Notes to The Works of Charles and Mary Lamb — Volume 1 — Reading edition
74 notes · Reading edition
CHAPTER VII · Note 1CHARACTERS OF DRAMATIC WRITERS, CONTEMPORARY WITH SHAKSPEARE. · Note 1CHARACTERS OF DRAMATIC WRITERS, CONTEMPORARY WITH SHAKSPEARE. · Note 2CHARACTERS OF DRAMATIC WRITERS, CONTEMPORARY WITH SHAKSPEARE. · Note 3CHARACTERS OF DRAMATIC WRITERS, CONTEMPORARY WITH SHAKSPEARE. · Note 4ON THE INCONVENIENCES RESULTING FROM BEING HANGED · Note 1ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 1ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 2ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 3ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 4ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 5ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 6ON THE GENIUS AND CHARACTER OF HOGARTH; WITH SOME REMARKS ON A PASSAGE IN THE WRITINGS OF THE LATE MR. BARRY · Note 7ON THE TRAGEDIES OF SHAKSPEARE, CONSIDERED WITH REFERENCE TO THEIR FITNESS FOR STAGE REPRESENTATION · Note 1ON THE TRAGEDIES OF SHAKSPEARE, CONSIDERED WITH REFERENCE TO THEIR FITNESS FOR STAGE REPRESENTATION · Note 2ON THE TRAGEDIES OF SHAKSPEARE, CONSIDERED WITH REFERENCE TO THEIR FITNESS FOR STAGE REPRESENTATION · Note 3ON THE TRAGEDIES OF SHAKSPEARE, CONSIDERED WITH REFERENCE TO THEIR FITNESS FOR STAGE REPRESENTATION · Note 4SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN · Note 1SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN · Note 2SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN · Note 3SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN · Note 4SPECIMENS FROM THE WRITINGS OF FULLER, THE CHURCH HISTORIAN · Note 5THE GOOD CLERK, A CHARACTER; WITH SOME ACCOUNT OF "THE COMPLETE ENGLISH TRADESMAN" · Note 1THE GOOD CLERK, A CHARACTER; WITH SOME ACCOUNT OF "THE COMPLETE ENGLISH TRADESMAN" · Note 2CONFESSIONS OF A DRUNKARD · Note 1RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 1RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 2RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 3RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 4RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 5RECOLLECTIONS OF CHRIST'S HOSPITAL · Note 6REVIEW OF THE EXCURSION; A POEM · Note 1REVIEW OF THE EXCURSION; A POEM · Note 2ON THE MELANCHOLY OF TAILORS · Note 1ON THE POETICAL WORKS OF GEORGE WITHER · Note 1ON THE POETICAL WORKS OF GEORGE WITHER · Note 2FIVE DRAMATIC CRITICISMS · Note 1FOUR REVIEWS · Note 1FOUR REVIEWS · Note 2FOUR REVIEWS · Note 3SIR THOMAS MORE · Note 1THE CONFESSIONS OF H. F. V. H. DELAMORE, Esq. · Note 1LETTER TO AN OLD GENTLEMAN WHOSE EDUCATION HAS BEEN NEGLECTED · Note 1RITSON VERSUS JOHN SCOTT THE QUAKER · Note 1RITSON VERSUS JOHN SCOTT THE QUAKER · Note 2GUY FAUX · Note 1GUY FAUX · Note 2ORIGINAL LETTER OF JAMES THOMSON · Note 1ORIGINAL LETTER OF JAMES THOMSON · Note 2THE ILLUSTRIOUS DEFUNCT[49] · Note 1REFLECTIONS IN THE PILLORY · Note 1A POPULAR FALLACY · Note 1A POPULAR FALLACY · Note 2CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 1CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 2CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 3CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 4CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 5CONTRIBUTIONS TO HONE'S EVERY-DAY BOOK AND TABLE BOOK · Note 6AN AUTOBIOGRAPHICAL SKETCH · Note 1SHAKSPEARE'S IMPROVERS · Note 1CLARENCE SONGS · Note 1THE LATIN POEMS OF VINCENT BOURNE · Note 1THE LATIN POEMS OF VINCENT BOURNE · Note 2NOTES · Note 1NOTES · Note 2NOTES (continued 2) · Note 1NOTES (continued 2) · Note 2NOTES (continued 2) · Note 3NOTES (continued 2) · Note 4NOTES (continued 3) · Note 1NOTES (continued 3) · Note 2NOTES (continued 3) · Note 3NOTES (continued 4) · Note 1