorance and information leave two broad streaks of laughter in his wake, is turned loose upon the reading public! Upon my word, I believe the reading public would do better to go and sit at the feet of Baboo Sillabub Thunder Gosht, B.A.

What is it that these travelling people put on paper? Let me put it in the form of a conundrum. Q. What is it that the travelling M.P. treasures up and the Anglo-Indian hastens to throw away? A. Erroneous, hazy, distorted first impressions. Before the eyes of the griffin, India steams up in poetical mists, illusive, fantastic, subjective, ideal, picturesque. The adult Qui Hai attains to prose, to stern and disappointing realities; he removes the gilt from the Empire and penetrates to the brown ginger-bread of Rajas and Baboos. One of the most serious duties attending a residence in India is the correcting of those misapprehensions which your travelling M.P. sacrifices his bath to hustle upon paper. The spectacled people embalmed in secretariats alone among Anglo-Indians continue to see the gay visions of griffinhood. They alone preserve the phantasmagoria of bookland and dreamland. As for the rest of us:—

Out of the day and night A joy has taken flight: Baboos and Rajas and Indian lore Move our faint hearts with grief, but with delight No more—oh, never more!

It is strange that one who is modest and inoffensive in his own country should immediately on leaving it exhibit some of the worst features of Arryism; but it seems inevitable. I have met in this unhappy land, countrymen (who are gentlemen in England, Members of Parliament, and Deputy Lieutenants, and that kind of thing) whose conduct and demeanour while here I can never recall without tears and blushes for our common humanity. My friends witnessing this emotion often suppose that I am thinking of the Famine Commission.

[I am an Anglo-Indian cherishing many a burning Anglo-Indian prejudice, and I should be sorry if from what I have written here it does not sufficiently appear that I cherish a burning prejudice against the British Tourist in India, who comes out to get up India and to do India; not against the tourist who comes out to shoot or to play the fool in a quiet unostentatious way.]

As far as I can learn, it is a generally received opinion at home that a man who has seen the Taj at Agra, the Qutb at Delhi, and the Duke at Madras, has graduated with honours in all questions connected with British interests in Asia; and is only unfitted for the office of Governor-General of India from knowing too much.—ALI BABA, K.C.B.

No. XX

MEM-SAHIB

"Her life is lone. He sits apart; He loves her yet: she will not weep, Tho' rapt in matters dark and deep He seems to slight her simple heart.

"For him she plays, to him she sings Of early faith and plighted vows; She knows but matters of the house, And he, he knows a thousand things."

[December 20, 1879.]

I first met her shepherding her little flock across the ocean. She was a beautiful woman, in the full sweetness and bloom of life. [The mystery of early wifehood and motherhood gave a pensiveness to her soft eyes; but her voice and manner disclosed the cheerful confidence of perfect health and a pure heart.] Her talk was of the busy husband she had left, the station life, the attached servants, the favourite horse, the garden, and the bungalow. Her husband would soon follow her, in a year, or two years, and they would return together; but they would return to a silent home—the children would be left behind. She was going home to her mother and sisters; but there had been changes in this home. So her thoughts were woven of hopes and fears; and, as she sat on deck of an evening, with the great heart of the moon-lit sea palpitating around us, and the homeless night-wind sighing through the cordage, she would sing to us one of the plaintive ballads of the old country, till we forgot to listen to the sobbing and the trampling of the engines, and till all sights and sounds resolved themselves into a temple of sentiment round a charming priestess chanting low anthems. She would leave us early to go to her babies. She would leave us throbbing with mock heroics, undecided whether we should cry, or consecrate our lives to some high and noble enterprise, or drink one more glass of hot whiskey-and-water. She was kind, but not sentimental; her sweet, yet practical "good-night" was quite of the work-a-day world; we felt that it tended to dispel illusions.

She had three little boys, who were turned out three times a day in the ultimate state of good behaviour, tidiness, and cleanliness, and who lapsed three times a day into a state of original sin combined with tar and ship's grease. These three little boys pervaded the vessel with an innocent smile on their three little faces, their mother's winning smile. Every man on the ship was their own familiar friend, bound to them by little interchanges of biscuits, confidences, twine, and by that electric smile which their mother communicated, and from which no one wished to be insulated. Yes, they quite pervaded the vessel, these three little innocents, flying that bright and friendly smile; and there was no description of mischief suitable for three very little boys that they did not exhaust. The ingenuity they squandered every day in doing a hundred things which they ought not to have done was perfectly marvellous. Before the voyage was half over we thought there was nothing left for them to do; but we were entirely mistaken. The daily round, a common cask would furnish all they had to ask; to them the meanest whistle that blows, or a pocket-knife, could give thoughts that too often led to smiles and tears.

Their mother's thoughts were ever with them; but she was like a hen with a brood of ducklings. They passed out of her element, and only returned as hunger called them. When they did return she was all that soap and water, loving reproaches, and tender appeals could be; and as they were very affectionate little boys, they were for the time thoroughly cleansed morally and physically, and sealed with the absolution of kisses.

I saw her three years afterwards in England. She was living in lodgings near a school which her boys attended. She looked careworn. Her relations had been kind to her, but not warmly affectionate. She had been disappointed with the welcome they had given her. They seemed changed to her, more formal, narrower, colder. She longed to be back in India; to be with her husband once more. But he was engrossed with his work. He wrote short letters enclosing cheques; but he never said that he missed her, that he longed to see her again, that she must come out to him, or that he must go to her. He could not have grown cold too? No, he was busy; he had never been demonstrative in his affection; this was his way. And she was anxious about the boys. She did not know whether they were really getting on, whether she was doing the best for them, whether their father would be satisfied. She had no friends near her, no one to speak to; so she brooded over these problems, exaggerated them, and fretted.

The husband was a man who lived in his own thoughts, and his thoughts were book thoughts. The world of leaf and bird, the circumambient firmament of music and light, shone in upon him through books. A book was the master key that unlocked all his senses, that unfolded the varied landscape, animated the hero, painted the flower, swelled the orchestra of wind and ocean, peopled the plains of India with starvelings and the mountains of Afghanistan with cut-throats. Without a book he moved about like a shadow lost in some dim dreamland of echoes.

Everyone knew he was a scholar, and his thoughts had once or twice rung out to the world clear and loud as a trumpet-note through the oracles of the Press. But in society he was shy, awkward, and uncouth of speech, quite unable to marshal his thoughts, deserted by his memory, abashed before his own silences, and startled by his own words. Any fool who could talk about the legs of a horse or the height of the thermometer was Prospero to this social Caliban.

He felt that before the fine instincts of women his infirmity was especially conspicuous, and he drifted into misogyny through bashfulness and pride; and yet misogyny was incompatible with his scheme of life and his ambition. He felt himself to be worthy of the full diapason of home life; he desired to be as other men were, besides being something more.

[Greek: Kakon gynaikes all' homos, o daemotai, Ouk estin oikein oikian aneu kakou. Kai gar to gaemai, kai to mae gaemai, kakon.]

So he married her who loved him for choosing her, and who reverenced him for his mysterious treasures of thought.

There was much in his life that she could never share: but he longed for companionship in thought, and for the first year of their married life he tried to introduce her to his world. He led her slowly up to the quiet hill-tops of thought where the air is still and clear, and he gave her to drink of the magic fountains of music. Their hearts beat one delicious measure. Her gentle nature was plastic under the poet's touch, wrought in an instant to perfect harmony with love, or tears, or laughter. To read aloud to her in the evening after the day's work was over, and to see her stirred by every breath of the thought-storm, was to enjoy an exquisite interpretation of the poet's motive, like an impression bold and sharp from the matrix of the poet's mind. This was to hear the song of the poet and Nature's low echo. How tranquilising it was! How it effaced the petty vexations of the day!—"softening and concealing; and busy with a hand of healing."

Tale tuum carmen nobis, divine poeta, Quale sopor fessis in gramine, quale per æstum Dulcis aquæ saliente sitim restinguere rivo.

But with the advent of babies poetry declined, and the sympathetic wife became more and more motherly. The father retired sadly into the dreamland of books. He will not emerge again. Husband and wife will stand upon the clear hill-tops together no more.

Neither quite knows what has happened; they both feel changed with an undefined sorrow, with a regret that pride will not enunciate. She is now again in India with her husband. There are duties, courtesies, nay, kindnesses which both will perform, but the ghost of love and sympathy will only rise in their hearts to jibber in mockery words and phrases that have lost their meaning, that have lost their enchantment.

"O love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home, and your bier?

"Its passions will rock thee As the storms rock the raven on high; Bright reason will mock thee Like the sun from a wintry sky.

"From thy nest every rafter Will rot, and thine eagle home Leave thee naked to laughter When leaves fall and cold winds come."

ALI BABA, K.C.B.

No. XXI

ALI BABA ALONE

THE LAST DAY

"Now the last of many days, All beautiful and bright as thou, The loveliest, and the last is dead, Rise, memory, and write its praise."

[December 27, 1879.]

How shall I lay this spectre of my own identity? Shall I leave it to melt away gracefully in the light of setting suns? It would never do to put it out like a farthing rushlight after it had haunted the Great Ornamental in an aurora of smiles. Is Ali Baba to cease upon the midnight without pain? or is he to lie down like a tired child and weep out the spark? or should he just flit to Elysium? There, seated on Elysian lawns, browsed by none but Dian's (no allusion to little Mrs. Lollipop) fawns, amid the noise of fountains wonderous and the parle of voices thunderous, some wag might scribble on his door, "Here lies Ali Baba"—as if glancing at his truthfulness. How is he to pass effectively into the golden silences? How is he to relapse into the still-world of observation? Would four thousand five hundred a month and Simla do it, with nothing to do and allowances, and a seat beside those littered under the swart Dog-Star of India? Or is it to be the mandragora of pension, that he may sleep out the great gap of ennui between this life and something better? How lonely the Government of India would feel! How the world would forget the Government of India! Voices would ask:—

Do ye sit there still in slumber In gigantic Alpine rows? The black poppies out of number Nodding, dripping from your brows To the red lees of your wine— And so kept alive and fine.

Sometimes I think that Ali Baba should be satisfied with the oblivion-mantle of knighthood and relapse into dingy respectability in the Avilion of Brompton or Bath; but since he has taken to wearing stars the accompanying itch for blood and fame has come:—

How doth the greedy K.C.B. Delight to brag and fight, And gather medals all the day And wear them all the night.

The fear of being out-medalled and out-starred stings him:—

[Consimili ratione ab eodem sæpe timore Macerat invidia, ante oculos ilium esse polentem, Illum aspectari, claro qui incedit honore, Ipsi se in tenebris volvi cænoque queruntur Insereunt partim statuarum et nominis ergo.]

Thus the desire to go hustling up the hill to the Temple of Fame with the other starry hosts impels him forward. If you mix yourself up with K.C.B.'s and raise your platform of ambition, you are just where you were at the A B C of your career. Living on a table-land, you experience no sensation of height. For the intoxicating delights of elevation you require a solitary pinnacle, some lonely eminence. Aut Cæsar, aut nullus; whether in the zenith or the Nadir of the world's favour.

But how much more comfortable in the cold season than the chill splendours of the pinnacles of fame, where "pale suns unfelt at distance roll away," is a comfortable bungalow on the plains, with a little mulled claret after dinner. Here I think Ali Baba will be found, hidden from his creditors, the reading world, in the warm light of thought, singing songs unbidden till a few select cronies are wrought to sympathy with hopes and fears they heeded not—before the mulled claret.

To this symposium the A.-D.-C.-in-Waiting has invited himself on behalf of the Empire. He will sing the Imperial Anthem composed by Mr. Eastwick, and it will be translated into archaic Persian by an imperial Munshi for the benefit of the Man in Buckram, who will be present. The Man in Buckram, who is suffering from a cold in his heart, will be wrapped up in himself and a cocked hat. The Press Commissioner has also asked for an invitation. He will deliver a sentiment:—"Quid sit futurum eras fuge quærere." A Commander-in-Chief will tell the old story about the Service going to the dogs; after which there will be an interval of ten minutes allowed for swearing and hiccuping. The Travelling M.P. will take the opportunity to jot down a few hasty notes on Aryan characteristics for the Twentieth Century before being placed under the table. The Baboo will subsequently be told off to sit on the Member's head. During this function the Baboo will deliver some sesquipedalian reflections in the rodomontade mood. The Shikarry will then tell the twelve-foot-tiger story. Mrs. Lollipop will tell a fib and make tea; and Ali Baba (unless his heart is too full of mulled claret) will make a joke. The company will break up at this point, after receiving a plenary dispensation from the Archdeacon.

Under such influences Ali Baba may become serious; he may learn from the wisdom of age and be cheered by the sallies of youth. But little Mrs. Lollipop can hardly be called one of the Sallies of his youth. Sally Lollipop rose upon the horizon of his middle age. She boiled up, pure blanc-mange and roses, over the dark brim of life's afternoon, a blushing sunrise, though late to rise, and most cheerful. Sometimes after spending an afternoon with her, Ali Baba feels so cheered that the Government of India seems quite innocent and bright, like an old ballerina seen through the mists of champagne and limelight. He walks down the Mall smiling upon foolish Under Secretaries and fat Baboos. The people whisper as he passes, "There goes Ali Baba"; and echo answers "Who is Ali Baba?" Then a little wind of conjecture breathes through the pine-trees and names are heard.

It is better not to call Ali Baba names. Nothing is so misleading as a vulgar nomenclature. I once knew a man who was called "Counsellor of the Empress" when he ought to have had his photograph exposed in the London shop-windows like King Cetewayo, K.C.M.G. I have heard an eminent Frontier General called "Judas Iscariot," and I myself was once pointed out as a "Famine Commissioner," and afterwards as an expurgated edition of the Secretary to the Punjab Government. People seemed to think that Ali Baba would smell sweeter under some other name. This was a mistake.

Almost everything you are told in Simla is a mistake. You should never believe anything you hear till it is contradicted by the Pioneer. I suppose the Government of India is the greatest gobemouche in the world. I suppose there never was an administration of equal importance which received so much information and which was so ill-informed. At a bureaucratic Simla dinner-party the abysses of ignorance that yawn below the company on every Indian topic are quite appalling!

I once heard Mr. Stokes say that he had never heard of my book on the Permanent Settlement; and yet Mr. Stokes is a decidedly intelligent man, with some knowledge of Cymric and law. I daresay now if you were to draw off and decant the law on his brain, it would amount to a full dose for an adult; yet he never heard of my book on the Permanent Settlement. He knew about Blackstone; he had seen an old copy once in a second-hand book shop; but he had never heard of my work! How loosely the world floats around us! I question its objective reality. I doubt whether anything has more objectivity in it than Ali Baba himself. He was certainly flogged at school. Yet when we now try to put our finger on Ali Baba he eludes the touch; when we try to lay him he starts up gibbering at Cabul, Lahore, or elsewhere. Perhaps it is easier to imprison him in morocco boards and allow him to be blown with restless violence round about the pendant world, abandoned to critics: whom our lawless and uncertain thoughts imagine howling.

[Ali Baba! I know not what thou art, but know that thou and I must part; and why or where and how we met, I own to me's a secret yet. Ali Baba, we've been long together through pleasant and through cloudy weather; 'tis hard to part when things are dear, bar silver, piece cloth, bottled beer, then steal away with this short warning: choose thine own winding-sheet, say not good-night here, but in some brighter binding, sweet, bid me good morning.]—ALI BABA, K.C.B.